Spitting Image
Spitting Image
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Spitting Image

Spitting Image is a British satirical television puppet show, created by Peter Fluck, Roger Law and Martin Lambie-Nairn. First broadcast in 1984, the series was produced by 'Spitting Image Productions' for Central Independent Television over 18 series which aired on the ITV network. The series was nominated and won numerous awards, including ten BAFTA Television Awards, and two Emmy Awards in 1985 and 1986 in the Popular Arts Category. The series features puppet caricatures of contemporary celebrities and public figures, including British Prime Ministers Margaret Thatcher and John Major and the British royal family. The series was the first to caricature Queen Elizabeth The Queen Mother (as an elderly gin-drinker with a Beryl Reid voice).

One of the most-watched shows of the 1980s, Spitting Image satirised politics, entertainment, sport and British popular culture of the era. At its peak, the show was watched by 15 million people. The popularity of the show saw collaborations with musicians, including Phil Collins and Sting. The series was cancelled in 1996 after viewing figures declined. ITV had plans for a new series in 2006, but these were scrapped after a dispute over the Ant & Dec puppets used to host Best Ever Spitting Image, which were created against Roger Law's wishes. In 2018, Law donated his entire archive – including scripts, puppet moulds, drawings and recordings – to the University of Cambridge. In 2019, Law announced the show would be returning with a new series. The revived series debuted on 3 October 2020 on BritBox, and featured caricatures of Boris Johnson and Donald Trump. It was cancelled in 2022. In July 2025, the series was revived again, this time in an online format on YouTube.

Martin Lambie-Nairn proposed a satirical television show with caricature puppets created by Peter Fluck and Roger Law. Fluck and Law, who had both attended the Cambridge School of Art, had no previous television experience, but had, for several years, constructed plasticine caricatures to illustrate articles in The Sunday Times magazine. The idea for the series was rejected by many in the industry, who thought it would only be suitable for children, but the series was finally accepted for development and first broadcast in 1984.

English comedy writer and National Lampoon editor Tony Hendra was brought in as a writer; Fluck and Law had met him while they were working in the US. Hendra brought in John Lloyd, producer of Not The Nine O'Clock News. They were joined by Jon Blair, a documentary producer. They then hired Muppet puppeteer Louise Gold. Development was funded by the entrepreneur Clive Sinclair.

The puppets, based on public figures, were designed by Fluck and Law, assisted by caricaturists including David Stoten, Pablo Bach, Steve Bendelack and Tim Watts. The episodes included musical parodies by Philip Pope (former member of Who Dares Wins and The Hee Bee Gee Bees) and later Steve Brown.

In 1984, the first episode of Spitting Image was aired with a laugh track, apparently at the insistence of Central Television. This episode was shown to a preview audience before transmission. In the early years of the show, Spitting Image was filmed and based in the enterprise zone at London Docklands at the Limehouse Studios, where scriptwriters convened and puppets were manufactured. Impressionist Steve Nallon recalls that "they were able to get away with no health and safety, so all of the building of the puppets with all the toxic waste from the foam was just in a warehouse. There were no extractor fans; it was quite Dickensian." In later series, Spitting Image was recorded at Central's studios in Nottingham with last minute additions being recorded at the Limehouse Studios at Canary Wharf, London.

Before the first episode was broadcast, the parodies of the Royal Family were cut as a courtesy to the Duke of Edinburgh, who opened the East Midlands Television Centre a few days later. The scenes were all reinstated in later episodes. Stephen Fry has written that Diana, Princess of Wales told him around 1991 that "They hate it of course. I absolutely adore it." Avalon Television executive producer Jon Thoday stated that Ronald Reagan directly contacted NBC asking for the show to be cancelled.

The first episode had an audience of 7.9 million, but numbers rapidly dropped, which meant economies had to be introduced since the series cost £2.6 million to make, nearly double the price of other prime time series.

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