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Key Information

"Gaúcho de Passo Fundo"
from the album "O Gaúcho Coração do Rio Grande". Recorded in 1960.
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Teixeirinha (March 3, 1927 - December 4, 1985), given name Vitor Mateus Teixeira, was a Brazilian musician. Teixeirinha is the diminutive form of the common Portuguese-language surname of Teixeira, is one of the greatest Brazilian artists, Teixeirinha was the first artist in the world to sell 1 million copies of a disc of only one recorded song, called "o Rei do Disco" by this record sales, currently has sold 130 million copies.[1]

The song to sell 1 million copies was "Coração de Luto", was rerecorded by several Brazilian artists, including the duo Milionário & José Rico, and the singer Sérgio Reis, as well as a re-recording made by a Spanish singer named Chacho Santa Cruz.

Teixeirinha is also the artist who composed the most songs in Brazil, he composed exactly 1,200 songs, recorded 758 in more than 50 albums, being one of the few artists to be successful outside America, arriving in Europe and Africa, an album by Teixeirinha was currently discovered released in Russia and England.[2]

Biography

[edit]

Vitor Mateus Teixeira (Teixeirinha) was born in the city of Rolante, district of Mascaradas, Rio Grande do Sul, Brazil on March 3, 1927. Son of Saturno Teixeira and Ledurina Mateus Teixeira, he had a brother and two sisters. At the age of seven he lost his father and at the age of nine his mother, becoming an orphan, he went to live with relatives, but they were unable to take care of him, to survive, he went around town and worked on everything, from carrying bags, sell fruit and sweets, even a newspaper delivery.

At the age of sixteen, he self-registered as a Brazilian citizen, and began to have documents. At the age of eighteen, he joined the Army, but did not get to serve and, on this occasion, he went to work at the DAER (Department of Highways), as a machine operator for six years. From there he left to pursue an artistic career singing on radio stations in cities in the interior, such as Lajeado, Estrela, Rio Pardo, Santa Cruz do Sul and, in the latter, he met his wife Zoraida Lima Teixeira, whom he married in 1957. Initially they moved to Soledade and , then moved to Passo Fundo, where they bought a “Tiro ao Alvo”, a kind of tent for drawing gifts, which was taken care of by him and his wife. At night Teixeirinha performed on the Passo Fundo Municipal Radio, singing and making his improvised verses. Vitor and Zoraida never separated and from this union were born the daughters Nancy Margareth, Gessi Elizabeth, Fátima Lisete and Márcia Bernadeth, with whom the artist shared his entire personal and artistic life.

In 1959, he was invited to São Paulo to record his first album, a 78Rpm with the songs: “Xote Soledade” and “Briga no Batizado”. According to the testimony of Dr. Biaggio Baccarin, the artistic director of the time and also a lawyer for the Chantecler Recording Company, the beginning of Teixeirinha's success is unforgettable. In the same year, Teixeirinha recorded the song "Coração de Luto", a song he tells about the death of his mother, the song was recorded at a 78Rpm, in 1960 the album of the song "Coração de Luto" sold exactly 1 million copies, an unprecedented event in the history of music, so far, no artist in the world had sold 1 million copies of a 78Rpm record, Coração de Luto was the first song in history to sell 1 million copies, the records were sold so quickly that it resembles Beatlemania, only without the tumult of screaming fans.

The song “Coração de Luto” which currently has sold more than 25 million copies, is the only one in the world, best selling, surpassing singers such as Michael Jackson, Julio Iglesias, contemporary singers of great sales of records, but not a single song, such as the case of “Coração de Luto”, which continues in the quotation of one of the most played songs.[3]

With the unexpected success, Teixeirinha returned to Passo Fundo and sold his Tiro ao Alvo stand, and moved to Porto Alegre. He was called again by Chantecler, this time to live in the capital of São Paulo and continue the dissemination of the success of “Coração de Luto”, however, he refused to live in São Paulo, returning to the capital of Rio Grande do Sul.

Teixeirinha began traveling all over Brazil and became known as the “Gaúcho Coração do Rio Grande”, but soon began to be called “O Rei do Disco”, as his first albums sold 1 million copies. In 1963, he won the “Chico Viola” trophy, awarded by TV Record of São Paulo "Astros do Disco", a gala program on Brazilian television, which aimed to reward the best of each year's album, Teixeirinha won for being the best-selling singer for two consecutive years, in 1962/1963. Internationally he won the “Elefante de Ouro” trophy with the highest record sales in Portugal.

For twenty years, he presented daily radio programs with two editions: “Teixeirinha Amanhece Cantando” (in the morning) and “Teixeirinha Comanda o Espetáculo” (at night) and, on Sunday mornings, he had the program “Teixeirinha Sings for Brazil”, with transmission from the state capital to the interior and other Brazilian states.[4]

Teixeirinha received 13 gold discs and 5 diamond discs. He was an emeritus citizen of several municipalities in the state of Rio Grande do Sul, such as Passo Fundo, Santo Antônio da Patrulha, Rolante, and so on. In 1973 he played 15 shows in the United States and in 1975 he played 18 shows in Canada, in addition to several performances in shows in Portugal, France, Spain and England and performed in most countries in South America.[5]

During his twenty-two-year career, Teixeirinha was accompanied by the accordionist Mary Terezinha in concerts, on the radio and in the movies.

He recorded more than 50 unreleased albums, totaling more than 70 albums including covers, recorded exactly 758 songs of his own authorship, leaving a collection of more than 1,200 compositions, including some unpublished.[6]

In 1985 Teixeirinha discovered he had lymphoma, after a few months, he had progressed in his recovery but on December 4, 1985, during the afternoon, Teixeirinha had a heart attack at home, the children called an ambulance but when he arrived at the hospital, Teixeirinha had died. Teixeirinha was buried in the Santa Casa da Misericórdia cemetery in Porto Alegre, at his funeral, thousands of fans went to say goodbye, the police had to close streets because the number of people and huge, at his funeral, as he asked, were touched some songs to the sound of Accordion and Violão, as it was the style of music he most loved. Teixeirinha left 7 daughters, Márcia Teixeira, Nancy Teixeira, Margareth Teixeira, Beta Teixeira, Líria Teixeira, Liane Teixeira and Preta Teixeira, and left 2 children, Vitor Mateus Teixeira Filho and Alexandre Teixeira.[7]

Bibliography

[edit]

Discography

[edit]
Statue of Teixeirinha in the city of Passo Fundo, a city that the singer adopted as his own.

Studio albums

[edit]

With a 26-year career, Teixeirinha over 50 studio albums

Compilation albums

[edit]

Special Albums

[edit]
  • 1994 - Teixeirinha Canta Com Amigos
  • 2007 - Especial Teixeirinha
  • 2010 - Sucessos de Teixeirinha, Teixeirinha Filho e Neto

Filmography

[edit]

In 1964, Teixeirinha wrote the story of the film “Coração de Luto”, which was produced by Leopoldis Som, in 1966, another box office record. In 1969, he staged in the film "Motorista sem Limites" together with Valter D'Avila, produced by Itacir Rossi. In 1970 he created his own production company Teixeirinha Produções Artísticas Ltda, for which he wrote, produced and distributed ten films.[11]

  • 1967 - Coração de Luto
  • 1969 - Motorista sem limites
  • 1972 - Ela Tornou-se Freira
  • 1973 - Teixeirinha a 7 Provas
  • 1974 - O Pobre João
  • 1975 - Carmen a Cigana
  • 1976 - A Quadrilha do Perna Dura
  • 1977 - Na Trilha da Justiça
  • 1978 - Meu Pobre Coração de Luto
  • 1978 - Gaúcho de Passo Fundo
  • 1980 - Tropeiro Velho
  • 1981 - A Filha de Iemanjá

Awards

[edit]
  • 1960 - Gold Record - Coração de Luto (Single)
  • 1960 - Gold Record - O Gaúcho Coração do Rio Grande (Album)
  • 1960 - Taça das músicas "Coração de Luto" and "Amor de Mãe"
  • 1962 - Chico Viola - TV Record
  • 1963 - Elefante de Ouro - Portugal
  • 1963 - Rádio ABC - Música "Volte Papai"
  • 1965 - Gold Record - O Rei do Disco (Album)
  • 1965 - Gold Record - Disco de Ouro (Album)
  • 1967 - Gold Record - Mocinho Aventureiro (ALbum)
  • 1968 - Gold Record - Dorme Angelita (Album)
  • 1970 - Gold Record - Carícias de Amor (Album)
  • 1973 - Gold Record - O Internacional (Album)
  • 1975 - Gold Record - Aliança de Ouro (album)
  • 1977 - Gold Record - Canta Meu Povo (Album)
  • 1978 - Military Brigade Cup for the song: "O Vigilante"
  • 1978 - Gold Record - Menina da Gaita (Album)
  • 1980 - Gold Record - Menina Margareth (Album)
  • 1985 - Gold Record - Quem é Você Agora (Album)
  • 2019 - Prêmio Culturas Populares

Teixeirinha Foundation

[edit]

The Vitor Mateus Teixeira Foundation (Teixeirinha) is the realization of the ideal of some members of the singer's family, as a gesture of gratitude to the loving husband and father he was and, of equal importance and recognition to this artist's fans, so that they could keep the contact with his idol, through his work and his achievements stamped on his trophies, records, photographic records and much more. Thanks to the artist's own zeal, his collection was easily assembled, as he carefully kept his manuscripts, as an example; the original of “Coração de Luto”, from 1959, to the compositions of his last work recorded, in July 1985, “Amor aos Passarinhos”, released in the last month of his life, December 1985.[12]

Companies

[edit]
  • Editora Internacional Teixeirinha Ltda.
  • Teixeirinha Produções Artísticas Ltda.[13]

Executive director: Márcia Bernadeth Lima Teixeira dos Santos

Monuments

[edit]
Statue of Teixeirinha in the central square of the city of Rolante.

In 1986, a statue of Cantpor was built in his tomb, as he requested, "Mark the place that the singer of Rio Grande rests", as a way to meet the singer's request, the statue was built according to the height of the singer. In 1995 a statue of the singer was built in the city of Passo Fundo, a city that Teixeirinha adopted as his own, the statue is in front of his former residence, today is Shopping Bela Cita, the statue is in a square that bears the singer's name , in 2001, a statue was built in the central square of the city of Rolante, the singer's birthplace, currently the city of Porto Alegre has a project to build a statue of the canor in the historic center of the city.[14]

Today they are monuments very appreciated by fans, every year, thousands of fans visit the monuments and register them in photos and videos.[15]

The cities of Passo Fundo and Rolante, are well known for the singer's statues, being his postcard.

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Teixeirinha

View on Grokipedia
from Grokipedia
''Teixeirinha'' is a Brazilian singer and composer known for his pioneering role in popularizing música gaúcha and his signature hit "Coração de Luto." [1] [2] Born Vítor Mateus Teixeira on March 3, 1927, in Rolante, Rio Grande do Sul, he endured a difficult childhood marked by the early deaths of both parents, which later inspired some of his most emotional compositions. [1] After working various jobs and teaching himself guitar, he began performing in circuses, small radio stations, and folkloric programs in Rio Grande do Sul, gradually building a regional following. [3] His breakthrough came in the early 1960s with "Coração de Luto," a poignant narrative song about his mother's tragic death that sold over a million copies and was recorded in multiple languages. [1] This success led to a prolific recording career, with numerous albums and compositions that blended traditional gaúcho rhythms such as vanerão, vanera, and xote with sentimental storytelling drawn from rural life. [1] He maintained a strong presence on radio, particularly through programs on Rádio Farroupilha, and expanded his reach by touring extensively across Brazil, South America, North America, and Europe. [2] Teixeirinha also ventured into cinema, producing and starring in twelve films starting in the mid-1960s, many adapted from his songs or themes. [1] Over his career, he composed hundreds of songs and earned multiple gold records along with the Galo de Ouro award in Portugal, cementing his status as one of the most influential figures in Brazilian sertanejo and gaúcho music. [3] He passed away on December 4, 1985, in Porto Alegre, leaving a lasting legacy in the cultural identity of Rio Grande do Sul. [2]

Early Life

Childhood and Orphanhood

Vítor Mateus Teixeira, who later became known as Teixeirinha, was born on March 3, 1927, in the district of Mascarada, Rolante, Rio Grande do Sul, Brazil. [1] [4] He was the son of Saturnino Teixeira, a carter by occupation, and Ledurina Mateus Teixeira. [5] [6] His childhood was marked by profound tragedy and poverty. [1] When Teixeirinha was six or seven years old, his father died of a heart attack, leaving the family in a precarious situation. [1] [7] This loss resulted in his siblings being placed for adoption, while he initially went to live with relatives. [1] The most devastating event came when he was nine years old, as his mother, who suffered from epilepsy, died from severe burns sustained during a seizure that caused her to fall into a trash fire she was tending in the backyard. [1] This personal tragedy directly inspired his later composition "Coração de Luto," a song that reflects the profound grief of losing his mother. [5] [8] Orphaned at nine, Teixeirinha faced immediate hardship, relying on relatives for support before eventually having to fend for himself. [1] These early losses and the instability of his family life shaped his formative years in rural Rio Grande do Sul. [4]

Early Struggles and Move to Porto Alegre

Teixeirinha, born Vitor Mateus Teixeira, faced considerable hardship in his adolescence and early adulthood after being orphaned. He moved frequently across towns in Rio Grande do Sul, residing in places such as Taquara, Santa Cruz do Sul, Soledade, Passo Fundo, and Porto Alegre, while supporting himself through various manual labors.[9] He worked on farms and granjas in the interior, performing agricultural tasks to survive.[4] In Porto Alegre, he held a series of precarious jobs, including carrying luggage at a boarding house, selling sweets as a street vendor, delivering meals, selling newspapers, shining shoes, and driving carts—undertaking any available work to get by.[9] He also performed dock labor at the port and experienced periods of homelessness, at times living on the streets.[4] With only limited formal schooling, he taught himself to read and write during his time in the capital and purchased a guitar, which he learned to play on his own.[9] At age 18, he enlisted in the army but did not ultimately serve.[9] He later spent six years working as a machine operator at the Departamento Autônomo de Estradas de Rodagem (DAER), starting in 1949.[9] These years of instability and itinerant labor marked his transition toward the capital, where he eventually sought greater opportunities.[4]

Music Career

First Recordings and Breakthrough Success

Teixeirinha entered the recording industry in 1959, when he traveled to São Paulo to record his first 78 rpm singles for the Chantecler label, including the tracks "Briga no batizado" and "Xote Soledade".[1] The following year, in 1960, he released the single "Coração de Luto" / "Gaúcho de Passo Fundo" and the album O Gaúcho Coração do Rio Grande, with the title track "Coração de Luto" becoming his breakthrough hit.[1][10] The song "Coração de Luto" achieved massive commercial success, with reliable sources reporting sales of over 1 million copies, establishing it as one of the most successful Brazilian singles of the era.[1] This performance earned him the title "Rei do Disco" and early gold record certifications, cementing his status in the Brazilian music scene. His collaboration with accordionist Mary Terezinha began in 1961, contributing to his subsequent career development.[2]

Major Albums, Songs, and Tours

Teixeirinha's music career reached its height during the 1960s and 1970s, marked by a prolific output of albums and compositions that made him one of the most commercially successful artists in Brazilian gaúcho music. He released over 60 albums and composed approximately 700 songs.[1] His most prominent songs include "Gaúcho de Passo Fundo", "Querência Amada" (often regarded as an unofficial anthem of Rio Grande do Sul), "Tropeiro Velho", "A Morte Não Marca Hora", and "Aliança de Ouro", which became enduring classics in the genre. These works, frequently promoted through his radio appearances, helped drive his popularity and record sales. Teixeirinha earned 13 gold records throughout his career, reflecting his strong commercial performance. Estimates of his total record sales vary, with some reports claiming over 18 million copies sold, though precise figures remain contested given the regional nature of his audience and the absence of standardized industry certifications during much of his era.[1] In the 1970s, Teixeirinha extended his reach beyond Brazil with international tours, including performances across South America, Portugal, and Spain. He presented 15 shows in the United States in 1973 and 18 shows in Canada in 1975.[11]

Partnership with Mary Terezinha

Teixeirinha formed a notable partnership with accordionist and singer Mary Terezinha in 1961 after meeting in Bagé, where their collaboration began. This professional duo lasted 22 years, ending in 1983, with Mary Terezinha serving as his primary accordion accompanist during live performances and studio recordings, contributing significantly to the characteristic sound of his gaúcho music. Their joint work extended to cinema, where they appeared together in 12 feature films. The termination of the partnership in 1983 resulted in considerable emotional distress for Teixeirinha. Their shared film credits are detailed in the Film Career section.

Radio Career

Hosting and Promotion on Radio

Teixeirinha initiated his radio activities in the interior of Rio Grande do Sul, performing on local stations in cities including Lajeado, Estrela, Rio Pardo, and Santa Cruz do Sul. [12] [13] In 1957, he presented his first regular program, Entardecer do Rio Grande, aired daily from 17:30 to 18:00 on Rádio Municipal de Passo Fundo. [13] He later hosted prominent programs in Porto Alegre, most notably Teixeirinha Amanhece Cantando, a morning show transmitted by Rádio Farroupilha and Rádio Gaúcha over two decades. [14] [15] These programs also included Teixeirinha Comanda o Espetáculo in the evenings and Teixeirinha Canta para o Brasil on Sunday mornings, broadcast on various capital stations with reach extending to the interior and other states. [12] The shows combined music performances, storytelling, and direct engagement with listeners, allowing Teixeirinha to promote his recordings to a broad audience. [13] His radio presence aided his music sales by fostering close connections with fans across the region. [14]

Film Career

Founding of Production Company

In 1970, Teixeirinha founded Teixeirinha Produções Artísticas Ltda. to independently produce his own films after earlier appearances in projects by other companies. [9] Through this production company, he assumed multiple roles, serving as writer, producer, and distributor across his cinematic output. [9] This establishment enabled him to exercise greater creative control as a multi-hyphenate figure in filmmaking, combining his experience as a performer with behind-the-scenes responsibilities. [9]

Credits as Actor, Writer, and Producer

Teixeirinha established himself as a prominent figure in Brazilian regional cinema, starring as an actor in approximately 12 feature films primarily produced between the late 1960s and early 1980s.[16] He typically portrayed the lead character as a quintessential gaúcho hero, embodying traits of honor, bravery, romance, and connection to the traditional rural life of Rio Grande do Sul's pampas.[17] Beyond acting, Teixeirinha often contributed as the writer—frequently credited for the original story—and served as producer on the majority of these projects through his own production company, allowing him significant creative control over narratives that blended music, adventure, and gaúcho cultural elements.[16] His acting credits include prominent roles in Motorista Sem Limites (1970), where he played the central character in a story tied to his musical persona; Teixeirinha a 7 Provas (1972), featuring him as the protagonist navigating inheritance challenges; Pobre João (1975), casting him in the title role of a humble figure; Carmen, a Cigana (1976), portraying a romantic lead; Tropeiro Velho (1979), as the eponymous old drover; and A Filha de Iemanjá (1981), in another starring gaúcho role.[16] Many of these films also included his longtime musical partner Mary Terezinha in supporting or co-starring capacities.[16] Note that release years for some titles show minor variations across sources.[17]

Notable Films and Reception

Teixeirinha's films served as a natural extension of his musical persona, translating the gaúcho themes, romantic narratives, and songs that defined his career into the visual medium of regional cinema. His debut feature, Coração de Luto (1967), directed by Eduardo Llorente, was directly adapted from his hit song of the same name, presenting a melodramatic story that resonated widely with audiences. [18] The film achieved significant popular success, with estimates of approximately 2 million spectators, marking it as one of the most attended gaúcho productions of its era. [18] Later works such as Tropeiro Velho (1979) and A Filha de Iemanjá (1981) exemplified the popular style of gaúcho regional cinema, incorporating elements of adventure, comedy, regional music, and archetypal characters rooted in rural traditions. These productions often followed a familiar melodramatic formula, with heroic figures overcoming villains and concluding in romantic resolution, appealing strongly to local viewers. [19] Teixeirinha's films enjoyed considerable commercial popularity within Rio Grande do Sul, forming the core of the state's most successful cinematic cycle during the 1960s and 1970s, where multiple titles drew large audiences and reinforced his cultural presence. [18] Critical reception, however, remained mixed, with some observers praising their entertainment value and connection to popular gaúcho identity while others criticized the works for stereotypical representations, simplistic storytelling, and what they perceived as inauthentic or low-taste depictions of regional culture. [19]

Personal Life

Family, Marriages, and Children

Teixeirinha married Zoraida Lima Teixeira in 1957, and the couple remained together until his death in 1985.[20] With Zoraida, he had four daughters.[20] He also had a long-term personal and professional partnership with Mary Terezinha, his frequent musical collaborator and accordionist, with whom he had two children, Alexandre and Liane. This relationship endured for many years until her departure in 1983. Teixeirinha recognized nine children from his various relationships throughout his life.

Health Decline and Later Years

In 1983, Teixeirinha experienced a significant emotional blow when his longtime musical and personal partner Mary Terezinha left him a farewell note and ended their relationship, leading to an episode of pre-infarct that he ultimately recovered from. [15] Soon after the separation, he was diagnosed with lymphoma, a cancer affecting the lymph glands. [2] The illness progressed, and in January 1984 he suffered a full heart attack on January 5. [21] In 1984, while bathing, he discovered a lump near his armpit associated with the tumor in his lymphatic glands, though he and his family kept the cancer diagnosis private. [22] He underwent radiotherapy sessions in São Paulo to combat the disease, but it proved relentless. [21] Despite his declining health, Teixeirinha remained active into 1985, releasing his final album, Amor aos Passarinhos, that year. His last public performances occurred in mid-1985, after which he spent his remaining time in relative seclusion with close family members, including his wife Zoraida and daughters. [22]

Death and Legacy

Death

Teixeirinha died on December 4, 1985, at the age of 58, from a tumor in the lymph glands (lymphoma) that proved implacable despite radiotherapy sessions in São Paulo. [21] The cancer ultimately led to his death in Porto Alegre. [21] [23] His velório took place at the Estádio Olímpico, drawing extensive lines of grieving fans. [21] The burial occurred at the Cemitério da Santa Casa de Misericórdia in Porto Alegre, where more than 50,000 people followed the funeral cortege amid scenes of hysteria, empurrões, and great public commotion as the cemetery filled with admirers. [21] [24] Teixeirinha's tomb features a bronze sculpture of the artist embracing his violão, mounted on a granite base and positioned on the main avenue of the cemetery—a location and design he personally selected. [24] This monument realizes the precise instructions he outlined in his song "A Morte Não Marca Hora," including lines calling for a tomb on the ground with "meu busto de bronze encima, abraçado ao violão" and requesting the family to arrange the bronze bust later. [24] The site remains the most visited in the cemetery. [24]

Legacy and Recognition

Teixeirinha remains a central figure in gaúcho music and Brazilian popular culture, celebrated for his prolific contributions to traditional styles such as vaneiras and bugios while drawing criticism from intellectual and journalistic elites for his sentimental lyrics and commercial approach. [8] His massive record sales, including 49 LPs with approximately 700 original compositions, nine gold records, and the million-selling single Coração de Luto, cemented his status as a popular phenomenon despite varying estimates of total album sales ranging from 18 to 25 million. [25] [8] This success earned him the enduring nickname "Rei do Disco" among fans, even as elite circles mocked his work, as seen in his 1970 television appearance where he overcame hostility to win over audiences with humility. [8] Posthumously honored as the namesake of the 2019 Prêmio Culturas Populares (Edição Teixeirinha), the award recognized him as an emblematic representative of gaúcho cultural identity and the simple customs of the region's people, underscoring his lasting influence on traditional popular expressions. [25] [26] His legacy endures through physical tributes and scholarly works, including a statue in Passo Fundo—crafted from scrap iron, steel, and aluminum by artist Paulo Batista de Siqueira and installed in the city center in the late 1980s—as a historical landmark and tourist attraction symbolizing his strong identification with the area. [27] The 2019 biography Teixeirinha – Coração do Brasil by Daniel Feix, based on extensive interviews and research, portrays him as the "eternal voice" of Rio Grande do Sul, balancing his popular adoration with accounts of cultural prejudice and solidifying his place in gaúcho music history. [8] Despite debates over exact sales figures, Teixeirinha's music continues to hold strong resonance in regional gaúcho traditions. [25]

References

  1. https://dicionariompb.com.br/artista/teixeirinha/
  2. https://www.museudatv.com.br/biografia/teixeirinha/
  3. https://www.allmusic.com/artist/teixeirinha-mn0000906882
  4. https://gauchazh.clicrbs.com.br/especiais/zh-teixeirinha/
  5. https://g1.globo.com/pop-arte/musica/blog/mauro-ferreira/post/2020/08/09/teixeirinha-popular-cantor-gaucho-dos-anos-1960-e-1970-e-reavivado-em-disco-com-12-gravacoes-ineditas.ghtml
  6. https://www.letras.com.br/teixeirinha/curiosidades
  7. https://www.reporterriograndense.com.br/2011/12/teixeirinha.html
  8. https://gauchazh.clicrbs.com.br/cultura-e-lazer/livros/noticia/2019/10/biografia-teixeirinha-coracao-do-brasil-reconstroi-trajetoria-do-idolo-popular-ck2989o4l0a4z01n3gyvkvtfo.html
  9. https://radioestacaosul.wordpress.com/discografia-teixeirinha/
  10. https://www.discogs.com/release/4043918-Teixeirinha-O-Ga%C3%BAcho-Cora%C3%A7%C3%A3o-Do-Rio-Grande
  11. https://www.nikita.com.br/blog/post/P%C3%A9rolas%20da%20Nikita:%20Teixeirinha
  12. https://recantocaipira.com.br/duplas/teixeirinha/teixeirinha.html
  13. http://www.radionors.jor.br/2014/03/o-sucesso-popular-de-teixeirinha-2006.html
  14. https://www.matinaljornalismo.com.br/rogerlerina/agenda/biografia-de-teixeirinha-tera-desafio-de-trova-em-lancamento-na-feira-do-livro/
  15. https://tvsaudades.com.br/item/1433/teixeirinha-58-anos/details?pageType=items
  16. https://www.imdb.com/name/nm0854151/
  17. https://www.adorocinema.com/personalidades/personalidade-727796/filmografia/
  18. https://gauchazh.clicrbs.com.br/geral/noticia/2012/11/pacote-de-10-filmes-com-teixeirinha-e-lancado-em-dvd-3941087.html
  19. https://www.casacinepoa.com.br/textos/o-relinchante-renascimento-do-longa-metragem-ga%C3%BAcho/
  20. https://g1.globo.com/rs/rio-grande-do-sul/noticia/2014/02/morre-aos-82-anos-viuva-do-musico-tradicionalista-teixeirinha.html
  21. https://gauchazh.clicrbs.com.br/especiais/zh-teixeirinha/phone/teixeirinha-saber-mais.html
  22. https://gauchazh.clicrbs.com.br/colunistas/leandro-staudt/noticia/2025/12/musica-e-revolta-de-fas-como-foi-o-enterro-de-teixeirinha-cmig9fvbq0146015csom20inn.html
  23. https://www.leme.pt/magazine/efemerides/1204/teixeirinha.html
  24. https://chcsantacasa.org.br/jazigo-vitor-mateus-teixeira-teixeirinha/
  25. https://estado.rs.gov.br/edital-do-7-premio-culturas-populares-e-lancado-em-porto-alegre
  26. https://www.gov.br/culturaviva/pt-br/rede-cultura-viva/apoio-cultura-viva-cultura-popular-e-diversidade/editais-de-culturas-populares-premiacao/edital-2019-edicao-teixeirinha
  27. https://www.correiodopovo.com.br/not%C3%ADcias/cidades/est%C3%A1tua-de-teixeirinha-%C3%A9-revitalizada-e-recebe-m%C3%A1scara-contra-covid-19-em-passo-fundo-1.631381
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