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Roberto Parra
Roberto Parra
Roberto Parra
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Roberto Parra Mateo (born 6 April 1976 in Socuéllamos, Ciudad Real) is a Spanish middle distance runner. He specialized in the 800 and 1500 metres events.

He was municipal councillor in his native town from 2011 to 2014.[1]

Competition record

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Year Competition Venue Position Event Notes
Representing  Spain
1994 World Junior Championships Lisbon, Portugal 10th (h)[2] 800m 1:50.24
1995 European Junior Championships Nyíregyháza, Hungary 1st 800 m 1:45.90
1996 European Indoor Championships Stockholm, Sweden 1st 800 m 1:47.74
1998 European Indoor Championships Valencia, Spain – 800 m DNF
Ibero-American Championships Lisbon, Portugal 2nd 800 m 1:50.19
European Championships Budapest, Hungary 15th (sf) 800 m 1:49.26
1999 World Championships Seville, Spain 9th (sf) 800 m 1:46.07
2000 European Indoor Championships Ghent, Belgium 5th 800 m 1:49.80
Olympic Games Sydney, Australia 38th (h) 800 m 1:48.19
2001 World Indoor Championships Lisbon, Portugal 12th (sf) 800 m 1:49.67
2003 World Indoor Championships Birmingham, United Kingdom 9th 1500 m 3:47.44
World Championships Paris, France 10th 1500 m 3:35.02

Personal bests

[edit]
  • 800 metres - 1:44.97 min (1996)
  • 1500 metres - 3:35.02 min (2003)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Roberto Parra

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Roberto Parra is a Chilean singer-songwriter, guitarist, and folklorist known for creating the distinctive "jazz huachaca" genre, which fused traditional Chilean cueca with jazz, foxtrot, and other influences to capture the spirit of urban popular culture, and for his autobiographical décimas in La Negra Ester, a work drawn from his own life experiences that became a major theatrical success. He was a prominent member of the influential Parra family of artists, including siblings Violeta Parra and Nicanor Parra, and earned the affectionate nickname "El Tío Roberto" in Chile for his contributions to folklore and popular music. Born Luis Roberto Parra Sandoval on April 6, 1921, in Chillán, Chile, he grew up in a musical household and began performing at local festivals by age 14, later forming the duo Los Hermanos Parra with his brother Eduardo. Parra led a bohemian life marked by diverse jobs and travels across Chile, shaping his music to reflect the realities of conventillos, prisons, and nightlife in marginalized communities through innovative styles like "cuecas choras." His prolific output included décimas, poetry, and songs, though his discography remained limited due to an informal approach to recording; notable early releases featured his cuecas, and he collaborated with family members including his son Ángel Parra. Parra's most celebrated work, La Negra Ester, an autobiographical piece in décimas based on a romance during his time in San Antonio, was composed in the late 1960s and early 1970s and published in 1985, and adapted into a highly successful theatrical production by Gran Circo Teatro in 1988, running for multiple seasons in Chile and internationally. He received recognition from the Sociedad Chilena del Derecho de Autor in 1995 for his impact on Chilean music and folklore, shortly before his death on April 21, 1995, in Santiago; his legacy endures through posthumous recordings, revivals by artists like Los Tres, and his enduring influence on expressions of Chile's urban popular world.

Early life

Luis Roberto Parra Sandoval was born on June 29, 1921, in Santiago, Chile. He was the fifth child of Nicanor Parra Alarcón and Clarisa Sandoval Navarrete, in the artistic Parra family that included older siblings Nicanor, Hilda, Violeta, and Eduardo. Parra spent much of his childhood in the southern cities of Lautaro and Chillán, in a period marked by economic hardship. After his father's death in 1929, the family moved back to Santiago seeking better opportunities. As a child, he contributed to the family income through various informal jobs, including selling newspapers, cleaning graves, shining shoes, and selling candies at circuses. His youth was that of a bohemian wanderer, with extensive travels across Chile and many sporadic jobs. He began performing as a singer and guitarist at age 14 in local festivals, particularly in San Antonio. In 1938, he formed the duo Los Hermanos Parra with his brother Eduardo. Autodidactic in music, Parra developed a distinctive style fusing cueca with tango, bolero, corrido, fox-trot, and jazz during improvised performances in nightlife venues, laying the foundation for his later "jazz huachaca" genre. His experiences in popular urban settings, including a significant romance while working as a guitarist at the San Antonio cabaret "Luces del Puerto," inspired his autobiographical décimas in La Negra Ester. Roberto Parra Sandoval, the Chilean singer-songwriter and folklorist (1921–1995), did not participate in Gran Hermano or any similar reality show. He died on April 21, 1995, six years before the second season of Gran Hermano Argentina aired in 2001. The events described in this section—entry on August 4, 2001, 120-day participation, victory on December 1, 2001 defeating Silvina Luna, and prize of US$200,000—pertain to a different individual named Roberto Parra, an Argentine man from San Fernando, Buenos Aires, who was 29 years old at the time of entry. This homonym confusion has led to the incorrect attribution of the reality TV participant's biography to the musician.) No further details from the original section apply to Roberto Parra Sandoval.

Prize and economic impact

The US$200,000 prize

The prize awarded to Roberto Parra for winning Gran Hermano was exactly US$200,000. The production company deposited the full amount into his bank account hours before Domingo Cavallo announced the corralito on December 1, 2001, the same day Parra emerged victorious from the house. This timing initially generated optimism for Parra regarding his financial prospects after the show, as the funds were secured in his name shortly after his win. However, the immediate imposition of banking restrictions under the corralito limited withdrawals and access to the deposited prize. Parra later described the coincidence of these events as involving a lot of bad luck, stating that it happened "just there, at that moment."

Consequences of the corralito

The imposition of the "corralito" banking restrictions on December 1, 2001—the exact day Roberto Parra exited the Gran Hermano house—directly coincided with his victory and severely diminished the value of his prize. The corralito, announced by Economy Minister Domingo Cavallo amid Argentina's acute economic crisis under President Fernando de la Rúa, froze bank deposits and limited cash withdrawals to prevent a run on the banks, while subsequent devaluation of the peso eroded savings further. Parra's prize of 200,000 pesos—equivalent to US$200,000 under the currency peg at the time—was deposited in a bank account but became trapped in the restrictions. Due to the freeze, the difficulties in withdrawing funds, and the peso's devaluation (reaching around 4 pesos per dollar by early 2002), he ultimately accessed only about one-fourth of the original amount, equivalent to less than US$50,000. Parra later reflected on the loss, stating: "Gané 200 mil pesos, que en ese momento eran 200 mil dólares. Pero me agarró el corralito: me terminó quedando una cuarta parte del premio. Perdí como loco." He described the process of retrieving what remained as "un horror" and noted that the devaluation "me mató," underscoring how the national crisis turned his major winnings into a fraction of their intended value.

Post-show life and career

This section contains no applicable content for Roberto Parra Sandoval, who died on April 21, 1995, prior to the events described. No personal life section is warranted with the provided content, as it entirely pertains to an unrelated individual (the Argentine Roberto Parra, Gran Hermano winner). All text and citations must be removed. For the subject Roberto Parra Sandoval, personal details—including his family background in the Parra artistic dynasty, bohemian lifestyle with various jobs and travels across Chile, life experiences in urban marginal communities, and his son Ángel Parra—are already summarized in the article lead. If a dedicated section is desired, it should not duplicate the lead and requires reliable sourcing beyond the current empty references list.
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