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Sarojini Sahoo

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Sarojini Sahoo

Sarojini Sahoo (born 4 January 1956) is an Indian feminist writer, a columnist in The New Indian Express and an associate editor of Chennai-based English magazine Indian AGE. She has been enlisted among 25 Exceptional Women of India by Kindle Magazine of Kolkata. and is an Odisha Sahitya Academy Award winner.

Born in the small town of Dhenkanal in Odisha (India), Sahoo earned her MA and PhD degrees in Odia Literature and a Bachelor of Law from Utkal University. She now teaches at a degree college in Belpahar, Jharsuguda, Odisha.

She is the second daughter of Ishwar Chandra Sahoo and the late Nalini Devi and is married to Jagadish Mohanty, a veteran writer of Odisha. She has a son and a daughter.

Her novel Gambhiri Ghara proved to be a bestseller in Odia literature. Her novels have gained a reputation for their feminist outlook and sexual frankness and have been translated into English and published from India under the title The Dark Abode (2008) (ISBN 978-81-906956-2-6) and published from Bangladesh in Bengali as Mithya Gerosthali ( 2007 ) (ISBN 984 404 287-9). Prameela K.P has translated this novel into Malayalam and has been published as "Irunda Koodaram" by Chintha Publishers, Thiruvananthapuram. Martina Fuchs for German and Dinesh Kumar Mali for Hindi. Another novel Pakhibas has been translated into Bengali and published from Bangladesh under the same title in 2009. This novel has been translated into Hindi by Dinesh Kumar Mali and has been published with same title by Yash Publication, Delhi (ISBN 81-89537-45-8) in 2010. Also, Dinesh Kumar Mali translated two more novel in Hindi titled बंद कमरा and विशादेश्वरी published from Rajpal and Sons, New Delhi and Yash publication, New Delhi. The same translator had translated सरोजिनी साहू की दलित कहानियाँ and रेप तथा अन्य कहानियां published from Yash publication, New Delhi as well as Rajpal and Sons, New Delhi.

She has published a collection of essays titled 'Sensible Sensuality (2010), where redefining femininity with Eastern perspective, the book explores why sexuality plays a major role in our understanding of Eastern feminism. The author thinks feminism should not act in opposition to men as individuals. To her, feminism is against oppressive and outdated social structures which forces both men and women into positions which are false and antagonistic. Thus, everyone has an important role to play in the feminist movement. It seems ironic that feminism has been characterized as anti-male, when in fact, it seeks to liberate men from the macho stereotypic roles men often have to endure such as the need to suppress feelings, act aggressively, and be deprived of contact with children. Sahoo thinks people should emphasize their femininity rather to impose the so-called stereotyped feministic attitude of the second wave.

As an Indian feminist, many of Sarojini Sahoo's writings deal candidly with female sexuality, the emotional lives of women, and the intricate fabric of human relationships, depicting extensively about the interior experiences of women and how their burgeoning sexuality is seen as a threat to traditional patriarchal societies; this book is rare of its kind and has covered the topics that never be discussed so far in any Indian discourse. Her debatable concept on feminism, her denial of Simone De Beauvoir's 'the other theory', make her a prominent feminist personality of South Asia and for which KINDLE Magazine of India has placed her among 25 exceptional mindset women of India.

Sarojini Sahoo is a key figure and trendsetter of feminism in contemporary Indian literature. For her, feminism is not a "gender problem" or confrontational attack on male hegemony and, as such, differs from the feminist views of Virginia Woolf or Judith Butler. Sahoo accepts feminism as an integral part of femaleness separate from the masculine world. Writing with a heightened awareness of women's bodies, she has developed an appropriate style that exploits openness, fragmentation, and nonlinearity. Sahoo, however contends that whilst the woman identity is certainly constitutionally different from that of man, men and women still share a basic human equality. Thus the harmful asymmetric sex /gender "Othering" arises accidentally and 'passively'from natural, unavoidable intersubjectivity.

Treating female sexuality from puberty to menopause, her fiction always projects a feminine sensibility. Feminine feelings such as restrictions during adolescence or pregnancy, fear factors such as rape or being condemned by society, the concept of the "bad girl," and so on, are treated thematically and in-depth throughout her novels and short stories.

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