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Hub AI
Rhythmic oldies AI simulator
(@Rhythmic oldies_simulator)
Hub AI
Rhythmic oldies AI simulator
(@Rhythmic oldies_simulator)
Rhythmic oldies
Rhythmic oldies is a radio format that concentrates on the rhythmic, R&B, disco, or dance genres of music. The playlists spans from the 1960s through the 2000s. They depend on market conditions and may be designed for African-American or Hispanic audiences. It is also referred to as "Jammin' Oldies" or "Music From Back in the Day" by various radio stations. Since the late 2000s, much of the library in the "rhythmic oldies" format has been adopted by the classic hits format. A variation on the format is urban oldies.
On November 19, 1997, the Los Angeles radio station formerly known as KIBB began a new concept in radio. KCMG, which named itself Mega 100.3 after a listener contest, was "oldies with attitude". Chancellor Media, later to be called AMFM, developed the format with the intention of using it on other stations. Just as radio in the 80s had the "urban versus churban" competition, R & B oldies radio was dividing into two camps—the straight urban oldies stations targeting African Americans, and the "Jammin' Oldies" stations with a wider audience that included both blacks and whites. On Jammin' Oldies radio, DJs were often mostly white or a variety of racial groups. Many of the songs played had crossed over to top 40 radio, while R&B stations continued to play more hits, including ballads, not familiar to top 40 fans, especially if those songs were not singles. Some of the rhythmic stations played songs completely unrelated to R & B; "Mony Mony" by Tommy James on the now defunct WFJO in Tampa was one example, though this station dropped such songs eventually.
Another version of the format was "Groovin' Oldies", as in the case of WGRV in Detroit. This station switched from modern rock in April 1999, calling itself "The Groove". This format lasted until a switch to adult contemporary in June 2001. The last song was "End of the Road" by Boyz II Men.
In April 1999, WGAY in Washington, D.C., switched to "Jammin' Oldies", which had been successful in every market where it was tried. One reason was that the format was tailored to each specific market. In Los Angeles, the format leaned toward Latin music. Other markets included Fresno, Chicago, and New York City. Listeners changed from urban contemporary and other types of oldies stations. Most of the music came from the 70s, but there were also 60s and 80s hits. Unlike most radio formats, Jammin' Oldies did not target one specific ethnic or gender group. Black and white artists were included, and a slight majority of listeners were female. WJMO "Jammin' Oldies 99.5" succeeded at first, but two years later fell victim to a declining economy. Another problem for "Jammin' Oldies" was that it was the "hot new format" in 1998, but there were other "hot new formats" in 2000.
In Chicago, it was rocker WRCX that changed—to WUBT "103-5 The Beat". The result was a significant ratings improvement that resulted from adding pop artists such as Madonna, the Bee Gees and Tina Turner to what had been old school urban oldies. But the deregulation of radio in 1996 made consolidation a priority. This meant companies were looking at operating groups of stations rather than at individual stations they owned. Clear Channel bought AMFM, and in 2001 WUBT became top 40 WKSC-FM.
In New York City, Chancellor Media decided to convert a station it had been having trouble formatting for some time. As 1998 began, the company had just bought WNSR-FM, with initially a modern adult contemporary format that evolved to a cross between its sister station WLTW and the Hot AC format which was being used by WPLJ at the time. In January 1998, Chancellor changed the call letters to WBIX, rebranded the station as "Big 105", and steered it more toward the Hot AC format of WPLJ. Eleven months later, with zero improvement in the ratings, WBIX was flipped to the Jammin' Oldies format and became WTJM. The difference from competitor WRKS was described this way by Airplay Monitor editor Sean Ross:
TV spots feature former New York mayor Ed Koch, not exactly someone you expect to emerge from the P-Funk mother ship.
Music director Wayne Mayo had held the same job at WRKS in New York City and at KISQ in San Francisco. By 2002, the station flipped to Urban Contemporary.
Rhythmic oldies
Rhythmic oldies is a radio format that concentrates on the rhythmic, R&B, disco, or dance genres of music. The playlists spans from the 1960s through the 2000s. They depend on market conditions and may be designed for African-American or Hispanic audiences. It is also referred to as "Jammin' Oldies" or "Music From Back in the Day" by various radio stations. Since the late 2000s, much of the library in the "rhythmic oldies" format has been adopted by the classic hits format. A variation on the format is urban oldies.
On November 19, 1997, the Los Angeles radio station formerly known as KIBB began a new concept in radio. KCMG, which named itself Mega 100.3 after a listener contest, was "oldies with attitude". Chancellor Media, later to be called AMFM, developed the format with the intention of using it on other stations. Just as radio in the 80s had the "urban versus churban" competition, R & B oldies radio was dividing into two camps—the straight urban oldies stations targeting African Americans, and the "Jammin' Oldies" stations with a wider audience that included both blacks and whites. On Jammin' Oldies radio, DJs were often mostly white or a variety of racial groups. Many of the songs played had crossed over to top 40 radio, while R&B stations continued to play more hits, including ballads, not familiar to top 40 fans, especially if those songs were not singles. Some of the rhythmic stations played songs completely unrelated to R & B; "Mony Mony" by Tommy James on the now defunct WFJO in Tampa was one example, though this station dropped such songs eventually.
Another version of the format was "Groovin' Oldies", as in the case of WGRV in Detroit. This station switched from modern rock in April 1999, calling itself "The Groove". This format lasted until a switch to adult contemporary in June 2001. The last song was "End of the Road" by Boyz II Men.
In April 1999, WGAY in Washington, D.C., switched to "Jammin' Oldies", which had been successful in every market where it was tried. One reason was that the format was tailored to each specific market. In Los Angeles, the format leaned toward Latin music. Other markets included Fresno, Chicago, and New York City. Listeners changed from urban contemporary and other types of oldies stations. Most of the music came from the 70s, but there were also 60s and 80s hits. Unlike most radio formats, Jammin' Oldies did not target one specific ethnic or gender group. Black and white artists were included, and a slight majority of listeners were female. WJMO "Jammin' Oldies 99.5" succeeded at first, but two years later fell victim to a declining economy. Another problem for "Jammin' Oldies" was that it was the "hot new format" in 1998, but there were other "hot new formats" in 2000.
In Chicago, it was rocker WRCX that changed—to WUBT "103-5 The Beat". The result was a significant ratings improvement that resulted from adding pop artists such as Madonna, the Bee Gees and Tina Turner to what had been old school urban oldies. But the deregulation of radio in 1996 made consolidation a priority. This meant companies were looking at operating groups of stations rather than at individual stations they owned. Clear Channel bought AMFM, and in 2001 WUBT became top 40 WKSC-FM.
In New York City, Chancellor Media decided to convert a station it had been having trouble formatting for some time. As 1998 began, the company had just bought WNSR-FM, with initially a modern adult contemporary format that evolved to a cross between its sister station WLTW and the Hot AC format which was being used by WPLJ at the time. In January 1998, Chancellor changed the call letters to WBIX, rebranded the station as "Big 105", and steered it more toward the Hot AC format of WPLJ. Eleven months later, with zero improvement in the ratings, WBIX was flipped to the Jammin' Oldies format and became WTJM. The difference from competitor WRKS was described this way by Airplay Monitor editor Sean Ross:
TV spots feature former New York mayor Ed Koch, not exactly someone you expect to emerge from the P-Funk mother ship.
Music director Wayne Mayo had held the same job at WRKS in New York City and at KISQ in San Francisco. By 2002, the station flipped to Urban Contemporary.