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Ted McNamara
Ted McNamara
Ted McNamara
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Edward Joseph McNamara (19 September 1894 – February 1928) was an Australian vaudevillian who made a career on stage in Australia, the United States, and in Hollywood silent films before dying suddenly in 1928. At various times he has credited as Ted McNamara, Teddy McNamara, and Teddie McNamara.

Key Information

Biography

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McNamara was born in Melbourne, Australia.[1][2][3] As a juvenile, he appeared on stage in numerous productions while travelling Australia and New Zealand, with great acclaim.[4] In 1905, he joined a long tour by Pollard's Lilliputian Opera Company through Japan, China, Canada and the US,[5] the company achieving considerable renown.[6]

He married former company member and Australian actress Phyllis Hill in Canada in 1913, while both were underage. She returned to Australia in 1915, obtaining a divorce nine years later, in 1926, on the grounds of desertion. There was one child of the union.[7] McNamara continued to perform in North America, including on Broadway through 1922–1924.[8]

In 1926, Raoul Walsh teamed him with fellow comedian Sammy Cohen for supporting character roles in the war film What Price Glory? As a comedy duo, McNamara and Cohen would appear together in several films.

He died of pneumonia in early 1928. Many of the former Pollard's performers living in Hollywood attended the funeral, including Alf Goulding, Billy Bevan, Snub Pollard, and Daphne Pollard.[9] He had remarried by this time.

Filmography

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References

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Ted McNamara

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Ted McNamara (born Edward Joseph McNamara; 19 September 1893 – February 1928) was an Australian vaudevillian and film actor. He began performing as a child with Pollard's Lilliputian Opera Company, touring extensively in Asia, Australia, New Zealand, and North America, and later appeared on Broadway and in vaudeville before entering Hollywood silent films in the mid-1920s. He is particularly remembered for supporting and character roles in American silent films, often as part of a comedy duo with Sammy Cohen, including What Price Glory (1926), Shore Leave (1925), Upstream (1927), The Monkey Talks (1927), and Why Sailors Go Wrong (1928). His film career was brief, mostly with Fox studios, during the transition from silent to sound films. McNamara died of pneumonia in February 1928 in California at the age of 34, shortly after completing his last film.

Early Life

Birth and Family Background

Edward Joseph McNamara was born on 19 September 1893 in Melbourne, Australia. He was of Irish-Australian heritage. Born in the suburb of Prahran as the fourth child of Patrick McNamara, a baker, and Eliza McNamara (née Butler), he grew up in a working-class family. His mother died in 1904.

Involvement with Pollard's Lilliputian Opera Company

Ted McNamara joined Pollard's Lilliputian Opera Company at the age of nine, beginning his professional stage career as a juvenile performer in early 1903. He departed Australia in January 1903 aboard the SS Changsa alongside his older sisters Alice and Nellie for his first extended international tour with the troupe, which took them through Asia and across North America over a period of approximately fifteen months before returning to Australia in April 1904. After only a brief respite at home, McNamara embarked on a second major tour starting in July 1904, this time without his sisters, lasting nearly thirty months until February 1907 and featuring a rotating repertoire of musical comedies including HMS Pinafore, A Gaiety Girl, and The Lady Slavey. Described as outwardly shy yet a playful joker popular among fellow performers and audiences, he honed his skills in juvenile and character roles during these demanding overseas engagements. In July 1907, he set out on a further tour with Pollard's Lilliputian Opera Company, which included a farewell season in Brisbane where he performed prominent juvenile parts such as Captain Goodington in In Town and Ichabod Bronson in The Belle of New York. These tours provided extensive early stage experience across Australia, New Zealand, Asia (including regions such as China and Japan), Canada, and the United States, fostering his development as a versatile performer in the company's family-oriented operetta productions. McNamara remained associated with the Pollard organization through its various iterations until early 1909, when he opted to continue performing in North America rather than return to Australia with the main troupe.

Stage Career

Early Professional Performances and Tours

After his time with Pollard's Lilliputian Opera Company ended around 1909 (when he chose to remain in North America at age 16 following Charles Pollard's retirement), Ted McNamara continued his stage career with vaudeville and other live performances in Canada and the United States, including with Nellie Chester's adolescent Pollard company touring western regions. He pursued professional work in vaudeville circuits and stage shows across Canada and the United States during the 1910s and early 1920s. In November 1913, while based in Canada, he married his first wife in Edmonton. This period marked his transition to independent professional engagements outside the structured children's troupes, establishing him as a seasoned performer before his later Broadway work.

Broadway Appearances

Ted McNamara made his Broadway debut in the musical comedy Up She Goes, originating the role of Louis Cook in the original production that opened on November 6, 1922, and ran through June 16, 1923. He followed this shortly with another supporting role as Alonzo in Glory, which premiered on December 25, 1922, and closed on February 24, 1923. His third and final Broadway appearance was in Battling Buttler, where he created the role of Spink in the musical comedy that opened on October 8, 1923, and continued through July 5, 1924. These three credits, all in original casts of musical comedies, marked McNamara's brief but active period on Broadway following his prior experience in vaudeville and touring performances.

Film Career

Entry into Hollywood

Ted McNamara entered Hollywood in 1925 with his film debut in the silent comedy Shore Leave, where he played the comic sidekick Bat Smith opposite Richard Barthelmess and Dorothy Mackaill. Directed by John S. Robertson and distributed by First National Pictures, the film provided his initial exposure to motion pictures after years of stage work. His performance as the humorous supporting character was noted for its effectiveness in the role. Following this debut, McNamara quickly aligned with Fox Film Corporation for his early Hollywood roles in silent features during 1926, marking the beginning of his brief but active period in the industry. This transition from stage to screen occurred amid the peak era of silent cinema, where he adapted his comedic timing from vaudeville and Broadway to film appearances.

Partnership with Sammy Cohen

Ted McNamara formed a notable comedy duo with Sammy Cohen when director Raoul Walsh arranged their pairing in 1926 for supporting comedy roles in silent films at Fox Film Corporation. The team made several appearances together in the late 1920s, often as mismatched, bumbling buddies in service-oriented or travel-themed stories. Their joint films included What Price Glory (1926), Colleen (1927), The Gay Retreat (1927), and Why Sailors Go Wrong (1928), where they played soldiers or sailors entangled in comedic mishaps. The duo's style relied on physical slapstick, exaggerated ethnic characterizations—with Cohen typically portraying a Jewish character and McNamara an Irish one—and their contrasting personalities, which generated consistent laughs through visual gags and timing typical of silent comedy. Contemporary reviews praised their chemistry and ability to elevate supporting parts into memorable comic relief, contributing to the appeal of Fox's lighthearted features during the transition to sound. The partnership ended with McNamara's untimely death in 1928.

Notable Roles and Contributions

Ted McNamara's brief Hollywood career in the late silent era was marked by his contributions as a comic relief actor, particularly through supporting roles that brought levity to dramatic and adventurous productions. His most prominent and notable performance was as Pvt. Kiper in Raoul Walsh's war drama What Price Glory? (1926), where he appeared alongside Sammy Cohen in a pairing that highlighted his comedic timing and established a recurring on-screen duo. Following this breakthrough, McNamara appeared in several other films during the final years of silent cinema, often providing humorous support in ensemble casts. These credits include The Monkey Talks (1927), Upstream (1927), Colleen (1927), Chain Lightning (1927), The Gay Retreat (1927), Mother Machree (1928), and Why Sailors Go Wrong (1928), many of which again featured his collaboration with Cohen. His work exemplified the role of comedy specialists in the transition period of late silent films, offering contrast and entertainment in an era before sound fully transformed motion pictures, though limited documentation reflects the short span and secondary status of many such performers.

Personal Life

Marriages and Family

Ted McNamara married Phyllis Hill, a fellow performer and Australian actress from the Pollard's Lilliputian Opera Company, in Edmonton, Canada, in November 1913, while both were underage. The marriage occurred during the company's North American tours. The couple had one daughter, born in 1914. Hill and the child returned to Melbourne, Australia, in 1915. The marriage was dissolved by divorce in Australia in 1926 on the grounds of desertion. No further details of additional marriages or family members are documented in available sources.

Death

Illness and Passing

Ted McNamara died of pneumonia on February 3, 1928, in Ventura, California, at the age of 33. His sudden passing came in early 1928, before the release of his final film Why Sailors Go Wrong, abruptly halting a promising Hollywood career and the comedy teaming with Sammy Cohen that had begun to gain traction through several Fox productions.

Funeral and Contemporary Reactions

Ted McNamara's funeral was attended by many of his former colleagues from the Pollard's Lilliputian Opera Company, who had become part of the Australian expatriate community in Hollywood. Among the attendees were Alf Goulding, Billy Bevan, and Daphne Pollard. The presence of these longtime associates from his early vaudeville days highlighted the connections within the Australian performers' circle in Hollywood. He was buried at Calvary Cemetery in California, where his grave monument bears the inscription "What Price Glory", referencing one of his notable films.
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