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Key Information

Frederick Stanley 'Rick' Kemp (born 15 November 1941) is an English bass player, guitarist, songwriter, vocalist and record producer, best known for his work with the British folk rock band Steeleye Span.

Projects

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In the 1960s, he shot to prominence through his work with singer-songwriter Michael Chapman, and had a reputation within the music industry as a rock and blues session bassist, before his transition into British folk rock. Kemp joined Steeleye Span in 1972, left in 1986, rejoined in 2000, and left again at the end of 2016.[citation needed]

In 1971 Kemp auditioned for King Crimson, and got the gig shortly before the band recorded their album Islands. However, he turned down the opportunity to join them permanently, and reportedly departed the band after just a week, with his role as bassist being filled by singer Boz Burrell.[1]

Kemp has played bass on a number of Maddy Prior records, and was a member of the Maddy Prior Band in the 1980s. The 1990 album Happy Families was officially credited to "Maddy Prior and Rick Kemp".

He also played on solo albums by former Steeleye Span member Tim Hart in the 1970s and 1980s. In the 1990s he joined Doug Morter (Albion Band) and Jerry Donahue (Fotheringay, Fairport Convention) in The Backroom Boys. In 2007 again with Morter and Donahue he formed The Gathering (later Gathering Britannia) alongside Kristina Donahue, Ray Jackson and Clive Bunker. They released one album The Bridge Between (2011)[2]

In 1979 Kemp co-founded the record label Plant Life with Steeleye Span drummer Nigel Pegrum. The label was discontinued in 1984.

He has released five solo albums: Escape (1996), Spies (1998), Codes (2004), Fanfare (2009) and Perfect Blue (2018). The line-up for his first two solo albums consisted primarily of a traditional Blues three-piece, with Kemp working alongside Spud Sinclair on guitar and Charlie Carruthers on drums. His more recent albums have seen Kemp himself playing most of the instruments, with various guest musicians.

From 1997 to around 2009, Kemp was the producer for the ceilidh dance band, Whapweasel. He also occasionally played guitar (as opposed to bass) with them.

Personal life

[edit]

Kemp was born in Little Hanford, Dorset, UK. He lives in Carlisle, Cumbria and was a Music Tutor at Cumbria College of Art and Design in Carlisle in 1996.

He was the husband of Steeleye Span lead vocalist Maddy Prior, but they have since divorced.[3] He is also the father of the musician Rose Kemp and hip-hop artist 'Kemp' whose first name is Alex.

References

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Rick Kemp

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Rick Kemp (born Frederick Stanley Kemp on 15 November 1941 in Little Hanford, Dorset, England) is an English bass guitarist, songwriter, vocalist, and record producer, best known for his extensive contributions to the British folk rock band Steeleye Span.[1] Kemp joined Steeleye Span in 1972, helping to form its classic lineup alongside Maddy Prior, Tim Hart, Peter Knight, and Bob Johnson, and remained a core member until 1986 before rejoining from 2000 to 2016.[2][1] During his time with the band, he contributed as a prolific songwriter beginning in the 1970s, penning notable tracks such as "Somewhere in London," "Somewhere Along the Road," "Deep in the Darkest Night," and "Cromwell's Skull."[2][3] Beyond Steeleye Span, Kemp collaborated extensively with singer Maddy Prior—whom he was once married to and with whom he shares daughters Rose and Theresa Kemp—on projects including the duo album Happy Families (1990) and her band in the early 1980s.[1][4] Earlier in his career, Kemp worked with folk-rock artist Michael Chapman on several albums from 1969 to 1976 and played in the skiffle band The Ravens, while later associations included groups like Roger Bloom's Hammer and The Gathering.[2][3][1] As a solo artist, he released five albums: Escape (1996), Spies (1998), Codes (2004), Fanfare (2009), and Perfect Blue (2018), often collaborating with musicians such as Ken Nicol and Paul Burgess.[2] Kemp, who resides in Carlisle, Cumbria, retired from Steeleye Span in 2016 but continues occasional solo performances and production work.[1]

Early life

Childhood and family

Frederick Stanley Kemp was born on 15 November 1941 in Little Hanford, Dorset, England.[5] Little detailed information is publicly available regarding his childhood or upbringing. He relocated to south east London during his teenage years.[6]

Musical beginnings

Kemp's interest in music emerged during his teenage years in post-war Britain, where the skiffle craze—popularized by artists like Lonnie Donegan—provided an accessible entry point for young musicians through its simple instrumentation and DIY ethos. Kemp relocated to south east London, where he formed part of the burgeoning local scene influenced by American folk, blues, and jazz traditions adapted for British audiences.[1][7] At the age of fifteen in 1956, Kemp joined the skiffle band The Ravens, marking his formal entry into performing. The group quickly gained recognition, winning the All England Skiffle competition at the prestigious Café de Paris in London, a victory that highlighted their energetic renditions of traditional and contemporary tunes on basic setups of guitars, washboards, and tea-chest basses. This early success exposed Kemp to live audiences and collaborative playing, fostering skills that would later define his versatile style as a bassist and guitarist.[7][6] Following the skiffle era's decline in the late 1950s, Kemp shifted toward rock and session work, initially focusing on bass guitar to support emerging electric ensembles. His foundational experiences in The Ravens instilled a rhythmic drive and appreciation for roots music, blending folk elements with rock energy—qualities that influenced his subsequent contributions to British folk-rock. By the early 1960s, he had begun working as a session musician, laying the groundwork for professional collaborations.[2][8]

Career

Pre-Steeleye Span work

Kemp began his professional music career in the late 1960s as a session bassist in the British music scene, building a reputation through collaborations in folk, rock, and jazz-inflected projects.[2] His early work included contributing bass to Roger Bloom's Hammer's debut album Richard III (1969), an experimental rock recording that showcased his adaptability as a supporting musician. Kemp rose to prominence in the folk-rock circuit through his three-year association with singer-songwriter Michael Chapman, spanning approximately 1969 to 1971. He provided bass guitar—and occasionally maracas and backing vocals—on key Chapman albums, including the debut Rainmaker (1969), Fully Qualified Survivor (1970), Window (1971), Wrecked Again (1971), and Millstone Grit (1971).[9][10][11][12] The 1970 release Fully Qualified Survivor, produced by Gus Dudgeon, featured Kemp alongside emerging guitarist Mick Ronson in one of Ronson's earliest studio appearances before his tenure with David Bowie.[13] These recordings highlighted Kemp's rhythmic precision and ability to blend acoustic folk elements with electric rock textures, contributing to Chapman's evolving sound during a prolific period.[14] It was through his association with Michael Chapman that Kemp first encountered Steeleye Span's music, setting the stage for his later involvement with the band.[2]

Time with Steeleye Span

Rick Kemp joined Steeleye Span in 1972 as the band's bassist, recruited alongside guitarist Bob Johnson to replace departing members Ashley Hutchings and Martin Carthy, thereby forming the classic lineup that included vocalists Maddy Prior and Tim Hart, along with fiddler Peter Knight.[2] Kemp's background in rock music, including prior work with Michael Chapman, brought a more electric edge to the group's folk roots, contributing to their transition toward mainstream success.[8] His debut album with the band, Below the Salt (1972), featured the a cappella track "Gaudete," which achieved surprise chart success upon re-release in 1973, reaching No. 14 on the UK Singles Chart and establishing Steeleye Span's commercial viability.[15] During the 1970s, Kemp played a pivotal role in the band's most prolific and popular era, appearing on key releases such as Parcel of Rogues (1973), Now We Are Six (1974), All Around My Hat (1975), and Rocket Cottage (1976). The title track from All Around My Hat became the band's biggest hit, peaking at No. 5 in the UK and earning silver certification, while Kemp's bass lines provided rhythmic drive to their blend of traditional folk and rock arrangements.[15] He also contributed occasional backing vocals and harmonies, enhancing the group's layered sound on tracks like "John Barleycorn" from Below the Salt. The lineup's chemistry fueled extensive touring and a string of albums that solidified Steeleye Span's influence in British folk rock.[16] Kemp remained with the band through the early 1980s, contributing to albums including Storm Force Ten (1977) and The Journey (1978), even as internal changes occurred, such as Tim Hart's departure in 1980. However, mounting touring stress and a debilitating shoulder injury led him to leave in 1986, after which Tim Harries took over on bass.[2] Kemp rejoined Steeleye Span in 2000 for select tours and became a permanent member again in 2002 as part of a classic lineup reformation prompted by Maddy Prior's return.[15] In this later phase, he expanded his role to include songwriting and lead vocals, co-writing tracks like "Samain" on They Called Her Babylon (2004) and "Cromwell's Skull" on Dodgy Bastards (2016), while appearing on five studio albums including Wintersmith (2013), a collaboration with Terry Pratchett.[16] Kemp retired from the band in 2016 after over four decades of intermittent involvement, having recorded on 15 Steeleye Span albums in total.[16]

Post-Steeleye projects

After retiring from Steeleye Span in 2016 following over four decades of intermittent involvement, Rick Kemp pursued a more selective schedule of musical activities, including occasional solo performances and collaborations with former bandmates. He continues to perform "an evening with" style gigs, often in intimate settings such as private homes, and has maintained a presence through targeted live appearances rather than extensive touring.[2] Kemp's solo recording career, which began during his later years with Steeleye Span, represents a significant body of work independent of the band. His debut solo album, Escape (1996), featured a lineup including Steeleye Span fiddler Peter Knight and emphasized Kemp's songwriting and multi-instrumental talents on bass, guitar, and vocals. This was followed by Spies (1998), Codes (2004), and Fanfare (2009), each showcasing original compositions blending folk, rock, and progressive elements with contributions from musicians like Ken Nicol, a former Steeleye Span guitarist. These early solo releases, now out of print, highlight Kemp's exploration of thematic narratives, such as espionage in Spies and cryptic puzzles in Codes. His fifth solo album, Perfect Blue (2018), arrived post-retirement and included reworkings of earlier songs like "Where Are They Now?" and "Somewhere Along the Road," underscoring his reflective approach to his catalog.[2][1] Beyond solo efforts, Kemp collaborated closely with his then-wife, vocalist Maddy Prior, on the duo album Happy Families (1990), a folk-rock project that drew on their personal life as parents and featured tracks like the title song and "Rose," co-written by the pair. The album incorporated electric instrumentation and accordion, marking a departure from Prior's solo work while showcasing Kemp's production and bass skills. In recent years, Kemp has joined forces with ex-Steeleye Span member Ken Nicol and drummer Paul Burgess (formerly of 10cc) for live performances, blending acoustic sets with selections from his solo repertoire and Steeleye classics. These endeavors reflect Kemp's shift toward community-oriented music-making in his home base of Carlisle, Cumbria, where he resides.[17][18][2]

Songwriting and production

Key compositions

Rick Kemp's songwriting contributions span folk rock, blending traditional influences with original melodies and lyrics, often co-authored with his wife, Maddy Prior, during their collaborative projects in the 1980s and beyond. His compositions for Steeleye Span, where he served as bassist and vocalist from 1972 to 1986 and rejoined in 2000, frequently explore historical, environmental, and personal themes, adding modern depth to the band's folk roots. Kemp's work gained prominence in the band's later albums, where he emerged as a primary songwriter, contributing up to four tracks on key releases like Wintersmith (2013).[2] One of Kemp's earliest notable compositions for Steeleye Span is the melody for "London," a satirical take on 19th-century dandy culture adapted from a traditional broadside, featured as the lead single on Rocket Cottage (1976). This track highlighted his ability to fuse historical lyrics with accessible, radio-friendly arrangements, helping the album chart in the UK.[19][2] Later, on the reunion album Sails of Silver (1980), Kemp penned "Where Are They Now," a reflective piece possibly drawing on traditional melodic elements, addressing themes of aging and lost comrades in the folk scene; it was later reworked for his solo album Perfect Blue (2018).[20][2] Kemp's output intensified in the 2010s with Steeleye Span, including "Somewhere Along the Road" from Catch Up: The Essential Recordings 2015, inspired by personal travels and life's journey, which has been covered by other artists and featured in band documentaries. On Wintersmith (2013), a collaboration with Terry Pratchett, Kemp contributed four original songs: the title track "Wintersmith," a haunting narrative of seasonal change and folklore; "First Dance," a delicate waltz evoking intimacy and tradition; "Fire and Ice," drawing from Pratchett's themes of elemental contrast; and "Crown of Ice," evoking winter's mystical grip. These tracks, praised for their lyrical economy and melodic grace, underscored Kemp's role in revitalizing the band's sound with contemporary folk storytelling.[21][22][23] His final major Steeleye Span contribution, "Cromwell's Skull" from Dodgy Bastards (2016), is a vivid historical ballad recounting Oliver Cromwell's posthumous fate, showcasing Kemp's knack for dramatic narrative and acoustic drive; it marked his retirement from touring with the band. Beyond Steeleye, Kemp's 1980s duo album Happy Families with Prior features several co-compositions, such as "Rose" (a tender family portrait), "Fire on the Line" (an energetic rocker later included on Steeleye's A Rare Collection 1972-1996), and "Low Flying" (a metaphor for fleeting youth, adapted for Steeleye's Conflict in 2025). These works highlight his collaborative style, often prioritizing emotional resonance over complexity. Kemp's solo efforts, including tracks like "Deep in the Darkest Night" and "Heart of Stone" from Perfect Blue, extend these themes, frequently performed by Prior in her sets.[2][16][24][25][26]

Production credits

Rick Kemp has served as a producer on several albums within the British folk and folk-rock genres, often collaborating closely with artists he knew from his time in Steeleye Span or personal connections. His production style emphasizes acoustic instrumentation, layered vocals, and a blend of traditional and original material, reflecting his background as a bassist and songwriter. Early in his production career, Kemp worked on projects outside Steeleye Span, bringing a polished yet organic sound to emerging folk acts. One of his notable early production efforts was the self-titled debut album by Hedgehog Pie in 1974, where he shaped the band's electric folk sound featuring mandocello, violin, and bass-driven arrangements without traditional drums. He followed this with production on their second album, The Green Lady (1975), maintaining the group's unique fusion of folk traditions and rock elements. In 1976, Kemp produced the self-titled album by Manchester band Both Hands Free, incorporating keyboards and progressive influences into a folk-rock framework. Kemp's production credits extended to collaborative and solo works in the 1990s and beyond. He co-produced Happy Families (1990) with his then-wife Maddy Prior and Chris Baylis, a collection of original songs and covers that highlighted Prior's vocals alongside Kemp's bass and guitar contributions. For his own solo debut Escape (1996), Kemp shared production duties with Paul Adams, focusing on introspective folk arrangements with guests like John Kirkpatrick on accordion. This pattern continued with Spies (1998), co-produced with Andrew Sinclair and Alex Warnes, emphasizing atmospheric storytelling through bass-led tracks. Kemp again co-produced Codes (2004) with Steve Watkins, exploring folk-rock themes at Warehouse Studios. His later solo efforts, Fanfare (2009) and Perfect Blue (2018), saw him as primary producer, often with Adams, resulting in mature reflections on life and music with sparse, emotive production. In recent years, Kemp has produced for regional folk acts, including Devils Water's Treading the Marches (2017), where he added bass and enhanced the Northumbrian-inspired songs with a fuller rock edge, drawing on his Carlisle base. These credits demonstrate Kemp's role in bridging traditional folk with accessible production techniques, supporting artists in the UK folk scene without overshadowing their voices.

Personal life

Marriage and family

Rick Kemp was married to British folk singer Maddy Prior, with whom he has frequently collaborated on musical projects, including the 1990 album Happy Families credited to both artists.[27][28] The couple has two children: daughter Rose Kemp, a singer-songwriter and guitarist who has performed with her mother at workshops and events, and son Alex Kemp, a rapper and guitarist who has occasionally deputized for his father on bass with Steeleye Span during tours.[29][30] Kemp also has an older daughter, Theresa Kemp, a singer, with whom he recorded the track "Somewhere Along the Road" on his 2018 solo album Perfect Blue.[31]

Later years and teaching

Following his retirement from Steeleye Span at the end of 2016 after a total of 32 years with the band, Rick Kemp shifted focus to more selective musical pursuits. He continued performing occasional solo gigs, showcasing his songwriting and bass playing in intimate settings. In 2018, Kemp released his fifth solo album, Perfect Blue, a collection of original songs exploring personal and observational themes, produced in collaboration with Paul Adams. This album marked a continuation of his independent recording career, which had begun with Escape in 1996, and highlighted his enduring interest in blending folk, rock, and introspective lyrics. Kemp has also maintained involvement in collaborative projects outside Steeleye Span. For instance, he recorded with the trio Burgess, Nicol & Kemp, contributing bass to tracks that reflect his rock-influenced roots. Despite his divorce from Maddy Prior after approximately 30 years of marriage, the two have occasionally collaborated on music, including songwriting efforts post-retirement. As of 2025, Kemp continues to contribute as a songwriter, with his track "Low Flying" featured on Steeleye Span's album Conflict.[26] Additionally, Kemp pursued his longstanding interest in visual arts, having earned a BA (Hons) in Fine Art in 1986 and holding exhibitions since 1980, often integrating poems and lyrics with his artwork.[32] In his teaching endeavors, Kemp has co-tutored workshops and courses focused on song accompaniment and vocal performance, drawing on his extensive experience as a musician and producer. He has partnered with former Steeleye Span colleagues, including Prior and Martin Carthy, to lead classes aimed at building singers' confidence and exploring traditional folk techniques. A notable example is the three-day "Accompanying Song" course held at Stones Barn in Cumbria from May 24–26, 2013, where Kemp provided expert tuition alongside Prior and guitarist Steve Hicks, emphasizing creative and relevant support for vocalists through instrumentation. These sessions, often combined with evening performances of songs and stories, underscore Kemp's role in mentoring emerging folk musicians and preserving the genre's traditions.
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