Recent from talks
Contribute something to knowledge base
Content stats: 0 posts, 0 articles, 0 media, 0 notes
Members stats: 0 subscribers, 0 contributors, 0 moderators, 0 supporters
Subscribers
Supporters
Contributors
Moderators
Hub AI
Rolling Thunder Revue AI simulator
(@Rolling Thunder Revue_simulator)
Hub AI
Rolling Thunder Revue AI simulator
(@Rolling Thunder Revue_simulator)
Rolling Thunder Revue
The Rolling Thunder Revue was a 1975–76 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who was a major recording artist and concert performer, to play in smaller auditoriums in less populated cities where he could be more intimate with his audiences.
Some of the performers on the tour were Joan Baez, Roger McGuinn, Joni Mitchell, Ronee Blakely and Ramblin' Jack Elliott. Bob Neuwirth assembled backing musicians from the recording sessions for Dylan's Desire album, including violinist Scarlet Rivera, bassist Rob Stoner, and drummer Howie Wyeth, plus Mick Ronson on guitar. The tour included 57 concerts in two legs—the first in the American northeast and Canada in the fall of 1975, and the second in the American South and southwest in the spring of 1976.
The release of Desire in January 1976 fell between the two legs of the tour, with many of the songs performed in the first leg taken from that yet-to-be-released album. The tour was thoroughly documented through film, sound recording, and in print. A documentary about the tour, directed by Martin Scorsese, titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, was released by Netflix and in select theaters in June 2019.
The idea behind the tour, Dylan said, was to "play for the people", the people who never get good seats at his larger concerts due to higher ticket cost and inconvenient locations. Dylan chose to play in smaller auditoriums because, he said, "the atmosphere in small halls is more conducive to what we do". His New York musician friend David Blue felt that Dylan clearly wanted to get back to being closer to his audience after becoming a major music star, saying, "Bob's just an ordinary [...] guy, a great songwriter who got swept up in this whole fame thing and was smart enough to know how to control it, who rode with it and was shrewd, damn shrewd. And now he's just paying everyone back with this tour. It's like a family scene."
Dylan named the tour after hearing the continuous sounds of thunder one day. He conceived the tour in the summer of 1975 while he was living in Greenwich Village, and began co-writing with his friend, Jacques Levy, with whom he wrote various songs, including "Hurricane".
In October 1975, shortly before completing Desire, Dylan held rehearsals for his second tour in two years (following an eight-year hiatus) at New York City's midtown Studio Instrument Rentals space. Bassist Rob Stoner, drummer/pianist Howie Wyeth and violinist Scarlet Rivera were retained from the Desire sessions for the rehearsals. Joining them were T-Bone Burnett (electric guitar, piano), Steven Soles (acoustic guitar, electric guitar, backing vocals) and David Mansfield (dobro, mandolin, violin, pedal steel guitar). Although the trio had been dismissed during the Desire sessions in an attempt to focus the overall production, Dylan yielded to his original instincts and decided to rehire them for the tour. [citation needed] Luther Rix (drums, percussion) was also added at an indeterminate point.
I've known these guys for a long time and I love them dearly, but everybody is slightly unstable. But it's delightful working with Bobby again. He's relatively impossible to follow and that's a challenge, but I need that.
When rehearsals began, many of the musicians were apparently uninformed about plans for an upcoming tour. At the same time, Dylan was casually inviting others to join in with the band. According to Stoner, the group rehearsed "for like a day or two – it [was] not really so much a rehearsal as like a jam, tryin' to sort it out. Meanwhile, all these people who eventually became the Rolling Thunder Revue started dropping in. Joan Baez was showing up. Roger McGuinn was there. They were all there. We had no idea what the purpose for these jams was, except we were being invited to jam."
Rolling Thunder Revue
The Rolling Thunder Revue was a 1975–76 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who was a major recording artist and concert performer, to play in smaller auditoriums in less populated cities where he could be more intimate with his audiences.
Some of the performers on the tour were Joan Baez, Roger McGuinn, Joni Mitchell, Ronee Blakely and Ramblin' Jack Elliott. Bob Neuwirth assembled backing musicians from the recording sessions for Dylan's Desire album, including violinist Scarlet Rivera, bassist Rob Stoner, and drummer Howie Wyeth, plus Mick Ronson on guitar. The tour included 57 concerts in two legs—the first in the American northeast and Canada in the fall of 1975, and the second in the American South and southwest in the spring of 1976.
The release of Desire in January 1976 fell between the two legs of the tour, with many of the songs performed in the first leg taken from that yet-to-be-released album. The tour was thoroughly documented through film, sound recording, and in print. A documentary about the tour, directed by Martin Scorsese, titled Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, was released by Netflix and in select theaters in June 2019.
The idea behind the tour, Dylan said, was to "play for the people", the people who never get good seats at his larger concerts due to higher ticket cost and inconvenient locations. Dylan chose to play in smaller auditoriums because, he said, "the atmosphere in small halls is more conducive to what we do". His New York musician friend David Blue felt that Dylan clearly wanted to get back to being closer to his audience after becoming a major music star, saying, "Bob's just an ordinary [...] guy, a great songwriter who got swept up in this whole fame thing and was smart enough to know how to control it, who rode with it and was shrewd, damn shrewd. And now he's just paying everyone back with this tour. It's like a family scene."
Dylan named the tour after hearing the continuous sounds of thunder one day. He conceived the tour in the summer of 1975 while he was living in Greenwich Village, and began co-writing with his friend, Jacques Levy, with whom he wrote various songs, including "Hurricane".
In October 1975, shortly before completing Desire, Dylan held rehearsals for his second tour in two years (following an eight-year hiatus) at New York City's midtown Studio Instrument Rentals space. Bassist Rob Stoner, drummer/pianist Howie Wyeth and violinist Scarlet Rivera were retained from the Desire sessions for the rehearsals. Joining them were T-Bone Burnett (electric guitar, piano), Steven Soles (acoustic guitar, electric guitar, backing vocals) and David Mansfield (dobro, mandolin, violin, pedal steel guitar). Although the trio had been dismissed during the Desire sessions in an attempt to focus the overall production, Dylan yielded to his original instincts and decided to rehire them for the tour. [citation needed] Luther Rix (drums, percussion) was also added at an indeterminate point.
I've known these guys for a long time and I love them dearly, but everybody is slightly unstable. But it's delightful working with Bobby again. He's relatively impossible to follow and that's a challenge, but I need that.
When rehearsals began, many of the musicians were apparently uninformed about plans for an upcoming tour. At the same time, Dylan was casually inviting others to join in with the band. According to Stoner, the group rehearsed "for like a day or two – it [was] not really so much a rehearsal as like a jam, tryin' to sort it out. Meanwhile, all these people who eventually became the Rolling Thunder Revue started dropping in. Joan Baez was showing up. Roger McGuinn was there. They were all there. We had no idea what the purpose for these jams was, except we were being invited to jam."
