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Ricky Reed
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Key Information
Eric Burton Frederic (born July 23, 1982), known professionally as Ricky Reed, is an American record producer, singer, songwriter, and the founder of Nice Life Recording Company.[3] In 2005, he formed the musical project Wallpaper., which lasted until 2014.[4]
Early work
[edit]He was the lead singer of the Bay Area band Locale A.M. from 2001–2004.[5]
Awards and nominations
[edit]Reed has received RIAA platinum records for two Jason Derulo singles: "Talk Dirty" ft. 2 Chainz (4× Platinum) and "Wiggle" ft. Snoop Dogg (2× Platinum).[6]
In 2015, Reed received a BMI Pop Award for his work on "Talk Dirty".[7]
| Award | Year | Recipient(s) and nominee(s) | Category | Result | Ref. |
|---|---|---|---|---|---|
| Grammy Awards | 2017 | Himself | Producer of the Year, Non-Classical | Nominated | [8] |
| 2020 | "Truth Hurts" | Record of the Year | Nominated | ||
| Song of the Year | Nominated | ||||
| Cuz I Love You (Deluxe) | Album of the Year | Nominated | |||
| Best Urban Contemporary Album | Won | ||||
| Himself | Producer of the Year, Non-Classical | Nominated | |||
| 2022 | We Are | Album of the Year | Won | ||
| Himself | Producer of the Year, Non-Classical | Nominated | |||
| 2023 | Special | Album of the Year | Nominated | ||
| "About Damn Time" | Record of the Year | Won | |||
| Song of the Year | Nominated |
Discography
[edit]Albums
[edit]- Ricky Reed Is Real (as Wallpaper, 2013)
- The Room (2020)
Singles
[edit]- "Express Myself" (2016) (Written by: Ricky Reed) (Produced by: Ricky Reed)
- "Be The 1" (2017) (Written by: Ricky Reed, LunchMoney Lewis, Teddy Geiger, Alex Van Halen, Edward Van Halen, David Lee Roth) (Produced by: Ricky Reed)
- "Joan of Arc" (2017) (Written by: Ricky Reed, Mark Foster, Charli XCX, Wayne Hector, James Fauntleroy, Joe London) (Produced by: Ricky Reed, Mark Foster (co.))
- "Good Vibrations" (2017) (Written by: Ricky Reed, Jason Derulo, Clarence Coffee Jr., Nate Mercereau, Joe London, Toby Wincorn, Tom Peyton) (Produced by: Ricky Reed)
Songwriting and production credits
[edit]References
[edit]- ^ "Interview – Wallpaper « The FADER". Archived from the original on March 1, 2013.
{{cite web}}: CS1 maint: bot: original URL status unknown (link) - ^ "Wallpaper STUPIDFACEDD available on Amazon Music". Amazon.
- ^ "Producer Ricky Reed Launches Nice Life Recording Co: Exclusive". Billboard. Retrieved April 7, 2017.
- ^ Baltin, Steve (March 8, 2012). "Wallpaper., Bay Area's Absurd Pop Act, Set for the Big Time". Rolling Stone. Retrieved July 27, 2015.
- ^ "//Locale AM//". thelocalzine.tripod.com. Retrieved July 20, 2022.
{{cite web}}: External link in|title= - ^ "RIAA – Gold & Platinum Searchable Database". RIAA. Retrieved May 14, 2015.
- ^ "P!nk Receives President's Award at 63rd Annual BMI Pop Awards". BMI. Broadcast Music, Inc. May 13, 2015. Retrieved May 14, 2015.
- ^ "Ricky Reed". GRAMMY.com. Retrieved February 6, 2023.
Ricky Reed
View on Grokipediafrom Grokipedia
Ricky Reed (born Eric Frederic) is an American musician, record producer, songwriter, and label executive, best known for his genre-blending production style that fuses pop, hip-hop, funk, and soul influences. Born in Berkeley, California, and raised in the Bay Area, he founded the independent label Nice Life Recording Company in 2016, which has become a platform for emerging artists while supporting his own production career.[1][2][3]
Reed's breakthrough came in 2013 with his production on Jason Derulo's quadruple-platinum single "Talk Dirty," which topped charts worldwide and marked his entry into major-label pop success. He gained further acclaim through collaborations with artists such as Lizzo—co-producing Grammy-winning tracks like "Truth Hurts" and "About Damn Time"—as well as Twenty One Pilots ("Ride"), Halsey ("Bad at Love"), and SZA. His work often emphasizes emotional authenticity and innovative sound design, drawing from his early exposure to Bay Area funk legends like Sly Stone and hip-hop pioneers like E-40.[1][3][2]
Throughout his career, Reed has earned three Grammy Awards, including one for Lizzo's Cuz I Love You album in 2020, one for the single "About Damn Time" in 2023, and one for Jon Batiste's We Are in 2022, along with twelve nominations in categories such as Record of the Year and Producer of the Year, Non-Classical. Before focusing primarily on production, he fronted the hip-hop and electronic band Wallpaper., releasing albums like Ricky Reed Is Real in 2013, and he continues to release his own music, including the 2020 album The Room and recent collaborations such as on Tinashe's 2024 album Quantum Baby. Based in Los Angeles, Reed's contributions have shaped modern pop and R&B, prioritizing artist-driven creativity in an industry often dominated by commercial trends.[4][3][5]
Early life and education
Upbringing and family background
Eric Burton Frederic, professionally known as Ricky Reed, was born in 1982 in Berkeley, California, and raised in Pinole in the East Bay area of the San Francisco Bay Area.[6][7] Details about Reed's immediate family, including his parents and any siblings, remain largely private, with limited public information available on their direct roles in his life. However, he has described growing up in a household filled with Motown, funk, soul, and disco records, alongside early 1980s pop and the sophisticated jazz-rock of Steely Dan, which sparked his initial fascination with music.[1] The culturally diverse environment of the Bay Area profoundly shaped Reed's early creative outlook, exposing him to a blend of hip-hop from local icons like E-40 and Too $hort, punk rock influences from bands such as Green Day, AFI, and Operation Ivy, as well as emerging electronic and rock sounds.[8][9] This eclectic mix during his childhood cultivated the genre-blending approach that would define his later work. As a young boy, Reed reluctantly took piano lessons but disliked the structure, preferring instead the raw energy of the regional music scene around him.[8]Musical influences and formal education
Reed's musical influences were deeply rooted in the diverse cultural landscape of the Bay Area, where he grew up in Pinole, California. His mother's eclectic record collection introduced him to funk and soul pioneers such as Parliament-Funkadelic and Earth, Wind & Fire, alongside classic rock bands, fostering an early appreciation for rhythmic grooves and expressive instrumentation. The region's vibrant punk scene, including local acts from Oakland, further shaped his rebellious edge and interest in indie rock, while exposure to hip-hop through high school peers broadened his understanding of beat-driven production.[9][10][8] These influences manifested in Reed's genre-blending style, drawing from soul, funk, gospel, R&B, and rap to inform his later production approach. During adolescence at Pinole Valley High School, he stood out as one of the few students listening to rock music amid a predominantly hip-hop listening environment, which encouraged him to explore indie rock's raw energy. He began experimenting with songwriting by forming a high school band in the late 1990s to cover pop-punk tracks like those by Blink-182, marking his initial forays into composition and performance. This period also saw him discovering recording technology, as he began experimenting with recording during high school using early digital audio workstations like Fruity Loops.[11][7] For formal education, Reed enrolled at the University of California, Berkeley, where he pursued a major in Western music composition. There, he honed his skills through structured coursework and specialized studies in West African drumming under the Ghanaian instructor C.K. Ladzekpo, which expanded his rhythmic palette and integrated global elements into his musical foundation. Although he played piano from childhood—taking lessons but disliking the formality, preferring self-directed exploration—he credits much of his instrumental proficiency to self-taught practice on keyboards and guitar during his teenage years. Ultimately, after two years at Berkeley, Reed dropped out to focus on his artistic pursuits, blending academic insights with practical experimentation.[8][7][12]Career
Early musical projects
Ricky Reed, whose real name is Eric Frederic, launched his musical career in the early 2000s as the lead singer and guitarist of Locale A.M., a Bay Area indie rock band he co-formed in 2001 while still in high school in Pinole, California.[7] The group drew from the vibrant East Bay music scene, blending indie rock with pop-punk energy and experimental edges, often incorporating melodic hooks and guitar-driven arrangements that reflected influences from late-1990s alternative acts.[13] Locale A.M. quickly built a dedicated local following through live performances in San Francisco venues, positioning themselves as a promising act in the post-punk revival wave.[14] The band's key releases included their debut album, The Sounds of Spring, issued in 2001 on the independent label PopSmear Records, which showcased Frederic's songwriting with tracks emphasizing introspective lyrics and dynamic instrumentation.[15] They followed with the EP The Characters around 2002, exploring avant-garde indie rock elements, and capped their output with the 2003 EP Breaking the Fourth Wall, also on PopSmear, featuring bolder punk-infused tracks like "Buddha Rock" that highlighted the band's evolving sound.[16][17] These works captured Locale A.M.'s stylistic range, from melodic pop-punk anthems to more experimental compositions, and earned them attention from major labels, including an offer from Hollywood Records.[18] After Locale A.M. disbanded, Frederic formed the progressive indie rock band Facing New York in 2004 while attending the University of California, Berkeley.[14] Comprising members from Locale A.M. and other local groups, Facing New York released a self-titled album in 2005 on the independent label Everyday Science, featuring dense, dynamic arrangements with complex instrumentation and influences from alternative and prog rock.[14] The band toured regionally but disbanded around 2006 as Frederic shifted focus.[1] Despite this momentum with Locale A.M., the band disbanded in late 2003 after failing to secure a major-label deal that aligned with their vision, with members including keyboardist Rene Carranza pursuing separate paths.[7] In the immediate aftermath, Frederic turned to independent songwriting and demo recordings, experimenting with diverse styles that began to reveal his multifaceted artistic voice beyond the band's indie rock framework.[1]Wallpaper. and band leadership
Ricky Reed founded the musical project Wallpaper. in 2005 in Oakland, California, serving as its frontman, primary songwriter, and multi-instrumentalist.[1][19] The band emerged as a hip-hop, pop, and electronic ensemble, blending satirical lyrics with high-energy beats inspired by the Bay Area's hyphy movement and club culture.[20] Reed, born Eric Frederic, drew from his earlier experiences in indie rock groups like Facing New York and Locale A.M. to experiment with a more irreverent, party-focused sound in Wallpaper.[21] Under Reed's leadership, Wallpaper. released several independent EPs and the 2009 album Doodoo Face before achieving a major-label breakthrough with the 2013 album Ricky Reed Is Real on Epic Records and Boardwalk Music Group.[22] The album marked a stylistic evolution, fusing infectious party anthems like "Best Song Everrr" and "Good 4 It"—which feature booming bass, auto-tuned hooks, and guest verses from artists such as E-40—with experimental touches including punk samples and off-kilter rhythms.[23][24] Tracks such as "Hesher" and "The Underdog" showcased Reed's versatile production, incorporating live instrumentation alongside electronic elements to create a chaotic yet danceable vibe that satirized excess while celebrating it.[25] Commercially, the release built on the buzz from prior singles like "F**king Best Song Everrr," which had garnered viral attention and festival slots at Coachella and SXSW, helping Wallpaper. secure opening tours for acts like Jason Derulo and expand its live reputation.[21][26] Wallpaper.'s touring experiences highlighted Reed's dynamic stage presence, with high-octane performances that transformed venues into interactive parties, often featuring confetti, crowd chants, and Reed's charismatic rapping and keyboard work.[26] These shows, spanning clubs to major festivals, solidified Reed's profile as a multi-instrumentalist capable of blending live band energy with DJ-like production.[1] The project dissolved in 2014 after the album's promotion, as Reed shifted focus toward production and songwriting, having established Wallpaper. as a cult favorite in the electro-pop scene.[27]Transition to solo artistry and production
Following the dissolution of Wallpaper. in 2014, Ricky Reed transitioned to a solo career, leveraging the band's exposure to secure a deal with Epic Records as an individual artist. This shift allowed him to explore personal songwriting more freely, culminating in the release of his debut solo single "Express Myself" in October 2016, a track that blended upbeat pop with introspective lyrics about self-expression.[28] The single served as a precursor to broader solo material, with Reed conceptualizing an EP that would emphasize experimental structures and genre fusion, drawing from his experiences in collaborative band settings to craft more intimate, narrative-driven songs.[29] Parallel to his solo pursuits, Reed began establishing himself as a producer during this period, marking his entry into high-profile songwriting with contributions to Twenty One Pilots' album Blurryface in 2015. He produced six tracks on the record, including the single "Tear in My Heart," which helped propel the album to No. 1 on the Billboard 200 and showcased his ability to integrate reggae-infused beats with alternative rock elements.[8] This work represented a pivotal step, as Reed's production style—rooted in Bay Area influences like hyphy rap and funk—began attracting attention from major acts seeking innovative sounds.[30] The pivot was not without challenges, as Reed navigated the band's underwhelming commercial performance of their 2013 Epic debut Ricky Reed Is Real, which he later described as "too smart for the stupid summer," prompting a reevaluation of his artistic direction amid industry rejections.[7] His creative philosophy during this era centered on genre-blending and relentless studio experimentation, viewing production as a "service" to artists' visions while pushing boundaries through eclectic sampling and remote collaborations to foster authenticity and emotional depth.[5] This approach, informed by diverse influences from hip-hop to pop punk, emphasized evolving sounds without repetition, allowing Reed to balance solo vulnerability with collaborative innovation.[27]Production and songwriting
Breakthrough collaborations
Ricky Reed's breakthrough as a producer came through his collaborations with Jason Derulo on the 2013 single "Talk Dirty," which he co-wrote and solely produced. The track originated from a spontaneous studio session where Reed incorporated a Balkan beat box sample featuring a prominent saxophone hook, sourced by collaborator Miles Beard, transforming an initial idea for another song into a high-energy dance-pop hit with rap verses and a catchy chorus. "Talk Dirty," featuring 2 Chainz, peaked at No. 3 on the Billboard Hot 100 and was certified 4× Platinum by the RIAA, marking Reed's first major commercial success and showcasing his ability to blend electronic elements with hip-hop influences.[21][9][31][32] Building on this momentum, Reed co-wrote and produced "Wiggle" for Derulo's 2014 album Talk Dirty, featuring Snoop Dogg. The song's creation emphasized a playful, minimalist approach, starting with a foundational beat and sax drop that evolved through collaborative input from Derulo, Snoop Dogg, Sean Douglas, Jason Evigan, and Axident, resulting in a lighthearted track with a simple verse-chorus structure and infectious rhythm designed for club play. It reached No. 5 on the Billboard Hot 100 and achieved multi-platinum certification, further solidifying Reed's reputation for crafting upbeat, genre-fusing pop anthems.[21][9][33] In 2016, Reed served as executive producer for Meghan Trainor's album Thank You, co-writing and producing 10 tracks, including the lead single "NO" and "Me Too." His production infused the record with a fusion of doo-wop-inspired pop hooks, R&B grooves, and dance elements, evident in songs like "NO," which features a sassy, call-and-response chorus structure emphasizing empowerment themes, and "I Love Me," blending self-affirmative lyrics with funky basslines and retro soul vibes. This approach helped Thank You explore Trainor's experiences with fame through vibrant, body-positive pop-R&B hybrids.[28][34][35] Reed's early work with Lizzo began around the same time, producing her 2016 single "Good as Hell" from the Coconut Oil EP. Co-written with Lizzo (under Reed's real name, Eric Frederic), the track employs a motivational verse-pre-chorus-chorus structure with rap-infused bridges, layering Lizzo's bold vocals over upbeat horns and trap beats to create an empowering pop-R&B anthem that celebrates self-confidence. Reed's role highlighted his skill in merging hip-hop swagger with soulful pop accessibility, setting the foundation for Lizzo's rise.[1][36] These collaborations earned Reed early industry recognition, including a 2015 BMI Pop Award for "Talk Dirty," honoring its widespread airplay and impact as one of the year's most performed pop songs.[37]Work with major artists
Reed's production work expanded significantly in 2017 with contributions to Halsey's sophomore album Hopeless Fountain Kingdom, where he handled production on tracks like the experimental pop ballad "100 Letters" and co-produced the hit single "Bad at Love" alongside Rogét Chahayed, infusing the latter with pulsating synths and genre-blending electronic elements to amplify its anthemic pop-rock energy.[38][39] That same year, he served as vocal producer on multiple tracks from Maroon 5's Red Pill Blues, including "Who I Am" featuring LunchMoney Lewis, where his programming and vocal arrangements helped merge the band's pop sensibilities with hip-hop and R&B influences for a more eclectic sound.[40][41] His collaborations with Twenty One Pilots around this period focused on their 2015 album Blurryface, where Reed produced key tracks such as "Ride" and "Tear in My Heart," adapting the duo's alternative hip-hop roots by incorporating reggae rhythms, dub effects, and electropop textures to create dynamic, genre-fluid arrangements that enhanced their introspective lyrics.[42] Reed also provided backup vocals on "Doubt" from the same album, contributing to its layered, emotionally charged production.[5] A pivotal partnership emerged with Lizzo on her 2019 breakthrough album Cuz I Love You, where Reed served as a primary producer across much of the record, co-writing and co-producing the breakout single "Truth Hurts" alongside Steven "Tele" Cheung and Jesse Saint John; originally released independently in 2017, the track evolved through Reed's reworking of its beats and hooks into a viral empowerment anthem that topped the Billboard Hot 100 upon its album inclusion.[1][10] The deluxe edition of Cuz I Love You earned the Grammy Award for Best Urban Contemporary Album in 2020, recognizing Reed's role in shaping its bold fusion of hip-hop, soul, and pop.[10] Reed's high-profile productions continued into the 2020s, including his work on Tinashe's 2024 album Quantum Baby, where he co-produced the lead single "Nasty" with Zack Sekoff, crafting its infectious, synth-driven R&B groove that propelled the track to viral success and highlighted Tinashe's sensual pop evolution.[43][44] In 2025, he reunited with Lizzo for her singles "Love in Real Life" and "Still Bad," co-producing both with Blake Slatkin; "Love in Real Life," released in February, featured Reed's drum programming and upbeat production to underscore themes of resilience, while "Still Bad" incorporated retro '80s keys for an empowering, dance-oriented vibe as the lead-up to her fifth album.[45][46][47]Nice Life Recording Company
Founding and operations
Nice Life Recording Company was founded in 2016 by producer and songwriter Ricky Reed as a Los Angeles-based imprint in partnership with Atlantic Records. The venture was officially announced on March 7, 2016, following discussions initiated by Atlantic CEO Craig Kallman as early as 2014, with a focus on artist development and publishing to foster an ethical environment in the music industry. Reed's extensive production experience shaped the label's vision, emphasizing respect, kindness, and efforts to address issues like sexism prevalent in the sector.[48] As CEO, Reed oversees a small team of 5-6 members, serving multiple roles including A&R, co-songwriter, producer, and mixer to integrate hands-on production services for signed talent. The operational model prioritizes creative freedom and artist control, leveraging Atlantic's major-label infrastructure for promotion and distribution while protecting artists from industry challenges such as decision-making on singles or mastering. This approach allows for close collaboration in a supportive environment, enabling experimentation across genres without rigid commercial pressures.[48][1] Early milestones included securing initial artist signings and establishing dedicated recording infrastructure in a three-story compound in Los Angeles' Echo Park neighborhood, featuring a basement studio equipped with high-end analog-digital hybrid tools like a historic Sound City piano. This setup supports day-to-day operations, including demo reviews and production sessions, to streamline artist development and promotion efforts from the label's inception.[48][8][1]Key artists and releases
Nice Life Recording Company has cultivated a diverse roster of artists, emphasizing creative autonomy and collaborative production led by founder Ricky Reed. Among its flagship signings is Lizzo, whom the label discovered and signed in 2016 after Reed produced tracks for her early mixtapes; this partnership propelled her to mainstream success, culminating in multi-platinum albums like Cuz I Love You (2019) and Grammy wins for songs such as "Truth Hurts," where Reed co-wrote and co-produced, establishing the label's reputation for nurturing bold pop and R&B talents.[49] Tinashe joined Nice Life in 2023 following her independent stint, marking a partial recording deal that allowed her to retain significant control; under the label, she released the mixtape Quantum Baby (2024) and the viral single "Nasty," co-produced by Reed, which peaked at No. 61 on the Billboard Hot 100 and amassed over 100 million streams, revitalizing her career with renewed chart momentum and critical acclaim for its sensual R&B sound.[49] The Marías, an indie dream-pop band, have been a cornerstone of the label since signing in the late 2010s, with Reed overseeing production on their debut album CINEMA (2021, Nice Life/Atlantic), which blended psychedelic elements and earned praise for tracks like "Hush," achieving over 500 million global streams and expanding the band's international fanbase through sold-out tours. Their follow-up Submarine (2024) continued this trajectory, peaking at No. 3 on Billboard's Top Alternative Albums chart and highlighting the label's role in fostering genre-blending acts. Emerging talents further diversify the roster, including Estevie, a soulful R&B artist signed in recent years whose Nice Life-backed singles like "Ride" (2023) showcase Reed's hands-on production in blending hip-hop and electronic influences to build her streaming presence. Beatrix (Arielle Kasnetz), signed in October 2025, brings indie-pop sensibilities, with early label support positioning her for breakout releases including singles "Ghosts of Tennessee" and "Dead Dog," amid the company's focus on female-led voices. Similarly, Emei and Not For Radio represent up-and-coming acts; Not For Radio's anticipated debut album Melt (2025) features Reed's production, promising to extend the label's track record of launching artists to festival stages and playlist dominance.[50][51] Key releases underscore the label's impact, such as Reed's own artist album The Room (2020, Nice Life), a collaborative quarantine project featuring guests like Little Dragon and Maggie Lindemann, which demonstrated the label's internal synergy in artist development. Collectively, these outputs have driven over a billion streams for Nice Life artists, with Reed's production involvement—often co-writing and engineering—crediting the label for career-defining breakthroughs, including Lizzo's seven Grammy nominations and The Marías' global tours, while prioritizing artistic integrity over commercial pressures.[52][49]Awards and nominations
Grammy Awards
Ricky Reed has received three Grammy Awards and multiple nominations, primarily recognizing his production work on acclaimed albums and singles by artists including Lizzo and Jon Batiste.[4] His first Grammy win came at the 62nd Annual Grammy Awards in 2020 for Best Urban Contemporary Album, awarded to Lizzo's Cuz I Love You (Deluxe), on which Reed served as producer for several tracks, including the hit "Truth Hurts." This victory highlighted his role in crafting the album's blend of pop, hip-hop, and soul elements, contributing to its commercial success and critical acclaim during the ceremony hosted by Alicia Keys.[53] In 2022, at the 64th Annual Grammy Awards, Reed earned his second win for Album of the Year as a producer on Jon Batiste's We Are, a genre-spanning project that celebrated Black musical heritage and won in a competitive field, with Batiste performing selections from the album during the show. Reed's contributions included co-production on key tracks, emphasizing live instrumentation and emotional depth.[54][1] Reed secured his third Grammy at the 65th Annual Grammy Awards in 2023 for Record of the Year on Lizzo's "About Damn Time," where he co-produced the track with Blake Slatkin, infusing it with disco-inspired grooves and empowering lyrics that resonated widely; the song was also performed by Lizzo at the ceremony.[55] Among his nominations, Reed was recognized three times for Producer of the Year, Non-Classical: in 2017 for his diverse work with artists like Maggie Rogers and Jason Derulo; in 2020 for productions including Lizzo's breakthrough material; and in 2022 for his contributions to projects like Batiste's We Are and Lizzo's follow-up efforts.[56][53][4] Additional nominations include Record of the Year and Song of the Year in 2020 for "Truth Hurts" by Lizzo, where Reed's production helped propel the track from viral hit to awards contender. In 2023, he received nods for Song of the Year on "About Damn Time" and Album of the Year for Lizzo's Special, underscoring his ongoing collaboration with the artist on themes of self-empowerment and body positivity.[53][55] No further Grammy nominations for Reed were announced for the 2024 or 2025 ceremonies related to projects with Tinashe or Lizzo.[57]Other awards and certifications
Reed earned a BMI Pop Award in 2015 for his songwriting contributions to Jason Derulo's "Talk Dirty," recognizing its airplay success among the year's most-performed pop songs.[58] His production on Jason Derulo's hits has garnered multiple RIAA certifications, including 4× Platinum for "Talk Dirty" (featuring 2 Chainz) and 3× Platinum for "Wiggle" (featuring Snoop Dogg), reflecting their substantial U.S. sales and streaming equivalents.[59][60] Through his collaborations with Lizzo, Reed has contributed to several multi-platinum tracks, such as "Good as Hell" (5× Platinum), "About Damn Time" (2× Platinum), "Rumors" (featuring Cardi B; Platinum), and "Boys" (Platinum), highlighting the commercial impact of his production on her catalog.[61][62][63][63] In 2024, Reed co-produced Tinashe's "Nasty," which received a RIAA Gold certification on August 25, 2025, marking over 500,000 units in the U.S.[64] Reed has also received industry recognition from Billboard, topping the Hot 100 Producers chart in November 2019 due to his work on Lizzo's hits and sharing the No. 1 spot on the Hot 100 Songwriters chart that same month.[65][66]Discography
Studio albums
Ricky Reed's studio albums as a lead performer include works with his band Wallpaper. and his solo debut. Ricky Reed Is Real is the second studio album by the hip hop and pop project Wallpaper., released on July 23, 2013, through Epic Records. Led by Reed, the album blends electropop, dance-pop, and hip hop elements, satirizing pop music tropes while delivering earnest tracks. It features 12 songs, including key singles "Fking Best Song Everrr," and "Good 4 It." The tracklist is: 1. Back At It; 2. Geek Out (featuring E-40); 3. Last Call; 4. Drunken Hearts; 5. Hesher; 6. The Underdog; 7. Say I Won't; 8. Fking Best Song Everrr; 9. New Beat; 10. Good 4 It; 11. Work; 12. Iron Side. The album received mixed reviews for its playful energy but was praised for Reed's production flair.[23] Reed's solo debut, The Room, was released on August 28, 2020, via Nice Life Recording Company. Created during the COVID-19 pandemic through Reed's "Nice Life" livestream series, the album explores introspective themes of isolation, collaboration, and emotional vulnerability via experimental production techniques, incorporating live instrumentation and guest features. It consists of 10 tracks emphasizing soulful R&B and pop: 1. Shipwreck (featuring Michael Sneed); 2. Us (How Sweet It Was) (featuring Jim James and duendita); 3. In A New Place (featuring Malaya); 4. Real Magic (featuring Terrace Martin and St. Panther); 5. Fav Boy (featuring Mustafa the Poet); 6. Better (featuring Leon Bridges and Kiana Ledé); 7. The Valley (featuring Malaya); 8. No Stone (featuring Elley Duhé); 9. We'll Be Home Soon; 10. The Room (featuring Rickie Lee Jones). Critics noted its collaborative spirit and timely reflection on uncertainty, with Pitchfork describing it as a "product of the current era" defined by remote creation.[67][68]Singles as lead artist
Ricky Reed, as the frontman of the band Wallpaper., debuted on the music scene with the 2011 single "Best Song Everrr," released through Epic Records in collaboration with MTV Music Television, which gained traction in alternative and club circuits for its energetic pop-rap fusion.[69] The following year, Wallpaper. followed with "Fucking Best Song Everrr," a high-energy track that peaked at number 8 on the Billboard Alternative Airplay chart and number 36 on the Heatseekers Songs chart, marking the band's breakthrough moment with its irreverent lyrics and infectious beat. In 2013, "Good 4 It" served as the lead single from their major-label debut album Ricky Reed Is Real, featuring a promotional remix package and emphasizing themes of carefree indulgence, accompanied by a vibrant music video showcasing live performance elements.[69] Transitioning to his solo career under the Ricky Reed moniker, he released "Express Myself" in October 2016 via Epic Records, a self-produced pop track exploring personal expression that debuted his independent artistry beyond production roles.[70] The single was followed in early 2017 by "Be the 1," which Billboard described as a teaser for his upcoming solo album, blending upbeat rhythms with themes of budding romance and featuring an official music video directed to highlight its playful vibe.[71] Later that year, "Joan of Arc" emerged as another introspective single, inspired by relational struggles and premiered with an exclusive music video on People magazine, depicting emotional intensity through cinematic visuals.[72] Rounding out his 2017 output, "Good Vibrations (From 'The Emoji Movie')" was released as a tie-in to the animated film, capturing a feel-good, summery essence with its oceanic metaphors and serving as an end-credits track.[73] In 2020, Reed returned with the collaborative single "Us (How Sweet It Was)" featuring Jim James of My Morning Jacket and duendita, a melancholic ballad reflecting on lost connections that Rolling Stone praised for its emotional depth and Terrace Martin co-production, accompanied by an official music video emphasizing regretful introspection.[74]Production and songwriting credits
Ricky Reed has established himself as a prolific producer and songwriter, collaborating with a diverse array of pop and R&B artists to craft empowering anthems that blend infectious hooks with emotional depth. His production style often emphasizes bold, confident vocals and genre-blending instrumentation, as seen in his work with artists like Lizzo and Halsey, where he contributes programming, instrumentation, and co-writing to create tracks that resonate with themes of self-empowerment and resilience.[1][42] Among his early breakthroughs, Reed produced and co-wrote "Talk Dirty" for Jason Derulo's 2013 album Talk Dirty, featuring 2 Chainz, which became a global hit driven by its fusion of pop and hip-hop elements. He followed this with production on "Wiggle" from the same album, featuring Snoop Dogg, handling beats and programming to deliver a playful, dance-oriented track that topped charts worldwide.[75][76] Reed's contributions to Twenty One Pilots' 2015 album Blurryface included production and programming on the single "Ride," where he added bass guitar and background vocals, helping shape its introspective alt-pop sound. He served as an executive producer on the project, influencing its overall sonic landscape of genre experimentation and emotional intensity.[77][78] In Halsey's 2017 album Hopeless Fountain Kingdom, Reed produced and co-wrote tracks like "100 Letters" and "Bad at Love," providing instruments, programming, and a polished pop sheen that amplified the album's narrative of love and heartbreak. His involvement extended to executive production elements, contributing to the record's commercial success and critical acclaim for its dramatic, radio-ready anthems.[38][79] Reed's partnership with Lizzo has been particularly fruitful, beginning with songwriting credits on "Truth Hurts" from her 2019 deluxe edition of Cuz I Love You, where his contributions helped propel the track to diamond certification through its unapologetic body-positivity message. On the core Cuz I Love You album, he produced multiple tracks including the title song, "Tempo," and "Jerome," handling programming, keyboards, guitar, bass, and mixing to craft empowering R&B-pop hybrids that celebrate self-love. This collaboration earned Grammy recognition for Album of the Year.[80][81] Extending into Lizzo's later work, Reed co-produced "About Damn Time" on her 2022 album Special, infusing disco-inflected grooves that became a chart-topping empowerment anthem. In 2025, he co-produced her single "Still Bad" from the upcoming album Love in Real Life, collaborating with Blake Slatkin to blend upbeat production with themes of unfiltered confidence. He also holds production credits on "Bop It!" from her 2025 mixtape My Face Still Hurts from Smiling, sampling classic elements into a high-energy track.[82][83][84][85] Reed's recent productions highlight his ongoing focus on innovative R&B, as evidenced by his work on Tinashe's 2024 album Quantum Baby via his Nice Life Recording Company. He produced the lead single "Nasty," co-writing with Tinashe and handling production with Zack Sekoff to create a sultry, bass-heavy track that marked a viral resurgence for the artist. On the album, Reed provided additional production, programming, and writing for tracks like "No Broke Boys" (co-produced with Phoelix and Sekoff), emphasizing fierce independence and sonic experimentation. Through Nice Life, Reed also oversaw 2025 releases such as The Marías' single "Back to Me," continuing his label's tradition of nurturing boundary-pushing pop and alternative acts.[86][87][88] Reed produced and mixed tracks on Jon Batiste's 2021 album We Are, contributing to its win for Album of the Year at the 2022 Grammy Awards.[89][90]| Artist | Project | Year | Key Credits | Role |
|---|---|---|---|---|
| Jason Derulo | Talk Dirty (album) | 2013 | "Talk Dirty" (feat. 2 Chainz), "Wiggle" (feat. Snoop Dogg) | Producer, songwriter, programmer[91][42] |
| Twenty One Pilots | Blurryface | 2015 | "Ride" | Producer, programmer, bass, background vocals; executive producer[77] |
| Halsey | Hopeless Fountain Kingdom | 2017 | "100 Letters," "Bad at Love" | Producer, songwriter, instruments, programmer[38][79] |
| Lizzo | Cuz I Love You | 2019 | "Truth Hurts," "Cuz I Love You," "Tempo," "Jerome" | Songwriter (Truth Hurts); producer, programmer, instruments, mixing (others)[81][80] |
| Jon Batiste | We Are | 2021 | Multiple tracks | Producer, mixer[89][90] |
| Lizzo | Special | 2022 | "About Damn Time" | Co-producer, additional production[92][82] |
| Tinashe | Quantum Baby | 2024 | "Nasty," "No Broke Boys" | Producer, songwriter, programmer, additional production[87][86] |
| Lizzo | Love in Real Life (single) | 2025 | "Still Bad" | Co-producer, songwriter[83] |
| Lizzo | My Face Still Hurts from Smiling | 2025 | "Bop It!" | Producer, songwriter[85] |
| The Marías | "Back to Me" (single) | 2025 | Label oversight via Nice Life | Executive producer (label)[88] |