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Reynaldo Hahn
Reynaldo Hahn de Echenagucia (9 August 1874 – 28 January 1947) was a French composer, conductor, music critic, and singer. He is best known for his songs – mélodies – of which he wrote more than 100.
Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "Si mes vers avaient des ailes" (If my verses had wings), written when he was aged 14, he became a prominent member of fin de siècle French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, Ciboulette (1923) and a collaboration with Sacha Guitry, the musical comedy Mozart (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 1945 where he was appointed director of the Opéra. He died in Paris in 1947, aged 72.
Hahn was a prolific composer. His vocal works include secular and sacred pieces, lyric scenes, cantatas, oratorios, operas, comic operas, and operettas. Orchestral works include concertos ballets, tone poems, incidental music for plays and films. He wrote a range of chamber music, and piano works. He sang as well as played his own songs, and made recordings as a soloist and accompanying other performers. After his death his music was neglected but from the late 20th century onward increasing interest has led to frequent performances of many of his works and recordings of all his songs and piano work, much of his orchestral music and some of his stage works.
Hahn was born in Caracas, Venezuela, on 9 August 1874, the youngest child of Carlos (né Karl) Hahn (1822–1897) and his wife Elena María née de Echenagucia (1831–1912). Carlos Hahn, the eldest son of a Jewish family in Hamburg, emigrated to Venezuela in 1845 at the age of twenty-two, making a highly successful business career there. He converted to Roman Catholicism to marry Elena de Echenagucia; she was of Spanish descent on her father's side and Dutch-English on her mother's. When his friend and associate Antonio Guzmán Blanco became president of the country in 1876, Carlos became Blanco's financial adviser. The Hahns had eleven or twelve children, nine of whom lived to adulthood. Reynaldo, known as "Nano", was the youngest, twenty years younger than his eldest brother. He was brought up speaking fluent German, Spanish and (having a British nanny) English.
When Blanco's first term of office came to an end in 1877, the Hahn family left Venezuela and settled in Paris, where they had relations and well-connected friends. It was France that, as a 21st-century writer put it, would "determine and define Hahn's musical identity in later life". Among the family's Parisian friends was Princess Mathilde, niece of Napoleon I; the young Hahn sang for her, and made his public debut at the age of six, at a musical soirée in her drawing room. He began composition lessons with an Italian teacher when he was eight.
In 1885, aged eleven, Hahn was admitted to the Paris Conservatoire's preparatory course. He went on to study piano with Émile Decombes (in the same class as Maurice Ravel and Alfred Cortot), harmony with Albert Lavignac and Théodore Dubois, and composition with Charles Gounod and Jules Massenet. The last became Hahn's lifelong friend and mentor. As a young man Massenet had won France's top musical scholarship, the Prix de Rome, but Hahn could not emulate him: only French nationals were eligible, and the Hahns had not taken French citizenship. Besides, Massenet counselled, with rich parents Hahn did not need the scholarship as his less affluent colleagues did. Through Massenet, Hahn met Camille Saint-Saëns, with whom he studied privately in addition to his Conservatoire lessons.
While still a student Hahn had an early success with his mélodie "Si mes vers avaient des ailes" (If my verses had wings) to a poem by Victor Hugo. The song was among a set of Hahn's mélodies published by the leading music publisher Hartmann et Cie in 1890. Le Figaro took it up – "We feel we must reproduce this graceful piece which obviously denotes a delicate and original musician" – and devoted half a broadsheet page to printing the words and music.
Hahn dedicated "Si mes vers avaient des ailes" to his sister Maria, who had married the painter Raimundo de Madrazo y Garreta. At their house Hahn met many of the leading figures in the arts, including Alphonse Daudet, for whose play L'obstacle the teenaged Hahn composed incidental music. The play was presented at the Théâtre du Gymnase in December 1890. Daudet called Hahn's music his "chère musique preferée". At the Daudets' house in 1893 the singer Sybil Sanderson premiered Hahn's Chansons grises, settings of poems by Paul Verlaine. The poet was present and was moved to tears by Hahn's settings of his verse. Stéphane Mallarmé was also present, and wrote:
Reynaldo Hahn
Reynaldo Hahn de Echenagucia (9 August 1874 – 28 January 1947) was a French composer, conductor, music critic, and singer. He is best known for his songs – mélodies – of which he wrote more than 100.
Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "Si mes vers avaient des ailes" (If my verses had wings), written when he was aged 14, he became a prominent member of fin de siècle French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, Ciboulette (1923) and a collaboration with Sacha Guitry, the musical comedy Mozart (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 1945 where he was appointed director of the Opéra. He died in Paris in 1947, aged 72.
Hahn was a prolific composer. His vocal works include secular and sacred pieces, lyric scenes, cantatas, oratorios, operas, comic operas, and operettas. Orchestral works include concertos ballets, tone poems, incidental music for plays and films. He wrote a range of chamber music, and piano works. He sang as well as played his own songs, and made recordings as a soloist and accompanying other performers. After his death his music was neglected but from the late 20th century onward increasing interest has led to frequent performances of many of his works and recordings of all his songs and piano work, much of his orchestral music and some of his stage works.
Hahn was born in Caracas, Venezuela, on 9 August 1874, the youngest child of Carlos (né Karl) Hahn (1822–1897) and his wife Elena María née de Echenagucia (1831–1912). Carlos Hahn, the eldest son of a Jewish family in Hamburg, emigrated to Venezuela in 1845 at the age of twenty-two, making a highly successful business career there. He converted to Roman Catholicism to marry Elena de Echenagucia; she was of Spanish descent on her father's side and Dutch-English on her mother's. When his friend and associate Antonio Guzmán Blanco became president of the country in 1876, Carlos became Blanco's financial adviser. The Hahns had eleven or twelve children, nine of whom lived to adulthood. Reynaldo, known as "Nano", was the youngest, twenty years younger than his eldest brother. He was brought up speaking fluent German, Spanish and (having a British nanny) English.
When Blanco's first term of office came to an end in 1877, the Hahn family left Venezuela and settled in Paris, where they had relations and well-connected friends. It was France that, as a 21st-century writer put it, would "determine and define Hahn's musical identity in later life". Among the family's Parisian friends was Princess Mathilde, niece of Napoleon I; the young Hahn sang for her, and made his public debut at the age of six, at a musical soirée in her drawing room. He began composition lessons with an Italian teacher when he was eight.
In 1885, aged eleven, Hahn was admitted to the Paris Conservatoire's preparatory course. He went on to study piano with Émile Decombes (in the same class as Maurice Ravel and Alfred Cortot), harmony with Albert Lavignac and Théodore Dubois, and composition with Charles Gounod and Jules Massenet. The last became Hahn's lifelong friend and mentor. As a young man Massenet had won France's top musical scholarship, the Prix de Rome, but Hahn could not emulate him: only French nationals were eligible, and the Hahns had not taken French citizenship. Besides, Massenet counselled, with rich parents Hahn did not need the scholarship as his less affluent colleagues did. Through Massenet, Hahn met Camille Saint-Saëns, with whom he studied privately in addition to his Conservatoire lessons.
While still a student Hahn had an early success with his mélodie "Si mes vers avaient des ailes" (If my verses had wings) to a poem by Victor Hugo. The song was among a set of Hahn's mélodies published by the leading music publisher Hartmann et Cie in 1890. Le Figaro took it up – "We feel we must reproduce this graceful piece which obviously denotes a delicate and original musician" – and devoted half a broadsheet page to printing the words and music.
Hahn dedicated "Si mes vers avaient des ailes" to his sister Maria, who had married the painter Raimundo de Madrazo y Garreta. At their house Hahn met many of the leading figures in the arts, including Alphonse Daudet, for whose play L'obstacle the teenaged Hahn composed incidental music. The play was presented at the Théâtre du Gymnase in December 1890. Daudet called Hahn's music his "chère musique preferée". At the Daudets' house in 1893 the singer Sybil Sanderson premiered Hahn's Chansons grises, settings of poems by Paul Verlaine. The poet was present and was moved to tears by Hahn's settings of his verse. Stéphane Mallarmé was also present, and wrote:
