Sodom and Gomorrah (1922 film)

Sodom und Gomorrha: Die Legende von Sünde und Strafe ("Sodom and Gomorrah: The Legend of Sin and Punishment"; released in English as Sodom and Gomorrah or Queen of Sin and the Spectacle of Sodom and Gomorrha) is an Austrian silent epic film from 1922. It was shot on the Laaer Berg, Vienna, as the enormous backdrops specially designed and constructed for the film were too big for the Sievering Studios of the production company, Sascha-Film, in Sievering. The film is distinguished, not so much by the strands of its often opaque plot, as by its status as the largest and most expensive film production in Austrian film history. In the creation of the film between 3,000 and 14,000 performers, extras and crew were employed.

In 1920s America, Mary, a young girl exposed from her infancy to evil influences, is in love with Harry, a sculptor, but for the sake of financial gain becomes engaged to be married to the rich banker Jackson Harber, a much older man, and the former lover of her mother. Harry attempts suicide. By her abandoned behaviour, including her attempted seduction not only of Harber's adolescent son, Eduard, but also of Eduard's tutor, a priest, Mary drives Harber to the verge of suicide as well. The first historical sequence shows Mary as the Queen of Syria who cruelly executes a young goldsmith and jeweller (played by the same actor as Eduard). Back in the present, Mary has arranged an assignation with both Harber and Eduard, neither knowing of the intentions of the other, at night in a summerhouse. While waiting for them she falls asleep: an Expressionist dream shows Harber and Eduard fighting over her, and Eduard killing his father. This is succeeded by the main historical sequence, the wickedness and destruction of Sodom, in which Mary now appears as Lea (Lia), Lot's wife. The dreams shock Mary into a realisation of the true nature and consequences of her behaviour, and she returns in penitence to Harry.

The cast of thousands also included among the extras: Paul Askonas, Willi Forst, Béla Balázs, Hans Thimig, Franz Herterich and Julius von Szöreghy.

The producer was Sascha Kolowrat-Krakowsky, who according to contemporary film magazines came up with the idea, while on a trip to United States to discover more about the American film industry, of making an epic film with many extras in Austria, as such films - Intolerance seems to have been a particular model - were very popular at that time in the US and Kolowrat-Krakowsky had America in view as an additional potential market. For this purpose he founded the Herz Film Corporation in New York City as a branch of his Austria company Sascha-Film.

In the film, produced between 1920 and 1922, Mihaly Kertész (later known in the US as Michael Curtiz) directed, and his Hungarian wife Lucy Doraine played the leading role of Mary Conway. Walter Slezak played Edward, the young son of her fiancé. Among the extras, according to their own accounts, were Willi Forst, Hans Thimig, Paula Wessely and Béla Balázs.

The film is unique in Austrian film history on account of its sheer scale, in which it reputedly surpassed the American epics, the Italian films of classical antiquity and the German historical dramas. Thousands of craftsmen, architects, decorators, sculptors, stuccoists, stage and set builders, pyrotechnicians, cameramen, hairdressers, mask makers and tailors, with assistants, labourers and extras, mostly the unemployed and juveniles, found employment for three years during the making of the film, in an Austria crippled by inflation and unemployment. Thousands of costumes, wigs, beards, sandals, standards, horse harnesses and other such things were made specially for the production, generally on site. Béla Balász referred to it as "prop madness". Sodom und Gomorrha cost more than five times the planned budget and in later films, on the basis of such expensive experiences, expenditure on props was drastically reduced.

The outdoor shoots were made at the Laaerberg near Vienna, in the Lainzer Tiergarten, in Laxenburg, in Schönbrunn and on the Steirischer Erzberg. The Laaerberg was particularly suitable for filming, as at this time it was a waste area, with a few clay pits filled with water. Just for the preliminary construction and erection of the backdrops several thousand workers were required. During filming between 300 and 500 actors were always needed, for crowd scenes as many as 3,000. In addition similar quantities of horses were required for some scenes.

At the end of the film the temple was supposed to collapse, for which pyrotechnicians were appointed to blow it up. However, there were accidents, causing injuries and deaths, which were to have legal consequences. The director was acquitted, but the chief pyrotechnician was arrested for 10 days and fined 500,000 Kronen.