Robert Warwick

Robert Warwick (born Robert Taylor Bien; October 9, 1878 – June 6, 1964) was an American stage, film and television actor with over 200 film appearances. A matinee idol during the silent film era, he also prospered after the introduction of sound to cinema. As a young man he had studied opera singing in Paris and had a rich, resonant voice. At the age of 50, he developed as a highly regarded, aristocratic character actor and made numerous "talkies".

Warwick was born Robert Taylor Bien in 1878 to Louis and Isabel (Taylor) Bien.

Some sources say he was born in England; others say Sacramento, California. His father was of French ethnicity. Bien studied music in Paris and trained for two years to be an opera singer, but acting proved to be his greater calling. He met his future wife, Arline Peck in Paris; the American couple married in 1902. After his return to the United States, he started in theatre and then film.

Warwick (by then using his stage name) made his Broadway debut in 1903 in the play Glad of It. One of his co-stars was a young John Barrymore, also making his Broadway debut. Both actors, over time, became matinee idols. For the next twenty years Warwick appeared in such plays as Anna Karenina (1906), Two Women (1910), with Mrs. Leslie Carter; and The Kiss Waltz (1911) and Miss Prince (1912), in both of which he was able to display his singing voice.

He also appeared in The Secret (1913), A Celebrated Case (1915) and Drifting (1922) with Alice Brady, not to mention several other plays through the end of the 1920s.

Warwick served in the U.S. Army during World War I as an infantry captain and as a liaison officer with the French Army.

Warwick started making silent films in 1914, with his early work including The Mad Lover (1917) and Thou Art the Man (1920). He made numerous productions in the 1910s primarily in Fort Lee, New Jersey. Two films, Alias Jimmy Valentine and A Girl's Folly, both directed by Maurice Tourneur, have been preserved, and showcase Warwick as a silent actor, as well as Tourneur's directing talent. Both are available in the 21st century on home video.

From the 1920s on, Warwick alternated doing plays and silent films. He was fifty when sound films arrived, and though middle aged and with his matinee idol looks fading, he found plenty of work in character roles, much enhanced by his rich, resonant voice, eloquent diction, and aristocratic manner. When the studios moved to Los Angeles, Warwick followed.