Hubbry Logo
Rio LocsinRio LocsinMain
Open search
Rio Locsin
Community hub
Rio Locsin
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Rio Locsin
Rio Locsin
Rio Locsin
View on Wikipedia
from Wikipedia

Rio Locsin (born Maria Theresa Rosario Garcia Nayve-Israel; October 3, 1961) is a Filipino actress. Known primarily for her roles in films with underlying social themes, she began her career playing daring characters and eventually ventured dramatic roles in the succeeding years, noted for her portrayals in Lino Brocka's Ina, Kapatid, Anak (1979) and Init (1979), Elwood Perez's Disgrasyada (1979), Ishmael Bernal's Manila By Night (1980) & Working Girls (1984) and Laurice Guillen's Kapag Puso’y Sinugatan (1985). In 2009, she was named Best Supporting Actress at the Cinema One Originals Digital Film Festival and was inducted at the Eastwood City Walk of Fame in 2012, in addition to numerous nominations from FAMAS Awards, Gawad Urian, Luna and Golden Screen TV Awards.[1]

Key Information

Career

[edit]

Locsin was launched to stardom in Regal Films' Disgrasyada (1978) which became a huge box-office hit. Since then, she was given roles which are sexy like Menor de Edad (1979), Love Affair (1979), Ina, Kapatid, Anak (1979), Rissa Jones (1979), Stepsisters (1979), Waikiki (1980), Disco Madhouse (1980), Manila by Night (1980), Unang Yakap (1980), Kambal sa Uma (1980), Kasalanan Ba (1981), among others.

She also had the privilege of transforming to Darna via the low-budgeted, poorly-directed Bira, Darna, Bira (1979) with Romnick Sarmenta as Ding.[2] In 1982, she essayed the role of a ghost in Haplos (1982) playing support to Vilma Santos. Other memorable roles were in movies, Salawahan (1979), Working Girls (1984), Soltero (1984), Kailan Tama ang Mali? (1985), Kapag Puso ang Sinugatan (1985) and Huwag Mo kaming Isumpa (1985).

In 1981 to 1982, she top-billed an afternoon drama show over GMA-7 entitled, Hiyas.

As a commercial model, she endorsed, "San-ing" and "Lyna" medicated products, including Bax jeans during the late 70s until early 80s.

She attended Siena College in Quezon City.

In 2012, Locsin was inducted at the Eastwood City's Walk of Fame for her contribution to Philippine film industry.[3] She was recognized as one of the prominent sex goddesses of the late 70s.[4][5] As a seasoned actress, Locsin has garnered multiple nominations from FAMAS and Gawad Urian Awards.[6] In 2009, she bagged the "Best Supporting Actress" award at the 5th Cinema One Originals Digital Movie Film Festival.[7]

As a film actress she has starred in lead roles through the 70s 80s and 90s in the late 90s she starred in Daytime dramas such as Kadenang Kristal and Mula sa Puso between 1995 and 1999 and in 1999 was tapped to portray Katrina in Marinella, replacing Hilda Koronel as the main antagonist of the series. She ventured in many Primetime Television dramas and in 2006, she starred in more Television dramas memorably as Edad in Gulong Ng Palad remake on ABS-CBN and 2007 she starred as a antiheroine in Pangarap Na Bituin in 2007 she starred in the hit tv series Margarita as she ventured away she did more roles then ever. Her public marriage to actor Al Tantay dissolved.

Personal life

[edit]

She married Al Tantay, but they separated after a few years. She remarried to a former basketball player turned Evangelical Christian pastor, Padim Israel. She has three daughters.

Filmography

[edit]

Film

[edit]
Year Title Role
1979 Bedspacers
Salawahan
Ina Kapatid Anak Erlinda
Disgrasyada Maria
Kambal sa Uma Vira and Ela
Bira, Darna, Bira!

Narda/Darna

1980 Manila by Night Bea
1981 Kasalanan Ba? Elvira "Elvie" Santos
1982 Haplos Auring
1984 Working Girls Sabel Rosales
1986 Bagets Gang Hilda Lacson
Kailan Tama ang Mali Helen
Working Boys Jill
1987 Balweg Azon
1995 Sarah... Ang Munting Prinsesa Amelia
1997 Calvento Files: The Movie Nilda
1999 Bayaning 3rd World Trinidad "Trining" Rizal
2004 Minsan Pa Pacing
2006 You Are the One Myra Ramos-Garcia
2010 Amigo Corazon Dacanay
Paano Na Kaya Tessie Chua
Working Girls Sabel Rosales
2014 She's Dating the Gangster Athena Abigail's Mom
2015 The Breakup Playlist Marissa David

Television

[edit]
Year Title(s) Role(s)
1987–1989 Sitak ni Jack
1995–1996 Kadenang Kristal Lolita
1997–1999 Mula sa Puso Corazon Bermudez-Rodrigo
1999–2001 Marinella Katrina Rodriguez-Villareal
2002–2003 Ang Iibigin ay Ikaw Citas Almendras
2003 Maynila Various
Buttercup Elsa
Maalaala Mo Kaya: Unan Dr. Perla Postigo
2004 Mangarap Ka Jacqueline Catacutan Carter
2006 Gulong ng Palad Caridad "Idad" Santos
Komiks Presents: Da Adventures of Pedro Penduko Virgie
Crazy for You Melba
2007 Boys Nxt Door Nanay Myrna
Margarita Adora Trinidad
Pangarap na Bituin Lena Ramirez
2008 Sineserye Presents: Maligno Selya Cortez
2009 Komiks Presents: Flash Bomba Rhodora Legazpi
Kambal sa Uma Milagros Perea
Maalaala Mo Kaya: Lubid Jerome's mother
2010 Habang May Buhay Cora Alcantara
Maalaala Mo Kaya: School Building Belinda Cruz
Claudine: Bingit Ng Kaligayahan Elija
Maalaala Mo Kaya: Silbato Azon
2010–2011 Grazilda Matilda
2011 Pablo S. Gomez's Machete Divina Lucero
Rod Santiago's The Sisters Socorro Santiago
Maalaala Mo Kaya: Passbook Anita
2012 Maalaala Mo Kaya: Gayuma Alicia
Magpakailanman: The Glaiza de Castro Story Glaiza's mother
Magpakailanman: The Zendee Rose Story Jinky Tenerefe
Makapiling Kang Muli Mara Silvestre-Valencia
My Beloved Lily
2012–2013 Temptation of Wife Minda Santos
2013 Maalaala Mo Kaya: Medalya Carlos' mother
Kahit Nasaan Ka Man Pauline's mother
2014 The Legal Wife Eloisa Santiago
Ikaw Lamang Guadalupe "Lupe" Roque-Dela Cruz
My Destiny Amalia
2015 Wansapanataym: My Kung Fu Chinito Malu Calasiao
Flordeliza Imelda Maristela
My Faithful Husband Carmen Fernandez
2016 Dolce Amore Pilita "Taps" Ibarra
2017 My Dear Heart Lucing Magdangal-Estanislao
2018 Bagani Dandan
2018–2019 Ngayon at Kailanman Rosa Mapendo
2019 Kargo Lola Tere
2019–2020 Home Sweetie Home: Extra Sweet Tita Oya
2020–2021 Bagong Umaga Hilda Veradona
2022–2023 Mars Ravelo's Darna Roberta Ferrer-Custodio
2023–2024 Black Rider Alma Guerrero
2025 It’s Okay to Not Be Okay Nanay Liwanag
TBA The Master Cutter GMA TBA

Awards and nominations

[edit]
Awards and nominations received by Rio Locsin
Award[a] Year[b] Category Nominated work Result Ref.
Cinema One Originals Digital Film Festival 2009 Best Supporting Actress Si Baning, si Maymay at Ang Asong si Bobo Won [8]
Eastwood City Walk of Fame 2012 Inductee Herself Won [9]
FAMAS Awards 1983 Best Supporting Actress Haplos Nominated [10]
1987 Huwag Mo Kaming Isumpa Nominated [11]
2007 Don't Give Up On Us Nominated [12]
Gawad Pasado Awards 2016 Best Supporting Actress Iisa Nominated [13]
Gawad Urian Awards 1981 Best Actress Manila by Night Nominated [14]
2011 Best Supporting Actress Amigo Nominated [15]
2016 Iisa Nominated [16]
Golden Screen TV Awards 2005 Outstanding Supporting Actress in a Drama Special Maalaala Mo Kaya ("Skating Rink") Nominated [17]
Jeepney TV Fan Favorite Awards 2022 Fave Momshie/Mamita Various roles Nominated [18]
Luna Awards 2016 Best Supporting Actress The Breakup Playlist Nominated [19]
PMPC Star Awards for Television 2000 Best Drama Actress Marinella Nominated [20]
2011 Best Single Performance by an Actress Maalaala Mo Kaya ("Silbato") Nominated [21]
2025 Best Drama Supporting Actress Black Rider Nominated [22]
Urduja Film Festival 2016 Best Supporting Actress Bambanti Won [23]
Young Critics Circle 2001 Best Performance Bayaning 3rd World Nominated [24]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Rio Locsin

View on Grokipedia
from Grokipedia
Rio Locsin (born Maria Theresa Rosario Garcia Nayve; October 3, 1961) is a Filipino and former model recognized for her extensive career spanning films and television, beginning with bold and provocative roles in the late before evolving into dramatic portrayals often exploring social issues. The daughter of actress Charito Garcia, Locsin entered the industry amid the era of "bomba" films, debuting in productions such as Risa Jones: (1979) and Salawahan (1979), which showcased her in daring characters that contrasted with her later work in critically regarded dramas like (1999) and Amigo (2010). Her television appearances include notable antagonistic and supporting roles in series such as , (2014), and (2015–2017), contributing to her reputation for versatility across genres. Locsin has received multiple nominations for prestigious Philippine awards, including the and for Best Supporting Actress, reflecting peer recognition of her performances despite the competitive landscape of local cinema. In her personal life, she was previously married to actor , with whom she has two daughters, and later wed Padim Israel; she maintains a low-profile life while continuing selective projects into the .

Early life

Family background and upbringing

Maria Theresa Rosario Garcia Nayve, professionally known as Rio Locsin, was born on October 3, 1961, in the to actress Charito Garcia. As the daughter of a performer active in mid-20th-century Philippine cinema, Locsin experienced early immersion in the milieu through familial connections, with her upbringing occurring amid the cultural and professional circles of local . Her surname Nayve reflects paternal lineage, while the appended denotes subsequent marital ties, though pre-professional family dynamics centered on her mother's career influences. Verifiable accounts of Locsin's formative years emphasize this inherited proximity to the arts without documented formal training or notable non-entertainment pursuits prior to adolescence. Specific details on schooling or discrete childhood incidents are not extensively recorded in primary sources, limiting insights beyond the empirical fact of her Philippine-rooted, industry-adjacent rearing. This foundational context provided incidental exposure to performance environments, shaping her initial worldview in a nation where cinema and theater intertwined with family legacies during the post-war era.

Career

Entry into the industry and early roles

Locsin entered the Philippine in the mid-1970s as a bit player, having been discovered by talent scout Rey dela Cruz while still a ; she joined reluctantly at her mother's urging to fund her . Her initial roles were as extras, involving grueling long waits on set—such as arriving at 9 a.m. only to film at 4 a.m. the next day—and minimal actions without dialogue, including stage dancing or simulated slaps in productions like Burlesk Queen (). These peripheral parts exemplified the entry-level hurdles for newcomers in an industry reliant on low-paid, high-endurance labor to break in. Her shift to prominent "daring" roles began in 1978 with Disgrasyada, a Regal Films production that cast her in a bold character and achieved box-office success, launching her as a sex-symbol figure amid the era's proliferation of "bomba" films—softcore sex movies that dominated screens to meet commercial demands from a predominantly audience. This transition mirrored broader industry dynamics, where provocative content drove profitability during the period, often pressuring young actresses into such personas despite personal discomfort, as Locsin later recalled feeling "hiyang-hiya" (extremely shy) in similar scenes. Early lead vehicles like Salawahan (1979), a witty sex comedy, and Risa Jones: Showgirl (1979), released August 3 by Melrose Productions, further entrenched this typecasting by featuring her in titillating, market-oriented narratives that prioritized sensationalism over depth, building quick visibility at the cost of potential long-term pigeonholing in viewers' expectations. Such roles underscored causal pressures from production economics and audience preferences, where empirical box-office data favored bold genres, though they carried risks of limiting versatility for performers navigating a male-centric industry.

Rise in bold and mainstream films (1970s-1980s)

Locsin gained prominence in the late 1970s through bold films that capitalized on her appeal in commercially oriented productions, often featuring sensual themes to drive box-office performance. Her breakout role came in Disgrasyada (1979), a drama portraying a woman's descent into hardship, which achieved significant commercial success as a major hit, solidifying her status as one of the era's notable figures in sex-themed cinema. This period saw her in multiple such entries, including Salawahan (1979), a comedy-drama directed by Ishmael Bernal that blended titillation with light social commentary on relationships, further entrenching her "sexy image" while attracting audiences through sensational elements typical of the bomba genre prevalent under martial law-era restrictions on content. Entering the 1980s, Locsin expanded into mainstream narratives with bolder undertones, collaborating with established directors on films that mixed exploitation appeal with emerging thematic depth. In Manila by Night (1980), also helmed by Bernal, she portrayed a character in a gritty urban ensemble exploring prostitution, poverty, and nocturnal vice, which drew praise for its raw depiction of societal fringes despite censorship battles that toned down explicitness for wider release. Haplos (1982), directed by Butch Perez, marked a pivot toward roles infused with mystery and emotional layers, as her character Auring entangled the protagonist in a supernatural-tinged romance amid rural traditions, contributing to the film's commercial draw through its blend of drama and subtle sensuality. These works highlighted her output volume—dozens of films across the decade—but relied heavily on her established allure, with box-office viability often tied to promotional emphasis on bold scenes rather than purely narrative innovation. Critics and awards bodies noted Locsin's versatility in navigating from pure sensationalism to roles with social resonance, though empirical data underscores the genre's limitations in fostering uncompromised artistic merit. She received Gawad Urian nominations for performances in films like those from this era, reflecting recognition for transitioning beyond exploitation tropes, as in Working Girls (1984), Bernal's ensemble on female laborers that critiqued economic pressures while incorporating her dramatic range. FAMAS Awards also nominated her in supporting categories during the 1980s, affirming audience and peer validation amid a landscape where bold films prioritized attendance figures—evidenced by hits like Disgrasyada's draw—over sustained critical acclaim, yet her consistent output demonstrated adaptability without fully escaping typecasting.

Transition to dramatic and independent cinema

In the 1990s and 2000s, Locsin transitioned from bold commercial films to serious dramatic roles, prioritizing character-driven narratives in independent and arthouse productions that showcased her range beyond earlier . This shift aligned with a broader industry move toward socially themed cinema, where she leveraged her experience to portray nuanced supporting characters amid preferences for youthful leads. A pivotal role came in the 2000 independent mockumentary Bayaning 3rd World, directed by Jose Antonio Alegre, where Locsin delivered a critically noted performance that earned her a for Best Performance from the Young Critics Circle Awards. The film, exploring Filipino historical myths through meta-narrative, highlighted her ability to engage in substantive, intellectually layered indie works rather than formulaic commercial fare. Locsin further solidified this pivot with her portrayal of Corazon Dacanay, the devout wife of a village leader, in the 2010 Amigo, a U.S.-Philippine co-production depicting tensions during the Philippine-American War. Her restrained, emotionally resonant acting in the film drew acclaim for authenticity, narrowly missing a Gawad Urian Best Supporting Actress win in 2011. By 2015, Locsin's dramatic evolution extended to mainstream-adjacent titles like The Breakup Playlist, where she played the supportive mother Marissa David, securing a nomination for Best Supporting Actress from the Film Academy of the Philippines (FAP) Awards. These roles underscored a causal progression through skill diversification, enabling sustained contributions to dramatic cinema despite selective industry oversight of veteran performers.

Television work and later career

Locsin transitioned to television in the mid-2000s, taking on supporting roles in Philippine primetime dramas that showcased her dramatic range beyond her earlier film persona. In the series (2005–2006), she portrayed Caridad "Idad" Santos, a resilient matriarch in the 88-episode adaptation of a classic , contributing to the show's popularity among local and international audiences via . Her performance emphasized familial endurance amid hardship, aligning with the series' themes of fate and struggle. Subsequent television appearances in the included guest and recurring roles in fantasy and family-oriented series. She played Matilda, a key antagonist, in GMA Network's (2010–2011), a 85-episode mermaid-themed drama that highlighted her ability to embody complex maternal figures. In ABS-CBN's (2014), Locsin depicted Guadalupe "Lupe" Roque-Dela Cruz, an older version of the protagonist's mother in the period-spanning narrative, adding depth to intergenerational conflicts across 130 episodes. The following year, she appeared as Carmen Beltran in (2015), a GMA romance-drama exploring marital , where her character navigated in-law dynamics in the 40-week run. These roles often positioned her as a stern yet protective elder, extending her film-honed intensity to episodic formats without lead prominence. In her later career from the 2010s onward, Locsin's output remained selective, reflecting an industry preference for younger leads amid rising competition from new media, yet demonstrating sustained versatility through occasional high-profile supporting parts. She featured in anthology episodes like Maalaala Mo Kaya's "Passbook" (2011), portraying Anita in a tale of cross-cultural romance and loss. A notable return came in Darna (2022–2023), GMA's superhero series reboot, where she played Roberta Ferrer-Custodio across 65 episodes, supporting the ensemble in action-driven narratives. This sparsity underscores her adaptability to broadcast demands, prioritizing quality over volume; by 2023–2025, media retrospectives affirmed her enduring critical regard for bold early work influencing selective later engagements, though without major new projects announced as of October 2025. Her television longevity contrasts with reduced visibility in a youth-centric market, where empirical viewership data favors fresh faces, yet her roles sustained a niche for experienced character actors in ensemble teleseryes.

Personal life

Marriages and family

Rio Locsin's first marriage was to Filipino actor ; the couple wed abroad and had two daughters, Paula Bianca and Costa Palma (also known as Jabba). The marriage ended in separation after several years, amid reported differences in approaches with Tantay. She later remarried Federico "Padim" , a former professional player who transitioned to becoming an Evangelical Christian . Their union produced a third daughter, Charisse, forming a family unit that Israel described as stable following his . Locsin has three daughters in total and has actively discouraged them from pursuing careers in the entertainment industry, citing the sector's inherent risks of exploitation and ; in a 2009 interview, she emphasized steering them toward more secure paths.

Views on the entertainment industry

In a 2009 interview, Locsin expressed reluctance to see her daughters pursue careers in , citing the personal sacrifices she observed and experienced early in her own career, which prevented her from completing college and underscored the value of as a enduring "weapon" over transient industry opportunities. She emphasized prioritizing formal for her children, noting that while she could not pass on significant wealth, a solid academic foundation would provide lasting stability amid the demands of , which often disrupt family life and long-term personal development. Locsin has critiqued the professional hazards of the industry indirectly through her responses to external commentary. In June 2011, following indie filmmaker Rafael Santos's remarks disparaging mainstream actors for alleged complaints about low pay and harsh conditions—contrasting them with more compliant theater performers—Locsin dismissed the nonchalantly, stating it was her first awareness of such views and that she evaluates projects based solely on the work involved, reflecting a pragmatic resilience shaped by her transitions from bold mainstream roles to independent cinema without defensiveness toward industry critiques. Following her remarriage in the early 2000s to Padim , an evangelical , Locsin adopted a family-centered that contrasts with show business's typical emphasis on career glorification, crediting shared for fostering post-industry stability and quiet domesticity over continued pursuit of fame, thereby modeling a cautionary preference for moral and relational priorities amid the field's inherent disruptions.

Filmography

Film roles

Locsin's early film roles featured in mainstream Philippine cinema of the late and , often in supporting capacities within comedies and dramas. In Salawahan (1979), directed by , she played Rina, one of the protagonists in a sex comedy centered on cousins swapping identities amid romantic pursuits. She followed with the role of Bea in Manila by Night (1980), a Regal Films production portraying urban vice, where her character served as the lover to a pusher amid ensemble depictions of nocturnal life. In the 1982 drama Haplos, Locsin portrayed Auring, a mysterious encountered at a gravesite who becomes a romantic foil in a blending , loss, and subtle horror elements alongside leads and . Her work extended to ensemble mainstream films like Working Girls (1984), a commercial hit addressing urban migration and female labor, though specific role details remain tied to collective portrayals of working women. Transitioning to independent cinema, Locsin appeared as Trining, the sister of Jose Rizal, in Bayaning 3rd World (2000), Mike de Leon's experimental docudrama questioning historical hero narratives through meta-interviews and reenactments. In the later international co-production Amigo (2010), directed by John Sayles and set during the Philippine-American War, she enacted Corazon Dacanay, a village woman navigating colonial occupation. Mainstream returns included maternal supporting roles, such as Marissa in the romantic drama The Breakup Playlist (2015), where she depicted a supportive parent to the protagonist amid youthful heartbreak.

Television roles

Locsin entered television in the early 1990s with guest appearances, transitioning to supporting roles in long-running teleseryes amid her established film career. In 1997–1999, she played Corazon Bermudez-Rodrigo, a key supporting character in the ABS-CBN drama Mula sa Puso, which spanned 538 episodes and explored themes of family intrigue and revenge. Her television output increased in the 2000s, featuring roles such as Caridad "Idad" Santos in GMA's (2006, 88 episodes), a period drama centered on fate and hardship, and Milagros Perea in Kambal sa Uma (2009, 125 episodes), depicting twin sisters' struggles. She continued with supporting parts like Minda Santos in (2012, 113 episodes), an adaptation emphasizing and redemption. In the , Locsin took on maternal figures, including Eloisa Santiago in ABS-CBN's (2014, 98 episodes), portraying a resilient in a of marital conflict and infidelity. Other credits included Carmen Fernandez in (2015, 70 episodes) and Pilita Ibarra in (2016, 137 episodes). Later works reflect sporadic but impactful guest and support roles, such as Roberta Ferrer-Custodio in Darna (2022, 65 episodes), a superhero series reboot, and Alma Guerrero in Black Rider (2023, 188 episodes), an action-drama. As of 2025, she appeared as Nanay Liwanag in It's Okay to Not Be Okay (65 episodes), supporting themes. These roles highlight her versatility in ensemble casts, often as authoritative or antagonistic maternal figures, without dominating lead billing.

Recognition

Awards and nominations

Rio Locsin has earned several awards and nominations, predominantly in supporting categories, demonstrating critical validation for her nuanced portrayals in both mainstream and independent Philippine cinema. These recognitions span her early child roles to later career contributions, with empirical evidence from voter-based bodies like emphasizing performance merit over box-office draw. Her debut accolade came as a child performer, winning the Best Supporting Actress award in 1967 for Kaibigan ko'ng Sto. Niño, a role that highlighted her early dramatic range in family-oriented dramas. This win, determined by Filipino Academy of Movie Arts and Sciences voters comprising film professionals, underscores foundational skill recognition amid a competitive field favoring established stars. In independent cinema, Locsin received a 2001 Young Critics Circle nomination for Best Performance in Bayaning 3rd World (also known as 3rd World Hero), acknowledging her ensemble contribution to the film's satirical exploration of historical narrative, as selected by film critics evaluating artistic impact. Later, she garnered a 2016 FAP (Film Academy of the Philippines) Luna Award nomination for Best Supporting Actress in The Breakup Playlist, reflecting peer assessment of her maternal role's emotional depth in a commercial romantic drama.
YearAward BodyCategoryFilmResult
1967Best Supporting ActressKaibigan ko'ng Sto. NiñoWon
2001Young Critics CircleBest Performance (Adult)Nominated
2016FAP Luna AwardsBest Supporting ActressNominated
These honors, concentrated in supporting realms, affirm Locsin's proficiency in elevating ensemble dynamics, with consistent nods from critic and academy voters countering industry tendencies to prioritize lead billing in accolade distributions. She has also accumulated multiple Gawad Urian nominations over her career, though specific wins remain in supporting tiers akin to her success.

References

  1. https://www.famousbirthdays.com/people/rio-locsin.html
  2. https://www.imdb.com/name/nm0517034/
  3. https://mydramalist.com/people/55609-rio-locsin
  4. https://www.clickthecity.com/movies/profile/cfMc86/rio-locsin
  5. https://www.imdb.com/name/nm0517034/awards/
  6. https://www.tvguide.com/celebrities/rio-locsin/bio/3030408706/
  7. https://www.whosdatedwho.com/dating/padim-israel-and-rio-locsin
  8. https://myastro.com/myastropedia/rio-locsin
  9. https://www.komparify.com/entertainment/actor/rio-locsin
  10. https://www.geni.com/people/Rio-Locsin/6000000114994856068
  11. https://www.philstar.com/entertainment/2023/11/21/2312929/rio-locsin-bit-player-sexy-star-one-phl-cinemas-acting-gems
  12. https://www.scmp.com/culture/film-tv/article/2185832/when-bomba-sex-films-were-staple-philippine-cinemas-and-their-female
  13. https://www.facebook.com/TuklasFilipinas/posts/rio-locsinborn-on-october-3-1961-as-maria-theresa-rosario-garcia-nayve-she-is-th/1367954241358643/
  14. https://letterboxd.com/actor/rio-locsin/
  15. https://www.imdb.com/event/ev0000270/1981/1/
  16. http://thebloodypitofhorror.blogspot.com/2023/03/haplos-1982.html
  17. https://www.youtube.com/watch?v=VRvAW2JeFWQ
  18. https://www.facebook.com/groups/364502587226480/posts/2396762914000427/
  19. https://www.imdb.com/title/tt0302045/
  20. https://www.facebook.com/groups/364502587226480/posts/2358561244487261/
  21. https://businessmirror.com.ph/2022/08/22/well-earned-respect-for-rio-locsin/
  22. https://yccfilmdesk.wordpress.com/winners-and-nominees/
  23. https://www.imdb.com/title/tt1562847/
  24. https://www.imdb.com/title/tt4628812/
  25. https://www.philstar.com/entertainment/2006/01/07/315429/rio-wants-try-her-hand-broadcast-journalism
  26. https://gmanetwork.fandom.com/wiki/My_Faithful_Husband
  27. https://www.imdb.com/title/tt2097631/
  28. https://www.imdb.com/title/tt16154940/
  29. https://www.youtube.com/shorts/GG0oJwgJ7f0
  30. https://www.pep.ph/lifestyle/18864/rio-locsin-discourages-daughters-from-entering-showbiz
  31. https://www.pep.ph/news/21563/al-tantay-says-he-and-ex-wife-rio-locsin-have-opposite-views-on-parenting
  32. https://www.spin.ph/basketball/pba/padim-israel-remains-connected-with-purefoods-franchise-three-decades-after-being-part-of-original-1988-team
  33. https://www.sinema.sg/2011/06/30/rio-locsin-reacts-to-indie-directors-controversial-remarks/
  34. http://www.abs-cbnnews.com/entertainment/06/29/11/rio-locsin-reacts-indie-directors-controversial-remarks
  35. https://www.facebook.com/photo.php?fbid=1907378810056810&id=100023541291013&set=a.418945548900151
  36. http://christpinoy.blogspot.com/2010/11/
  37. https://www.imdb.com/title/tt0474912/
  38. https://www.imdb.com/title/tt0081115/
  39. https://www.imdb.com/title/tt0186192/
  40. https://www.themoviedb.org/person/142962-rio-locsin
  41. https://www.imdb.com/title/tt0260731/
  42. https://www.fandango.com/people/rio-locsin-400324
  43. https://www.rottentomatoes.com/m/the_breakup_playlist
  44. https://www.imdb.com/title/tt0336878/fullcredits/
  45. https://mydramalist.com/31891-the-legal-wife/cast
  46. https://www.imdb.com/list/ls001894096/
  47. http://video48.blogspot.com/2009/01/gina-alajar-from-oreng-to-salome-movie.html
  48. https://alchetron.com/FAMAS-Award
  49. https://www.imdb.com/title/tt4628812/awards/
  50. https://www.facebook.com/TuklasFilipinas/posts/rio-locsinborn-on-october-3-1961-as-maria-theresa-rosario-garcia-nayve-she-is-th/1282684069885661/
Add your contribution
Related Hubs
User Avatar
No comments yet.