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Spirits Having Flown

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Spirits Having Flown

Spirits Having Flown is the fifteenth album by the Bee Gees, released in February 1979, by RSO Records. It was the group's first album after their collaboration on the Saturday Night Fever soundtrack. The album's first three tracks were released as singles and all reached No. 1 in the US, giving the Bee Gees an unbroken run of six US chart-toppers in a one-year period and equaling a feat shared by Bing Crosby, Elvis Presley, and the Beatles. The album's title track was also released as a single in the UK and other European countries.

It was the first Bee Gees album to make the UK top 40 in ten years (not counting the Saturday Night Fever soundtrack album), as well as being their first and only UK No. 1 album. The album also topped the charts in Australia, Canada, Germany, New Zealand, Sweden and the US. It has sold more than 20 million copies worldwide.

Spirits Having Flown marked the end of the band's most successful era, prior to a severe downturn in the early 1980s when they were subject to a near-total radio blackout (particularly in America) that Robin Gibb would refer to as "censorship" and "evil" in interviews.

Reprise Records remastered and re-released the album on CD in 2006, although it did not include any additional bonus tracks, demos or outtakes. Following its acquisition of the Bee Gees catalog in 2016, Universal Music Group reissued the album in 2020 on vinyl through Capitol Records.

At the start of 1978, Barry Gibb produced the album Shadow Dancing by Andy Gibb. In February, Barry wrote the title song for the film Grease performed by Frankie Valli; also in February, another Barry Gibb composition from 1977 "Ain't Nothing Gonna Keep Me From You" was recorded by Teri DeSario. By March, the Bee Gees had started to record this album.

Co-producer Albhy Galuten recalls Spirits Having Flown as being created primarily by Barry Gibb, Karl Richardson and himself putting in long days and nights at Criteria Studios. Blue Weaver recalls others being involved. Both agree that Robin Gibb was active behind the scenes in songwriting and offering feedback to the recording process, but Maurice Gibb contributed probably the least he did on any Bee Gees album. Not only was his alcoholism sapping his creativity, but he was having back pains finally diagnosed in 1980 as caused by a bad disk. He said that he would be doing bass work and without his knowledge, Barry and Robin would hire in someone else to play parts that he was supposed to be playing; however, he said that whilst he played fine, neither Barry nor Robin could rely on him.

In the recording phase, Robin and Maurice now mainly played the role of backing and harmony vocalists, and even in that capacity Barry did many of the vocal dubs himself as he went over and over the recorded work. Robin contributed one solo lead vocal ("Living Together") which was sung in falsetto with Barry providing alternating lead vocals in his normal register. This was Robin's least amount of lead vocals on any Bee Gees album with the exception of 1970's Cucumber Castle, for which he was not part of the group at that time. As with the last four Bee Gees albums, Maurice did not have any solo lead vocals. While Barry is the most prominent lead vocalist on "Too Much Heaven", it features a mix of more than 20 vocal parts, including six tracks featuring Barry alone (three falsetto, three in chest voice) plus another three of Barry, Robin, and Maurice singing lead in chest voice together; while Barry is the most prominent.

The Bee Gees had been effectively typecast as a disco group after Saturday Night Fever, and in a 1978 interview Barry remarked "People think we're just about disco now. Of course that's not true. If you look at the SNF soundtrack, there's some dance music, but we also have ballads like 'More Than a Woman'." In an attempt to counter this typecasting, the first single from Spirits Having Flown was the ballad "Too Much Heaven". The horn section from Chicago (James Pankow, Walt Parazaider and Lee Loughnane) made a guest appearance on this album. At the time, they were next door working on the Chicago album Hot Streets. Thus the Bee Gees would return the favour as they appeared on Chicago's song "Little Miss Lovin'" and their keyboardist Blue Weaver appeared on "No Tell Lover". The Bee Gees also recorded "Desire" for the album but it was rejected and instead released as a solo single by their brother Andy.

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