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The Cult
The Cult are an English rock band formed in Bradford in 1983. Before settling on their current name in January 1984, the band had performed under the name Death Cult, which was an evolution of the name of lead vocalist Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk and gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups: the longest-serving members are Astbury and guitarist Billy Duffy, who are also their two main songwriters.
The Cult's debut studio album Dreamtime was released in 1984 to moderate success, with its lead single "Spiritwalker" reaching No. 1 on the UK Indie Chart. Their second studio album, Love (1985), was also successful, charting at No. 4 in the UK and including singles such as "She Sells Sanctuary" and "Rain". The band's third studio album, Electric (1987), launched them to new heights of success, also peaking at No. 4 in the UK and charting highly in other territories, and spawned the hit singles "Love Removal Machine", "Lil' Devil" and "Wild Flower". On that album, the Cult supplemented their post-punk sound with hard rock; the polish on this new sound was facilitated by producer Rick Rubin. After moving to Los Angeles, where the band have been based for the remainder of their career, the Cult continued the musical experimentation of Electric with its follow-up studio album Sonic Temple (1989), which marked their first collaboration with Bob Rock, who would produce several of the band's subsequent studio albums. Sonic Temple was their most successful studio album to that point, entering the Top 10 on the UK and US charts, and included one of the band's most popular songs "Fire Woman".
By the time of their fifth studio album Ceremony (1991), tensions and creative differences began to surface between the band members. This resulted in the recording sessions for Ceremony being held without a stable line-up, leaving Astbury and Duffy as the only two official members, and featuring support from session musicians on bass guitar and drums. The ongoing tension had carried over within the next few years, during which the band one more studio album – The Cult (1994) – before disbanding in 1995. The Cult reformed in 1999 and released their seventh studio album Beyond Good and Evil two years later. The commercial failure of the album and resurfaced tensions led to the band's second dissolution in 2002. The Cult reunited once again in 2006, and have since released four more studio albums: Born into This (2007), Choice of Weapon (2012), Hidden City (2016) and Under the Midnight Sun (2022).
The band's origins can be traced to 1981, in Bradford, Yorkshire, where lead vocalist and songwriter Ian Astbury formed a band called Southern Death Cult. The name was chosen with a double meaning. It was derived from the academic term Southern Death Cult, used to describe a cluster of 14th-century Native American groups now classified as the Southeastern Ceremonial Complex. The name Southern Death Cult also inspired by what the band viewed was the centralisation of political and economic power in Southern England (including the power of the music industry); there has long been a perceived notion of an England North–South divide based on social, historic and economic reasons. Astbury was joined by guitarist Buzz Burrows, bassist Barry Jepson and drummer Aki Nawaz Qureshi; they performed their first show at the Queen's Hall in their hometown of Bradford on 29 October 1981. The band were at the forefront of an emerging style of music, in the form of post-punk and gothic rock, they achieved critical acclaim from the press and music fans.
The band signed to independent record label Situation Two, an offshoot of Beggars Banquet Records, and released a three-track, triple A-side single, "Moya", in 1982. They toured through England headlining some shows and touring with Bauhaus and Theatre of Hate. Southern Death Cult played their final performance in Manchester during February 1983, meaning after only 16 months the band were over. A compilation album named The Southern Death Cult was released, this being a collection of the single, radio sessions with John Peel for Radio One and live performances – one of which an audience member recorded with a tape recorder.
In April 1983, Astbury teamed up with guitarist Billy Duffy and formed the band "Death Cult". Duffy had been in the Nosebleeds (along with Morrissey, later of the Smiths), Lonesome No More and then Theatre of Hate. In addition to Astbury and Duffy, the band also included bassist Jamie Stewart and drummer Raymond Taylor Smith (later known as Ray Mondo), both from the Harrow, London based post-punk band, Ritual. Death Cult made their live debut in Oslo, Norway on 25 July 1983 and also released the Death Cult EP in the same month, then toured through mainland Europe. In September 1983, a deal was made to switch drummers, Mondo would be replaced by Nigel Preston, as the drummer for Sex Gang Children and Preston would join Death Cult. The single "Gods Zoo" was released in October 1983. Another European tour, with UK dates, followed that autumn. To tone down their name's gothic connotations and gain broader appeal, the band changed its name to "the Cult" in January 1984 before appearing on the Channel 4 television show, The Tube.
The Cult's debut studio album, Dreamtime, was recorded at Rockfield Studios, in Monmouth, Wales in 1984. The record was to be produced by Joe Julian, but after recording the drum tracks, the band decided to replace him with John Brand. Brand produced the record, but guitarist Duffy has said the drum tracks were produced by Julian, as Preston had become unreliable.
The band recorded the songs which later became known as "Butterflies", "(The) Gimmick", "A Flower in the Desert", "Horse Nation", "Spiritwalker", "Bad Medicine (Waltz)", "Dreamtime", "With Love" (later known as "Ship of Fools", and also "Sea and Sky"), "Bone Bag", "Too Young", "83rd Dream", and one untitled outtake. It is unknown what the outtake was, or whether it was developed into a song at a later date. Songs like "Horse Nation" showed Astbury's intense interest in Native American issues, with the lyrics to "Horse Nation", "See them prancing, they come neighing, to a horse nation", taken almost verbatim from the book Bury My Heart at Wounded Knee (1970), while "Spiritwalker" dealt with shamanism, and the record's title and title track are overtly influenced by Australian Aboriginal beliefs.
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The Cult
The Cult are an English rock band formed in Bradford in 1983. Before settling on their current name in January 1984, the band had performed under the name Death Cult, which was an evolution of the name of lead vocalist Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk and gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups: the longest-serving members are Astbury and guitarist Billy Duffy, who are also their two main songwriters.
The Cult's debut studio album Dreamtime was released in 1984 to moderate success, with its lead single "Spiritwalker" reaching No. 1 on the UK Indie Chart. Their second studio album, Love (1985), was also successful, charting at No. 4 in the UK and including singles such as "She Sells Sanctuary" and "Rain". The band's third studio album, Electric (1987), launched them to new heights of success, also peaking at No. 4 in the UK and charting highly in other territories, and spawned the hit singles "Love Removal Machine", "Lil' Devil" and "Wild Flower". On that album, the Cult supplemented their post-punk sound with hard rock; the polish on this new sound was facilitated by producer Rick Rubin. After moving to Los Angeles, where the band have been based for the remainder of their career, the Cult continued the musical experimentation of Electric with its follow-up studio album Sonic Temple (1989), which marked their first collaboration with Bob Rock, who would produce several of the band's subsequent studio albums. Sonic Temple was their most successful studio album to that point, entering the Top 10 on the UK and US charts, and included one of the band's most popular songs "Fire Woman".
By the time of their fifth studio album Ceremony (1991), tensions and creative differences began to surface between the band members. This resulted in the recording sessions for Ceremony being held without a stable line-up, leaving Astbury and Duffy as the only two official members, and featuring support from session musicians on bass guitar and drums. The ongoing tension had carried over within the next few years, during which the band one more studio album – The Cult (1994) – before disbanding in 1995. The Cult reformed in 1999 and released their seventh studio album Beyond Good and Evil two years later. The commercial failure of the album and resurfaced tensions led to the band's second dissolution in 2002. The Cult reunited once again in 2006, and have since released four more studio albums: Born into This (2007), Choice of Weapon (2012), Hidden City (2016) and Under the Midnight Sun (2022).
The band's origins can be traced to 1981, in Bradford, Yorkshire, where lead vocalist and songwriter Ian Astbury formed a band called Southern Death Cult. The name was chosen with a double meaning. It was derived from the academic term Southern Death Cult, used to describe a cluster of 14th-century Native American groups now classified as the Southeastern Ceremonial Complex. The name Southern Death Cult also inspired by what the band viewed was the centralisation of political and economic power in Southern England (including the power of the music industry); there has long been a perceived notion of an England North–South divide based on social, historic and economic reasons. Astbury was joined by guitarist Buzz Burrows, bassist Barry Jepson and drummer Aki Nawaz Qureshi; they performed their first show at the Queen's Hall in their hometown of Bradford on 29 October 1981. The band were at the forefront of an emerging style of music, in the form of post-punk and gothic rock, they achieved critical acclaim from the press and music fans.
The band signed to independent record label Situation Two, an offshoot of Beggars Banquet Records, and released a three-track, triple A-side single, "Moya", in 1982. They toured through England headlining some shows and touring with Bauhaus and Theatre of Hate. Southern Death Cult played their final performance in Manchester during February 1983, meaning after only 16 months the band were over. A compilation album named The Southern Death Cult was released, this being a collection of the single, radio sessions with John Peel for Radio One and live performances – one of which an audience member recorded with a tape recorder.
In April 1983, Astbury teamed up with guitarist Billy Duffy and formed the band "Death Cult". Duffy had been in the Nosebleeds (along with Morrissey, later of the Smiths), Lonesome No More and then Theatre of Hate. In addition to Astbury and Duffy, the band also included bassist Jamie Stewart and drummer Raymond Taylor Smith (later known as Ray Mondo), both from the Harrow, London based post-punk band, Ritual. Death Cult made their live debut in Oslo, Norway on 25 July 1983 and also released the Death Cult EP in the same month, then toured through mainland Europe. In September 1983, a deal was made to switch drummers, Mondo would be replaced by Nigel Preston, as the drummer for Sex Gang Children and Preston would join Death Cult. The single "Gods Zoo" was released in October 1983. Another European tour, with UK dates, followed that autumn. To tone down their name's gothic connotations and gain broader appeal, the band changed its name to "the Cult" in January 1984 before appearing on the Channel 4 television show, The Tube.
The Cult's debut studio album, Dreamtime, was recorded at Rockfield Studios, in Monmouth, Wales in 1984. The record was to be produced by Joe Julian, but after recording the drum tracks, the band decided to replace him with John Brand. Brand produced the record, but guitarist Duffy has said the drum tracks were produced by Julian, as Preston had become unreliable.
The band recorded the songs which later became known as "Butterflies", "(The) Gimmick", "A Flower in the Desert", "Horse Nation", "Spiritwalker", "Bad Medicine (Waltz)", "Dreamtime", "With Love" (later known as "Ship of Fools", and also "Sea and Sky"), "Bone Bag", "Too Young", "83rd Dream", and one untitled outtake. It is unknown what the outtake was, or whether it was developed into a song at a later date. Songs like "Horse Nation" showed Astbury's intense interest in Native American issues, with the lyrics to "Horse Nation", "See them prancing, they come neighing, to a horse nation", taken almost verbatim from the book Bury My Heart at Wounded Knee (1970), while "Spiritwalker" dealt with shamanism, and the record's title and title track are overtly influenced by Australian Aboriginal beliefs.