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Choice of Weapon
Choice of Weapon
Choice of Weapon
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Choice of Weapon
Studio album by
The Cult
Released18 May 2012
RecordedMarch 2011–January 2012
GenreHard rock
Length41:40 (Original)
58:10 (Deluxe Edition)
LabelCooking Vinyl
ProducerChris Goss, Bob Rock
The Cult chronology
Born into This
(2007) 		Choice of Weapon
(2012) 		Hidden City
(2016)

Choice of Weapon is the ninth album by the British rock band The Cult. The album was initially planned for release in 2011, but the release date was pushed back to May 2012. It was initially released on 18 May in Europe, before being released in the UK on 21 May and then in the US the following day.[1][2]

Recording sessions for Choice of Weapon began in March 2011 with Chris Goss, who produced the 2010 Capsule EPs. The sessions took place at studios in New York City, Los Angeles, California, and the "California desert". The album was finished in January 2012. During the recording sessions, Bob Rock teamed up with The Cult for the first time since 2001's Beyond Good and Evil and co-produced Choice of Weapon. Choice of Weapon was named iTunes "Rock Album of the Year" in 2012.[3]

This album marks the first and, so far, only time the band did not make any personnel changes over two consecutive albums. However, it would end up being their final album with bassist Chris Wyse.

Background and recording

[edit]

After a four-year hiatus, The Cult returned in 2006 and released the studio album Born into This in 2007. Although Born into This sold well, The Cult were dropped from Roadrunner Records, and in July 2009, frontman Ian Astbury stated that The Cult would not make any more albums.[4] Asked in September 2009 why The Cult would not make another album, Astbury replied, "It's a dead format; we don't have the attention span for albums. By the time you put it out, it's already been leaked. It's a year-and-a-half worth's of work down the fucking tubes. We need to put out bite-sized chunks."[5] Instead of releasing albums, The Cult released two EPs, titled Capsule 1 and Capsule 2, released in September and November 2010 respectively and the band toured to support them.

During The Cult's concert at the Hammersmith Apollo in London on 21 January 2011, Astbury declared that The Cult would be recording a new album directly after the tour. They announced that they would be working with Chris Goss, who performed with Masters of Reality as a supporting act the same evening. On 11 March 2011, it was announced that The Cult were back in the studio recording the album with Goss.[6] By May, the band had been writing and recording new demos at its Witch Mountain studio hideaway in the Hollywood Hills, and began recording a new album at Hollywood Recording Studios.[7] In October 2011, bassist Chris Wyse stated the album was almost finished and expected to be released in April 2012. Wyse also described it as a "Zep/Stooges mix of energy."[8] On 29 November 2011, it was announced that the album would be produced by Bob Rock, who provided the same role on Sonic Temple, The Cult and Beyond Good and Evil.[9]

The first single from Choice of Weapon, titled "For the Animals", was made available for online streaming via the Rolling Stone website on 23 March 2012, and was released to radio on 26 March.[10]

This album marks the only time the band did not make any personnel changes over two consecutive albums. However, it would end up being their final album with bassist Chris Wyse.

In October 2012, Weapon of Choice, a collection of ten demo tracks, was made available through iTunes.

RECORD STORE DAY 2026 18 April 2026 Available for the first time on vinyl, "Weapon of Choice" Strictly limited to 3,000 copies worldwide. Tracklist A1. Aurora A2. A Pale Horse A3. The Bones A4. Decado A5. Elemental Light B1. Gibraltar B2. Twisted And Bleeding B3. Militant B4. Supreme B5. Lucifer [11]

Artwork

[edit]

The cover of the album shows a Plains Indian shaman of an undisclosed tribe. Astbury said he had possession of this picture for many years, and selected it for the album cover to express his interest in indigenous cultures, which was cultivated at a very early age.[12]

Reception

[edit]
Professional ratings
Aggregate scores
SourceRating
Metacritic76/100[13]
Review scores
SourceRating
AllMusicStarStarStarStar[14]
Premier Guitar4.5/5[15]

The album debuted at number 15 in Canada and number 36 in USA.[16] In its first week of sales, the album gained the Number 1 spot on the U.K. Rock Chart on 27/05/2012 (according to the Radio 1 Official Chart).

Choice of Weapon is the only Cult album not available on most music streaming services.

Track listing

[edit]

All tracks are written by Ian Astbury and Billy Duffy.

No.TitleLength
1."Honey from a Knife"3:06
2."Elemental Light"4:45
3."The Wolf"3:33
4."Life>Death"5:32
5."For the Animals"4:28
6."Amnesia"3:02
7."Wilderness Now"4:33
8."Lucifer"4:40
9."A Pale Horse"3:14
10."This Night in the City Forever"4:45
Total length:41:40
Deluxe Edition bonus tracks
No.TitleLength
11."Every Man And Woman Is A Star"3:26
12."Embers"5:01
13."Until The Light Takes Us"4:19
14."Siberia"3:36
Total length:58:10

Personnel

[edit]
The Cult
Additional musicians
  • Jamie Edwards – keyboards, strings
  • Chris Goss – guitars, backing vocals
  • A.J. Celi – backing vocals on "Honey from a Knife"

Charts

[edit]
Chart (2012) Peak
position
Austrian Albums (Ö3 Austria)[17] 57
Belgian Albums (Ultratop Flanders)[18] 87
Belgian Albums (Ultratop Wallonia)[19] 69
Canadian Albums (Billboard)[20] 15
Dutch Albums (Album Top 100)[21] 32
French Albums (SNEP)[22] 122
German Albums (Offizielle Top 100)[23] 30
Italian Albums (FIMI)[24] 64
Scottish Albums (OCC)[25] 18
Spanish Albums (PROMUSICAE)[26] 33
Swedish Albums (Sverigetopplistan)[27] 50
Swiss Albums (Schweizer Hitparade)[28] 42
UK Albums (OCC)[29] 20
UK Independent Albums (OCC)[30] 6
UK Rock & Metal Albums (OCC)[31] 1
US Billboard 200[32] 36
US Independent Albums (Billboard)[33] 9
US Top Hard Rock Albums (Billboard)[34] 3
US Top Rock Albums (Billboard)[35] 17

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Choice of Weapon

View on Grokipedia
from Grokipedia
Choice of Weapon is the ninth studio album by the English rock band the Cult, released on 22 May 2012 by in the United States. Featuring the core lineup of vocalist and guitarist —founding members since the band's inception in 1983—alongside bassist and drummer , the album marks the band's first full-length release in five years following (2007). Recorded across studios in , , the high desert, and Witch Mountain between July and December 2011, it was co-produced by and . The record consists of ten tracks blending , , and psychedelic elements, drawing influences from the band's earlier works like (1989) while addressing contemporary themes of societal discontent, , , revolt, and redemption. Standout songs include the riff-driven "The Wolf," the anthemic "," and the brooding "," showcasing Billy Duffy's ferocious guitar work and Astbury's shamanic vocals. Critics praised Choice of Weapon for revitalizing the Cult's sound, with reviews highlighting its raw energy and belligerent intensity, often comparing it favorably to the band's and early output. The album received positive reception, earning a 4/5 rating from Louder for its "two-fisted rock" and a 4.5/5 from Premier Guitar for demonstrating the band's enduring vitality and experimental range. It debuted at number 34 on the Billboard 200 and number 15 on the , underscoring its commercial success among longtime fans.

Background and Development

Conception and Writing

The album Choice of Weapon was conceived in 2010 by vocalist and guitarist during a period of band reflection following the challenging production of their 2007 release , which Astbury described as rushed and underdeveloped due to tight deadlines and a mismatched label partnership. This introspection came in the wake of experimental phases in their earlier career, including the 1994 self-titled album that strained their creative dynamic, prompting a deliberate shift toward recapturing the band's foundational energy. Songwriting for Choice of Weapon was primarily handled by Astbury and Duffy, with Duffy compiling guitar riffs gathered over time—often spontaneously—and Astbury developing lyrics to complement them during collaborative sessions at Astbury's studio. generated 20 to 25 demos, selecting 11 tracks that emphasized their core partnership, as Duffy noted: "Obviously The Cult is a collaborative process between me and Ian. They're not Ian's songs and Billy's songs. They're Ian and Billy's songs." Astbury's lyrics drew from personal experiences and , exploring themes of , abandonment, and inner conflict, influenced by indigenous cultures and universal human struggles, as he reflected: " has abandoned all of us." Duffy's riffs channeled a revival, evoking the raw intensity of influences like Led Zeppelin and , with Astbury citing the latter's poetic depth as a key inspiration for thematic depth. Initial demos were recorded in , solidifying the band's decision to return to a raw, guitar-driven sound after more experimental periods, with foundational tracks like "" emerging from early sessions with producer , whose intuitive approach helped shape the album's core before further refinement.

Pre-Production Challenges

The pre-production of Choice of Weapon encountered significant logistical hurdles following the band's departure from after their 2007 album , which had performed well commercially but resulted in a challenging partnership. Dropped by the label, The Cult initially operated without major support, leading to an original 2011 release target being postponed to May 2012. This period of uncertainty prompted the band to experiment with self-releasing quarterly "capsule collections" of new material online from 2010 to 2011, serving as a bridge to full album production but highlighting the limitations of independent efforts. Financial and operational constraints exacerbated these delays, as managing distribution, marketing, and production without label backing proved unsustainable for the band. Frontman Ian Astbury noted the difficulties of this self-reliant phase, which lacked the infrastructure needed to accelerate progress. Ultimately, the positive reception to the capsules and persistent fan demand for a complete album influenced the decision to sign with Cooking Vinyl, providing the resources to refine the material with producers Chris Goss and Bob Rock. Internally, the long-standing partnership between Astbury and guitarist faced strains from their contrasting creative approaches, compounded by Astbury's personal setbacks including a and a relationship breakup during 2010–2011. These obstacles tested their collaboration but ultimately reinforced their bond, as they navigated the transition through focused sessions that emphasized mutual respect and artistic integrity. Extensive touring obligations throughout 2010 and 2011 also deferred dedicated writing time, prioritizing live performances over studio work.

Production

Recording Process

The recording sessions for Choice of Weapon took place in 2011 and spanned multiple locations, including the band's own Witch Mountain studio in the , , facilities in and , and a studio situated in the desert, where the bulk of the tracking took place. The process extended into early 2012, characterized by frontman as a protracted effort marked by creative attrition, with the band and producers pushing through exhaustion to refine the material. Co-producer , a longtime collaborator and friend of Astbury, handled the initial writing and recording phases, focusing on capturing raw, visceral energy in the performances. Goss emphasized a bold, aesthetic influenced by sounds, incorporating layered guitar textures and droning chord progressions to evoke cinematic depth, as heard in tracks like "The Wolf," which echoes the repetitive riffing of earlier hits such as "." employed vintage models through Roland JC-120 and Matchless amplifiers to achieve clean, chorused tones alongside heavier valve amp setups, prioritizing live-band immediacy over polished overdubs. The rhythm section featured returning members bassist and drummer , whose contributions added stability and drive to the sessions following lineup changes in prior years. Subsequently, —reuniting with the band for the first time since 2001's —joined as co-producer to oversee mixing and select overdubs at his facilities, infusing "magic" through structural refinements, enhanced hooks, and big-picture polish to amplify the album's intensity without diluting its raw edge. This dual-production approach, blending Goss's experimental grit with Rock's arena-ready expertise, resulted in final mixes completed by 2012, setting the stage for the album's May release.

Artwork and Packaging

The cover art for Choice of Weapon depicts a Plains Native American shaman wielding a luminous, ethereal weapon, evoking themes of spiritual power and transformation central to the album's exploration of personal and societal conflict. Designed under the art direction of vocalist Ian Astbury and Sonya Koshuta, the imagery incorporates elements of Native American folklore alongside symbolic references to tantric weapons from Tibetan Buddhism, representing the severing of material attachments and a quest for deeper meaning amid environmental and cultural decay. Astbury, who had envisioned the shaman figure for years, noted its resonance with the record's motifs of revolt and redemption, ensuring visual cohesion with the lyrical content. The artwork was publicly revealed on January 31, 2012, reflecting band input to capture a raw, visceral aesthetic reminiscent of classic rock eras while addressing contemporary disillusionment. Packaging for the standard edition utilized a conventional jewel case for the format, containing the 10-track with basic and credits. The deluxe edition, released simultaneously, adopted a digibook format with a 24-page booklet featuring , photographs, and additional credits, accompanied by a bonus disc of "capsule" recordings—early, unpolished versions of tracks produced by prior to final mixing by . Vinyl editions, including limited color-in-color pressings (red/black and purple/black), were housed in sleeves to accommodate the double-LP set, emphasizing durability and collectibility for fans. These design choices, finalized in the months leading to the May 2012 release, prioritized thematic immersion and archival value, influenced by the band's desire for unity between visual and sonic elements.

Personnel

The core lineup for Choice of Weapon featured Ian Astbury on lead vocals, Billy Duffy on guitars and backing vocals, Chris Wyse on bass guitar, and John Tempesta on drums. Astbury and Duffy, co-founders of The Cult since its formation in 1983, anchored the album's songwriting and performance, with Astbury's commanding vocal delivery and Duffy's signature guitar riffs shaping its hard rock intensity. Wyse, who had been with the band since 2006, provided steady bass lines that supported the album's rhythmic drive, while Tempesta, who joined in 2006 after playing with other acts in the 1990s and 2000s, contributed powerful, precise drumming throughout the tracks. Additional musical support came from Jamie Edwards on keyboards and strings, enhancing the atmospheric elements on several songs. Guest backing vocals on the opening track "Honey from a Knife" were provided by AJ Celi. Production was led by , who also played guitars and provided backing vocals, drawing from his experience producing acts like Queens of the Stone Age; served as executive producer, marking his return to the band since their 2001 album . Engineering was overseen by Eric Helmkamp and , assisted by Chad Carlisle and Wesley Seidman, with mixing at and Chalice Recording Studios, and mastering by Stephen Marcussen at Marcussen Mastering. Art direction was handled by and Sonya Koshuta, with cover and costume by Nathan Cabrera.

Musical Content

Style and Influences

Choice of Weapon is predominantly a that incorporates psychedelic, , and elements, characterized by heavy riffs, dramatic tempo shifts, and a brooding atmosphere. This represents a shift from the more experimental and alternative-leaning style of the band's previous , Born into This (2007), toward riff-heavy structures and a return to their raw, visceral rock roots. The album draws influences from 1970s and bands, including echoes of Black Sabbath's heavy sound and ' raw energy, blended with melancholy reminiscent of . Modern production touches come from , known for his work with Queens of the Stone Age, and , who previously collaborated with the band on (1989), adding polished yet energetic layers to the guitar-driven compositions. has cited additional inspirations from figures like , , and , contributing to the album's cinematic and visually evocative quality. Musically, the tracks showcase extended guitar solos from , atmospheric keyboards, and Astbury's deepened baritone vocals, which evoke a mature evolution of the band's heritage. The album revives elements of The Cult's 1980s sound from records like (1985) and Electric (1987), but with added depth from years of experience, spanning mid-tempo rockers, ballads, and epic builds across its 43-minute runtime of 10 tracks.

Track Listing and Themes

The standard edition of Choice of Weapon features ten tracks, all written by Ian Astbury and Billy Duffy (note: track listings vary by region). The album opens with "Honey from a Knife" (3:06), an aggressive rocker driven by heavy riffs that sets a visceral tone for the record. This is followed by "Elemental Light" (4:45), "The Wolf" (3:33), "Life > Death" (5:32), "For the Animals" (4:28), "Amnesia" (3:02), "Wilderness Now" (4:33), "Lucifer" (4:40), "Pardon Sister" (4:54), and closes with "Embers" (4:34). The deluxe edition expands to 14 tracks, incorporating bonus material from early "Capsule" sessions, including "Every Man and Woman Is a Star" (3:26), "Siberia" (3:36), "Until the Light Takes Us" (4:19), and "Embers" (5:04). Thematically, the album delves into introspection, societal critique, and personal redemption, often using metaphors of conflict and nature to explore inner turmoil. "Honey from a Knife" employs imagery of sharp sweetness to evoke betrayal and desire, aligning with broader lyrical motifs of weapons symbolizing emotional strife. "Elemental Light" addresses universal struggles and societal abandonment, with Astbury reflecting on forgotten paths and personal disconnection. Spirituality emerges in "The Wolf," portraying primal instincts and inner wilderness as paths to self-discovery. Mortality and the commodification of youth dominate "Life > Death," where Astbury critiques how society discards the marginalized for profit. "For the Animals" champions authenticity and liberation from , drawing on rock's rebellious spirit to reject cultural . "Amnesia" targets self-imposed gatekeepers like critics and politicians, emphasizing punk-rooted resistance against forgetfulness of one's power. "Wilderness Now" evokes indigenous influences and environmental desolation, tying into Astbury's childhood exposure to Canadian landscapes. The epic "Lucifer" grapples with temptation and , while "Pardon Sister" (4:54) confronts guilt and amid inner conflict. Closing track "Embers" symbolizes lingering passion and renewal after loss. Bonus tracks extend these ideas: "Every Man and Woman Is a Star" affirms individual potential, "Siberia" explores isolation, "Until the Light Takes Us" meditates on transcendence, and "Embers" (early version) laments society's neglected outcasts. Overall, the sequencing builds from raw aggression to reflective embers, mirroring a journey through destruction toward redemption.

Release and Promotion

Commercial Release

Choice of Weapon was announced by The Cult on March 23, 2012, marking their return to as the label for their ninth studio album. The album launched internationally in mid-May 2012, with the European release on May 18, the edition on May 21, and the version on May 22. It was issued in various physical and digital formats, including a standard single-disc CD (catalog number COOKCD548), a double LP vinyl pressing (COOKLP548), a deluxe two-disc digibook edition with bonus tracks, and digital downloads encompassing both standard and expanded versions. Distribution occurred through Cooking Vinyl's network, with regional partners handling specific markets such as Columbia for the Japanese release (catalog number COCB-60050). A planned limited fan pack bundled a CD with a 132-page but was ultimately cancelled prior to launch. The physical editions incorporated artwork and packaging elements developed during pre-production, emphasizing thematic visuals aligned with the album's motifs.

Marketing and Singles

The marketing campaign for Choice of Weapon centered on building anticipation through digital and print media, with the band releasing online teasers on their official website in early to preview the album's themes of revolt and redemption. Interviews with vocalist and guitarist appeared in publications such as Kerrang! and , where they discussed the album's return to raw rock roots following a five-year hiatus. The band also leveraged social media, particularly , for a pre-X rebrand push that included fan engagement and behind-the-scenes updates during the recording process. The , "For the Animals," was released on April 3, 2012. This was followed by "Honey from a Knife," the album's opening track, which received a in August 2012 featuring mystical visuals of honey dripping from a knife and performing in shadowy, industrial settings that echoed the album's artwork. Directed by Rick Rodgers and produced by Astbury alongside Mechanizedmules, the video was shot in and premiered in August 2012. "The Wolf" was released as a promotional single in June 2012, available as a limited edition CD. Limited edition singles, including 7-inch vinyl variants for select tracks, were offered to collectors, tying into the album's vinyl-focused release strategy. The campaign integrated with 2012 festival appearances, such as their SXSW debut in March where they previewed tracks like "Honey from a Knife" and "Lucifer." A press junket took place in in May 2012 to coincide with the UK release on May 21. Notably, the album saw no major soundtrack placements, focusing instead on standalone rock radio and live promotion.

Touring

To promote Choice of Weapon, The Cult embarked on an extensive world tour spanning 2012 and 2013, beginning with a North American leg that kicked off on May 25, 2012, at Humphreys By the Bay in , . The initial run encompassed over 50 dates across the and during the summer months, with support acts including Against Me! and for the majority of performances. The tour expanded internationally in June 2012, with European dates that included opening slots for in and in , , and , , followed by co-headlining arena shows in the with The Mission (originally planned with , who withdrew prior to the tour). Additional support acts on select European legs featured . Overall, the campaign involved more than 100 shows worldwide, showcasing the band's core lineup of vocalist , guitarist , bassist , and drummer , which remained unchanged throughout. Setlists emphasized tracks from Choice of Weapon, prominently featuring songs like "Honey From a Knife," "," "Nirvana," "Embers," and "Elemental Light," integrated with staples such as "," "," and "Love Removal Machine." A representative performance at the Electric Factory in on June 10, 2012, opened with "Lil' Devil" and included "Honey From a Knife," "," "," "Nirvana," "Embers," "," and "The Wolf" before closing with an encore of "Love Removal Machine." The tour extended into 2013 with further U.S. dates, concluding that phase with appearances in cities like , , and , often supported by acts such as White Hills. It transitioned into the Electric 13 tour, which revisited the band's 1987 album Electric but incorporated Choice of Weapon material, including a September–October run across with shows at venues like in and Festival Hall in .

Reception and Legacy

Critical Response

Upon its release in May 2012, Choice of Weapon received generally positive reviews from critics, who praised the 's energetic and its representation of a return to form for after several years away from new material. The holds a score of 76 out of 100, based on 13 critic reviews, indicating generally favorable reception with 10 positive ratings and three mixed ones. Reviewers highlighted the album's raw power and revitalized performance, particularly commending guitarist Billy Duffy's contributions. Entertainment Weekly awarded it an A- (equivalent to 91/100), noting that Ian Astbury's "twisted carnival-barker delivery is more haunting and weathered than ever," emphasizing the enduring strength of his vocals. Kerrang! gave it four out of five stars (80/100), describing it as a "stunning return to form from a band whose best years... had looked behind them," with specific praise for the blistering guitar riffs that evoked the band's classic style. , in a more tempered assessment, lauded Duffy as a "mean, no-nonsense who can crank up the noise but also dial up the texture," crediting his work for providing solid sonic foundation despite other shortcomings. Criticisms centered on the album's perceived lack of innovation, with some reviewers arguing it failed to push beyond familiar territory. rated it 5/10, observing that the record "explores no new sonic territory over the ten tracks" and lacks the groove that defined earlier works like Electric, resulting in self-serious arrangements without standout propulsion. Uncut scored it 60/100, acknowledging the fire in tracks like "Honey From a Knife" and "For the Animals" but dismissing much of the material as "Mastodon idiocy." The album appeared on year-end lists, ranking at number 27 on magazine's Top 50 Albums of 2012, reflecting its impact among rock critics. No major controversies surrounded the release.

Commercial Performance

Choice of Weapon debuted at number 34 on the chart, selling approximately 11,000 copies in its first week of release. It also performed strongly on genre-specific charts, reaching number 3 on the Hard Music Albums chart, number 15 on the Top Rock Albums chart, and number 7 on the Independent Albums chart. In the , the album peaked at number 20 on the Official Albums Chart but topped the UK Rock & Metal Albums Chart at number 1. Internationally, it entered the top 50 in several markets, including number 15 on the Canadian Albums Chart, number 42 on the Australian Albums Chart, and number 51 on the German Albums Chart. The release benefited from robust digital sales, earning recognition as ' Rock Album of the Year in 2012. "Honey from a Knife" garnered airplay on rock radio formats, contributing to the album's visibility. Album sales were further boosted by bundling options with merchandise during the band's extensive 2012-2013 world tour. Following its initial release, Choice of Weapon experienced sustained interest through the rise of streaming services in the years after 2012, enhancing its long-term commercial footprint.

Cultural Impact

Choice of Weapon marked a significant creative resurgence for The Cult, with frontman describing the album as emerging from a personal dark period and representing a return to form after years of challenges. In a 2012 interview, Astbury emphasized its themes of self-destruction and redemption, positioning it as a pivotal work in the band's evolution toward renewed intensity. This shift helped solidify The Cult's enduring cult status within rock music, appealing to longtime fans through its blend of energy and atmospheric depth reminiscent of their peak. The album holds a respected place in The Cult's discography, ranked seventh out of eleven studio releases in a 2023 retrospective by Louder, where it was praised for its high energy and refusal to show signs of creative decline. Fan reception has remained positive, with publications like Record Collector hailing it as "their best album in years" upon release, a sentiment echoed in ongoing appreciation for its raw production and visceral songwriting. No major samples from the album have entered broader pop culture, though select tracks have been covered by smaller indie rock acts in live settings. As of 2025, Choice of Weapon continues to resonate through streaming platforms, contributing to The Cult's over 2.2 million monthly listeners on , where the album's tracks maintain steady plays alongside the band's classics. Its legacy is further evidenced by a limited-edition vinyl reissue in 2025, driven by collector demand and recognition of its role in the band's modern of releases. In live performances during the 2020s, including the 2025 Death Cult Tour, songs like "" have been revived, highlighting the album's integration into the band's setlists and its influence on their post-2010s revival sound. This has inspired elements in newer acts, such as , who echo The Cult's riff-driven intensity in their revivalist approach.

References

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  2. https://www.amazon.com/Choice-Weapon-CULT/dp/B0072IVGQA
  3. https://www.loudersound.com/reviews/the-cult-choice-of-weapon
  4. https://loudwire.com/the-cult-choice-of-weapon-album-review/
  5. https://www.premierguitar.com/album-review-the-cult-choice-of-weapon
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  12. https://bravewords.com/news/the-cults-billy-duffy-talks-choice-of-weapon-i-think-its-an-album-a-lot-of-our-fans-wanted-us-to-make/
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  42. https://www.avclub.com/the-cult-s-ian-astbury-talks-about-songs-ignoring-the-1798231829
  43. https://magnetmagazine.com/2012/05/28/qa-with-the-cults-ian-astbury/
  44. https://www.soundspheremag.com/news/manchester/cult-announce-details-of-new-album-choice-of-weapon/
  45. https://www.theaudiodb.com/album/2126295-The-Cult-Choice-of-Weapon
  46. https://www.bluebirdreviews.com/reviews/album-reviews/5-album-reviews/239-the-cult-choice-of-weapon
  47. https://www.discogs.com/release/3613302-The-Cult-Choice-Of-Weapon
  48. https://music.mxdwn.com/2012/04/11/news/the-cult-announces-summer-2012-tour-dates/
  49. https://www.concertarchives.org/bands/the-cult?year=2012
  50. https://slicingupeyeballs.com/2012/04/05/the-cult-tour-dates-against-me-icarusline/
  51. https://www.iconvsicon.com/2012/03/05/the-cult-set-dates-for-european-tour-to-share-stage-with-guns-n-roses-ozzy-more/
  52. https://slicingupeyeballs.com/2012/03/19/cult-mission-killing-joke-tour-dates/
  53. https://slicingupeyeballs.com/2012/07/25/killing-joke-quitting-cult-mission-uk-tour/
  54. https://www.concertarchives.org/bands/the-cult
  55. https://www.setlist.fm/setlist/the-cult/2012/electric-factory-philadelphia-pa-73dfc6d9.html
  56. https://guestpectacular.com/artists/the-cult/events/241971/song/elemental-light
  57. https://www.concertarchives.org/bands/the-cult?year=2013
  58. https://www.frontiertouring.com/past-tours/2013/the-cult
  59. https://www.setlist.fm/setlist/the-cult/2013/hordern-pavilion-sydney-australia-2bc7d4f6.html
  60. https://www.metacritic.com/music/choice-of-weapon/the-cult
  61. https://www.metacritic.com/music/choice-of-weapon/the-cult/critic-reviews/?publication=kerrang
  62. https://www.popmatters.com/158782-the-cult-weapon-of-choice-2495849733.html
  63. https://www.metacritic.com/music/choice-of-weapon/the-cult/critic-reviews/?publication=uncut
  64. https://rateyourmusic.com/list/cadao/top_50_best_albums_of_2012_by_classic_rock_magazine/
  65. https://blabbermouth.net/news/the-cult-honey-from-a-knife-video-released
  66. https://screamermagazine.com/press-releases/the-cults-choice-of-weapon-makes-strong-chart-debut/
  67. https://www.officialcharts.com/charts/rock-and-metal-albums-chart/20120701/112/
  68. https://classicrockhistory.com/complete-list-of-the-cult-albums-and-discography/
  69. https://www.loudersound.com/features/every-album-by-the-cult-ranked-from-worst-to-best
  70. https://open.spotify.com/artist/49DW3KvkyjHO35mK1JnSyS
  71. https://blabbermouth.net/news/the-cult-announces-vinyl-reissues-of-choice-of-weapon-and-hidden-city
  72. https://www.setlist.fm/stats/the-cult-63d6aed3.html?tour=73d6ca4d
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