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Spiritualized
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Spiritualized (stylised as Spiritualized®) are an English rock band formed in 1990 in Rugby, Warwickshire, by Jason Pierce (often known as J. Spaceman), formerly of Spacemen 3. After several line up-changes, in 1999, the band centred on Pierce (vocals, guitar), Doggen Foster (guitar) and Kevin Bales (drums and percussion) with revolving bassists and keyboard players. The band's current bassist, James Stelfox, has been playing with the band since 2012.
Key Information
As of 2023, Spiritualized have released nine studio albums. The best known and most critically acclaimed of these is 1997's Ladies and Gentlemen We Are Floating in Space, which NME magazine named as their Album of the Year, beating other critically acclaimed albums by fellow British bands such as OK Computer by Radiohead and Urban Hymns by The Verve.[1]
History
[edit]Formation: 1990–1991
[edit]Following a breakdown in relations between Spacemen 3 co-frontmen Peter Kember and Jason Pierce, the group's bassist Will Carruthers, drummer Jonny Mattock, and guitarist Mark Refoy were asked by Pierce to form a new group alongside local friend Steve Evans, subsequently calling themselves Spiritualized.[2] The band took their name from an adaptation of the text on the back label of a bottle of Pernod. Due to formation from a majority of Spacemen 3 members, a technical clause meant that Spiritualized had to maintain the Spacemen 3 recording contract with Dedicated Records.
The first Spiritualized release, in 1990, was a cover of The Troggs' "Anyway That You Want Me";[2] the record heralded the official split of Spacemen 3 following contractual wrangles over the band's name and its use in Spiritualized-related promotional material (initial copies of "Anyway That You Want Me" came with a Spacemen 3 logo on the sleeve).
First releases: 1992–1998
[edit]Evans was replaced on keyboards by Pierce's then-girlfriend Kate Radley for the follow-up single, "Run"/"I Want You". A number of singles followed, before the band, in early 1992, released their first LP Lazer Guided Melodies,[2] which had been recorded in Rugby over the previous two years. Carruthers left the band before the release of the album and was replaced by Sean Cook in time for touring with The Jesus & Mary Chain after the release of the album.[3]
A second album, Pure Phase, was released in 1995, and a third, Ladies and Gentlemen We Are Floating in Space emerged in 1997 to critical acclaim and commercial success. Following promotional activity for Ladies And Gentlemen We Are Floating in Space, Gregg Hale left the band on good terms and remains friends with current members, but Sean Cook, Damon Reece and Michael Mooney threatened a strike in protest over low salaries and appearance fees. New contracts of employment were drawn up between Pierce and the musicians, and the same contracts were then used to fire them (to general disbelief by the music press at the time). In response, Cook, Reece and Mooney formed Lupine Howl.
Development: 1999–2010
[edit]Retaining only keyboardist Thighpaulsandra (keyboards), Jason Pierce then debuted a new line up of Spiritualized, introducing classical percussionist Tom Edwards and former Julian Cope string arranger Martin Schellard on bass guitar. Completing the new Spiritualized line-up were guitarist Doggen Foster of Brain Donor and the Julian Cope band, Richard Warren and drummer Kevin 'Kevlar' Bales, who is also a member of Brain Donor.[4] Jonny Aitken stepped in on drums for the recording of Amazing Grace while Kevin Bales was recovering from illness. Chris Davis of Six By Seven & Spotlight Kid also stepped in for Kevin for two major festival appearances. Let It Come Down included over 120 musicians.[5] Amazing Grace favoured a more stripped-down sound with the gospel, blues, and soul influences even more dominant than before. On 15 June 1997, Spiritualized became the last band to play at Factory Records' Manchester nightclub The Haçienda.
After several years of work and Pierce's serious illness in July 2005,[6] the album, Songs in A&E was released on 26 May 2008 in the UK, and on 27 May 2008 in the US. The first single from the 18-track album was "Soul on Fire". The release was backed by an Electric Mainlines UK tour which began in May.[7] Pierce has also scored Harmony Korine's 2008 film Mister Lonely. In October and December 2009 the band performed 1997's "Ladies and Gentlemen We Are Floating in Space" live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series.
Recent releases: 2011–present
[edit]After more than two years in the making, while Pierce was undergoing experimental chemotherapy for a liver disease, and including a year long period of mixing, Sweet Heart Sweet Light was released in April 2012, on Double Six Records and Fat Possum in North America. The band had already played some of this new material over the past 3 years but not much else was known about the content of the album. The album cover, an octagon surrounding the word "Huh?" on a plain white background, is a reference to the working title of the album. In an interview regarding the new release it was revealed that the album would "embrace" more poppy songs compared to previous albums. In the same interview, Jason Pierce also said that the album was partly inspired by the experiences of performing "Ladies and Gentlemen We Are Floating in Space" live in its entirety.[8] In 2013, Jeremy McMahan (Dirty Blood, C is for Cookie) was brought in to some sessions to play bass.
And Nothing Hurt is the band's eighth studio album released on 7 September 2018 through Bella Union in the United Kingdom and Fat Possum Records in the United States, and is the band's first album in six years. The album was announced on 11 June 2018, along with the release of the album's first singles, "I'm Your Man" and "A Perfect Miracle" [9] and was produced by Jason Pierce.[10]
On 2 November 2021, the band announced their ninth studio album, Everything Was Beautiful, slated for release on 25 February 2022 through Bella Union/PIAS Recordings.[11] The seven-track album was previewed by a single called "Always Together With You", which is a reworked version of a song from 2014 which was originally heard in demo form. On 3 February 2022, the release date was delayed to 22 April 2022, due to manufacturing issues.
Musical style
[edit]The band's sound has been labelled as space rock,[12][13] neo-psychedelia,[13][14] experimental rock[15][16] and garage rock.[17] Their first album was also described by NME as being distantly connected to shoegaze.[18]
Timeline
[edit]
Discography
[edit]Studio albums
- Lazer Guided Melodies (1992)
- Pure Phase (1995)
- Ladies and Gentlemen We Are Floating in Space (1997)
- Let It Come Down (2001)
- Amazing Grace (2003)
- Songs in A&E (2008)
- Sweet Heart Sweet Light (2012)
- And Nothing Hurt (2018)
- Everything Was Beautiful (2022)
References
[edit]- ^ "NME Albums of the Year, 1997". rocklistmusic.co.uk. Archived from the original on 8 September 2012. Retrieved 11 August 2009.
- ^ a b c Colin Larkin, ed. (1992). The Guinness Who's Who of Indie and New Wave Music (First ed.). Guinness Publishing. p. 266. ISBN 0-85112-579-4.
- ^ Augusto, Troy J. (24 November 1992). "Jesus & Mary Chain; Curve; Spiritualized; Medicine". Variety. Retrieved 3 April 2018.
- ^ Buckley, Peter (2003). The Rough Guide to Rock. Rough Guides. pp. 2026–. ISBN 978-1-85828-457-6.
- ^ "CD REVIEWS: The Charlatans UK, Spiritualized, The Watchmen and many more". Chart Attack. 25 September 2001. Archived from the original on 22 November 2001. Retrieved 11 July 2022.
- ^ "Spiritualized Star Hospitalised". NME. 21 July 2005. Retrieved 31 August 2011.
- ^ "Spiritualized finish new album". NME. 17 September 2007. Retrieved 31 August 2011.
- ^ "Jason Pierce 'living in the studio' to record new Spiritualized album". NME. 7 July 2010. Retrieved 31 August 2011.
- ^ Kreps, Daniel (11 June 2018). "Spiritualized Ready First LP in Six Years 'And Nothing Hurt'". Rolling Stone. Retrieved 1 September 2018.
- ^ Pareles, Jon (30 August 2018). "Jason Pierce Struggled to Make a New Spiritualized Album. And He May Do It Again". The New York Times. Retrieved 1 September 2018.
- ^ Whitaker, Marisa (2 November 2021). "Spiritualized Announce Ninth Studio Album, Share New Song". Spin. Retrieved 11 July 2022.
- ^ Carew, Anthony. "Spiritualized - Let It Come Down - Arista". Neumu. Retrieved 11 July 2022.
- ^ a b Ankeny, Jason. "Spiritualized Biography, Songs, & Albums". AllMusic. Retrieved 30 July 2015.
- ^ Ranta, Alan. "Music Review: Elliott Smith - From A Basement On The Hill". Tiny Mix Tapes. Retrieved 30 July 2015.
- ^ Fitzgerald, Colin (1 April 2015). "This Is Our New Song: 'The Bends' and the Reformation of Alternative Rock". PopMatters. Retrieved 30 July 2015.
- ^ Potter, Jordan (13 March 2022). "The 10 best songs over nine minutes long". Far Out Magazine. Retrieved 4 September 2022.
- ^ "Spiritualized – Amazing Grace". PopMatters. 9 October 2003. Retrieved 30 July 2015.
- ^ Beaumont, Mark (6 January 2017). "The 10 best shoegaze albums ever". NME. Retrieved 10 November 2023.
External links
[edit]Spiritualized
View on GrokipediaHistory
Formation and early years: 1990–1992
Spiritualized was formed in 1990 in Rugby, Warwickshire, by Jason Pierce (also known as J. Spaceman) following his departure from the psychedelic rock band Spacemen 3 amid creative differences with co-founder Peter Kember.[6][7] The split was acrimonious, with Pierce seeking to continue exploring hypnotic, drone-based sounds influenced by Spacemen 3 but infused with new spiritual and emotional dimensions.[8] Pierce has described the transition as a natural evolution, retaining his "J Spaceman" moniker to emphasize continuity rather than dissatisfaction with his previous band.[6] The initial lineup featured Pierce on guitar and vocals, alongside former Spacemen 3 members Will Carruthers on bass, Mark Refoy on guitar, and Jonny Mattock on drums, with Kate Radley—Pierce's partner at the time—contributing keyboards and vocals.[6] This core group reflected Pierce's intent to build on Spacemen 3's personnel while shifting toward a more expansive, experimental approach. The band's name derived from themes of spirituality and psychedelia, inspired by Pierce's upbringing with a deeply religious father, evoking a sense of being "infused with the spiritual" through music that aimed to provoke profound emotional responses akin to religious experiences.[6] Spiritualized's first release was the EP Anyway That You Want Me / Step into the Breeze in June 1990 on Fire Records' Dedicated imprint, a cover of the Troggs' song reinterpreted with droning guitars and ethereal vocals that marked the official end of Spacemen 3.[9] This debut showcased the band's nascent sound, blending space rock drones with gospel-like swells and psychedelic textures in early demos and recordings. Early live performances took place in small UK venues, such as London's ICA, where the group experimented with immersive, passionate sets designed to elicit strong reactions from audiences, often leaving Pierce visibly moved on stage.[6] These shows helped solidify Spiritualized's ethos of emotional intensity and sonic exploration during their formative period.Rise to prominence: 1993–1998
Spiritualized's debut album Lazer Guided Melodies, released in March 1992, gained significant traction in 1993, solidifying the band's reputation as a cornerstone of shoegaze and space rock with its hazy, psychedelic soundscapes blending droning guitars, horns, and ethereal vocals.[10] Critics lauded its gentle, immersive quality, describing it as a processed space rock record that evoked a sense of drugged oblivion and planetary gazing, marking an evolution from Jason Pierce's prior work in Spacemen 3.[11] The album's reception helped position Spiritualized within the burgeoning UK alternative scene, earning reissues and enduring praise for its dreamy, blues-inflected psychedelia.[12] Following the album's release, bassist Will Carruthers departed the band. Building on this foundation, the follow-up Pure Phase arrived on March 28, 1995, via Dedicated Records, introducing bolder orchestral and ambient expansions that incorporated symphonic swells, freeform noise, and rawer emotional textures for a more eclectic palette, with Sean Cook joining on bass.[13] Featuring contributions from the Balanescu Quartet, the album emphasized dreamy rock grandeur alongside ambient drifts, drawing comparisons to the interplay of Brian Wilson and La Monte Young in its layered, atmospheric compositions.[14] Guitarist Mark Refoy left the band in 1995. This release further distinguished Spiritualized by shifting toward broader sonic experimentation while retaining core psychedelic elements, receiving solid critical nods for its immersive, journey-like flow.[15] The period culminated with Ladies and Gentlemen We Are Floating in Space on June 16, 1997, a sprawling opus that fused gospel, soul, and orchestral rock, highlighted by the title track's sampled strings from Gustav Holst's The Planets suite for a cosmic, redemptive sweep.[16] The album earned NME's Album of the Year award in 1997, surpassing contemporaries like Radiohead's OK Computer in that publication's estimation, and propelled Spiritualized toward mainstream recognition with its transcendent blend of pain relief and psychedelic release.[17] Key singles from this era, such as "All of My Thoughts" from Pure Phase and "Electricity" from Ladies and Gentlemen, charted on UK indie lists, with the latter peaking at number 32 on the Official UK Singles Chart in August 1997.[18] Supporting these albums, Spiritualized conducted extensive early tours across the US and Europe from 1993 to 1998, including festival appearances like Roskilde in 1993 and multiple North American legs in 1994 and 1997, which amplified their live reputation for expansive, immersive performances.[19] This touring activity, coupled with burgeoning profiles in outlets like NME and Melody Maker, fostered growing media coverage and cemented the band's rising prominence in the alternative rock landscape.[20]Challenges and evolution: 1999–2007
Following the critical and commercial success of Ladies and Gentlemen We Are Floating in Space in 1997, Spiritualized faced significant lineup instability. Keyboardist Kate Radley, who had been a key member and Pierce's romantic partner, departed the band in 1997 amid personal turmoil, including her subsequent relationship with The Verve's Richard Ashcroft.[21] In 1999, frontman Jason Pierce dismissed the remaining core members—bassist Sean Cook, guitarist Mike Mooney, and drummer Damon Reece—leading to a rotating cast of musicians and ongoing challenges in maintaining a stable group dynamic.[22][23] This upheaval reflected broader professional tensions, including disputes over royalties and creative control, as the ex-members formed Lupine Howl in protest.[24] Pierce's creative experimentation continued with the 2001 album Let It Come Down, which marked a departure toward more structured arrangements influenced by soul and orchestral pop. The record featured contributions from 115 session musicians, including a full orchestra and the London Community Gospel Choir, creating sweeping, layered soundscapes that emphasized melody and emotional depth over the band's earlier noise-rock tendencies.[25] Recorded at Abbey Road and AIR Studios, it represented Pierce's ambition to craft "pop songs" with grand production, though the process strained resources and highlighted his increasingly solitary leadership.[26] The 2003 release Amazing Grace signaled a raw return to garage rock roots, stripping away much of the orchestral excess for lo-fi, blues-inflected tracks recorded live in the studio with minimal overdubs. Featuring a gospel choir and horn section alongside new collaborators like guitarist Doggen Foster, the album explored themes of addiction and redemption but received mixed reviews for its uneven energy and perceived lack of innovation compared to prior works.[27] Critics praised ballads like "Hold On" for their emotional resonance and jazz flourishes in tracks such as "Rated X," yet faulted others for repetition and a sense of creative fatigue, with Pitchfork awarding it a 6.2 out of 10.[27][28] In July 2005, Pierce was hospitalized with double pneumonia, a life-threatening condition that filled both lungs with fluid, caused his heart to stop twice, and reduced his weight to seven stone; he required revival and spent days breathing at one breath per second.[29] This health crisis delayed ongoing recording projects and infused subsequent work with meditations on mortality, though Pierce later emphasized it did not alter his artistic vision. The period's improvisational live performances, often augmented by choirs, captured the band's evolving, fluid lineup and served as a bridge to recovery, underscoring Spiritualized's resilience amid personal and professional hurdles.[29]Revival and recent work: 2008–present
Following the challenges of the early 2000s, Spiritualized experienced a creative resurgence with the release of Songs in A&E in 2008, an album deeply informed by frontman Jason Pierce's severe bout of double pneumonia that nearly claimed his life twice in 2005.[30] The record captures themes of survival and fragility, drawing from Pierce's hospital experiences to create a raw, introspective sound that integrates rock structures with subtle orchestral and chamber-like arrangements, including strings and horns that evoke a sense of vulnerability and redemption.[31] Critics praised its emotional depth and stripped-back production, with Pitchfork awarding it an 8.3 out of 10 for its "mopey, orchestral, minimalist rock" that revitalized the band's trajectory.[32] The band's momentum continued with Sweet Heart Sweet Light in 2012, which expanded into richer gospel-infused rock layered with electronic textures and expansive choral elements, reflecting Pierce's ongoing health struggles, including treatment for a degenerative liver condition during its creation.[33] Produced primarily by Pierce, the album features soaring anthems like "Hey Jane" that blend spiritual yearning with propulsive rhythms, earning acclaim for its ambitious scope and emotional resonance; The Guardian described it as a "perfectly serviceable" return to form, while Pitchfork highlighted its "fierce distortion and sentimental strings."[34][35] In 2018, And Nothing Hurt marked another self-produced effort by Pierce, recorded largely in his East London home and incorporating country twang, psychedelic swells, and gospel undertones to explore isolation and quiet despair amid personal hardships.[36] Tracks like "I'm Your Man" and "The Prize" convey a sense of introspective loss through hazy, road-weary narratives, with reviewers noting its "glorious sonic daydream" quality that fuses rock'n'roll roots with subtle emotional weight.[37] The album received strong notices, including an 8.0 from Pitchfork for its accessible yet meticulously crafted songs.[38] Spiritualized's most recent studio album, Everything Was Beautiful, arrived in 2022 as a expansive double-disc release via Bella Union, weaving jazz improvisation, blues riffs, and orchestral swells into psychedelic and gospel frameworks across its runtime.[39] Pierce handled much of the instrumentation himself across multiple studios, resulting in tracks like "Always Together With You" that layer free-jazz brass and Stooges-inspired energy with lush, hymn-like arrangements.[40] The Guardian lauded its "ecstatic keyboards and orchestral wallops," positioning it as one of the band's most assured works in years.[41] As of November 2025, Spiritualized has not released a new studio album since Everything Was Beautiful, but the band remains active through touring, including a 2025 itinerary featuring full performances of their 1995 album Pure Phase.[42] These shows encompass UK dates such as Glasgow in March, a second night at London's Barbican, and Worthing's Assembly Hall on October 22, alongside European appearances like Parma, Italy's Barezzi Festival on an unspecified date in 2025, and U.S. performances including New York City's Kings Theatre on September 25.[42][43][44] Pierce continues to channel his creative output primarily through Spiritualized, occasionally using his J. Spaceman alias for collaborative or exploratory projects that inform the band's evolving sound.[45]Band members
Current lineup
The current lineup of Spiritualized revolves around founder Jason Pierce (aka J. Spaceman), who has served as the band's primary songwriter, guitarist, lead vocalist, and creative director since its formation in 1990.[46] The stable rhythm section includes bassist James Stelfox, who joined in 2012 after stints with Starsailor, providing a solid foundation for the band's expansive sound, and drummer Kevin Bales, a longtime member since 1997 known for his dynamic percussion work across Spiritualized's discography.[47][48] Doggen Foster (guitar, keyboards, multi-instrumentalist) has contributed since 1999, renowned for layering psychedelic textures through guitar, keyboards, and effects that define the band's atmospheric style. John Coxon (guitar, keyboards) joined around 2001, adding experimental and jazz influences to albums and live performances. Tom Edwards (percussion, keyboards) has been a member since around 2000, enhancing the rhythmic and orchestral elements.[49][50] While Spiritualized has historically employed rotating lineups and numerous musicians to achieve its orchestral ambitions, this six-member core has remained consistent since approximately 2012. For live shows, they are joined by supporting vocalists and a horn section to realize Pierce's vision.[47] This group drove the creation and promotion of the 2022 album Everything Was Beautiful, Pierce's soul-infused return to form after a decade-long hiatus from full-length releases.[51] They also anchored the band's 2025 touring schedule, including the UK and US dates celebrating the 30th anniversary of Pure Phase performed in full.[47][46]Former and touring members
Spiritualized has experienced significant lineup changes throughout its history, largely driven by founder Jason Pierce's desire for creative control, resulting in the involvement of numerous musicians across recordings and tours since 1990.[52] Key early members included those who transitioned from Pierce's previous band, Spacemen 3, forming the core of Spiritualized's initial sound on albums like Lazer Guided Melodies (1992) and Pure Phase (1995). Bassist Will Carruthers played from 1990 to 1994, contributing to the band's foundational rhythm section and shoegaze-influenced textures.[2] Guitarist Mark Refoy served from 1990 to 1995, co-writing and performing on the debut albums while shaping the group's expansive guitar arrangements.[2][53] Keyboardist and vocalist Kate Radley, who joined in 1990, remained until 1999, providing ethereal keyboards and backing vocals on key releases including Ladies and Gentlemen We Are Floating in Space (1997), her final album with the band.[21][2] In the mid-1990s, bassist and multi-instrumentalist Sean Cook joined in 1994, staying until 1999 and adding harmonica and bass lines to Pure Phase and Ladies and Gentlemen, before being dismissed along with other core members in a major overhaul.[54][52] Keyboardist Thighpaulsandra replaced Radley in 1997, contributing to tours and albums like Let It Come Down (2001) through 2003, with his experimental electronic style influencing the band's orchestral phases; he continued touring sporadically until 2008.[55][2]| Member | Role | Tenure | Key Contributions |
|---|---|---|---|
| Will Carruthers | Bass | 1990–1994 | Rhythm section on Lazer Guided Melodies and Pure Phase; bridged Spacemen 3 sound to Spiritualized's early psychedelia.[2] |
| Mark Refoy | Guitar | 1990–1995 | Guitar arrangements and co-writing on debut albums; left to form Slipstream.[2][53] |
| Kate Radley | Keyboards, vocals | 1990–1999 | Ethereal layers on Ladies and Gentlemen; final album contribution marked end of early era.[21][56] |
| Sean Cook | Bass, guitar, harmonica | 1994–1999 | Multi-instrumental support on Pure Phase and Ladies and Gentlemen; part of 1999 dismissals leading to Lupine Howl formation.[54][52] |
| Thighpaulsandra | Keyboards | 1997–2003 (tours to 2008) | Experimental keyboards on Let It Come Down and live orchestral performances; enhanced space rock elements.[55][2] |