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Take It Easy

"Take It Easy" is the debut single by the American rock band Eagles, written by Jackson Browne and Eagles band member Glenn Frey, who also provides lead vocals. It was released on May 1, 1972, and peaked at No. 12 on the Billboard Hot 100 chart on July 22, 1972. It was also the opening track of the band's eponymous debut album and has become one of their signature songs, included on all of their live and compilation albums. It is listed as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

Jackson Browne later recorded the song as the lead track on his second album, For Everyman (1973), and also released it as a single, although it did not chart. Travis Tritt also covered the song for the 1993 Eagles' tribute album Common Thread: The Songs of the Eagles; the video for Tritt's version is notable for the appearance of all five members of the Eagles together again for the first time in 13 years after their break-up, and it led to the reunion of the band a few months later.

Jackson Browne originally began writing "Take It Easy" in 1971 for his own eponymous debut album but was having difficulty finishing the song. Browne's friend Glenn Frey – who lived in the same Echo Park, California, apartment building as Browne – had heard an early version and later asked Browne about it. Browne then played the unfinished second verse that begins with "Well, I'm a-standin' on a corner in Winslow, Arizona...", and Frey finished the verse with "Such a fine sight to see. It's a girl, my lord, in a flatbed Ford, slowin' down to take a look at me." Browne was very happy with the result and suggested that they finish the song together. The resulting song became the first track on the Eagles' debut album and was released as their first single.

Browne told a version of the story in a radio interview: "I knew Glenn Frey from playing these clubs – we kept showing up at the same clubs and singing on the open-mic nights. Glenn happened to come by to say 'hi,' and to hang around when I was in the studio, and I showed him the beginnings of that song, and he asked if I was going to put it on my record and I said it wouldn't be ready in time. He said 'well, we'll put it on, we'll do it,' 'cause he liked it," Browne explained. "But it wasn't finished, and he kept after me to finish it, and finally offered to finish it himself. And after a couple of times when I declined to have him finish my song, I said, 'all right.' I finally thought, 'This is ridiculous. Go ahead and finish it. Do it.' And he finished it in spectacular fashion. And, what's more, arranged it in a way that was far superior to what I had written."

The song was recorded at the Olympic Studios in London with producer Glyn Johns. Glenn Frey sings the lead vocal on the Eagles recording of "Take It Easy". Bass player Randy Meisner sings the harmony vocal in the second verse with Frey, with drummer Don Henley harmonizing in the chorus, on the line "Though we will never be here again. So open up, I'm climbin' in." Bernie Leadon provides the lead guitar and distinctive banjo parts, as well as harmony vocals. The track's producer Johns said: "On 'Take It Easy' I got Bernie to play double-time banjo; they all thought it was a bonkers idea but it worked. It was already a great song, but that one little thing made it different."

In their early live performances, the Eagles start with an a cappella version of a verse from "Silver Dagger" that begins with "My daddy is a handsome devil..." as an intro to "Take It Easy".

Jackson Browne recorded a version for his 1973 album For Everyman. Sneaky Pete Kleinow plays pedal steel and David Lindley (on electric guitar) teams up with Browne. Mickey McGee's percussion and the other instruments crossfade into the next track on the album, "Our Lady of the Well."

In 1972, Bud Scoppa wrote in Rolling Stone in his review of the Eagles' debut album that "Take it Easy" was "simply the best sounding rock single to come out so far this year. The first time through, you could tell it had everything: danceable rhythm, catchy, winding melody, intelligent, affirmative lyrics, a progressively powerful arrangement mixing electric guitar and banjo, and a crisp vocal, with vibrant four-part harmony at just the right moments for maximum dramatic effect." Cash Box felt it sounded somewhat like the Byrds and predicted that it would be a "sure and rapid-fire smash."

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