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Reek of Putrefaction
Reek of Putrefaction is the debut studio album by English extreme metal band Carcass. It was released by Earache Records on 28 July 1988. It is considered the first release in the goregrind genre, which the band pioneered.
Reek of Putrefaction was recorded in four days at Rich Bitch Studios in Birmingham. According to guitarist Bill Steer, the studio's engineer "ruined" the record, especially its drum tracks. Carcass had only had a few hours available of mixing, so they had to release the LP as it was to meet the label's deadline. The band were "everything but happy" with the result, declared Steer.
When the master recording was first sent to the pressing plant, the original vinyl LP had to be pressed at lower volumes, because the bass frequencies were so low (sometimes reaching 25 Hz) that they were in danger of rendering higher frequencies inaudible.
Guitarist-vocalist Bill Steer retrospectively said that "The first album wasn’t very focused, it was just about being fast and heavy..."[citation needed]
He went on to say that the band did not intend the muddy sound present throughout the album: "The first one obviously is a crazy accident. It’s got a small following but we did not intend to make that record the thing that people hear now. We had different ideas and we just couldn’t execute them. We were too young, too naïve, and inexperienced. From 'Symphonies' onwards, we got better at achieving the things we wanted to achieve in the studio."[citation needed]
Revolver said that the album's music was "hectic, brutal and sounds like it was recorded beneath a stack of wet mattresses."
Invisible Oranges wrote: "Carcass’ 1988 [debut] set new standards for auditory dismemberment, channeling the sound of Napalm Death through a vomited, gore-encrusted wormhole backwards. This is the aural nightmare of the dissecting table pushed beyond the extremes previously explored by the tinny sounds of blackthrash with bowl-rupturing, gurgling low end. Ken Owen flails about so nightmarishly you can’t even really distinguish if he’s even playing drums or has merely taken the contents of mortician’s tools of the trade and thrown them out of the window of morgue into the biohazard-labeled dumpster."
Lyrical themes explored on the album include vomitting, feces, wound healing, and foeticide. According to Revolver, the track "Foeticide" is a "horrific description of abortion by electrocution [...] a mad scientist frying human babies in their wombs."
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Reek of Putrefaction
Reek of Putrefaction is the debut studio album by English extreme metal band Carcass. It was released by Earache Records on 28 July 1988. It is considered the first release in the goregrind genre, which the band pioneered.
Reek of Putrefaction was recorded in four days at Rich Bitch Studios in Birmingham. According to guitarist Bill Steer, the studio's engineer "ruined" the record, especially its drum tracks. Carcass had only had a few hours available of mixing, so they had to release the LP as it was to meet the label's deadline. The band were "everything but happy" with the result, declared Steer.
When the master recording was first sent to the pressing plant, the original vinyl LP had to be pressed at lower volumes, because the bass frequencies were so low (sometimes reaching 25 Hz) that they were in danger of rendering higher frequencies inaudible.
Guitarist-vocalist Bill Steer retrospectively said that "The first album wasn’t very focused, it was just about being fast and heavy..."[citation needed]
He went on to say that the band did not intend the muddy sound present throughout the album: "The first one obviously is a crazy accident. It’s got a small following but we did not intend to make that record the thing that people hear now. We had different ideas and we just couldn’t execute them. We were too young, too naïve, and inexperienced. From 'Symphonies' onwards, we got better at achieving the things we wanted to achieve in the studio."[citation needed]
Revolver said that the album's music was "hectic, brutal and sounds like it was recorded beneath a stack of wet mattresses."
Invisible Oranges wrote: "Carcass’ 1988 [debut] set new standards for auditory dismemberment, channeling the sound of Napalm Death through a vomited, gore-encrusted wormhole backwards. This is the aural nightmare of the dissecting table pushed beyond the extremes previously explored by the tinny sounds of blackthrash with bowl-rupturing, gurgling low end. Ken Owen flails about so nightmarishly you can’t even really distinguish if he’s even playing drums or has merely taken the contents of mortician’s tools of the trade and thrown them out of the window of morgue into the biohazard-labeled dumpster."
Lyrical themes explored on the album include vomitting, feces, wound healing, and foeticide. According to Revolver, the track "Foeticide" is a "horrific description of abortion by electrocution [...] a mad scientist frying human babies in their wombs."