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Ruth Roland
Ruth Roland
Ruth Roland
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Ruth Roland (August 26, 1892 – September 22, 1937) was an American stage and film actress and film producer.[1]

Key Information

Early life and career

[edit]

Roland was born in San Francisco, California to Elizabeth Lillian Hauser and Jack Roland. Her father managed a theatre, and she became a child actress who went on to work in vaudeville. At age 12, she was the youngest student at Hollywood High School, having attended the school around 1904 or 1905 (there is debate on this date). Roland was Hollywood High School's first homegrown movie star.[2]

She was hired by director Sidney Olcott who had seen her on stage in New York City. She appeared in her first film, A Chance Shot, for Kalem Studios in 1911, becoming the leading actress of their new West Coast studio.[3]

Roland left Kalem and went on to even more fame at Balboa Films, where she was under contract from 1914 to 1917. In 1915 she appeared in a 14-episode adventure film serial titled The Red Circle. A shrewd businessperson, she established her own production company, Ruth Roland Serials, and signed a distribution deal with Pathé to make seven new multi-episode serials that proved very successful.[citation needed]

Between 1909 and 1927, Roland appeared in more than 200 films. She appeared in an early color feature film Cupid Angling (1918) made in the Natural Color process invented by Leon F. Douglass, and filmed in the Lake Lagunitas area of Marin County, California.[citation needed]

Roland worked the film business until 1930 when she made her first talkie. Although her voice worked well enough on screen, now entering her forties she returned to performing in live theatre, making only one more film appearance in 1936.[citation needed]

Personal life and death

[edit]

Roland was married to Lionel T. Kent on May 16, 1917.[4] The marriage was short-lived: they separated on September 2, 1918, and divorced on April 2, 1919.[5][6]

On February 14, 1929, she married fellow actor Ben Bard, who also had a stage acting background, and ran a Hollywood acting school after they married.[7] They were together until Roland's death. Ruth Roland died of cancer in 1937, aged 45, in Hollywood and is interred near her husband in the Forest Lawn Memorial Park Cemetery in Glendale, California.[8]

For her contribution to the motion picture industry, Ruth Roland received a star on the Hollywood Walk of Fame at 6220 Hollywood Boulevard on February 8, 1960.[9][10] In 1979, a concrete box containing Roland's personal film collection was discovered buried in the backyard of Roland's house, and donated to the UCLA Film Archives by her heirs in 1980.[11]

Selected filmography

[edit]
  • A Matrimonial Martyr (1916)
    A Matrimonial Martyr (1916)
  • The Sultana (1916)
    The Sultana (1916)
  • The Neglected Wife (1917)
    The Neglected Wife (1917)
  • Hands Up (1918)
    Hands Up (1918)
  • The Tiger's Trail (1919)
    The Tiger's Trail (1919)
  • The Timber Queen (1922)
    The Timber Queen (1922)
The Red Circle serial (1915), Roland's portrait by Alonzo Myron Kimball
Roland in 1916
Roland portrait by Benjamin Eggleston, Motion Picture Classic, January 1922[12]

References

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Bibliography

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Ruth Roland

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Ruth Roland (August 6, 1892 – September 12, 1937) was an American actress and film producer known for her starring roles in silent film serials of the 1910s and 1920s, where she earned the title "Queen of the Serials" for her daring performances in action-packed adventure stories. Born in San Francisco, California, Roland began performing on stage as a child, making her debut at age three and a half and pursuing a professional career in theater before entering the film industry around 1911. After early work in short films and one-reelers, she rose to prominence with long-running serials that highlighted her athleticism and screen presence, including The Red Circle (1915), The Tiger's Trail (1919), and The Adventures of Ruth (1920), the latter of which she co-produced under her own production banner. These serials often cast her as resourceful heroines facing villains, chases, and cliffhanger perils, helping establish the popular formula for action serials and positioning her as one of the era's highest-paid female stars. In addition to her on-screen work, Roland formed Ruth Roland Serials Inc. to control her projects and finances, reflecting her entrepreneurial approach in an industry dominated by men. She continued acting into the early sound era with smaller roles while exploring other business interests, including real estate, before her death from cancer in Hollywood on September 12, 1937. Her contributions to early cinema, particularly as a trailblazing female lead in serialized action formats, earned her a star on the Hollywood Walk of Fame.

Early life

Family background and childhood

Ruth Roland was born on August 26, 1892, in San Francisco, California. Her father managed a theater in the city, which immersed her in a theatrical family environment from an early age and provided significant exposure to the performing arts. This upbringing naturally encouraged child performance within the household and professional circles surrounding her father's work. During her early childhood, she became known as "Baby Ruth" because of her precocious stage appearances in that theatrical milieu.

Early stage career

Ruth Roland began her performing career on stage as a child actress, drawing on her family's theatrical connections. She made her stage debut at the age of three under the professional name "Baby Ruth" and quickly became active as a child performer and singer. One of her early appearances was in a dramatized stage version of Cinderella, billed as "Baby Ruth." At age 12, she became the youngest student at Hollywood High School. As a child star, she toured for several years in stock theater companies and vaudeville, appearing in live productions and gaining experience in both vaudeville circuits and legitimate theater settings. Following her parents' divorce, she was raised by an aunt and developed her own vaudeville act to continue performing independently. This early stage work built her skills as a versatile performer before her transition to motion pictures around 1909–1910.

Film career

Entry into motion pictures

Ruth Roland transitioned from her early stage career to motion pictures in 1911 when she was spotted by a director from Kalem Studios during a performance. She quickly accepted the offer of a film career and made her debut that year with the Kalem Company. Her initial work included the short film A Chance Shot (1911), marking her entry into the industry. At Kalem, Roland appeared in a variety of one- and two-reel shorts, demonstrating versatility across genres while gaining particular notice for her action-oriented performances. Examples from this period include Ruth Roland, the Kalem Girl (1912), which highlighted her growing prominence as the studio's action starlet. After several years with Kalem, she relocated to Balboa Studios in Long Beach, California, around 1914, where she remained through 1917. There, she continued starring in numerous one- and two-reel shorts, building a solid reputation through supporting and lead roles in these early silent films. This foundational period in short subjects established her as a reliable screen presence before her later achievements in longer formats.

Serial stardom

Ruth Roland achieved her greatest popularity as a leading actress in silent film serials during the late 1910s and early 1920s, where she earned the nickname "Queen of the early Thriller Serials" for her commanding presence in action-packed adventure stories. Along with Pearl White, she ranked among the most celebrated serial queens of the era, drawing audiences with her fearless performances in cliffhanger-driven narratives that emphasized suspense, physical daring, and moral determination. Her serial career gained momentum with major Pathé releases, beginning with The Red Circle (1915), a 14-episode adventure serial distributed by Pathé Exchange in which she starred in the lead role. She followed with additional Pathé serials including Hands Up! (1918), an adventure serial showcasing her in demanding action sequences. In 1919, Roland demonstrated her business acumen by establishing her own production company, Ruth Roland Serials, and securing a distribution deal with Pathé to produce multiple multi-episode serials that achieved significant commercial success. Through this arrangement she headlined high-profile productions such as The Adventures of Ruth (1919, 15 chapters), a crime serial that highlighted her in an elaborate mystery plot; Ruth of the Rockies (1920), a Western adventure; The Avenging Arrow (1921); White Eagle (1922); and The Haunted Valley (1923). These serials solidified her reputation for starring in thrilling, episodic formats filled with perilous situations and dramatic resolutions designed to keep viewers returning each week.

Production work and later films

In the late 1910s and early 1920s, Ruth Roland transitioned from primarily acting in serials to taking a more active role as a producer by establishing her own production company, through which she oversaw the creation of several adventure serials that also starred her. These productions included The Adventures of Ruth (1919), Ruth of the Rockies (1920), The Avenging Arrow (1921), White Eagle (1922), and The Haunted Valley (1923). Her expanded production work reflected her growing independence in the industry following her earlier serial success. By 1923, having accumulated significant wealth through astute business ventures and real estate investments, Roland chose not to renew her serial contracts and largely stepped back from regular production and starring commitments in that format. She returned to vaudeville performances and accepted occasional roles in feature films and shorts during the mid-1920s, such as Where the Worst Begins (1925), Dollar Down (1925), and The Masked Woman (1927). These appearances marked a reduced but continued presence in motion pictures as she shifted focus away from the demanding serial genre. With the arrival of sound films, Roland made limited returns to the screen in Reno (1930) and From Nine to Nine (1936) before retiring from acting altogether. Across her silent film career, she appeared in more than 200 films.

Personal life

Marriages

Ruth Roland was married twice. Her first marriage was to Lionel Kent, characterized as an early failed union that ended in divorce. Her second marriage was to George Roland, her business manager, in 1929; it lasted until her death in 1937.

Death

Illness and passing

Ruth Roland was afflicted with cancer in her later years and endured a five-month illness prior to her passing. She died on September 22, 1937, at her home in Hollywood, California, at the age of 45. Funeral services were held on September 24, 1937, at the Wee Kirk o' the Heather chapel in Forest Lawn Memorial Park, Glendale, California, where she was interred in the Great Mausoleum, Azalea Terrace. She was survived by her husband, Ben Bard.

Legacy

Recognition and historical significance

Ruth Roland received a star on the Hollywood Walk of Fame in recognition of her contributions to the motion picture industry. The star is located on the south side of the 6200 block of Hollywood Boulevard in the Film (Actress) category and was dedicated on February 8, 1960. She is remembered as a pioneer serial actress and producer who helped shape the early silent film serial genre. Contemporary accounts described her as the "queen of the serial" and the pioneer of serial film actresses, while later historical summaries affirmed her status as queen of the serials in the days of silent films. Her work as a leading star and independent producer of multi-episode adventure serials established her lasting significance in early cinema history.

Influence on silent serial genre

Ruth Roland emerged as one of the most prominent "serial queens" in the silent film era, often ranked as a major figure in the thriller serial genre alongside Pearl White. She helped popularize female-led action serials by starring in physically demanding roles that emphasized adventure, peril, and athleticism, contributing to the genre's appeal as a form of episodic entertainment featuring strong female protagonists. Her influence extended through her establishment of Ruth Roland Serials, Inc. in 1919, which allowed her to produce and star in her own cliffhanger serials and exercise greater creative control over content and presentation. This move exemplified a trend among leading serial actresses toward self-production, enabling Roland to sustain the momentum of female-centered thriller serials during the late 1910s and early 1920s when the format faced evolving audience tastes. Contemporary accounts frequently described her as a "queen of the serials," underscoring her status as a key popularizer of the action-thriller style in episodic cinema. Her serials reinforced the genre's conventions of suspenseful cliffhangers and heroic female leads, helping to maintain its commercial viability and cultural impact in the silent period.
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