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The Brain from Planet Arous

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The Brain from Planet Arous

The Brain from Planet Arous is a 1957 independently made American black-and-white science fiction film, produced by Jacques R. Marquette, directed by Nathan H. Juran, that stars John Agar, Joyce Meadows, and Robert Fuller. It was written by Ray Buffum. The film was released on December 26, 1957 by Howco International on a double feature with Teenage Monster (1957).

The storyline features themes of alien possession and world domination by an alien named Gor. Another alien, Vol, has been sent to Earth to capture the criminal Gor and return him to their home world.

An outer space terrorist from a planet named Arous, a brain-shaped creature named Gor, arrives on Earth and possesses young scientist Steve March. Gor proceeds to use his vast, destructive powers to bend the world to his will, threatening to wipe out the capital city of any nation that dares to defy him.

Meanwhile, Vol, another brain creature from Arous, arrives and eventually inhabits the body of March's fiancee's dog. Vol goes on to explain that Gor is a wanted criminal on their world. His only physical weakness is the human body's fissure of Rolando, and Gor is only vulnerable during the brief period when he needs to exit his host to absorb oxygen.

The special effect for Agar's eyes was achieved by using contact lenses lined with metal foil. These were used a decade later by actor Gary Lockwood during the second Star Trek TV series pilot episode "Where No Man Has Gone Before".

Stock footage of unoccupied houses being flash-incinerated in above-ground atomic bomb tests was used to demonstrate Gor's psychic powers.

The plot of an alien interstellar policeman pursuing a dangerous, space-faring criminal who must slip into and possess the bodies of Earth lifeforms is similar to the classic science fiction novel Needle by Hal Clement that was first published in 1949 as a multi-part serial in Astounding Science Fiction magazine. The 1987 film The Hidden also shares similar story elements without being a direct adaptation of Clement's novel.

Director Nathan Juran was unhappy with the final film and changed his screen credit to the pseudonym "Nathan Hertz".

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