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Suze Rotolo
Susan Elizabeth Rotolo (November 20, 1943 – February 25, 2011), known as Suze Rotolo (/ˈsuːziː/ SOO-zee), was an American artist and political activist. From 1961 to 1964, she was in a relationship with musician Bob Dylan. Dylan later acknowledged her strong influence on his music and art during that period. Rotolo is the woman walking with him on the cover of his 1963 album The Freewheelin' Bob Dylan, a photograph by the Columbia Records studio photographer Don Hunstein. In her book A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties, Rotolo described her time with Dylan and other figures in the folk music and bohemian scene in Greenwich Village, New York. She discussed her upbringing as a "red diaper" baby; a child of Communist Party USA members during the McCarthy Era. As an artist, she specialized in artists' books and taught at the Parsons School of Design in New York City.
Rotolo, of Italian-American descent, was born at Brooklyn Jewish Hospital, New York, and raised in Sunnyside, Queens. Her parents were Joachim and Mary (née Pezzati) Rotolo, who were members of the American Communist Party. In June 1960, she graduated from Bryant High School.
At about the time she met Dylan, Rotolo began working full-time as a political activist in the office of the Congress of Racial Equality (CORE), and the anti-nuclear group SANE. She and her sister Carla had also entered the Greenwich Village folk scene. Rotolo first met Dylan at a Riverside Church folk concert in July 1961. They were introduced by Carla, who at that time was working as an assistant to folklorist Alan Lomax. Describing their meeting in his memoir, Chronicles, Volume One, Dylan wrote:
Right from the start I couldn’t take my eyes off her. She was the most erotic thing I’d ever seen. She was fair skinned and golden haired, full-blood Italian. The air was suddenly filled with banana leaves. We started talking and my head started to spin. Cupid’s arrow had whistled past my ears before, but this time it hit me in the heart and the weight of it dragged me overboard... Meeting her was like stepping into the tales of 1001 Arabian Nights. She had a smile that could light up a street full of people and was extremely lively, had a kind of voluptuousness—a Rodin sculpture come to life.
It was not until they met that Dylan's writing began to address issues such as the civil rights movement and the threat of nuclear war. They started living together in early 1962, much to the disapproval of her family. As Dylan's fame grew, Rotolo found the relationship increasingly stressful. She wrote:
Bob was charismatic: he was a beacon, a lighthouse, he was also a black hole. He required committed backup and protection I was unable to provide consistently, probably because I needed them myself. ... I could no longer cope with all the pressure, gossip, truth and lies that living with Bob entailed. I was unable to find solid ground. I was on quicksand and very vulnerable.
Rotolo left New York in June 1962, with her mother, to spend six months studying art at the University of Perugia in Italy. She was known there as Justine Rotolo, having used an invented middle name to register as "S. Justine Rotolo". Dylan's separation from his girlfriend has been credited as the inspiration behind several of his finest love songs, including "Don't Think Twice, It's Alright", "Tomorrow Is a Long Time", "One Too Many Mornings", and "Boots of Spanish Leather".
Rotolo's political views were widely regarded as having influenced Dylan's topical songwriting. Dylan also credited her with interesting him in the French poet Arthur Rimbaud, who heavily influenced his writing style. The influence of Bertolt Brecht on Dylan's songwriting has also been acknowledged by Dylan as stemming from Rotolo's participation in Brechtian theater during their relationship. In Chronicles, Dylan describes the impact of the song "Pirate Jenny" while attending a Brecht show on which Rotolo worked. Dylan's interest in painting can also be traced back to his relationship with Rotolo, who had emphasized her shared values with Dylan in an interview with author Robbie Woliver:
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Suze Rotolo
Susan Elizabeth Rotolo (November 20, 1943 – February 25, 2011), known as Suze Rotolo (/ˈsuːziː/ SOO-zee), was an American artist and political activist. From 1961 to 1964, she was in a relationship with musician Bob Dylan. Dylan later acknowledged her strong influence on his music and art during that period. Rotolo is the woman walking with him on the cover of his 1963 album The Freewheelin' Bob Dylan, a photograph by the Columbia Records studio photographer Don Hunstein. In her book A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties, Rotolo described her time with Dylan and other figures in the folk music and bohemian scene in Greenwich Village, New York. She discussed her upbringing as a "red diaper" baby; a child of Communist Party USA members during the McCarthy Era. As an artist, she specialized in artists' books and taught at the Parsons School of Design in New York City.
Rotolo, of Italian-American descent, was born at Brooklyn Jewish Hospital, New York, and raised in Sunnyside, Queens. Her parents were Joachim and Mary (née Pezzati) Rotolo, who were members of the American Communist Party. In June 1960, she graduated from Bryant High School.
At about the time she met Dylan, Rotolo began working full-time as a political activist in the office of the Congress of Racial Equality (CORE), and the anti-nuclear group SANE. She and her sister Carla had also entered the Greenwich Village folk scene. Rotolo first met Dylan at a Riverside Church folk concert in July 1961. They were introduced by Carla, who at that time was working as an assistant to folklorist Alan Lomax. Describing their meeting in his memoir, Chronicles, Volume One, Dylan wrote:
Right from the start I couldn’t take my eyes off her. She was the most erotic thing I’d ever seen. She was fair skinned and golden haired, full-blood Italian. The air was suddenly filled with banana leaves. We started talking and my head started to spin. Cupid’s arrow had whistled past my ears before, but this time it hit me in the heart and the weight of it dragged me overboard... Meeting her was like stepping into the tales of 1001 Arabian Nights. She had a smile that could light up a street full of people and was extremely lively, had a kind of voluptuousness—a Rodin sculpture come to life.
It was not until they met that Dylan's writing began to address issues such as the civil rights movement and the threat of nuclear war. They started living together in early 1962, much to the disapproval of her family. As Dylan's fame grew, Rotolo found the relationship increasingly stressful. She wrote:
Bob was charismatic: he was a beacon, a lighthouse, he was also a black hole. He required committed backup and protection I was unable to provide consistently, probably because I needed them myself. ... I could no longer cope with all the pressure, gossip, truth and lies that living with Bob entailed. I was unable to find solid ground. I was on quicksand and very vulnerable.
Rotolo left New York in June 1962, with her mother, to spend six months studying art at the University of Perugia in Italy. She was known there as Justine Rotolo, having used an invented middle name to register as "S. Justine Rotolo". Dylan's separation from his girlfriend has been credited as the inspiration behind several of his finest love songs, including "Don't Think Twice, It's Alright", "Tomorrow Is a Long Time", "One Too Many Mornings", and "Boots of Spanish Leather".
Rotolo's political views were widely regarded as having influenced Dylan's topical songwriting. Dylan also credited her with interesting him in the French poet Arthur Rimbaud, who heavily influenced his writing style. The influence of Bertolt Brecht on Dylan's songwriting has also been acknowledged by Dylan as stemming from Rotolo's participation in Brechtian theater during their relationship. In Chronicles, Dylan describes the impact of the song "Pirate Jenny" while attending a Brecht show on which Rotolo worked. Dylan's interest in painting can also be traced back to his relationship with Rotolo, who had emphasized her shared values with Dylan in an interview with author Robbie Woliver: