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William Paul Mitchell (born March 21, 1972),[1] better known by the stage name of Large Professor (also Extra P. and Large Pro), is an American rapper and record producer. Based in New York City, he is a founding member of the underground hip-hop group Main Source, and is credited with having discovered and mentored fellow New York City-based rapper Nas.[2] About.com ranked Large Professor at No. 13 on its Top 25 Hip-Hop Producers list.[3]

Early life and education

[edit]

William Paul Mitchell was born in Harlem, Manhattan, New York City, and raised in Flushing, Queens, New York City, where he attended IS 237 and John Bowne High School.[4][5]

Career

[edit]

Large Professor started making his earliest beats with two turntables, a Casio SK-1 sampler, and pause-tape cassettes before his mentor Paul C taught him how to use an E-mu SP-1200.[6] During his pause tape phase he noted that some of his techniques were different than those of other producers. "I was trying to catch it from a different part of the record. I would catch it from the hi-hat when dudes were just catching it from the one kick. I would catch it from the third hi-hat and be flipping it."[7]

In 1989, he joined the group Main Source, which also included Toronto natives K-Cut and Sir Scratch. In 1990 Large produced three tracks for Eric B. & Rakim's Let the Rhythm Hit 'Em, including "In the Ghetto".[6] To make "In the Ghetto", he sampled directly off of a cassette tape of sample ideas Paul C had made for Rakim.[6]

Main Source recorded one album with Large called Breaking Atoms, which was released in 1991. It included hits such as "Just Hangin' Out", "Looking at the Front Door", and featured Nas' first public appearance on a track called "Live at the Barbeque", along with Akinyele and Joe Fatal.[4] Large Professor now considers "Looking at the Front Door" one of the most emotional records of his career, later saying "That's a deep record. At that time in life, I was eighteen years old. It was a kid with a pure heart, just writing, and putting his soul out there for the world."[5]

In 1992, their success allowed them to record "Fakin' the Funk", a track on the White Men Can't Jump motion-picture soundtrack. Because of business differences, Large and Main Source quietly parted ways and Large went on to sign with Geffen Records.

During and after his tenure with Main Source, he worked with Pete Rock & CL Smooth, and he produced a number of tracks for Nas, Busta Rhymes, Masta Ace, The X-Ecutioners, Tragedy Khadafi, Big Daddy Kane, Mobb Deep, A Tribe Called Quest, and others during the 1990s.[8] During this time he handled a significant amount of production on several projects for other artists. In 1993 he produced Akinyele's entire Vagina Diner album, which experienced some modest commercial success at the time of its release.[9] Though the album did well at first, The Source later wrote an article criticizing the song "I Luh Huh", in which Akinyele considers pushing his pregnant girlfriend down the stairs as a form of abortion.[10] The ensuing backlash for the controversial lyrics hurt the album's performance.[11] Akinyele wrote a response in the next issue defending the song and pointing out that the violent ideas in the songs are just thoughts, and he ends the song by saying "Just cause I talk this shit don't get me wrong, Yo, I still luh hur."[10]

Large Professor also produced "Keep It Rollin'" on A Tribe Called Quest's Midnight Marauders not long after he left Main Source. This was a major moment in his career that helped him reach a new level of credibility and exposure as a solo artist.[12]

In 1994, Large Professor produced three of the ten songs on Nas's Illmatic ("Halftime", "One Time 4 Your Mind", and "It Ain't Hard to Tell"), making him tied with DJ Premier for the most songs produced on the album. According to an interview with Busta Rhymes, the "Halftime" beat was originally intended for him.[13] Though he liked the beat, he didn't end up using it and later regretted it after hearing "Halftime".[13] While describing the making of the song in an interview Large Pro said, "I mean, we just wanted to put something gritty out there to the world, and those drums—that's what it was at that time. It was that gritty, muffled out, because the Hip Hop that we grew up with… We grew up with park jam tapes and things like the fidelity of these tapes."[14] He was so instrumental in the making of Illmatic that Nas wanted to give him an executive producer credit, but he refused.[14]

In 1996, Large Professor completed his debut solo album The LP for Geffen Records. It was promoted by the singles "The Mad Scientist" and "I Juswannachill". After several delays, the album was shelved[15] and later released as a bootleg version in 2002. An official release of the album finally came out in 2009, thirteen years after its original intended release date.[15]

In 2001, Large Pro produced "You're da Man" and "Rewind" for Nas's Stillmatic album. He first played Nas the beat for "You're da Man" while Nas was working on Nastradamus a few years prior.[16] Nas chose the beat but decided to save it for a later project.[16] Large Professor also used the same vocal sample from the chorus on the song "The Man" for his 1st Class album.

On December 22, 2002, at a concert in Toronto, the original members of Main Source performed together for the first time in nearly 10 years.[17]

Discography

[edit]
Large Professor in 2007
Main article: Large Professor production discography

Albums

[edit]
with Main Source
Solo albums
Collaboration albums
Instrumental albums
  • 2006: Beatz Volume 1
  • 2007: Beatz Volume 2
  • 2022: Beatz Volume 3

Guest appearances

[edit]
  • 2019 "TNT" (REMIX) (Truth; The Fight for Survival)
  • 2019: "We All About" (Royal Flush; The Governor)
  • --``--:: "Hard As Steel" (DJ Duke; )
  • --``--:: "Everybody in the Place" (The Good People; Good for Nuthin')
  • 2021: "Legendary" (Grand Daddy I.U.; The Essence)
  • 2022: "Entourage"; "Attack" (Truth; For All Intents and Purposes)
  • --``--:: "Talk About It" (Paul Wall; Start Finish Repeat)
  • 2024: "Number One Set & Sound" (Silver Skylarks; "")

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Large Professor

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Large Professor, whose real name is William Paul Mitchell, is an American hip-hop rapper, , and DJ born on March 21, 1973, in , New York, and raised in . Widely recognized as a pivotal figure in golden age hip-hop, he gained prominence as a founding member and producer of the group , whose 1991 debut album showcased innovative sample-based beats and introduced future star on the track "Live at the Barbeque." As a teenager, Large Professor was mentored by producer Paul C., who taught him advanced sampling techniques using the sampler, shaping his signature style of multi-layered, jazz- and soul-infused production drawn from obscure vinyl records. His early credits include programming beats for & Rakim's 1990 album Let the Rhythm Hit 'Em and co-producing tracks like "Streets of New York" on Kool G Rap & DJ Polo's Wanted: Dead or Alive that same year. After leaving Main Source following , he became a sought-after producer for artists including , , and , while influencing a generation of beatmakers like through his emphasis on creative digging and precise arrangements. Large Professor's most celebrated contributions came with Nas's landmark 1994 debut Illmatic, where he produced three key tracks—"It Ain't Hard to Tell," "One Love," and "Life's a Bitch"—employing intricate sampling to create timeless boom-bap soundscapes. He also rapped on several projects, including Main Source's work and his own material, though his production legacy often overshadows his MC skills. Launching his solo career in the mid-1990s with singles like "I Just Wanna Chill" under Geffen/MCA, he released albums such as 1st Class (2002), The LP (officially 2009), Professor @ Large (2012), and Re:Living (2015), with continued collaborations including features on tracks like Q-Tip and AZ's "The Life" (2025), often featuring peers like Q-Tip and Nas. Through his company Paul Sea Productions—named in honor of mentor Paul C., who was murdered in 1989—Large Professor has continued to DJ internationally and produce, maintaining a commitment to authentic hip-hop craftsmanship amid the genre's evolution. His work on foundational records helped define the sound of 1990s East Coast rap, earning acclaim for blending technical innovation with emotional depth.

Early life

Early childhood

William Paul Mitchell, known professionally as Large Professor, was born on March 21, 1973, in , . He moved to , during his early childhood, where he was raised in a modest apartment by his parents and older sister. His father maintained a spiritual outlook that influenced family life and supported Mitchell's creative pursuits, while his mother actively involved him in music selection during weekly record-shopping trips, fostering his early appreciation for diverse sounds. The household emphasized soul and blues music, creating an environment rich in rhythmic and melodic exposure amid the competitive energy of ' urban neighborhoods. Growing up in this diverse setting, Mitchell encountered the emerging hip-hop scene through local tapes and community interactions, with access to breakbeats and early rap records that shaped his auditory landscape. His initial musical encounters began around ages 8 to 10, treating vinyl records as playthings and experimenting with pause-button mixtapes in his bedroom, all without any formal training. By age 10 or 12, he purchased his first single, Spoonie Gee's "Spoonin' Rap," marking a shift toward hands-on engagement with hip-hop elements. These foundational experiences in ignited his passion for music production and laid the groundwork for his later transition into DJing.

Early DJing

As a young teenager around age 13 in the mid-1980s, Large Professor, born William Paul Mitchell, became deeply immersed in the vibrant hip-hop scene of , New York, where block parties and street cyphers were commonplace. Upon acquiring his first turntables and mixer, he honed his DJing skills through self-directed practice and experimentation at local block parties. As a young teenager, he began creating pause tapes by blending beats on a sampling keyboard, laying the groundwork for his production style without formal training. His early local gigs included performances at school events and neighborhood parties, where he adopted the stage name "Large Professor," drawn from a lyric by . These amateur sets helped him build confidence and visibility in the local scene. The beginnings of mentorship emerged through informal connections in the hip-hop community, including interactions with established figures that paved the way for his professional entry into production and recording.

Career

Formation of Main Source and early productions

In the late 1980s, Large Professor, born William Paul Mitchell, began his formal apprenticeship in music production under the guidance of . McKasty, a pioneering hip-hop engineer and producer based in , New York. Introduced to Paul C. through connections at Studio 1212, the teenage Large Professor quickly absorbed key techniques in sampling and engineering, particularly mastering the drum machine after Paul C. lent him the device for two weeks, during which he created dozens of beats. This hands-on learning at Paul C.'s home studio, where he worked daily alongside projects for artists like and Ultramagnetic MC's, transformed Large Professor's self-taught pause-tape methods into professional-grade production skills. The mentorship ended tragically in July 1989 when Paul C. was murdered in his Rosedale, Queens home in an unsolved case, leaving Large Professor devastated and committed to honoring his teacher's legacy. At just 17, Large Professor stepped in to complete several unfinished tracks Paul C. had started, including uncredited production on Eric B. & Rakim's "In the Ghetto" from their 1990 album Let the Rhythm Hit 'Em, using a rare sample Paul C. had discovered on cassette tape as a direct tribute to his mentor's innovative approach. This period marked a pivotal transition, as Large Professor applied his newfound expertise to early collaborative efforts while grieving the loss of the figure who had "stepped him up studio-wise." Later in 1989, Large Professor co-founded the hip-hop group with Toronto-based DJ-producer brothers K-Cut (Kevin McKenzie) and Sir Scratch (Shawn McKenzie), whom he connected with through New York City's burgeoning scene and shared high school circles. The group's name drew inspiration from jazz acts like and Creative Source, reflecting their emphasis on soulful, sample-heavy soundscapes. Supported by K-Cut's mother, who funded initial studio sessions, Main Source quickly developed early demos that showcased Large Professor's rapping and production alongside the McKenzie brothers' scratching and mixing. Signed to Wild Pitch Records, they released their debut single "Atom" in 1989, a raw showcase of Large Professor's SP-1200-driven beats and group chemistry that gained underground traction. The group's breakthrough came with the posse cut "Live at the Barbeque," recorded in a single session as sessions for their debut album wrapped, featuring emerging talents Nas, Akinyele, and Joe Fatal over Large Professor's jazzy, loop-based production. This track, released as a single in 1991 ahead of Breaking Atoms, highlighted Main Source's innovative blend of live instrumentation and dense sampling, earning radio play on stations like WBLS and establishing their reputation in New York's competitive hip-hop landscape. These early efforts, rooted in Large Professor's post-apprenticeship growth, laid the foundation for Main Source's influential sound while bridging his DJ roots from Queens parties to professional recording.

Work with Nas and key collaborations

Large Professor's collaboration with Nas began in 1991 when he produced the track "Live at the Barbeque" for Main Source's debut album Breaking Atoms, marking Nas's first recorded appearance in hip-hop. Introduced through mutual acquaintance Joe Fatal, Nas contributed a verse to the posse cut alongside Akinyele and Fatal, showcasing his lyrical prowess and helping establish his early reputation. This partnership extended to Nas's landmark 1994 debut album Illmatic, where Large Professor produced three key tracks: "Halftime," which originated as a demo that secured Nas's deal with Columbia Records, "One Time 4 Your Mind," and "It Ain't Hard to Tell," the album's closing single built around a sample from Michael Jackson's "Human Nature." These productions highlighted Large Professor's signature dusty, sample-heavy style, contributing to Illmatic's critical acclaim as a cornerstone of 1990s hip-hop. The release of on July 23, 1991, via Wild Pitch Records solidified Main Source's place in the genre, with Large Professor handling primary production duties across its 13 tracks. Standout cuts like "Just Hangin' Out" exemplified the album's jazz-soul sampling approach, drawing from artists such as and Donald Byrd to create laid-back yet intricate beats that influenced the era's sound. "Live at the Barbeque" itself became a seminal posse track, further cementing the album's legacy despite its modest commercial performance. Beyond and , Large Professor emerged as a sought-after in the early , contributing to projects by established acts. He served as production coordinator on Eric B. & Rakim's 1992 album Don't Sweat the Technique, assisting with overall sonic direction while Eric B. led the beats, resulting in a polished final effort that included tracks like the title cut. For Diamond D's 1992 debut Stunts, Blunts and Hip Hop on Chemistry Records, Large Professor co-produced the freestyle track "Yo, That's That Sh..," adding his precise drum programming to the album's raw, D.I.T.C.-affiliated vibe. Similarly, he co-produced "Act Like You Know" on Pete Rock & C.L. Smooth's 1992 album Mecca and the Soul Brother, blending his sampling expertise with 's soulful style for a track that underscored their mutual influence in the scene. Tensions within Main Source escalated after Breaking Atoms, leading to Large Professor's departure in 1992 amid creative disputes, including the group's unauthorized use of his beat for "Just Hangin' Out" on their follow-up single "Fakin' the Funk." Business disagreements with Wild Pitch Records exacerbated the rift, prompting Large Professor to pursue independent production work rather than continue with the group. This split marked the end of Main Source's original lineup, though it freed Large Professor to collaborate more broadly across the New York hip-hop landscape.

Solo career and later projects

Large Professor's solo career began in earnest in the late after his departure from group projects and key production roles. His debut , The LP, originally recorded in 1996 for , was shelved due to label issues and ultimately self-released independently in 2002 before an official reissue in 2009. The project showcased his signature production layered with introspective rhymes, featuring standout tracks like "The Mad Scientist" and "I Juswannachill," which highlighted his evolution as a lead artist beyond collaborative efforts. In 2002, Large Professor followed with his second studio album, 1st Class, released through . This effort marked a more polished entry into his solo , blending dense sampling with guest appearances from longtime associates, including on "Stay Chisel" and Q-Tip on "In the Sun." The album emphasized his lyrical dexterity and production finesse, drawing on jazz-infused beats to affirm his place in underground hip-hop circles during a period dominated by commercial trends. The mid-2000s saw Large Professor continue independent releases, including the 2008 album on Gold Dust Media, a limited-run project that paid homage to his group roots while serving as a solo instrumental and vocal showcase. This was complemented by sporadic productions for artists like on "The Heist" from (2000) and remixes for established acts, such as the "Resurrection" rework for Common, which carried his influence into the 2000s hip-hop landscape. Collaborations with Q-Tip extended into this era, reinforcing mutual respect among golden-era producers through shared tracks and features. Entering the 2010s, Large Professor maintained a steady output with albums like Professor @ Large (2012) on Fat Beats, which mixed soulful loops with contemporary flows, and Re:Living (2015), an all-self-produced affair emphasizing his enduring sampling techniques. He contributed to compilations and remixes, including work with newer acts like on Professor Ortiz (2017), bridging his foundational sound with emerging talent. These projects underscored his role in hip-hop's evolution, often through independent channels that prioritized artistic control. Post-2020, Large Professor has focused on selective releases and community-building initiatives. In 2023, he co-released The Science, a collection of previously unreleased from the early 1990s, via , reviving interest in the group's legacy through archival tracks and live performances at events honoring hip-hop's pioneers. He has teased additional unreleased from his catalog as of 2025, while contributing to singles like "Talk About It" (2023), "Hxc Underground" (2024), "America," and "Perfect Match" (both 2025). Additionally, Large Professor launched Smoke N' Beatz in 2023, a recurring series aimed at mentoring aspiring beatmakers in sampling and hip-hop production techniques, fostering education in the genre's foundational elements.

Musical style and influence

Production techniques and sampling

Large Professor's sampling philosophy centers on sourcing obscure records from , and genres to create dense, organic beats that evoke a live, organic feel. He favors artists like Donald Byrd, , , and for their uplifting and funky vibes, avoiding mainstream samples such as those from in favor of lesser-known tracks like those from or to maintain authenticity and originality. This approach involves digging in locations like reggae shops, , and international spots such as , where he selects vinyl originals over reprints to preserve the raw essence of the source material. By layering multiple samples—often flipping excerpts from horns, vocals, or breaks—he transforms them into head-nodding instrumentals that reinforce hip-hop's record-based , as he describes: "You’re taking something that is already saying something and you’re changing what it’s saying." His technical innovations were heavily shaped by early mentorship from producer . McKasty, who introduced him to advanced chopping and sequencing on equipment like the sampler. Large Professor adopted these methods, emphasizing precise cutting and rearranging to avoid direct "biting" while creating new contexts, such as panning drums for spatial depth or altering pitches to fit rhythmic needs. A hallmark is his use of the sampler for productions like those on Nas's Illmatic (1994), where he chopped and pitched samples to build layered textures, prioritizing breakbeats for an authentic, live-drums swing. For instance, on "It Ain't Hard to Tell," he looped and layered Michael Jackson's "" (1983) to craft a gritty, uplifting hood anthem, blending the original's smooth synths with hip-hop percussion for emotional resonance. This hands-on engineering workflow, influenced by .'s compression and filtering techniques, focused on translating ideas directly from turntables to sequencer without over-processing, resulting in crisp, dusty loops that prioritize sonic clarity and groove. Over time, Large Professor's techniques evolved from analog hardware to incorporate digital tools while retaining his vinyl-sourced sampling core. In the , he used the digital sampler for seamless blending on Main Source's (1991), such as looping Tom Scott's horns for emotional depth. By the 2000s, he shifted toward modern MPC iterations and software like for efficient chopping and DJing, allowing one-touch sample manipulation without abandoning physical records, as seen in his solo projects like 1st Class (2002) where denser layers contrasted the sparer beats. This adaptation maintained the "boom-bap" philosophy but added flexibility for collaborations, emphasizing full instrumentals to complement dense lyrics and evolving listener preferences.

Impact on hip-hop and legacy

Large Professor played a pivotal role in the golden age of hip-hop during the early 1990s, particularly in shaping the East Coast sound through his production on Nas's seminal album (1994), which helped define the genre's introspective lyricism and gritty aesthetic. His contributions to tracks like "It Ain't Hard to Tell" and "One Love" elevated Queensbridge's narrative style, influencing the raw, street-level storytelling that became a hallmark of New York rap. has publicly acknowledged Large Professor as a key mentor, crediting him with discovering his talent and providing crucial early guidance that launched his career. His innovative sampling aesthetics and production philosophy have inspired subsequent generations of producers, including figures like and , who have cited his record-digging techniques and enthusiasm for crafting beats as foundational influences. This "each one, teach one" approach extended to later artists such as and , whose experimental sampling drew from Large Professor's emphasis on jazz-infused loops and seamless integration of obscure sources, as evidenced in his work with . He is frequently referenced in hip-hop documentaries and interviews for his role in evolving beatmaking during rap's formative years. While Large Professor has not received major awards like Grammys, his legacy has garnered retrospective acclaim, including features in Rolling Stone's coverage of hip-hop's 50th in 2023, where he was highlighted as an enduring architect of the genre. His lasting impact on the Queensbridge scene persists through mentorship of emerging talents in the via collaborations and production workshops, ensuring the continuation of East Coast boom-bap traditions. As of 2025, he continues to perform internationally and collaborate with emerging artists, sustaining his impact on hip-hop production.

Discography

Albums

Large Professor's discography as a lead artist encompasses his contributions to the group Main Source and a series of solo projects, spanning from the early to the early . His work with Main Source marked his initial breakthrough in the hip-hop landscape. The group's debut album, , was released on July 23, 1991, by Wild Pitch Records. Produced primarily by Large Professor alongside K-Cut, the album features 13 tracks, including standout singles like "Just Hangin' Out" and "Looking at the Front Door," which highlight the group's innovative sampling and jazz-infused beats. An expanded 30th anniversary reissue, including bonus tracks such as the "Fakin' the Funk (Legends Circle mix)," was issued in 2021 by Mr Bongo Records. Following his departure from Main Source, Large Professor pursued solo endeavors, beginning with material recorded in the mid-1990s. His debut solo album, The LP, was originally completed in 1996 for Geffen Records but shelved due to label disputes; a promotional version surfaced in 2002, and the official release came on October 13, 2009, via Paul Sea Productions. The 14-track project, self-produced by Large Professor, includes cuts like "I Juswannachill" and "The Mad Scientist," showcasing his lyrical introspection and production prowess. Large Professor's follow-up, 1st Class, arrived on October 8, 2002, through Matador Records. This 16-track effort features collaborations with artists such as Nas on "Stay Chillin'" and Q-Tip, emphasizing boom bap rhythms and guest verses from hip-hop contemporaries. In 2008, he released Main Source on M.O.G. Records, a 17-track album that pays homage to his group roots while delivering original material with features from Guardian Leep and others. Subsequent releases include Professor @ Large (2012, Fat Beats), a 17-track collection with appearances by , , and , blending classic production with modern guests. His most recent vocal solo album, Re:Living, emerged on May 26, 2015, also via Fat Beats, featuring 14 tracks that reflect on his career and include contributions from artists like OC and . Additionally, instrumental compilations such as Beatz Volume 1 (2006, self-released), Beatz Volume 2 (2007, self-released), and Beatz Volume 3 (2022, self-released via Paul Sea Productions) compile his production beats, underscoring his enduring role as a beatmaker.

Collaboration albums

  • Vagina Diner with Akinyele (1993, self-released)
  • Exotic's Raw with Neek the Exotic (2003, self-released)
  • Mega Philosophy with (2014, Slimstyle Records)

Guest appearances and production credits

Large Professor has contributed guest verses to numerous hip-hop tracks throughout his career, often appearing on projects by fellow artists in the New York underground scene and beyond. His features typically showcase his precise lyricism and affinity for jazz-inflected flows, complementing the beats he sometimes produces himself. Early appearances established his presence alongside golden-era pioneers, while later ones reflect ongoing collaborations with veteran rappers.

Notable Guest Appearances

1990s
  • "Money in the Bank" by Kool G Rap & DJ Polo from Wanted: Dead or Alive (1990).
  • "Keep It Rollin'" by A Tribe Called Quest from Midnight Marauders (1993).
  • "Stress (Remix)" by Organized Konfusion (1994 single).
  • "Extra Abstract Skillz" by Mad Skillz from From Where??? (1995).
  • "To Each His Own" by InI featuring Q-Tip from Center of Attention (1996).
  • "Best Kept Secret" by Diamond D from Stunts, Blunts and Hip Hop (1992), where he delivered a concise verse highlighting his production ties to the D.I.T.C. crew.
2000s
  • "The Last Shall Be First" by Cella Dwellas from The Last Shall Be First (2000).
  • "The Come Up" by Cormega from The True Meaning (2002).
  • "Sugar Ray and Hearns" by Cormega from Legal Hustle (2004).
  • "Soul Brother" by Pete Rock featuring Large Professor from Soul Brother (2004).
  • "Out Da Box" by Tony Touch from The Piece Maker 2 (2004).
  • "The Radar" by Marco Polo from Port Authority (2007).
  • "Fans" by Masta Ace & Edo G from Arts & Entertainment (2009).
2010s
  • "Loco-Motive" by from Life Is Good (2012).
  • "Catch the Thrown" by from Most of My Heroes Still Don't Appear on No Stamp (2012).
  • "Built Pyramids" by from (2013).
  • "We All About" by Royal Flush from The Governor (2019).
2020s In addition to , Large Professor's production work for other artists spans decades, emphasizing dusty soul samples and crisp drum programming that influenced East Coast hip-hop's sound. He provided uncredited assistance on Snoop Dogg's "DWYCK" from (1993), layering subtle elements into Dr. Dre's mix. His credits often filled gaps in mid-2000s projects, bridging classic boom-bap with emerging indie releases, and continued into the with selective beats for underground acts.

Selected Production Credits

1990s 2000s
  • "Rewind" and "You're da Man" by from Stillmatic (2001).
  • "The Heist" by from Anarchy (2001).
  • "Drug Music," "We Are the Future," and "It's Us" by from The Future Is Now (2002).
  • "World Wide" by from The Last Stand (2006).
  • "The Hardest" by AZ from Undeniable (2008).
  • "Journey" by from Born & Raised (2009).
2010s
  • "Do the Math" by Torae from For the Record (2011).
  • "Acid Reflux" and "Canarsie High" by from The Grimy Awards (2013).
  • "Built Pyramids" by from (2013).
  • Mega Philosophy by (2014, full production).
2020s
Recent output includes beats for reunion-style projects, such as contributions to Nas-associated tracks amid nostalgia waves, though specific 2024-2025 credits remain sparse in public discographies beyond features. No major new productions verified for 2020-2025 beyond ongoing archival releases.

References

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  4. https://magazine.waxpoetics.com/connections/record-rundown/article/large-professor-producers-producer/
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  7. https://www.allmusic.com/artist/large-professor-mn0000121234
  8. https://albumism.com/features/large-professor-1st-class-album-anniversary
  9. https://www.reddit.com/r/hiphopheads/comments/1n72g6n/qtip_az_the_life_ft_large_professor_music_video/
  10. https://www.wbgo.org/2022-02-15/episode-2-large-professor
  11. https://www.imdb.com/name/nm1574893/
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  13. https://daily.redbullmusicacademy.com/2015/02/large-professor-interview/
  14. https://www.complex.com/music/a/daniel-isenberg/large-professor-tells-all-the-stories-behind-his-classic-records-part-i
  15. https://unkut.com/2009/04/large-pro-the-unkut-interview/
  16. https://ambrosiaforheads.com/2019/03/large-professor-nas-demo-tapes-video/
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  18. https://getondown.com/products/illmatic-30th-anniversary-7-box-set-cassette-bundle
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  31. https://www.fatbeats.com/products/large-professor-professor-large-cd
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  33. https://ambrosiaforheads.com/2023/07/main-source-science-album-stream/
  34. https://open.spotify.com/artist/01nVIuD8YZsnFH6x6Cc9rX
  35. https://www.mpc-forums.com/viewtopic.php?p=142340
  36. https://magazine.waxpoetics.com/article/large-professor-producers-producer/
  37. https://www.instagram.com/reel/DQrhE29jdu2/
  38. https://www.allmusic.com/album/breaking-atoms-mw0000262514
  39. https://www.discogs.com/master/30304-Main-Source-Breaking-Atoms
  40. https://www.mrbongo.com/products/breaking-atoms-vinyl-lp-cd
  41. https://www.rushhour.nl/record/vinyl/lp-6
  42. https://www.discogs.com/master/457918-Large-Professor-Professor-Large
  43. https://largeproffesor.bandcamp.com/album/beatz-vol-3
  44. https://www.discogs.com/release/23013329-Large-Professor-Beatz-Volume-3
  45. https://www.discogs.com/release/14321595-Royal-Flush-The-Governor
  46. https://www.youtube.com/watch?v=2Jx3R41bA4s
  47. https://www.youtube.com/watch?v=55arUETjIf4
  48. https://www.youtube.com/watch?v=GrSoVewqM2g
  49. https://hiphopdx.com/editorials/hiphopdxs-top-25-albums-of-2014/
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