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The Historian
The Historian is the 2005 debut novel of American author Elizabeth Kostova. The plot blends the history and folklore of Vlad Țepeș and his fictional equivalent Count Dracula. Kostova's father told her stories about Dracula when she was a child, and later in life she was inspired to turn the experience into a novel. She worked on the book for ten years and then sold it within a few months to Little, Brown and Company, which bought it for US$2 million.
The Historian has been described as a combination of genres, including Gothic novel, adventure novel, detective fiction, travelogue, postmodern historical novel, epistolary epic, and historical thriller. Kostova was intent on writing a serious work of literature and saw herself as an inheritor of the Victorian style. Although based in part on Bram Stoker's Dracula, The Historian is not a horror novel, but rather an eerie tale. It is concerned with history's role in society and representation in books, as well as the nature of good and evil. As Kostova explains, "Dracula is a metaphor for the evil that is so hard to undo in history." The evils brought about by religious conflict are a particular theme, and the novel explores the relationship between the Christian West and the Islamic East.
Little, Brown and Company heavily promoted the book and it became the first debut novel to become number one on The New York Times bestseller list in its first week on sale. As of 2005, it was the fastest-selling hardback debut novel in U.S. history. In general, the novel received mixed reviews. While some praised the book's description of the setting, others criticized its structure and lack of tonal variety. Kostova received the 2006 Book Sense award for Best Adult Fiction and the 2005 Quill Award for Debut Author of the Year. Sony has bought the film rights and, as of 2007, was planning an adaptation.
How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated so that a history almost at variance with the possibilities of latter-day belief may stand forth as simple fact. There is throughout no statement of past things wherein memory may err, for all the records chosen are exactly contemporary, given from the stand-points and within the range of knowledge of those who made them.
The Historian interweaves the history and folklore of Vlad Țepeș, a 15th-century prince of Wallachia known as "Vlad the Impaler", and his fictional equivalent Count Dracula together with the story of Paul, a professor; his 16-year-old daughter; and their quest for Vlad's tomb. The novel ties together three separate narratives using letters and oral accounts: that of Paul's mentor in the 1930s, that of Paul in the 1950s, and that of the narrator herself in the 1970s. The tale is told primarily from the perspective of Paul's daughter, who is never named.
Part I opens in 1972 Amsterdam. The narrator finds an old vellum-bound book with a woodcut of a dragon in the center associated with Dracula. When she asks her father Paul about it, he tells her how he found the handmade book in his study carrel when he was a graduate student in the 1950s. Paul took the book to his mentor, Professor Bartholomew Rossi, and was shocked to find that Rossi had found a similar handmade book when he was a graduate student in the 1930s. As a result, Rossi researched Țepeș, the Dracula myth surrounding him, and the mysterious book. Rossi traveled as far as Istanbul; however, the appearance of curious characters and unexplained events caused him to drop his investigation and return to his graduate work. Rossi gives Paul his research notes and informs him that he believes Dracula is still alive.
The bulk of the novel focuses on the 1950s timeline, which follows Paul's adventures. After meeting with Paul, Rossi disappears; smears of blood on his desk and the ceiling of his office are the only traces that remain. Certain that something unfortunate has befallen his advisor, Paul begins to investigate Dracula. While in the university library he meets a young, dark-haired woman reading a copy of Bram Stoker's Dracula. She is Helen Rossi, the daughter of Bartholomew Rossi, and she has become an expert on Dracula. Paul attempts to convince her that one of the librarians is trying to prevent their research into Dracula, but she is unpersuaded. Later, the librarian attacks and bites Helen. Paul intervenes and overpowers him, but he wriggles free. The librarian is then run over by a car in front of the library and apparently killed.
Upon hearing her father's story, the narrator becomes interested in the mystery and begins researching Dracula as she and her father travel across Europe during the 1970s. Although he eventually sends her home, she does not remain there. After finding letters addressed to her that reveal he has left on a quest to find her mother (previously believed to be dead), she sets out to find him. As is slowly made clear in the novel, Helen is the narrator's mother. The letters continue the story her father has been telling her. The narrator decides to travel to a monastery where she believes her father might be.
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The Historian
The Historian is the 2005 debut novel of American author Elizabeth Kostova. The plot blends the history and folklore of Vlad Țepeș and his fictional equivalent Count Dracula. Kostova's father told her stories about Dracula when she was a child, and later in life she was inspired to turn the experience into a novel. She worked on the book for ten years and then sold it within a few months to Little, Brown and Company, which bought it for US$2 million.
The Historian has been described as a combination of genres, including Gothic novel, adventure novel, detective fiction, travelogue, postmodern historical novel, epistolary epic, and historical thriller. Kostova was intent on writing a serious work of literature and saw herself as an inheritor of the Victorian style. Although based in part on Bram Stoker's Dracula, The Historian is not a horror novel, but rather an eerie tale. It is concerned with history's role in society and representation in books, as well as the nature of good and evil. As Kostova explains, "Dracula is a metaphor for the evil that is so hard to undo in history." The evils brought about by religious conflict are a particular theme, and the novel explores the relationship between the Christian West and the Islamic East.
Little, Brown and Company heavily promoted the book and it became the first debut novel to become number one on The New York Times bestseller list in its first week on sale. As of 2005, it was the fastest-selling hardback debut novel in U.S. history. In general, the novel received mixed reviews. While some praised the book's description of the setting, others criticized its structure and lack of tonal variety. Kostova received the 2006 Book Sense award for Best Adult Fiction and the 2005 Quill Award for Debut Author of the Year. Sony has bought the film rights and, as of 2007, was planning an adaptation.
How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated so that a history almost at variance with the possibilities of latter-day belief may stand forth as simple fact. There is throughout no statement of past things wherein memory may err, for all the records chosen are exactly contemporary, given from the stand-points and within the range of knowledge of those who made them.
The Historian interweaves the history and folklore of Vlad Țepeș, a 15th-century prince of Wallachia known as "Vlad the Impaler", and his fictional equivalent Count Dracula together with the story of Paul, a professor; his 16-year-old daughter; and their quest for Vlad's tomb. The novel ties together three separate narratives using letters and oral accounts: that of Paul's mentor in the 1930s, that of Paul in the 1950s, and that of the narrator herself in the 1970s. The tale is told primarily from the perspective of Paul's daughter, who is never named.
Part I opens in 1972 Amsterdam. The narrator finds an old vellum-bound book with a woodcut of a dragon in the center associated with Dracula. When she asks her father Paul about it, he tells her how he found the handmade book in his study carrel when he was a graduate student in the 1950s. Paul took the book to his mentor, Professor Bartholomew Rossi, and was shocked to find that Rossi had found a similar handmade book when he was a graduate student in the 1930s. As a result, Rossi researched Țepeș, the Dracula myth surrounding him, and the mysterious book. Rossi traveled as far as Istanbul; however, the appearance of curious characters and unexplained events caused him to drop his investigation and return to his graduate work. Rossi gives Paul his research notes and informs him that he believes Dracula is still alive.
The bulk of the novel focuses on the 1950s timeline, which follows Paul's adventures. After meeting with Paul, Rossi disappears; smears of blood on his desk and the ceiling of his office are the only traces that remain. Certain that something unfortunate has befallen his advisor, Paul begins to investigate Dracula. While in the university library he meets a young, dark-haired woman reading a copy of Bram Stoker's Dracula. She is Helen Rossi, the daughter of Bartholomew Rossi, and she has become an expert on Dracula. Paul attempts to convince her that one of the librarians is trying to prevent their research into Dracula, but she is unpersuaded. Later, the librarian attacks and bites Helen. Paul intervenes and overpowers him, but he wriggles free. The librarian is then run over by a car in front of the library and apparently killed.
Upon hearing her father's story, the narrator becomes interested in the mystery and begins researching Dracula as she and her father travel across Europe during the 1970s. Although he eventually sends her home, she does not remain there. After finding letters addressed to her that reveal he has left on a quest to find her mother (previously believed to be dead), she sets out to find him. As is slowly made clear in the novel, Helen is the narrator's mother. The letters continue the story her father has been telling her. The narrator decides to travel to a monastery where she believes her father might be.