Taxidermy is the art of preserving an animal's body by mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state. The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy".

The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). Thus taxidermy translates to "arrangement of skin".

Taxidermy is practiced primarily on vertebrates (mammals, birds, fish, reptiles, and less commonly on amphibians) but can also be done to larger insects and arachnids under some circumstances. Taxidermy takes on a number of forms and purposes including hunting trophies and natural history museum displays. Unlike meat harvesting, taxidermy does not require killing an animal that could have otherwise remained alive. Museums use taxidermy as a method to record species, including those that are extinct and threatened, in the form of study skins and life-size mounts. Taxidermy is sometimes also used as a means to memorialize pets.

A person who practices taxidermy is called a taxidermist. They may practice professionally, catering to museums and sportspeople (hunters and fishers), or as amateurs (hobbyists). A taxidermist is aided by familiarity with anatomy, sculpture, painting, and tanning.

Preserving animal skins has been practiced throughout human history. For example, embalmed animals have been found with Egyptian mummies. Although embalming incorporates lifelike poses, it is not considered taxidermy. In the Middle Ages, crude examples of taxidermy were displayed by astrologers and apothecaries. The earliest methods of preservation of birds for natural history cabinets were published in 1748 by René-Antoine Ferchault de Réaumur in France. Techniques for mounting were described in 1752 by M. B. Stollas. There were several pioneers of taxidermy in France, Germany, Denmark, and England. For a while, clay was used to shape some of the soft parts, but this made specimens heavy.

By the 18th century, a majority of towns had a tannery business. It was around the same time, with the work of Jean-Baptiste Bécœur in particular, that taxidermy became a more serious practice. Louis Dufresne, a taxidermist at the Muséum National d'Histoire Naturelle in France, rediscovered Bécœur's taxidermy process using arsenical soap and made it known through an article in the Nouveau dictionnaire d'histoire naturelle (1803–1804). This technique enabled the museum to build an immense collection of taxidermy birds. In the 19th century, some hunters took their trophies to upholstery shops, where the upholsterers would sew up the animal skins and stuff them with rags and cotton. The term "stuffing" or a "stuffed animal" evolved from this crude form of taxidermy. Professional taxidermists prefer the term "mounting" to "stuffing". More sophisticated cotton-wrapped wire bodies supporting sewn-on cured skins soon followed.

Dufresne's methods spread to England in the early 19th century, where updated and non-toxic methods of preservation were developed by some of the leading naturalists of the day, including Rowland Ward and Montague Brown. Ward established one of the earliest taxidermy firms, Rowland Ward Ltd. of Piccadilly. However, the art of taxidermy remained relatively undeveloped, and the specimens remained stiff and unconvincing.

The golden age of taxidermy was during the Victorian era, when mounted animals became a popular part of interior design and decor. English ornithologist John Hancock is considered to be the father of modern taxidermy. An avid collector of birds, which he had shot personally, he began modeling them with clay and casting in plaster.