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Cucumber Castle
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| Cucumber Castle | ||||
|---|---|---|---|---|
| Studio album by the Bee Gees | ||||
| Released | April 1970 | |||
| Recorded | 7 May – 26 September 1969 (except "I.O.I.O", 12 June 1968 and 8 October 1969) | |||
| Studio | IBC (London) | |||
| Genre | Folk rock, country folk | |||
| Length | 35:47 | |||
| Label | Polydor Atco (United States, Canada) | |||
| Producer | Robert Stigwood, Bee Gees | |||
| The Bee Gees chronology | ||||
| ||||
| Singles from Cucumber Castle | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Rolling Stone Album Guide | |
Cucumber Castle is the seventh studio album by the Bee Gees, released in April 1970. It was produced by Barry Gibb, Maurice Gibb, and Robert Stigwood. It consists of songs from their television special of the same name, which was named after a song on their 1967 album Bee Gees' 1st. Cucumber Castle is the only Bee Gees album not to feature any recorded contributions from Robin Gibb, as he had left the group before the album was recorded. (He did receive co-composer credit on one track, which was written before his departure.)
Cucumber Castle was the last Bee Gees album with drummer Colin Petersen, who was fired during the recording of the album. Pentangle drummer Terry Cox played on the remaining tracks.[3]
This album contained the hit single "Don't Forget to Remember" which hit No. 2 in the UK in August 1969, going virtually head to head with Robin Gibb's solo single "Saved by the Bell", which had reached number No. 2 the previous month. The album struggled to make an impact and stalled at number 57 in the UK and number 94 in the US. Indeed, it was the last Bee Gees album to chart in the UK until Spirits Having Flown in 1979 (though the soundtrack for Saturday Night Fever, which featured six contributions from the group as well as two additional songs that they wrote that other artists performed, topped the UK album chart in 1978).
Background
[edit]On 19 March 1969, Robin Gibb announced his solo career, while the Bee Gees recorded three songs "Tomorrow Tomorrow", "Sun in My Morning" and "Ping Pong" (unreleased). Maurice recalls,
"Since Robin left, Barry and I are a lot closer, we're working much more together. We're having a ball, we can bring anyone we like into things. I did the majority of the backings anyway, even when Robin was with us, but there's more work for me now. I'm bringing me out more – I do six leads on the next album; before I think I only sang three all told. I write soft, and Barry keeps telling me to write harder music. I'm progressing more to the arranging side and Barry is getting more ideas-wise, he's freer with his words. At the moment, we'll go on as a three-piece [group], and if we find someone suitable to take Robin's place, we'll take him in, we've only seen two people. We're getting tapes from Wapping and Nottingham and Stoke and all over, but we want to get someone who can sing nice. We can take care of the hair and the clothes and all that. We're not looking for a copy of Robin though".[4]
Production
[edit]On 7 May 1969, the Bee Gees recorded "Don't Forget to Remember". The other songs recorded around May were "I Lay Down and Die", "Give a Hand, Take a Hand" (not released at the time but recorded by the Staple Singers in 1971 and re-recorded by the reformed Bee Gees for the 1974 album Mr. Natural) and "Bury Me Down By the River". At the time the band was considering a replacement for Robin. As Dave Dee recalls, "[Barry] was looking for a replacement and I found him one, A guy called Peter Mason, he was a Scouser, but he lived in Salisbury where we lived. Barry was looking for somebody who had a similar voice sound but also wrote". Peter Mason did audition and recorded vocals on a few of the songs to be included on the Cucumber Castle album but those were either erased or left out of the final mix. Mason is unable to verify if his voice is on "Don't Forget to Remember". Mason believes that it was Robert Stigwood wanting to reunite the three brothers that kept him from joining the Bee Gees, in spite of the fact that Barry had welcomed him on board and even bought him a suit for performing in.[4]
In June, Barry produced "The Love of a Woman" and "Don't Let It Happen Again" performed by Samantha Sang, the orchestral arrangement was credited to Bill Shepherd. Also in that month, Barry produced P.P. Arnold's version of "Give a Hand, Take a Hand", around the same time, the Bee Gees recorded the unreleased "Between the Laughter and the Tears". On 13 June, Maurice produced Tin Tin's "Tuesday Dreamer", "Swans on the Canal" and "Spanish Shepherd", . On 9 July 1969, Barry produced P.P. Arnold's version of "Bury Me Down By the River" and "Let There Be Love". Also in July, the Bee Gees continued recording eight songs for the film of the same name. Filming started on 11 August 1969. Also on July, Maurice played all the instruments on the song "My Thing", which was sung by him. In August 1969, Maurice Gibb, Steve Groves, Steve Kipner and Billy Lawrie recorded "Have You Heard the Word" under the name The Fut. The song was released as a single in 1970.[5]
The Bee Gees returned to the studio in September 1969 to record seven songs including the unreleased "One Bad Thing" and "The Day Your Eyes Meet Mine". Both songs were later re-recorded for what was intended to be Barry's debut solo album The Kid's No Good. In October, the Bee Gees recorded two songs, around the same time as they re-recorded "I.O.I.O.", a song from 1968. On 16 October, the last album session, they recorded the unreleased track "Julia", which was sung by Maurice. On 31 October, Gibb produced the two Samantha Sang songs and on November, Gibb produced P.P. Arnold songs "Piccaninny", "High and Windy Mountain" and a cover version of "Turning Tide". Also in November, Gibb produced Tin Tin's three songs.[5]
During much of this time, Maurice Gibb was also producing the debut album by Australian duo Tin Tin.
Shortly after Petersen's departure, Barry reminded everyone, "Maurice is capable of playing about seven instruments - most of the back tracks on the records were all him, and I sang lead on four or five of the hit singles. So how can the Bee Gees sound be finished?".[6] Nevertheless, Barry and Maurice drifted apart shortly afterwards and both recorded unreleased solo albums. The brothers reunited as a trio in 1970.
Recording & Release
[edit]Around the same time in 1969, Barry and Maurice planned a series of performances as a gratitude to their fans who had supported the Bee Gees through all the tumult as Barry reveals, "We want to go out on a concert tour of Britain before Christmas with a big orchestra". But on 1 December 1969, Barry announced his departure from the band saying "As from today, I'm solo"[6] while Maurice recorded songs for his debut solo album The Loner. Barry spent the following months writing new material for his solo album, The Kid's No Good.[7]
By February 1970, Barry started to record songs for the album. He continued it in March, while Maurice continued working with Billy Lawrie. In April 1970, Maurice recorded "Leave Me Here to Linger with the Ladies" for Sing a Rude Song. Also in April, Barry continued to produce songs for P.P. Arnold. The last day on which P.P. Arnold recorded his song, which was produced by Barry was on 10 June 1970.[8] Cucumber Castle was released around April 1970.
Cucumber Castle reached No. 9 in Italy behind Led Zeppelin II by Led Zeppelin (#7) and McCartney by Paul McCartney (#8), the number one LP at that time was The Beatles' Let It Be.[9]
Track listing
[edit]All songs written by Barry and Maurice Gibb except "Turning Tide" by Barry and Robin Gibb.
| No. | Title | Lead vocal(s) | Length |
|---|---|---|---|
| 1. | "If Only I Had My Mind on Something Else" | Barry | 2:33 |
| 2. | "I.O.I.O." | Barry and Maurice | 2:51 |
| 3. | "Then You Left Me" | Barry | 3:11 |
| 4. | "The Lord" | Barry | 2:19 |
| 5. | "I Was the Child" | Barry | 3:14 |
| 6. | "I Lay Down and Die" | Barry | 3:34 |
| No. | Title | Lead vocal(s) | Length |
|---|---|---|---|
| 1. | "Sweetheart" | Barry and Maurice | 3:09 |
| 2. | "Bury Me Down by the River" | Barry | 3:25 |
| 3. | "My Thing" | Maurice | 2:20 |
| 4. | "The Chance of Love" | Barry | 2:29 |
| 5. | "Turning Tide" | Barry | 3:09 |
| 6. | "Don't Forget to Remember" | Barry | 3:27 |
Personnel
[edit]Credits from Bee Gees historian and sessionographer Joseph Brennan.[10]
Bee Gees
- Barry Gibb – lead, harmony, and backing vocals; rhythm guitar
- Maurice Gibb – harmony and backing vocals, bass, lead and rhythm guitars, piano, organ, Mellotron, drums on "My Thing", lead vocals on "I.O.I.O.", "Sweetheart", and "My Thing"
- Colin Petersen – drums (except "If Only I Had My Mind on Something Else", "Sweetheart", "The Chance of Love", "Turning Tide", and "My Thing")
- Vince Melouney – rhythm guitar on "I.O.I.O."
- Additional musicians and production staff
- Peter Mason – harmony vocals on "Don't Forget to Remember" (possibly erased from the final recording or not included in final mix)
- P.P. Arnold – harmony and backing vocals on "Bury Me Down by the River" (uncertain)
- Terry Cox – drums on "If Only I Had My Mind on Something Else", "Sweetheart", "The Chance of Love", and "Turning Tide"
- Robert Stigwood – producer
- Bee Gees – producers
- Uncredited – orchestral and string arrangements
- unknown – orchestra members, audio engineers
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
References
[edit]- ^ Cucumber Castle at AllMusic
- ^ Cross, Charles R. (2004). "The Bee Gees". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 58. ISBN 0-7432-0169-8.
- ^ Vagg, Stephen (26 November 2024). "The Brief Movie Stardom of Colin (Smiley) Petersen". Filmink. Retrieved 26 November 2024.
- ^ a b Hughes, Andrew (2009). The Bee Gees – Tales of the Brothers Gibb. Omnibus Press. ISBN 9780857120045. Retrieved 21 July 2013.
- ^ a b Brennan, Joseph. "Gibb Songs: 1969". Retrieved 22 March 2013.
- ^ a b Melinda Bilyeu, Hector Cook, Andrew Mon Hughes, The Ultimate Biography of the Bee Gees, Omnibus Press, 2000, p. 243-246 (based on an interview in 1999)
- ^ Sandoval, Andrew (2012). The Day-By-Day Story, 1945–1972 (Paperback) (1st ed.). Retrofuture Day-By-Day. pp. 102–115. ISBN 978-0-943249-08-7.
- ^ Brennan, Joseph. "Gibb Songs: 1970". Retrieved 22 March 2013.
- ^ a b Nielsen Business Media, Inc (29 August 1970). "Billboard Hits of the World (August 29, 1970)". Billboard. Retrieved 28 May 2013.
{{cite magazine}}:|last1=has generic name (help) - ^ Brennan, Joseph. "Gibb Songs: 1969". Gibb Songs. Columbia University. Retrieved 27 March 2024.
- ^ Kent, David (1993). Australian Chart Book 1970–1992 (doc). Australian Chart Book, St Ives, N.S.W. ISBN 0-646-11917-6.
- ^ "Canadian Albums". RPM Canada. Retrieved 9 November 2014.
- ^ "UK Albums". Official Charts Company. Retrieved 9 November 2014.
- ^ "US Albums". AllMusic. Retrieved 9 November 2014.
- ^ "Bee Gees - Cucumber Castle". officialcharts.de. Archived from the original on 9 August 2014. Retrieved 24 January 2015.
- ^ Nielsen Business Media, Inc (25 July 1970). "Billboard Hits of the World". Billboard. p. 61. Retrieved 24 January 2015.
bee gees cucumber castle billboard.
{{cite magazine}}:|last1=has generic name (help)
Cucumber Castle
View on GrokipediaBackground and development
Band context
Cucumber Castle emerged amid significant internal upheaval within the Bee Gees, primarily triggered by escalating tensions during the recording and promotion of their previous album, Odessa, released in 1969. On March 19, 1969, Robin Gibb announced his departure from the group, citing frustrations over lead vocal allocations and creative direction, particularly after disputes regarding the Odessa single "First of May," which featured Barry Gibb on lead vocals despite Robin's advocacy for his own song "Lamplight."[4][5] This split marked a profound shift, as Cucumber Castle became the only Bee Gees studio album without any lead vocals or primary contributions from Robin, with Barry and Maurice Gibb proceeding as a duo.[5] The band's instability extended beyond Robin's exit, encompassing personnel changes and temporary solo endeavors. Drummer Colin Petersen, who had joined the Bee Gees in 1967, was dismissed mid-project in August 1969 due to mounting tensions and disputes with manager Robert Stigwood; he contributed to only portions of the album before being replaced by session musician Terry Cox of the folk-jazz group Pentangle.[6] Concurrently, the broader turmoil saw Barry and Maurice exploring solo paths—Robin released his solo album Robin's Reign later in 1969, while Barry and Maurice initiated separate projects that were ultimately shelved—reflecting a period of fragmentation following Odessa's ambitious, orchestral complexity.[7] This duo format and simplified approach contrasted with the group's earlier baroque pop experiments, positioning Cucumber Castle as a pivot toward more straightforward pop sensibilities.[8] As the seventh international studio album in the Bee Gees' discography, Cucumber Castle followed Odessa and preceded the reunion effort 2 Years On in 1970, encapsulating a transitional phase before the full trio reconvened.[2]Album conception
The title "Cucumber Castle" derived from a track on the Bee Gees' 1967 debut album Bee Gees' 1st, which was later repurposed as the name for a proposed television special announced in October 1967, lending the overall project a whimsical, fairy-tale-like atmosphere centered on comedic medieval intrigue.[1][9] This concept, featuring Barry and Maurice Gibb as feuding royal heirs, shaped the album's playful tone from its inception.[1] Conceived as a semi-soundtrack to the TV special, Cucumber Castle emphasized lighthearted pop songs that diverged from the orchestral grandeur and conceptual depth of the band's previous album Odessa (1969), opting instead for a more straightforward, accessible sound influenced by country and folk elements to appeal to a broader singles market.[10][5] The project, which had been discussed since late 1967, gained momentum in late 1968 and early 1969 as the brothers shifted focus toward commercially viable material following Odessa's mixed reception.[5] Following Robin Gibb's departure from the band in March 1969, Barry and Maurice Gibb decided to continue as a duo, transforming the album into their sole Bee Gees release without Robin's involvement.[1][5] Most tracks were co-written exclusively by the two brothers, including hits like "I.O.I.O." and "Don't Forget to Remember," underscoring their collaborative creative control amid the lineup change.[11][2]Production
Recording sessions
The recording sessions for Cucumber Castle primarily took place from 7 May to 26 September 1969 at IBC Studios in London, with additional work extending into October 1969 to finalize the album.[5] These sessions marked a transitional period for the Bee Gees, as they operated as a duo following Robin Gibb's departure in March 1969, focusing on completing material for both the album and an accompanying television special.[5] A significant logistical challenge arose from a change in drummers during the process. Initial tracks, such as "Don't Forget to Remember" recorded on 7 May, featured Colin Petersen on drums, but he was dismissed in mid-August 1969 amid financial disputes, a few days after filming for the Cucumber Castle special began on 11 August.[5] Terry Cox, formerly of Pentangle, replaced him starting in September, contributing to later recordings like "Every Morning, Every Night" on 22 September and handling overdubs on earlier tracks to ensure continuity.[5] Geoff Bridgford also played drums on tracks recorded in October. This shift necessitated reworking several sessions, delaying completion but allowing the duo to adapt efficiently. One notable exception to the main 1969 timeline was "I.O.I.O.," initially recorded during the 1968 sessions for the Idea album on 12 June at Atlantic Studios in New York, which was later revisited and finalized on 8 October 1969 at IBC Studios.[5] The album's production was overseen by Barry Gibb, Maurice Gibb, and Robert Stigwood, emphasizing a streamlined approach amid the band's instability.[12] Reflecting the duo's self-sufficient ethos, Maurice Gibb handled multi-tracking for multiple instruments, including bass guitar, piano, organ, and Mellotron, across various tracks to minimize external dependencies.[12] This technique, combined with Barry Gibb's focus on vocals and guitar, enabled the core recordings to progress despite reduced personnel.[5]Production team
The primary producers of Cucumber Castle were Barry Gibb, Maurice Gibb, and their manager Robert Stigwood, who collectively oversaw the album's creative direction following the band's internal tensions after the Odessa release.[2][5] Barry and Maurice Gibb played particularly hands-on roles, handling arrangements, instrumentation, and mixing to craft the album's lighter, more accessible sound as a duo without Robin Gibb.[2][1] Stigwood, as the Bee Gees' longtime manager and producer, was instrumental in steering the project toward a commercial pop direction in the wake of the Odessa fallout, where creative disputes led to Robin's temporary departure and the previous album's underwhelming reception.[13][5] His influence emphasized concise, radio-friendly tracks to rebuild the band's momentum, aligning the album closely with the accompanying TV special.[13] Recording took place at IBC Studios in London, where engineering was managed by established studio professionals, though specific names such as Damon Lyon Shaw or others from the facility's team were not prominently credited in the original album release.[14][5] This setup allowed the producers to focus on polishing the Gibb brothers' multi-instrumental contributions, including Barry's guitar and vocals alongside Maurice's bass, piano, organ, and Mellotron.[2] In post-production, the team made key decisions on track selection to tie into the Cucumber Castle TV special, prioritizing songs like "I.O.I.O." and "The Lord" for their narrative fit, while finalizing the album's sequencing to achieve a compact runtime of 35:47.[1][2] These choices underscored Stigwood's vision for a unified multimedia project, ensuring the album served as both a standalone release and a soundtrack companion.[13]Release and promotion
Singles
The lead single from the Cucumber Castle sessions, "Don’t Forget to Remember," was released in August 1969 and achieved commercial success, peaking at No. 2 on the UK Singles Chart and No. 73 on the US Billboard Hot 100.[15][16] Written by Barry Gibb and Maurice Gibb, the track features a sentimental country ballad style with nostalgic lyrics reflecting on lost love.[1] In some markets, it was paired with the B-side "The Lord," an album track with orchestral elements, though regional variations included other pairings like "I Lay Down and Die" in initial pressings.[17] The follow-up singles, "If Only I Had My Mind on Something Else" and "I.O.I.O.," were both released in March 1970 to build anticipation for the album.[18] Also penned by Barry and Maurice Gibb, "If Only I Had My Mind on Something Else" is a mid-tempo rocker driven by guitar riffs and a steady rhythm, backed by the B-side "Sweetheart" in the US.[19] Meanwhile, "I.O.I.O." stands out as a quirky pop track incorporating harpsichord and an upbeat rock arrangement, with guitar contributions from former Bee Gees member Vince Melouney; it reached No. 49 on the UK Singles Chart and No. 94 on the US Billboard Hot 100.[1][20] These singles played a key role in promoting the forthcoming Cucumber Castle album and its accompanying TV special, serving as audio teasers that highlighted the duo's shift toward lighter, more varied pop sounds amid the band's transitional period without Robin Gibb.[1] While "Don’t Forget to Remember" provided immediate momentum with its strong international performance, the March releases aimed to sustain interest despite more modest chart results, underscoring the project's focus on visual and narrative tie-ins.[21]TV special
Cucumber Castle served as the basis for a 50-minute musical fantasy television special produced by the Robert Stigwood Organisation and aired on BBC2 in the United Kingdom on 26 December 1970.[3] Directed by Hugh Gladwish, the special starred Bee Gees members Barry Gibb as Prince Frederick and Maurice Gibb as Prince Marmaduke, portraying medieval princes competing for power and the affection of a nurse following the death of their father, the king.[22] The whimsical plot unfolds as the dying king, played by Frankie Howerd, divides his realm between the rival brothers into the Kingdoms of Cucumber and Jelly, leading to comedic adventures involving duels, a beheaded court jester portrayed by Spike Milligan, and an eventual boat escape.[3] Guest appearances by notable figures such as Vincent Price, Eleanor Bron, Lulu, Eric Clapton, Ginger Baker, and members of Blind Faith added to the eclectic mix of comedy sketches and musical interludes.[22] Filming took place in August 1969 at Robert Stigwood's estate near Stanmore, Middlesex, concurrent with the album's recording sessions, at a budget of £50,000, with initial scenes shot using an 8mm camera.[3] Intended as a promotional vehicle for the Bee Gees' project amid band tensions—Robin Gibb did not participate, focusing on his solo work—the special incorporated several tracks from the Cucumber Castle album, including "I.O.I.O." and "Don't Forget to Remember," interspersed with performances by guests like Lulu's rendition of "Mrs. Robinson" and Blind Faith material.[1] Despite its ambitious scope as an original pilot for a potential 13-episode sketch series inspired by Rowan & Martin's Laugh-In, the production faced challenges and was ultimately aired as a standalone program.[3] The special received limited attention, with no significant reviews or public commentary noted, reflecting low viewership, and U.S. networks declined to broadcast it internationally, confining its reach primarily to the UK.[3] Visual elements from the production, including the brothers' period costumes as princes, directly influenced the album's cover art, reinforcing the thematic connection between the multimedia endeavor and the record.[1]Content
Track listing
Cucumber Castle features 12 tracks, all written by Barry Gibb and Maurice Gibb except for "Turning Tide", which was written by Barry Gibb and Robin Gibb. Lead vocals are provided primarily by Barry Gibb, with Maurice Gibb taking lead on "My Thing" and contributing prominent chorus vocals on "I.O.I.O.". The original vinyl edition, released in April 1970 by Polydor in the UK and Atco in the US, divides the tracks into two sides of six songs each, with no alternate mixes noted in the initial release. The total runtime is 36:01.| Side | No. | Title | Writer(s) | Length |
|---|---|---|---|---|
| A | 1 | "If I Only Had My Mind on Something Else" | Barry Gibb, Maurice Gibb | 2:35 |
| A | 2 | "I.O.I.O." | Barry Gibb, Maurice Gibb | 2:58 |
| A | 3 | "Then You Left Me" | Barry Gibb, Maurice Gibb | 3:13 |
| A | 4 | "The Lord" | Barry Gibb, Maurice Gibb | 2:20 |
| A | 5 | "I Was the Child" | Barry Gibb, Maurice Gibb | 3:15 |
| A | 6 | "I Lay Down and Die" | Barry Gibb, Maurice Gibb | 3:36 |
| B | 7 | "Sweetheart" | Barry Gibb, Maurice Gibb | 3:10 |
| B | 8 | "Bury Me Down by the River" | Barry Gibb, Maurice Gibb | 3:26 |
| B | 9 | "My Thing" | Barry Gibb, Maurice Gibb | 2:20 |
| B | 10 | "The Chance of Love" | Barry Gibb, Maurice Gibb | 2:29 |
| B | 11 | "Turning Tide" | Barry Gibb, Robin Gibb | 3:11 |
| B | 12 | "Don't Forget to Remember" | Barry Gibb, Maurice Gibb | 3:28 |
Musical style
Cucumber Castle represents a blend of orchestral pop and light psychedelia, marked by lush string arrangements and the Bee Gees' signature close vocal harmonies performed by Barry and Maurice Gibb.[23] This style contrasts with the more experimental baroque orchestrations of their prior album Odessa, shifting toward a concise pop sound that emphasizes melodic nostalgia and evocative sweeps of instrumentation.[24] The duo's format, following Robin Gibb's departure, simplified the arrangements compared to the full trio's complexity, focusing on Barry's rhythm guitar and Maurice's multi-instrumental contributions, including piano on several tracks and organ throughout.[12] Influences from the British Invasion era persist in the album's harmonious structures, while emerging glam elements subtly appear in the upbeat, theatrical flair of certain tracks.[23] The overall sonic palette draws from country, soul, and folk traditions, infusing the pop framework with twangy guitars and soulful undertones that reflect the brothers' evolving songwriting during their U.S.-based period.[1] Ballads such as "Don’t Forget to Remember" highlight orchestral touches and melancholic introspection, while upbeat numbers like "I.O.I.O." incorporate harpsichord, brass sections, and rhythmic drive to evoke a sunny, whimsical tone aligned with the accompanying TV special's fantasy narrative.[1] These elements underscore the album's lighthearted yet layered production, prioritizing vocal interplay and instrumental texture over dense experimentation.[24]Credits
Musicians
The core musicians on Cucumber Castle were primarily the Gibb brothers Barry and Maurice, who handled the majority of vocal and instrumental duties following Robin Gibb's departure from the group. Barry Gibb delivered lead, harmony, and backing vocals across the album, while also playing rhythm and acoustic guitar on every track.[25] Maurice Gibb served as the primary multi-instrumentalist, providing lead vocals on select tracks including "If Only I Had My Mind on Something Else" and "My Thing," alongside bass guitar, piano, organ, mellotron, Moog synthesizer, and additional guitar performances throughout.[25][26] Drums were contributed by two players, reflecting a mid-session personnel shift after the band's original drummer was dismissed. Colin Petersen performed on tracks 2 ("I.O.I.O."), 3 ("Then You Left Me"), 4 ("The Lord"), 5 ("I Was the Child"), 8 ("Bury Me Down by the River"), 9 ("My Thing"), and 12 ("Don't Forget to Remember").[25] Terry Cox, from the folk-rock group Pentangle, handled drums on the remaining tracks—1 ("If Only I Had My Mind on Something Else"), 6 ("I Lay Down and Die"), 7 ("Sweetheart"), 10 ("The Chance of Love"), and 11 ("Turning Tide")—as well as overdubs.[25][27] Guest performers included former Bee Gees guitarist Vince Melouney, who provided guitar on "I.O.I.O." (track 2).[25] P. P. Arnold contributed backing vocals specifically to "Bury Me Down by the River" (track 8).[25] Session musician Peter Mason provided uncredited harmony vocals on "Don't Forget to Remember" (track 12), though possibly not retained in the final mix.[2] Robin Gibb did not perform on the album but received co-writing credit for the title track "Cucumber Castle."[26]Technical staff
The recording sessions for Cucumber Castle primarily took place at IBC Studios in London throughout 1969, with additional work at Recorded Sound Studios.[5] Bill Shepherd directed the orchestral accompaniment and arrangements. Specific engineering credits are not detailed in the album's liner notes, though the studio's technicians managed the capture of the tracks during this period.[2] Mixing occurred in stereo format in London, with some tracks also receiving mono mixes for single releases.[5] The final mastering and vinyl pressing preparations were overseen by Polydor Records for the European release and Atco Records for the North American edition, resulting in a gatefold sleeve format for the 1970 LP.[2] The album's art direction centered on thematic visuals from the accompanying TV special, featuring photographs of Barry and Maurice Gibb in medieval-inspired garb as sparring royal sons.[1] Sleeve design was credited to Hamish Grimes, who incorporated these images into the packaging without additional noted designers.[2] The 1970 release included basic liner notes listing compositions by Barry and Maurice Gibb, along with performer credits, but omitted extensive technical acknowledgments.[2]Commercial performance
Chart performance
Cucumber Castle experienced modest commercial performance on the charts following its April 1970 release. In the United Kingdom, the album debuted and peaked at number 57 on the UK Albums Chart on 9 May 1970, remaining on the chart for just two weeks. This short trajectory reflected the Bee Gees' transitional period amid lineup changes and shifting musical direction. In the United States, it entered the Billboard 200 at number 111 on 9 May 1970, climbed to number 98 the following week, and reached its peak of number 94 for two weeks in late May, ultimately spending eight weeks on the listing. The album's performance highlighted regional variations, with limited traction in Anglo-American markets compared to stronger European reception for its singles. The singles from Cucumber Castle fared better, particularly in the UK and Europe. "Don't Forget to Remember," released ahead of the album in August 1969, became a major hit, peaking at number 2 on the UK Singles Chart after debuting on 16 August and charting for 15 weeks. It entered the US Billboard Hot 100 on 20 September 1969, reaching number 73 during a 12-week run. Follow-up "I.O.I.O.," issued in March 1970, achieved a more subdued UK peak of number 49 for one week starting 28 March, while peaking at number 94 on the US Billboard Hot 100 for one week. The third single, "If Only I Had My Mind on Something Else," released in March 1970, peaked at number 91 on the US Billboard Hot 100 for 3 weeks but failed to enter the UK top 50.| Chart | Album Peak | "Don't Forget to Remember" Peak | "I.O.I.O." Peak | "If Only I Had My Mind on Something Else" Peak |
|---|---|---|---|---|
| UK Albums Chart | 57 (2 weeks) | - | - | - |
| UK Singles Chart | - | 2 (15 weeks) | 49 (1 week) | - |
| US Billboard 200 | 94 (8 weeks) | - | - | - |
| US Billboard Hot 100 | - | 73 (12 weeks) | 94 (1 week) | 91 (3 weeks) |
