Robert Newton

Robert Guy Newton (1 June 1905 – 25 March 1956) was an English actor. Along with Errol Flynn, Newton was one of the more popular actors among the male juvenile audience of the 1940s and early 1950s, especially with British boys. Known for his hard-living life, he was cited as a role model by the actor Oliver Reed and the Who's drummer Keith Moon.

Beginning his career in theatre in the 1920s, Newton appeared in numerous plays in the West End, including Bitter Sweet by Noël Coward. In 1939 he was Horatio in Hamlet at the Old Vic theatre opposite Laurence Olivier's Prince Hamlet. After serving in the Royal Navy during the Second World War, he had his major break on screen playing the lead in This Happy Breed (1944) and starring in Olivier's version of Henry V (1944). These appearances saw British exhibitors vote him the 10th most popular British film star of 1944.

Newton is best remembered for his portrayal of the feverish-eyed Long John Silver in the 1950 RKO-Disney British adaptation of Treasure Island, the film that became the standard for screen portrayals of historical pirates. He starred as Edward Teach (Blackbeard) in Blackbeard the Pirate in 1952 and Long John Silver again in the 1954 film of the same title, which spawned a miniseries in the mid-1950s. Born in Dorset in the West Country of England and growing up in Cornwall near Land's End, his exaggeration of his West Country accent is credited with popularising the stereotypical "pirate speech". Newton has become the "patron saint" of the annual International Talk Like a Pirate Day.

Robert Guy Newton was born on 1 June 1905 in Shaftesbury, Dorset, a son of the landscape painter Algernon Newton, R.A. He lived with his family in Lamorna near Penzance, Cornwall, from 1912 to 1918. He attended St. Petroc's preparatory school in Bude, where he won a shooting competition in 1916, and then Exeter School and St. Bartholomew's School in Newbury, Berkshire.

His acting career began at the age of 16 at the Birmingham Repertory Theatre in 1921. He appeared in many repertory shows until he went to Canada where he worked on a cattle ranch for a year.

He returned to England and performed in many plays in the West End of London, including Bitter Sweet by Noël Coward, The Letter with Gladys Cooper, and Her Cardboard Lover with Tallulah Bankhead. He also appeared in Private Lives on Broadway, taking over the role from his friend Laurence Olivier. From 1932 to 1934, he was the manager of the Shilling Theatre in Fulham, London. He had a small role in the film Reunion (1932).

Newton was put under contract to Alexander Korda who cast him in small roles in the cinema films Fire Over England (1937), Dark Journey (1937), Farewell Again (1937) and The Squeaker (1937). He also had a part as Cassius in the abandoned version of I, Claudius and in 21 Days (shot in 1937, released 1940). Newton was borrowed by 20th Century Fox for The Green Cockatoo (1937). Newton had a good role supporting Charles Laughton in Vessel of Wrath (1938). He had another strong part in Yellow Sands (1939) and had his first film lead in Dead Men are Dangerous (1939). He made another with Laughton, Jamaica Inn (1939), playing the romantic male lead, directed by Alfred Hitchcock. In 1939, he played Horatio to Laurence Olivier's Hamlet at the Old Vic, in a production that included Alec Guinness and Michael Redgrave. Newton kept busy as a film actor, appearing in Poison Pen (1939) and Hell's Cargo (1939).

Newton continued primarily as a supporting actor in films, appearing in Gaslight (1940), Busman's Honeymoon (1940), Bulldog Sees It Through (1940), Channel Incident (1940) and Major Barbara (1941), directed by Gabriel Pascal from the play by George Bernard Shaw. Newton got another chance as a star in Hatter's Castle (1942), opposite Deborah Kerr and James Mason. He consolidated his status by playing opposite Anna Neagle in the Amy Johnson biopic They Flew Alone (1942), playing Jim Mollison.