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Dragon of Wantley
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Dragon of Wantley
The Dragon of Wantley is a legend of a dragon-slaying by a knight on Wharncliffe Crags in South Yorkshire, recounted in a comic broadside ballad of 1685. It was later included in Thomas Percy's 1767 Reliques of Ancient English Poetry, enjoying widespread popularity in the 18th and 19th centuries, although less well-known today. In 1737, the ballad was adapted (in English) into one of the more successful operas to appear in London up to that point.
The ballad tells of how a huge dragon – almost as big as the Trojan Horse – devours anything it wishes, even trees and buildings, until the Falstaffian knight Moore of Moore Hall obtains a bespoke suit of spiked Sheffield armour and delivers a fatal kick to the dragon's "arse-gut" – its only vulnerable spot, as the dragon explains with its dying breath.
The topography of the ballad is accurate in its detail as regards Wharncliffe Crags and environs, but the story, and its burlesque humour, has been enjoyed in places far from the landscape from which it appears to derive and has been used to make a number of points unrelated to it.
More Hall is a 15th-century (or earlier) residence immediately below the gritstone edge of Wharncliffe Crags—Wharncliffe being formerly known in the local vernacular as Wantley—The dragon was reputed to reside in a den, and to fly across the valley to Allman (Dragon's) Well on the Waldershelf ridge above Deepcar.
One member of the More family of More Hall, George More, was involved in the Throckmorton Plot against Elizabeth I in 1583.
A lawsuit was taken out in 1573 by one George More of Sheffield on behalf of the Sheffield Burgery (the 'free men' of Sheffield) against the Lord of the manor of Sheffield, George Talbot, the sixth Earl of Shrewsbury, in respect of his appropriation of the proceeds of Sheffield 'waste' land, which hitherto had paid for Sheffield's poor, civic works and the parish church. This had long been the practice under an agreement in 1297 by one of Talbot's predecessors, one Thomas Furnival, and had seemed secure after a successful petition some two decades previously to the newly enthroned Queen Mary with the full support of George Talbot's father (the previous—fifth—Earl of Shrewsbury, Francis Talbot).
In his Reliques of Ancient English Poetry Thomas Percy holds that the story of The Dragon of Wantley relates to a dispute over the alleged misappropriation of church tithes in Wharncliffe by Sir Francis Wortley who was opposed by a local lawyer named More.
Henry Carey wrote the libretto to a burlesque opera called The Dragon of Wantley in 1737. The opera, with music composed by John Frederick Lampe, punctured the vacuous operatic conventions and pointed a satirical barb at Robert Walpole and his taxation policies. This Augustan parody was a huge success and its initial run was 69 performances in the first season; a number which exceeded even The Beggar's Opera (1728).
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Dragon of Wantley
The Dragon of Wantley is a legend of a dragon-slaying by a knight on Wharncliffe Crags in South Yorkshire, recounted in a comic broadside ballad of 1685. It was later included in Thomas Percy's 1767 Reliques of Ancient English Poetry, enjoying widespread popularity in the 18th and 19th centuries, although less well-known today. In 1737, the ballad was adapted (in English) into one of the more successful operas to appear in London up to that point.
The ballad tells of how a huge dragon – almost as big as the Trojan Horse – devours anything it wishes, even trees and buildings, until the Falstaffian knight Moore of Moore Hall obtains a bespoke suit of spiked Sheffield armour and delivers a fatal kick to the dragon's "arse-gut" – its only vulnerable spot, as the dragon explains with its dying breath.
The topography of the ballad is accurate in its detail as regards Wharncliffe Crags and environs, but the story, and its burlesque humour, has been enjoyed in places far from the landscape from which it appears to derive and has been used to make a number of points unrelated to it.
More Hall is a 15th-century (or earlier) residence immediately below the gritstone edge of Wharncliffe Crags—Wharncliffe being formerly known in the local vernacular as Wantley—The dragon was reputed to reside in a den, and to fly across the valley to Allman (Dragon's) Well on the Waldershelf ridge above Deepcar.
One member of the More family of More Hall, George More, was involved in the Throckmorton Plot against Elizabeth I in 1583.
A lawsuit was taken out in 1573 by one George More of Sheffield on behalf of the Sheffield Burgery (the 'free men' of Sheffield) against the Lord of the manor of Sheffield, George Talbot, the sixth Earl of Shrewsbury, in respect of his appropriation of the proceeds of Sheffield 'waste' land, which hitherto had paid for Sheffield's poor, civic works and the parish church. This had long been the practice under an agreement in 1297 by one of Talbot's predecessors, one Thomas Furnival, and had seemed secure after a successful petition some two decades previously to the newly enthroned Queen Mary with the full support of George Talbot's father (the previous—fifth—Earl of Shrewsbury, Francis Talbot).
In his Reliques of Ancient English Poetry Thomas Percy holds that the story of The Dragon of Wantley relates to a dispute over the alleged misappropriation of church tithes in Wharncliffe by Sir Francis Wortley who was opposed by a local lawyer named More.
Henry Carey wrote the libretto to a burlesque opera called The Dragon of Wantley in 1737. The opera, with music composed by John Frederick Lampe, punctured the vacuous operatic conventions and pointed a satirical barb at Robert Walpole and his taxation policies. This Augustan parody was a huge success and its initial run was 69 performances in the first season; a number which exceeded even The Beggar's Opera (1728).
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