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Shamim Ara
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Shamim Ara
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Shamim Ara (شمیم آرا, 22 March 1938 – 5 August 2016)[2] was a Pakistani film actress, director, and producer.[3] She was known as The Tragic Beauty because of the tragic heroine roles she often portrayed in films.[1] She was one of the most popular actresses of her time and was one of the most successful actresses of the 1960s, 1970s, 1980s, and 1990s.[1] She is regarded as one of the most influential actresses of all time in Pakistani cinema.[3][4]

Key Information

Early life

[edit]

She was born Putli Bai in Aligarh, British India in 1938 but later adopted the film name Shamim Ara.[4][5] Her acting career spans from the late 1950s till the early 1970s.[5]

Career

[edit]

In 1956, Putli Bai's family was visiting some relatives in Lahore, Pakistan, when, after a chance meeting with the well-known film director, Najam Naqvi, she was signed for his next movie.[4][5] He was searching for a new face for his film Kanwari Bewah (1956) and was impressed by her cute face, sweet voice, approachable personality, and innocent yet inviting smile. It was Najam Naqvi who introduced her under the stage name Shamim Ara, because her previous name was similar to the infamous dacoit Putli Bai. Though the film did not attract many viewers, a noticeable new female star had appeared on the horizon of the Pakistan film industry.[4][5]

She had her first prominent role in 1958 in Anwar Kamal Pasha's Anarkali as a Surayya alongside Noor Jehan, who played the titular Anarkali.[6][5] For the next two years, Ara went on to star in a few films, but none of them were a major success at the box office, including Waah Re Zamanay, Raaz, and Alam Ara. However, in 1960, a substantial role in S. M. Yusuf's Saheli as an amnesiac bride proved to be a breakthrough for her career.[4][7][8] Ara then appeared in 1962 in Qaidi as a woman yearning for the return of her beloved. The film featured Faiz Ahmed Faiz's ghazal, Mujh Se Pehli Si Mohabbat Mere Mehboob Na Maang, which was picturized on her, with the Noor Jehan lending her voice to the song, marking the first instance where Jehan gave her voice to Ara's character.[5] She had become a household name. Her fame and impeccable acting skills landed her the title character in Naila (1965), the first color film produced in then-West Pakistan. Her portrayal of the tragic Naila won her further critical acclaim. She went on to star in many hit films, including Devdas, Doraha, and Hamraz. However, Qaidi (1962), Chingari (1964), Farangi (1964), Naila (1965), Aag Ka Darya (1966), Lakhon Mein Aik (1967), Saiqa (1968), and Salgira (1968) were landmarks in her career, securing her a position as the top actress of the 1960s in Lollywood.[5]

Her acting career came to a halt when she retired as a leading lady in the early 1970s.[4] But that did not stop her from being a part of the Pakistani film industry, as she pioneered to produce and direct films on her own. However, none of those films reached the level of success Shamim Ara had at the height of her acting career.

Jaidaad (1959) and Tees Maar Khan (1989) were the only two Punjabi movies in which she performed.[9]

As a film producer

[edit]

In 1968, she produced her first film Saiqa (1968 film) which was based on the novel by Razia Butt. The film attracted a large number of viewers especially females.[5][7]

As a film director

[edit]

In 1976, for the first time, she directed the film Jeo Aur Jeenay Do. Later, she also directed the Diamond Jubilee film Munda Bigra Jaye (1995). Other films she directed include Playboy (1978), Miss Hong Kong (1979), Miss Singapore (1985), Miss Colombo (1984), Lady Smuggler (1987), Lady Commando (1989), Haathi Mere Saathi (1993), Aakhri Mujra (1994), Baita (1994), Munda Bigra Jaye (1995), Hum To Chaley Susral (1996), Miss Istanbul (1996), Love 95 (1996), Hum Kisi Say Kum Nahin (1997), and Pal Do Pal (1999).[5][7] Her directorial ventures were not as successful as her acting projects, primarily due to not dwelling on the real issues and adapting the formula style of filmmaking.[10]

Personal life

[edit]

Shamim Ara was married four times. Her first husband (and perhaps patron) was Sardar Rind, a landlord of Balochistan, who died in a car accident. She then married Abdul Majid Carim, the scion of the family that runs Agfa Color Film Company. They had a son, Salman Majid Carim (who was to be her only child), but the marriage ended in divorce. Her third marriage was to Fareed Ahmed, a film director and the son of the film director W.Z. Ahmed. That marriage, too, ended in divorce after only 3 days.[4] Shamim Ara later married Pakistani film director and writer Dabeer-ul-Hassan.[11] They lived in Lahore until 2005, when she and Salman Majeed Carim (her son by a previous marriage) moved to London, while her husband remained in Pakistan.[3]

Illness and death

[edit]

During a visit to Pakistan, she suffered a brain hemorrhage on 19 October 2010[7] and was taken back to London for treatment. She remained in and out of hospital for six years and was cared for by her only son, Salman Majid Carim, who has not inherited anything from his father and is self- made working in the IT industry and also property development. Shamim Ara died on 5 August 2016 in a hospital in London after a very long illness.[2][3][5][7]

Her only son led the funeral arrangements, and she was buried in the UK.[7]

On receiving the news of her death, film actress Resham stated that she only worked with Shamim Ara in a few films but that she left a lasting impression of a soft-spoken and humble person.[3]

Filmography

[edit]

Film

[edit]
Year Title Role(s) Notes Ref(s).
1956 Kanwari Bewah Debut [3][5][7]
Miss 56 [4]
1958 Anarkali Surayya [4]
Wah Re Zamaney
1959 Alam Ara Alam Ara
Apna Paraya
Faislah
Savera
Jaidaad Punjabi-film
Mazloom
Raaz Ghazala [4]
1960 Bhabi [7]
Do Ustad
Izzat
Raat Ke Rahi
Roopmati Baaz Bahadur Roopmati
Saheli Jamila [4]
1961 Insan Badalta Hai Jamila [5]
Zamana Kya Kahega
Zamin Ka Chaand
1962 Aanchal [5]
Mehboob
Mera Kya Qasoor
Qaidi [4]
Inqalab
1963 Dulhan Najma
Ek Tera Sahara [9]
Ghazala
Kala Pani
Saazish
Seema Seema
Tange Wala
1964 Baap Ka Baap
Chingari
Farangi Gul [4][9]
Haveli [9]
Maihkhanah [9]
Paigham Khumar
Pyaar Ki Sazaa
Shabab
Shikari
Tanha
1965 Devdas Parvati [3]
Dil Ke Tukre Musarrat
Fashion
Naila Naila [5][4]
1966 Aag Ka Darya
Jalwa
Majboor Tasneem
Mere Mehboob
Pardah Zahida
Qabeelah
1967 Doraha Naheed [3]
Hamraz Shehzadi/ Gul Bano dual role
Lakhon Mein Aik Shakuntla [5][7]
1968 Saiqa Saiqa Also producer [9]
Dil Mera Dharkan Teri Najma
Mera Ghar Meri Jannat Najma
1969 Salgira Shabana/ Salma
Aanch
Dil-e-Betaab Bano [5][7]
1970 Aansoo Ban Gaey Moti Raji
Bewafa Amber
Eik Zalim Eik Hasina
1971 Parai Aag
Wehshi
Khak Aur Khoon
1972 Angarey Ayesha
Suhag Also producer
1973 Khwaab Aur Zindagi Najma
Farz Also producer
1974 Bhool — Producer
1976 Zaib-un-Nisa Zaib-un-Nisa
1978 Playboy — Producer and director [9]
1981 Mere Apne Aashi Also director and producer
1984 Miss Colombo — As producer and director
1985 Miss Singapore — As producer and director
1993 Haathi Mere Saathi[9] — Director
1994 Aakhri Mujra — Producer and Director [9]
1999 Pal Do Pal — Director [12]

Awards and recognition

[edit]
Year Award Category Result Title Ref.
1960 Nigar Award Best Support Actress Won Saheli [12][5]
1964 Nigar Award Best Actress Won Farangi [12]
1965 Nigar Award Best Actress Won Naila [12]
1967 Nigar Award Best Actress Won Lakhon Mein Aik [13]
1968 Nigar Award Best Actress Won Saiqa [5][12]
1993 Nigar Award Best Director Won Haathi Mere Saathi [12]
1994 Nigar Award Best Director Won Aakhri Mujra [12]
1999 Nigar Award The Ilyas Rashidi Gold medal Won — [12]
2005 4th Lux Style Awards Chairperson's Lifetime Award Won —

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Shamim Ara

View on Grokipedia
from Grokipedia
Shamim Ara (22 March 1938 – 5 August 2016) was a Pakistani , , and director who starred in approximately 500 , making her one of the most prolific figures in history, and became the first woman to direct a in the Pakistani cinema industry. Known as the "Tragic Beauty" for her iconic portrayals of suffering heroines in emotionally charged roles, she rose to stardom in the and remained a dominant force through the 1970s and beyond, earning multiple for her acting and directing contributions. Born Putli Bai in , British India, to a mother who was a professional dancer and harbored ambitions for her daughter's career in entertainment, Shamim Ara received early training in classical dance before the in 1947 prompted her family to relocate to , . She made her acting debut in 1956 at age 18 in the film Kunwari Bewa, directed by Najam Naqvi, adopting the screen name Shamim Ara to mark her entry into , and quickly gained prominence with supporting roles in hits like Saheli (1960), for which she won her first Nigar Award as Best Supporting Actress. By the early 1960s, she had transitioned to leading lady status, starring in blockbuster films such as Qaidi (1962), Farangi (1964), Lakhon Mein Ek (1967), and Saiqa (1968)—the latter, which she produced, a massive commercial success that solidified her influence in the industry. Shamim Ara entered production in 1968 and expanded into direction in the 1970s, having founded Shamim Ara Productions and helming her directorial debut Jeo Aur Jeenay Do (1976), followed by successful ventures like Playboy (1978), Miss Hong Kong (1979), Haathi Mere Saathi (1993), and Munda Bigra Jaye (1995), for which she received additional Nigar Awards as Best Director. Her career spanned diverse genres, from romantic dramas to action-oriented stories, often collaborating with leading actors like Mohammad Ali and Waheed Murad, and she continued working into the 1990s while receiving a Lifetime Achievement Nigar Award in recognition of her pioneering role in elevating women's participation in Pakistani cinema. Shamim Ara passed away in London on 5 August 2016 after suffering a brain hemorrhage in 2010 that left her in a coma for six years; her legacy endures as a trailblazer who broke gender barriers in a male-dominated field.

Personal Background

Early Life

Shamim Ara was born as Putli Bai on 22 March 1938 in , United Provinces, British India, into a family with notable artistic inclinations. Her mother, a professional dancer, played a pivotal role in her upbringing by training her in classical dance from a young age, which helped cultivate her early performance skills and stage presence. This familial environment exposed her to the , laying a foundational interest in creative expression despite the challenges of the era. Her maternal grandmother, Iqbal Begum, served as her primary guardian and provided crucial guidance during her formative years, making key decisions that shaped her path. Following the in 1947, the family eventually relocated to , , in 1956, seeking new opportunities in the post-independence landscape. This move marked a significant transition, bringing her closer to the burgeoning Pakistani film scene while she navigated her emerging identity away from her birthplace. Upon entering the film industry shortly after the relocation, Putli Bai adopted the stage name Shamim Ara to better suit her professional persona. This change symbolized her shift from a private childhood rooted in family traditions to a public life in entertainment, influenced by the artistic legacy inherited from her mother and the supportive oversight of her grandmother.

Family and Personal Relationships

Shamim Ara entered into four marriages throughout her life. Her first husband was Sardar Rind, a prominent from , whose life ended tragically in a car accident shortly after their union. She subsequently married Carim, the owner of the Agfa Colour Film Company, in a relationship that produced her only child but concluded in . Her third marriage was to Farid Ahmed, son of the renowned filmmaker W.Z. Ahmed, though it too ended in after a brief period. Ara's fourth and final marriage was to Dabeer ul Hassan, a Pakistani and , with whom she shared a lasting partnership until her later years. Ara had one son, Salman Majid Carim, born from her marriage to Abdul Majid Carim, who became a central figure in her personal life as she aged. Salman provided ongoing companionship and support, particularly as Ara transitioned away from public life, reflecting the close familial bond that defined her later personal relationships. In 2004, Ara relocated from Lahore to London, England, accompanied by her son Salman, signaling a deliberate shift toward a more secluded family-oriented existence away from the demands of her earlier years. Post-relocation, her family, especially Salman, played a pivotal role in fostering this private sphere, offering unwavering support amid personal transitions.

Professional Career

Acting Career

Shamim Ara made her film debut in 1956 with the drama Kunwari Bewa, directed by Najam Naqvi, where she played the lead role opposite Ayaz. Although the film did not succeed commercially, it marked the beginning of her journey in Pakistani cinema. Her early training in classical dance from her contributed to her graceful screen presence in these initial roles. Ara's breakthrough came in 1960 with Saheli, directed by S. M. Yusuf, in which she portrayed an amnesiac bride in a romantic drama that became a major hit and earned her critical acclaim. This success propelled her to stardom, leading to supporting roles like , 's sister, in the historical drama Anarkali (1958) alongside . She followed with lead roles in films such as Qaidi (1962) and Chingari (1964), solidifying her position as a leading actress in cinema. In 1965, Ara starred as the titular character in Naila, the first full-color film produced in , directed by Sharif Nayyar; her portrayal of the tragic protagonist in this romantic drama further elevated her fame. That same year, she played Paro in the adaptation , directed by Khwaja Sarfraz, embodying the heartbroken lover in a tale of and social constraints. Known for her emotive depth in tragic narratives, she earned the moniker "The Tragic Beauty" due to her frequent depictions of suffering heroines in romance and drama genres. During the and , Ara reached the peak of her popularity, starring in numerous box-office successes including (1966), Lakhon Mein Ek (1967), and Salgirah (1969), primarily in films with occasional Punjabi ventures like Jaidaad (1959). Over her career, she appeared in approximately 90 films, dominating romantic and dramatic roles that highlighted themes of love, sacrifice, and societal pressures. By the 1980s and 1990s, as her tenure as a leading lady waned, Ara transitioned to character roles, providing nuanced supporting performances in films that showcased her versatility beyond tragic leads. Her enduring impact on Pakistani cinema lay in her ability to convey profound emotional complexity, influencing subsequent generations of actresses in dramatic storytelling.

Film Production

Shamim Ara transitioned into film production in the late 1960s, leveraging her established acting success to finance and oversee projects that emphasized strong female narratives. Her debut as a producer came with Saiqa (1968), an adaptation of Razia Butt's novel directed by Laeeq Akhtar, which starred Ara herself alongside Mohammad Ali and became a major box-office success, earning the Best Film award at the Nigar Awards that year. This hit not only recouped its investment but also founded Shamim Ara Productions, her independent banner that allowed greater creative and financial control. Throughout the late and , Ara produced several commercially viable films that prioritized female-led stories to appeal to audiences seeking empowered protagonists amid Pakistan's evolving cinema landscape. Notable examples include (1978) and Miss Hong Kong (1970s), both of which featured bold, unconventional roles for women and achieved strong box-office returns, blending with elements of adventure and romance to ensure broad accessibility. Her business strategy focused on cost-effective production, often casting rising stars like in lead roles and incorporating exotic locations or action sequences to differentiate her films in a competitive market dominated by formulaic romances. As one of the pioneering female producers in Pakistan's male-dominated , Ara faced significant challenges, including securing funding in an era when women rarely controlled production budgets and navigating skepticism from distributors and collaborators. Financial risks were particularly acute, as her ventures relied on personal investment without institutional support, and initial industry reception was mixed, with some critics viewing her emphasis on commercial appeal as prioritizing profit over artistic depth. Despite these hurdles, her persistence helped normalize women in production roles, influencing later filmmakers. Over her career, Ara produced at least nine films through her company, with successes like these extending her involvement in Pakistani cinema well beyond her acting peak into the 1990s, ensuring longevity and financial stability in an industry prone to rapid shifts. This production phase solidified her reputation as a multifaceted contributor, fostering growth in female-centric storytelling that resonated with audiences and boosted the commercial viability of outputs.

Film Direction

Shamim Ara made her directorial debut with the social drama Jeo Aur Jeenay Do in 1976, marking her transition from to behind-the-camera roles and establishing her as one of the earliest female directors in Pakistani cinema. The film, produced under her own banner Shamim Ara Productions, explored themes of family bonds and societal pressures through the story of orphaned brothers, receiving an average reception in but signaling her intent to tackle dramatic narratives. As a trailblazer, Ara broke gender barriers in the male-dominated industry, inspiring subsequent women filmmakers by demonstrating that female directors could helm commercially viable projects. Throughout the and , Ara directed a series of films that blended social with elements of romance and action, often centering strong, unconventional female protagonists to challenge traditional roles. Notable among these were Haathi Mere Saathi (1993), a family-oriented highlighting loyalty and sacrifice, and Aakhri (1994), which delved into themes of tradition versus modernity through a courtesan's life. Her approach emphasized women-centric stories, as seen in the franchise—starting with (1979)—where female leads navigated empowerment and adventure in exotic settings, incorporating technical innovations like Pakistan's first . These works showcased her mastery of commercial formulas while addressing social issues, such as women's agency in a patriarchal society. Ara's directorial output evolved over nearly three decades, from introspective social films in the to high-grossing entertainers in the , culminating in the blockbuster Munda Bigra Jaye (1995), a that became one of Pakistan's highest-earning films until surpassed by later hits. In total, she directed around a dozen films, adapting her style to audience tastes by integrating and star-driven narratives, often drawing from her production experience to streamline creative visions on set. This progression not only sustained her relevance in but also solidified her legacy as a pioneer who advanced women's representation both on and off screen.

Later Years and Legacy

Illness and Death

In her later years, Shamim Ara faced significant health challenges that curtailed her public life. She suffered a in 2001, which partially paralyzed her and greatly limited her involvement in filmmaking and appearances. This event marked the beginning of her withdrawal from the industry, as she shifted focus to recovery and personal matters. The actress encountered a more severe setback during a visit to , when she experienced a brain hemorrhage on 19 October 2010 in . Following treatment, she was transported to for ongoing care, where she lapsed into a that persisted for several years. Her provided long-term support during this period, managing her medical needs in the UK. Shamim Ara passed away on 5 August 2016 in a hospital at the age of 78, due to complications from her prolonged illnesses. Her was held on 8 August 2016 at the Central Mosque in London's Harrow area, attended by a large gathering of , friends, and admirers; she was subsequently buried in the . Upon her death, tributes poured in from Pakistani peers, including a condolence reference organized by colleagues at the Press Club and an event hosted by the Pakistan National Council of the Arts to honor her contributions.

Awards and Recognition

Shamim Ara received numerous accolades throughout her career, most notably from the , which recognized her contributions to Pakistani cinema. She won the Nigar Award for Best Supporting Actress in 1960 for her role in Saheli. She later earned the award four times: in 1964 for Farangi, 1965 for Naila, 1967 for Lakhon Mein Aik, and 1968 for Saiqa. These victories highlighted her versatility and emotional depth in portraying complex characters during the golden era of . In her later career as a director, Ara continued to garner honors, winning the Nigar Award for Best Director in 1993 for Haathi Mere Saathi and in 1994 for Aakhri Mujra. These consecutive awards underscored her pioneering role as the first successful female director in Pakistan's , breaking barriers in a male-dominated field. Additionally, she was honored with a Lifetime Achievement National Film Award for her overall contributions to cinema. Ara's influence extended beyond awards, earning her the enduring nickname "The Tragic Beauty" for her iconic portrayals of sorrowful heroines that resonated deeply with audiences. She is widely regarded as a trailblazer for women in , having excelled as an actress, producer, and director, thereby elevating female representation and inspiring subsequent generations in the industry. Following her death in 2016, Ara received posthumous tributes across media and cultural platforms, with annual observances on her highlighting her lasting legacy in Pakistani cinema. Her work continues to be celebrated for advancing opportunities for women behind and in front of the camera in .

Filmography

As Actress

Shamim Ara debuted in Pakistani cinema with the lead role in Kunwari Bewa (1956), directed by Najam Naqvi, marking her entry into the industry despite the film's commercial failure. Her performance, however, created significant buzz, establishing her as a promising talent in films. In 1958, she took on a supporting role as Surayya, the younger sister of the titular character, in , opposite and Sudhir, contributing to the film's moderate box-office success and gaining further visibility. Ara's breakthrough came during the 1960s, her peak era, where she starred in several landmark hits that solidified her status as a leading actress, including Qaidi (1962), Chingari (1964), Saheli (1960), Lakhon Mein Ek (1967), Devdas (1965), Saiqa (1968), and Naila (1965). In Saheli (1960), she portrayed Jamila alongside co-stars Nayyar Sultana as Razia and Darpan in a dual role, delivering a box-office smash that became the year's biggest success in Pakistan and showcased her emotional depth in friendship-themed drama. Devdas (1965), directed by Khwaja Sarfraz, featured her in the lead with co-stars Habib and Nayyar Sultana, adapting the classic tale into a hit that highlighted her tragic romantic prowess. That same year, Naila (1965), directed by Sharif Nayyar and based on Razia Butt's novel, cast her opposite Darpan in Pakistan's first color film from West Pakistan, a musical romance drama that achieved super-hit status for its innovative visuals and heartfelt storytelling. By the , Ara transitioned away from leading roles, appearing in approximately 90 films overall, with later appearances in the and 1990s shifting to supporting parts amid her growing focus on production and direction. Her only Punjabi credits were Jaidaad (1959) and Tees Maar Khan (1989), both in supporting capacities. Throughout her tenure, Ara excelled in tragic romance genres within cinema, often embodying vulnerable heroines in melodramatic narratives that resonated with audiences, earning her the reputation for emotive portrayals in films like Devdas and Naila.

As Producer and Director

Shamim Ara ventured into in the late , establishing Shamim Ara Productions as her banner. Her debut production, Saiqa (1968), a romantic drama based on Razia Butt's novel and directed by Laeeq Akhtar, achieved significant commercial success and was honored as the Best Film of the Year at the , with Ara receiving the Best Producer award. She continued producing films through the , including Miss (1979), focusing on melodramas and social narratives that resonated with audiences during Pakistan's cinematic golden era. As a director, Shamim Ara made her debut with Jeo Aur Jeenay Do (1976), a family-oriented starring and Ghulam Mohiuddin, which marked a successful transition from and explored themes of bonds and societal pressures. Her subsequent directorial efforts in the late 1970s included (1978) and Miss Hong Kong (1979), both commercial hits that blended romance and light adventure. In the 1990s, Ara directed several box-office successes under her production banner, often taking dual roles. Haathi Mere Saathi (1993) was a popular family emphasizing loyalty and friendship. Aakhri Mujra (1994), a poignant tale of tradition and personal sacrifice, earned her the Nigar Award for Best Director. Munda Bigra Jaye (1995), addressing social issues like family honor and youth rebellion, became a diamond jubilee blockbuster and secured another Nigar Award for Best Director. Her final directorial credit, Miss Istanbul (1996), continued her trend of action-oriented stories with international flair. Throughout her career, Ara handled dual production and directorial roles in numerous projects, particularly from the 1970s onward, resulting in over credited films across both capacities, with no verified uncredited contributions noted in available records.

References

  1. https://www.radio.gov.pk/05-08-2024/death-anniversary-of-shamim-ara-being-observed-today
  2. https://www.app.com.pk/national/death-anniversary-of-renowned-film-actress-shamim-ara-observed/
  3. https://www.youlinmagazine.com/article/shamim-ara-a-trailblazer-in-pakistani-cinema/MjAwNQ==
  4. https://images.dawn.com/news/1176045/10-things-you-need-to-know-about-shamim-ara
  5. https://www.dawn.com/news/1276920
  6. https://upperstall.com/profile/luminary/shamim-ara/
  7. https://www.nation.com.pk/06-Aug-2024/tributes-paid-to-film-actress-shamim-ara
  8. https://www.dawn.com/news/1275773/obituary-shamim-ara-end-of-a-long-drawn-agony
  9. https://fp.brecorder.com/2016/08/2016082779762/
  10. http://www.brecorder.com/news/4430474
  11. https://tribune.com.pk/story/1156449/shamim-ara-go-getter
  12. https://www.pakistanstatetime.com/news/fans-pay-tribute-to-legendary-actress-shamim-ara-on-her-death-anniversary
  13. http://www.dawn.com/news/1276920
  14. https://images.dawn.com/news/1175986/obituary-shamim-ara-end-of-a-long-drawn-agony
  15. https://tribune.com.pk/story/1199514/rest-peace-name-shamim-ara
  16. http://www.dawn.com/news/1275612
  17. https://www.youlinmagazine.com/article/shamim-ara-a-trailblazer-in-pakistani-cinema/MjAwNQ
  18. https://pakmag.net/film/details.php?pid=744
  19. https://pakmag.net/film/details.php?pid=1641
  20. https://www.thenews.com.pk/tns/detail/861829-leading-ladies-pakistans-veteran-female-directors
  21. http://www.dawn.com/news/1275773
  22. https://www.facebook.com/mkhtiar.unar/posts/today-marks-death-anniversary-of-shamim-ara-a-celebrated-film-actress-producer-a/1337345725058749/
  23. https://www.arabnews.com/node/965306
  24. https://www.brecorder.com/news/4424730
  25. https://test.92newshd.tv/amp/about/renowned-actress-shamim-ara-laid-rest-london
  26. https://www.dawn.com/news/1281398/newspaper/newspaper/column
  27. https://www.dawn.com/news/1286551
  28. https://www.thenews.com.pk/print/862494-leading-ladies-pakistan-s-veteran-female-directors
  29. https://www.thenews.com.pk/print/101928-Saheli-screened
  30. https://92newshd.tv/about/actress-shamim-ara-being-remembered-today
  31. https://pakmag.net/film/details.php?pid=467
  32. https://pakmag.net/film/details.php?pid=483
  33. https://pakmag.net/film/artist.php?pid=3757
  34. https://www.imdb.com/title/tt28784497/
  35. http://pakmdb.com/shamim.htm
  36. https://www.app.com.pk/showbiz/legendary-actress-shamim-ara-remembered-today/
  37. https://www.imdb.com/name/nm0032669/
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