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Roar Uthaug
View on Wikipediafrom Wikipedia
Roar Uthaug (born August 25, 1973)[1] is a Norwegian film director. He graduated from the Norwegian Film School in 2002.
Key Information
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Career
[edit]Uthaug's graduation film The Martin Administration was the second Norwegian student-film in history to be nominated by AMPAS (the Academy of Motion Pictures, Arts and Science) for the Student Academy Awards.[1]
Working at the Norwegian production company Fantefilm, Uthaug has directed numerous commercials for Norwegian TV, and music videos for Gåte, Furia, Unni Wilhelmsen and Vidar Busk.
His feature debut Fritt Vilt (Cold Prey) was released in Norway on October 13, 2006. His notable feature was the 2015 disaster film, The Wave. In 2018, Uthaug directed Tomb Raider, the reboot of the film franchise, which was released on March 16, 2018 starring Alicia Vikander as Lara Croft.[2][3] In 2022, he directed the film, Troll. It was released on Netflix on December 1, 2022. In 2025, he directed the film, Troll 2 (2025 film), which was a direct sequel to the movie, Troll. It was released on Netflix on December 1, 2025.
Filmography
[edit]Short film
| Year | Title | Director | Writer | Notes |
|---|---|---|---|---|
| 1993 | Snørr | Yes | Yes | |
| 1994 | En aften i det gronne | Yes | No | |
| 1996 | DX13036 | Yes | No | |
| Dis 2 | Yes | Yes | Also producer | |
| A Fistful of Kebab | Yes | No | Co-directed with Espen Egeland | |
| 2002 | Regjeringen Martin | Yes | No |
Feature film
| Year | Title | Director | Writer | Executive Producer |
Notes |
|---|---|---|---|---|---|
| 2006 | Cold Prey | Yes | No | No | |
| 2009 | Magic Silver | Yes | No | No | Co-directed with Katarina Launing |
| 2012 | Escape | Yes | Story | No | |
| 2015 | The Wave | Yes | No | No | |
| 2018 | Tomb Raider | Yes | No | No | |
| 2022 | Troll | Yes | Story | Yes | |
| 2025 | Troll 2 | Yes | Story | Yes |
Television
| Year | Title | Notes |
|---|---|---|
| 2012 | Hellfjord | 1 episode |
| 2016 | Mammon | Episode "Miklagard" |
References
[edit]- ^ a b "Roar Uthaug". Norwegian Film Institute. Archived from the original on 2015-07-24. Retrieved 2015-07-24.
- ^ "'Tomb Raider' Reboot Finds Director". Variety. 17 November 2015. Retrieved 2015-11-17.
- ^ McNary, Dave (July 7, 2016). "Alicia Vikander's 'Tomb Raider' Gets 2018 Release Date". Variety.
External links
[edit]| International | |
|---|---|
| National | |
| Other | |
 | This article about a Norwegian film director is a stub. You can help Wikipedia by adding missing information. |
Roar Uthaug
View on Grokipediafrom Grokipedia
Roar Uthaug (born 25 August 1973) is a Norwegian film director renowned for his contributions to action, horror, and disaster cinema, blending high-stakes thrills with character-driven storytelling.[1][2]
Uthaug graduated from the Norwegian Film School in Lillehammer in 2002, where his thesis film The Martin Administration earned a nomination for a Student Academy Award.[3] His feature directorial debut came with the 2006 slasher film Cold Prey (Fritt vilt), a commercial success in Norway that paid homage to 1980s horror tropes while showcasing the country's stark winter landscapes.[4][5]
Uthaug gained international recognition with the 2015 disaster thriller The Wave (Bølgen), which dramatized a tsunami threat in a Norwegian fjord and became one of the country's highest-grossing films, earning a nomination for Best Foreign Language Film at the Oscars.[6][7] This led to his Hollywood breakthrough directing the 2018 reboot of Tomb Raider, starring Alicia Vikander as Lara Croft, which emphasized survival action and grossed over $274 million worldwide despite mixed reviews.[8][9][10]
Returning to Norwegian projects, Uthaug directed the 2022 Netflix monster film Troll, a creature feature inspired by folklore that highlighted Norway's rugged terrain and achieved strong viewership.[11][12] As of 2025, he is set to helm the sequel Troll 2, scheduled for release on Netflix in December, expanding the franchise with larger-scale monster confrontations.[13][14] In addition to features, Uthaug has directed numerous commercials for brands like Panasonic and Doritos, further establishing his versatility in visual storytelling.[15]
Early life and education
Early years
Roar Uthaug was born on August 25, 1973, in Lørenskog, Norway.[16] He grew up in the suburban municipality of Lørenskog, part of Akershus county near Oslo.[17] From a young age, Uthaug displayed an early fascination with filmmaking, creating short films during his teenage years that reflected a penchant for dark humor and unconventional narratives. His interest began even earlier; in 8th grade at Fjellsrud Ungdomsskole, he made his first film titled "The Axe Killer".[16] Notable among these were the grim comic shorts Snørr (1993) and En aften i det grønne (1994), which he directed while still in his late teens and explored absurd, macabre scenarios such as mischievous ailments and malevolent machinery.[18] These early experiments marked his initial foray into cinema, honing his skills with limited resources and showcasing a budding interest in visual storytelling. Uthaug's creative inclinations were shaped by exposure to both Norwegian cinema and international films, particularly in the horror and action genres. He has cited childhood viewings of Hollywood disaster movies as a key influence, alongside directors like Peter Jackson and Sam Raimi, whose low-budget horror works inspired his transition from personal projects to more structured filmmaking pursuits.[19][20] This foundation in genre cinema fueled his early experiments and eventually led him to enroll at the Norwegian Film School for formal training.Education
Uthaug enrolled in the directing program at the Norwegian Film School (Den norske filmskolen) in Lillehammer in 1999, where he received formal training in filmmaking.[21] Building on his early interest in creating short films during his school years, he focused on practical exercises that emphasized storytelling and production techniques.[20] During his studies, Uthaug honed skills in directing through workshops, script analysis, and hands-on production projects, while also gaining exposure to screenwriting and visual effects as integral components of the school's curriculum.[22][23][24] The program's blend of theoretical case studies and collaborative exercises influenced his approach to genre filmmaking, particularly in building tension and visual dynamics suited to horror and disaster narratives.[22] In 2002, Uthaug graduated from the Norwegian Film School, completing his Bachelor of Fine Arts degree.[16] His thesis project, the short film The Martin Administration (original title: Regjeringen Martin), explored comedic internal conflicts through a metaphorical government structure and earned a nomination for Best Live Action Short Film at the 2003 Student Academy Awards, marking it as only the second Norwegian student film to receive such recognition from the Academy of Motion Picture Arts and Sciences.[25][26]Professional career
Early career
After graduating from the Norwegian Film School in 2002, Roar Uthaug began his professional career at the production company Fantefilm, where he directed commercials for Norwegian television and music videos for artists including Gåte, Furia, Unni Wilhelmsen, and Vidar Busk.[21][27] This early work in advertising and music provided practical experience in handling budgets, crews, and tight production schedules, helping him hone his skills in visual storytelling and genre elements like suspense and action.[1] Uthaug's entry into television came in 2012 with his direction of one episode of the Norwegian horror-comedy miniseries Hellfjord, a surreal fish-out-of-water story produced by the TV channel NRK.[28] The series, which premiered at the Fantastic Fest, showcased his ability to blend humor with tension in a collaborative directing setup alongside talents like Patrik Syversen and Vegar Hoel.[29] By 2016, he expanded his television involvement by directing the episode "Miklagard" in the second season of the acclaimed crime drama Mammon, a political thriller centered on financial corruption and family secrets. This episode contributed to the series' reputation for intricate plotting and moral ambiguity, aired on NRK.[30] Transitioning from student films to paid professional gigs presented opportunities for growth amid Norway's film industry landscape, which in the early 2000s was shifting from a heavy emphasis on arthouse cinema toward greater support for commercial projects through government funding.[31] Uthaug's initial roles at Fantefilm and in television allowed him to build a portfolio while adapting to the logistical demands of collaborative Norwegian productions, fostering his reputation as a versatile director capable of delivering engaging narratives on modest scales.[32]Feature films and breakthroughs
Uthaug made his feature film directorial debut with the slasher horror Cold Prey (Fritt vilt, 2006), which follows a group of young skiers stranded in an abandoned mountain hotel haunted by a killer. The film became a significant box office success in Norway, grossing approximately $3.1 million domestically and ranking among the top-grossing films of the year, thereby revitalizing interest in the slasher genre within Norwegian cinema.[33][34][35] Building on this momentum, Uthaug expanded into family-oriented fantasy with Magic Silver (Julenatt i Blåfjell, 2009), a children's adventure based on a popular Norwegian TV series about woodland creatures on a quest to save Christmas. The film attracted over 370,000 admissions in Norway, contributing to the resurgence of domestic children's cinema and earning praise for its whimsical visuals and accessible storytelling.[36][37][38] In 2012, Uthaug returned to action with Escape (Flukt), a thriller set in 14th-century Norway depicting two girls fleeing a labor camp amid the Black Death's aftermath, highlighting themes of survival and resilience. It grossed around $800,000 in Norway and received acclaim for Uthaug's taut pacing and dynamic action sequences, further solidifying his reputation for genre filmmaking.[39][40][41] Uthaug's breakthrough came with the disaster thriller The Wave (Bølgen, 2015), inspired by the real threat of a landslide-induced tsunami in the Geirangerfjord, where a geologist races to warn his family and community of an impending catastrophe. The film achieved massive commercial success, grossing over $10.7 million in Norway alone—making it the highest-grossing domestic release of the year with more than 800,000 admissions—and worldwide totals exceeding $12.9 million, while earning international recognition for its gripping tension and innovative visual effects simulating the tsunami.[42][43][44] These early features, evolving from his prior television work, established Uthaug as a key figure in Norwegian genre cinema, blending local settings with high-stakes narratives that resonated culturally by drawing on national landscapes and folklore.[45]International and recent projects
Uthaug made his Hollywood debut with the 2018 reboot of Tomb Raider, directing a new origin story for the iconic video game character Lara Croft, portrayed by Alicia Vikander.[10] The production, a collaboration between Warner Bros., Metro-Goldwyn-Mayer (MGM), Square Enix, and GK Films, emphasized practical effects and in-camera action sequences, such as a shipwreck scene filmed with gimbals and water cannons to capture authentic intensity.[31] With a budget far exceeding his prior Norwegian projects, the film involved massive sets like a sprawling tomb and shoots across multiple international locations, including South Africa and London, marking a significant scale-up in logistical complexity.[31] Uthaug described the transition from Norway's leaner, government-supported filmmaking—exemplified by his 2015 disaster film The Wave—to Hollywood's studio system as a "dream come true," though it required adapting to larger crews and more structured hierarchies while retaining creative freedom.[31] The project elevated his international profile, grossing $275 million worldwide and positioning him as a director capable of handling blockbuster adaptations.[46] Following his Hollywood venture, Uthaug returned to Norwegian cinema with Troll (2022), a Netflix original monster film inspired by Scandinavian folklore and produced by the Norwegian company Motion Blur.[47] The Norwegian-language feature became a global phenomenon, amassing 178.6 million hours viewed and topping Netflix's charts as the streamer's most popular non-English film to date with 103 million views, while setting a record as the first Norwegian-language production to lead the platform's worldwide rankings.[48][49] Its success in the first week alone—over 75 million hours watched—highlighted the appeal of blending local mythology with high-stakes action on an international streaming scale.[50] Building on this momentum, Uthaug announced Troll 2 in early 2023, with development focusing on expanding the franchise through amplified visual effects and a larger narrative scope.[13] Scheduled for Netflix release on December 1, 2025, the sequel introduces escalated threats and enhanced production values, including more intricate creature designs and destruction sequences, to deliver "bigger spectacle and higher stakes."[13][51] Uthaug has noted that the project allows for deeper exploration of Norwegian folklore while navigating the cultural balance between domestic roots and global audience expectations, further solidifying his versatility across budget tiers and markets.[51]Filmography
Feature films
Cold Prey (2006) is a Norwegian horror film directed by Uthaug, with a runtime of 97 minutes, starring Ingrid Bolsø Berdal as Jannicke, Rolf Kristian Larsen as Morten Tobias, Tomas Alf Larsen as Eirik, Endre Martin Midtstigen as Mikal, and Viktoria Winge as Ingunn.[34] The film grossed approximately $3.7 million worldwide.[52] Magic Silver (2009) is a family adventure film co-directed by Uthaug and Katarina Launing, with a runtime of 82 minutes, starring Ane Viola Semb as Fjellrose, Johan Tinus Lindgren as Dreng, and Finn Schau as Fjellkonge.[38] It had a budget of NOK 21.75 million (approximately $3 million USD) and grossed $4.6 million worldwide.[38] Escape (2012) is an action thriller film directed by Uthaug, with a runtime of 78 minutes, starring Isabel Christine Andreasen as Signe, Ingrid Bolsø Berdal as Dagmar, and Milla Olin as Frigg.[41] The Wave (2015) is a disaster film directed by Uthaug, with a runtime of 105 minutes, starring Kristoffer Joner as Kristian Eikjord, Ane Dahl Torp as Idun Karlsen, and Jonas Hoff Oftebro as Sondre Eikjord.[45] Made on a budget of €6 million (approximately $6.5 million USD), it grossed $12.9 million worldwide, including $8.2 million in Norway alone.[45][53] Tomb Raider (2018) is an action-adventure film directed by Uthaug, with a runtime of 119 minutes, starring Alicia Vikander as Lara Croft, Dominic West as Lord Richard Croft, and Walton Goggins as Andre Mathis.[54] The film had a budget of $94 million and grossed $274.7 million worldwide.[55] Troll (2022) is a Norwegian monster thriller film directed by Uthaug, with a runtime of 101 minutes, starring Ine Marie Wilmann as Nora Tidemann, Kim Falck as Andreas Isaksen, and Mads Sjøgård Pettersen as Captain Kristoffer Holm.[56] Troll 2 (2025) is an upcoming Norwegian monster sequel film directed by Uthaug, starring Ine Marie Wilmann, Kim Falck, Mads Sjøgård Pettersen, and Sara Khorami, scheduled for release on Netflix on December 1, 2025.[57][58]Television and shorts
Uthaug's earliest directing efforts were in short films, often blending horror and comedy elements during his student years at the Norwegian Film School. His debut, Snørr (1993), is a 10-minute comedy-horror short depicting a laboratory cleaner's error unleashing a snot-based zombie plague on colleagues.[59] The following year, he directed En aften i det grønne (1994), a 4-minute black comedy in the splatter genre set during an outdoor evening gathering that turns chaotic.[60] After graduating in 2002, Uthaug helmed Regjeringen Martin (also known as The Martin Administration), a satirical short film nominated for a Student Academy Award, poking fun at bureaucratic politics in a mock governmental crisis.[26] In television, Uthaug contributed to the 7-episode mockumentary horror miniseries Hellfjord (2012), directing the finale (episode 7), which follows a bumbling urban cop investigating supernatural events in a remote Norwegian village.[61] He later directed select episodes of the financial thriller series Mammon (2016), including co-directing season 2, episodes 7 ("Constantinople") and 8, amid the show's exploration of corruption and media intrigue.[62][30] As part of his early professional output in the late 1990s and early 2000s, Uthaug directed music videos for Norwegian folk-rock artists including Vidar Busk, Unni Wilhelmsen, and the band Gåte, while working at production company Fantefilm.[18] He also created commercials for brands such as Smart, Panasonic, Xylem, and Doritos, honing his skills in fast-paced narrative visuals.[15]Awards and nominations
Norwegian awards
Roar Uthaug's directorial debut, the horror film Cold Prey (Fritt vilt, 2006), received recognition at the 2007 Amanda Awards, Norway's premier film honors, where it won the People's Amanda for audience favorite.[63] The film also secured an Amanda for Best Actress for Ingrid Bolsø Berdal's performance, underscoring Uthaug's early impact in revitalizing Norwegian genre cinema.[63] His 2012 historical action film Escape (Flukt) earned a nomination for Best Visual Effects at the 2013 Amanda Awards, highlighting Uthaug's growing technical prowess in domestic productions.[64] Uthaug achieved greater acclaim with the 2015 disaster thriller The Wave (Bølgen), which swept multiple categories at the 2016 Amanda Awards, including wins for Best Norwegian Film (shared with producers Martin Sundland and Are Heidenstrøm) and Best Sound Design.[65] The film also won for Best Visual Effects, while Uthaug himself was nominated for Best Direction.[66] These victories, presented during the Haugesund International Film Festival, affirmed The Wave as a landmark in Norwegian cinema, boosting its box-office success with 832,649 admissions domestically.[67] These Amanda accolades elevated Uthaug's standing within Norway's film community, establishing him as a versatile director capable of blending commercial appeal with high production values, and paving the way for further national support from institutions like the Norwegian Film Institute.[68]| Year | Award | Category | Film | Outcome |
|---|---|---|---|---|
| 2007 | Amanda Awards | People's Amanda | Cold Prey | Win |
| 2007 | Amanda Awards | Best Actress | Cold Prey | Win (film) |
| 2013 | Amanda Awards | Best Visual Effects | Escape | Nomination |
| 2016 | Amanda Awards | Best Norwegian Film | The Wave | Win (shared) |
| 2016 | Amanda Awards | Best Sound Design | The Wave | Win |
| 2016 | Amanda Awards | Best Visual Effects | The Wave | Win |
| 2016 | Amanda Awards | Best Direction | The Wave | Nomination |