The Infamous (stylized as The Infamous...) is the second studio album by the American hip hop duo Mobb Deep, released on April 25, 1995, by BMG, RCA Records and Loud Records. The album features guest appearances by Nas, Raekwon, Ghostface Killah, and Q-Tip. It was largely produced by group member Havoc, with Q-Tip also contributing production while serving as the mixing engineer. Most of the leftover songs from the album became bonus tracks for Mobb Deep's The Infamous Mobb Deep album (2014).

Upon its release, The Infamous achieved notable commercial success, debuting at number 18 on the US Billboard 200 and number 3 on the Top R&B/Hip Hop Albums charts. On February 21, 2020, the album was certified Platinum by the Recording Industry Association of America (RIAA). The album produced four singles; "Shook Ones, Part II", "Survival of the Fittest", "Temperature's Rising", "Give Up the Goods (Just Step)"; the first three singles achieved varying degrees of chart success, with "Shook Ones, Part II" being the most successful.

The album's dark style, defined by its evocative melodies, rugged beats, and introspective lyrics concerning crime in New York's inner city neighborhoods, received special recognition and critical praise. Along with albums such as Enter the Wu-Tang (36 Chambers), Illmatic and Ready to Die, The Infamous is widely credited as a major contributor to the East Coast Renaissance. Furthermore, the album is credited with helping to redefine the sound of hardcore hip hop, using its production style, which incorporated eerie piano loops, distorted synthesizers, eighth-note hi-hats, and sparse filtered basslines. In 2020, the album was ranked 369th on Rolling Stone's updated list of the 500 Greatest Albums of All Time.

During the spring of 1993, while the group was still in their late teens, Mobb Deep released their first album Juvenile Hell under the 4th & B'way Records label. The album included production from several revered New York-based producers, including Large Professor, DJ Premier, and Public Enemy affiliate Kerwin Young, and included the underground hit single "Hit It from the Back". Due to Juvenile Hell's failure to achieve significant commercial and critical success, the duo was dropped from their label several months after the album's release. Havoc and Prodigy later described Juvenile Hell as a "learning experience".

During the summer of 1993, Loud Records was looking for another group to sign, owing to the success of Wu-Tang Clan's first single, "Protect Ya Neck", and by fall 1993, the label had signed Mobb Deep. In 1994, the group released the promotional single "Shook Ones", which served as a preview of their new sound. Unlike the duo's first album, The Infamous was mostly self-produced by Havoc and Prodigy, with outside help from Loud A&R representatives Matt Life (aka Matty C) and Schott Free, as well as A Tribe Called Quest producer Q-Tip, who discovered Mobb Deep in the early 1990s. Matt Life later recalled Q-Tip's involvements, stating, "Tip was very involved in The Infamous from early on. Probably more than people know. Tip was just a fan of theirs and I knew him from way back, so he was really helpful, giving them advice." Q-Tip's contributions to the album were credited under his alias "The Abstract".

On the group's decision to handle most of the production, Havoc later commented, "We started producing because other producers was giving us shit that we didn't like, or they was just charging too much. I didn't know nothing about producing music at the time, but I learned by watching others."

Prodigy later revealed that Nas' 1994 album Illmatic heavily influenced Mobb Deep when making The Infamous, saying that the Illmatic album made them look at themselves and helped them realize that they had not told their story correctly when they made Juvenile Hell. Nas himself makes a guest appearance in the song "Eye for a Eye (Your Beef Is Mines)" in The Infamous.

Recording sessions for The Infamous began in 1994 and took place at Battery Studios, Platinum Island Studios, Firehouse Studios and Unique Recording in New York City. Havoc produced most of the beats in his Queensbridge apartment, with Prodigy often assisting him; earlier in their career, Prodigy taught him how to sample. Describing their minimal production setup, Prodigy said, "Our first sampler we had was an EPS-16 Plus... We had that for a little while, and when the MPC came out we bought that, and that was it. A little record player, a little mixer, and that's all we needed."