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The Massacre AI simulator
(@The Massacre_simulator)
Hub AI
The Massacre AI simulator
(@The Massacre_simulator)
The Massacre
The Massacre is the second studio album by American rapper 50 Cent, released on March 8, 2005, via Interscope Records, Eminem's Shady Records, 50 Cent's G-Unit Records, and Dr. Dre's Aftermath Entertainment. With production from Dr. Dre, Eminem, Scott Storch, Sha Money XL and others, the album features guest appearances from G-Unit affiliates Tony Yayo, Olivia, Eminem and Jamie Foxx.
Preceded by the singles "Disco Inferno" and "Candy Shop", the album debuted atop the Billboard 200, selling 1.15 million copies in its first four days; it remained atop the chart for six weeks after its release. The Massacre received generally positive reviews from music critics, and was 50 Cent's second consecutive number one album on the chart. Following its release, the album spawned the Billboard Hot 100-top ten singles "Just A Lil Bit" and "Outta Control."
The original title for the album was revealed as The St. Valentine's Day Massacre, named after the 1929 Chicago gang murder spree known as Saint Valentine's Day Massacre. 50 Cent intended the album to be released on February 15, 2005, but Interscope was not interested. He leaked "Disco Inferno" in order to force their hand, and Interscope released it on March 7.
Originally, songs intended for the album included "Hate It or Love It", "Higher" and "Special" but the songs were eventually given to the Game's The Documentary, causing a majority of The Massacre to be reworked. Although, a G-Unit remix of "Hate it or Love It" appeared as a bonus track on this album.
After 50 Cent released the Game from his G-Unit Records imprint on live radio February 21, 2005, a shootout occurred. Paul Rosenberg of Shady Records and Jimmy Iovine of Interscope worried that the album would underperform due to the negativity of the Hot 97 shooting. 50 and the Game later entered into a truce six days after The Massacre was released, but their animosity rose up again after Game made fun of G-Unit at Hot 97's annual Summer Jam, where he first used the "G-Unot" insult, later turning to a boycott.
The censored version of the album censors out most profanity, violence, and all drug content. The track "Gunz Come Out" has inconsistency in the editing, and contains some profanity. The opening intro removes the shooting sequence, and is cut down to 20 seconds. The album cover also removes guns in the background behind the rapper, being replaced by motifs and a gradient background. In comparison, the album is not as heavily censored as his previous album Get Rich or Die Tryin' (2003).
The instrumentation of the album closely mirrors that of its predecessor, incorporating string instruments and orchestral elements; however, cinematic themes are no longer the central focus. This album introduces numerous new musical components, including jazz rap and R&B influences that evoke the essence of early 1990s New York hip hop. A notable addition to the album's sound is the influence of Scott Storch, whose musical ideas infuse tracks like "Candy Shop" and "Just A Lil Bit" with Middle Eastern Arabic melodies layered over hard-hitting hip hop beats. Another notable but underrated addition to the album's sound is Buckwild's production on "I Don't Need 'Em", which uses a jazz rap instrumental. Furthermore, the album benefits from exceptional mixing, primarily attributed to Dr. Dre's involvement, as was the case with the previous album.The album's production credits include Bang Out, Bass Brothers, Black Jeruz, Buckwild, Cool & Dre, C. Styles, Cue Beats, Disco D, Dr. Dre, Eminem, Hi-Tek, J.R. Rotem, Luis Resto, Mike Elizondo, Needlz, Scott Storch, and Sha Money XL.
With a release in the middle of the sales week, The Massacre sold 1.15 million copies in its first four days of release, becoming the sixth-largest opening week for an album at the time since Nielsen SoundScan began tracking sales in 1991. This is the second largest opening week for a hip hop album, behind Eminem's The Marshall Mathers LP (2000), which sold 1.76 million copies in its first week. Mariah Carey's The Emancipation of Mimi replaced it as number one in late April 2005, as The Massacre reached 3 million units sold. In 2025, The Massacre was certified seven times platinum for combined sales and album-equivalent units of at least seven million copies in the United States. It has sold over twelve million copies worldwide.
The Massacre
The Massacre is the second studio album by American rapper 50 Cent, released on March 8, 2005, via Interscope Records, Eminem's Shady Records, 50 Cent's G-Unit Records, and Dr. Dre's Aftermath Entertainment. With production from Dr. Dre, Eminem, Scott Storch, Sha Money XL and others, the album features guest appearances from G-Unit affiliates Tony Yayo, Olivia, Eminem and Jamie Foxx.
Preceded by the singles "Disco Inferno" and "Candy Shop", the album debuted atop the Billboard 200, selling 1.15 million copies in its first four days; it remained atop the chart for six weeks after its release. The Massacre received generally positive reviews from music critics, and was 50 Cent's second consecutive number one album on the chart. Following its release, the album spawned the Billboard Hot 100-top ten singles "Just A Lil Bit" and "Outta Control."
The original title for the album was revealed as The St. Valentine's Day Massacre, named after the 1929 Chicago gang murder spree known as Saint Valentine's Day Massacre. 50 Cent intended the album to be released on February 15, 2005, but Interscope was not interested. He leaked "Disco Inferno" in order to force their hand, and Interscope released it on March 7.
Originally, songs intended for the album included "Hate It or Love It", "Higher" and "Special" but the songs were eventually given to the Game's The Documentary, causing a majority of The Massacre to be reworked. Although, a G-Unit remix of "Hate it or Love It" appeared as a bonus track on this album.
After 50 Cent released the Game from his G-Unit Records imprint on live radio February 21, 2005, a shootout occurred. Paul Rosenberg of Shady Records and Jimmy Iovine of Interscope worried that the album would underperform due to the negativity of the Hot 97 shooting. 50 and the Game later entered into a truce six days after The Massacre was released, but their animosity rose up again after Game made fun of G-Unit at Hot 97's annual Summer Jam, where he first used the "G-Unot" insult, later turning to a boycott.
The censored version of the album censors out most profanity, violence, and all drug content. The track "Gunz Come Out" has inconsistency in the editing, and contains some profanity. The opening intro removes the shooting sequence, and is cut down to 20 seconds. The album cover also removes guns in the background behind the rapper, being replaced by motifs and a gradient background. In comparison, the album is not as heavily censored as his previous album Get Rich or Die Tryin' (2003).
The instrumentation of the album closely mirrors that of its predecessor, incorporating string instruments and orchestral elements; however, cinematic themes are no longer the central focus. This album introduces numerous new musical components, including jazz rap and R&B influences that evoke the essence of early 1990s New York hip hop. A notable addition to the album's sound is the influence of Scott Storch, whose musical ideas infuse tracks like "Candy Shop" and "Just A Lil Bit" with Middle Eastern Arabic melodies layered over hard-hitting hip hop beats. Another notable but underrated addition to the album's sound is Buckwild's production on "I Don't Need 'Em", which uses a jazz rap instrumental. Furthermore, the album benefits from exceptional mixing, primarily attributed to Dr. Dre's involvement, as was the case with the previous album.The album's production credits include Bang Out, Bass Brothers, Black Jeruz, Buckwild, Cool & Dre, C. Styles, Cue Beats, Disco D, Dr. Dre, Eminem, Hi-Tek, J.R. Rotem, Luis Resto, Mike Elizondo, Needlz, Scott Storch, and Sha Money XL.
With a release in the middle of the sales week, The Massacre sold 1.15 million copies in its first four days of release, becoming the sixth-largest opening week for an album at the time since Nielsen SoundScan began tracking sales in 1991. This is the second largest opening week for a hip hop album, behind Eminem's The Marshall Mathers LP (2000), which sold 1.76 million copies in its first week. Mariah Carey's The Emancipation of Mimi replaced it as number one in late April 2005, as The Massacre reached 3 million units sold. In 2025, The Massacre was certified seven times platinum for combined sales and album-equivalent units of at least seven million copies in the United States. It has sold over twelve million copies worldwide.