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The Doctor
The Third Doctor
Doctor Who character
Jon Pertwee as the Third Doctor in a promotional photo in 1985
First regular appearanceSpearhead from Space (1970)
Last regular appearancePlanet of the Spiders (1974)
Introduced byDerrick Sherwin
Portrayed byJon Pertwee
Preceded byPatrick Troughton (Second Doctor)
Succeeded byTom Baker (Fourth Doctor)
Information
Tenure3 January 1970 – 8 June 1974
No of series5
Appearances24 stories (128 episodes)
Companions
Chronology

The Third Doctor is an incarnation of the Doctor, the protagonist of the British science fiction television series Doctor Who. He was portrayed by actor Jon Pertwee. Within the series' narrative, the Doctor is a centuries-old alien Time Lord from the planet Gallifrey who travels in time and space in the TARDIS, frequently with companions. At the end of life, the Doctor regenerates. Consequently, both the physical appearance and personality of the Doctor changes. Preceded in regeneration by the Second Doctor (Patrick Troughton), he is followed by the Fourth Doctor (Tom Baker).

Pertwee portrays the Third Doctor as a dapper man of action, in stark contrast to his wily but less action-orientated predecessors. While previous Doctors' stories had all involved time and space travel, for production reasons Pertwee's stories initially depicted the Doctor stranded on Earth in exile, where he worked as a scientific advisor to the international military group UNIT. Within the story, the Third Doctor came into existence as part of a punishment from his own race, the Time Lords, who forced him to regenerate and also disabled his TARDIS. Eventually, this restriction is lifted and the Third Doctor embarks on more traditional time travel and space exploration stories.

His initial companion is UNIT scientist Liz Shaw (Caroline John), who leaves the Doctor's company between episodes to be replaced by Jo Grant (Katy Manning), who then continues to accompany the Doctor after he regains use of his TARDIS. His final companion is journalist Sarah Jane Smith (Elisabeth Sladen).

Biography

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After the Doctor was found guilty of breaking the Time Lord laws of non-interference and forced to regenerate, he began his third incarnation in exile on 20th century Earth. The Third Doctor immediately formed a working relationship with the British contingent of UNIT, an international organisation tasked to investigate and defend the Earth against extraterrestrial threats.

It was a partnership initially born out of convenience — the Doctor required facilities to try to repair his TARDIS to break the exile, and UNIT needed his expertise to combat the threats they encountered. There is some disagreement about when the Third Doctor's UNIT stories were set, with some evidence that they were contemporary stories set at the same time they were broadcast (the early 70s), and some evidence that they were set in the near future. According to the production team, there was an intention to set the stories in the near future, but the writers did not always remember this and set the stories in the present.

The Doctor also developed a good working relationship with Brigadier Lethbridge-Stewart, whom he had first encountered, in his previous incarnation, as a Colonel in command of troops fighting Yeti and the Cybermen. As well as the Brigadier, he developed friendships with other regular UNIT colleagues including Sergeant Benton and Captain Mike Yates. When meteors were seen falling to Earth in Essex, the Doctor together with a UNIT scientist named Liz Shaw were to face the Autons for the first time. The Autons were to be one of the Doctor's recurring foes. At the conclusion of this adventure, the Doctor became UNIT's scientific advisor. After facing Silurians, the so-called Ambassadors of Death and the Inferno project, Liz was replaced as the Doctor's assistant by a feisty but slightly scatter-brained young woman named Jo Grant.

After meeting Jo, the Third Doctor encountered his greatest nemesis (next to the Daleks) — the Master. A renegade Time Lord, the Master plagued the Third Doctor with his diabolical schemes, including the summoning of an ancient Dæmon, and unleashing the terrifyingly powerful Kronos, a Chronovore. The Doctor's exile continued until it was lifted by the Time Lords after he helped save them from destruction at the hands of Omega. The Third Doctor, free to roam space and time again, soon ran into the Master and an even older enemy — the Daleks. Although the Master was a criminal genius, the Doctor was always able to outwit him in all his schemes. Whilst facing the ecological destruction wrought by Global Chemicals and the super computer BOSS, Jo met and fell in love with Dr. Clifford Jones. Marrying Jones and following him to the Amazon on an expedition, Jo left a saddened Doctor.

The fiercely independent investigative journalist Sarah Jane Smith became the Doctor's new companion after stowing away in his TARDIS. The Third Doctor's final adventures saw them defeating the Sontarans in medieval England and the Daleks on the planet Exxilon. The Third Doctor contracted radiation poisoning on the planet Metebelis 3, during the events of Planet of the Spiders. When the TARDIS brought him back to UNIT headquarters, he collapsed, regenerating into the Fourth Doctor.

Personality

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Bessie, the car driven by the Third Doctor on display at the Doctor Who Experience in 2015

The Third Doctor was a suave, dapper, technologically orientated and authoritative man of action who practised Venusian Aikido.[1] A keen scientist, he maintained a laboratory at UNIT where he enjoyed working on gadgets in his TARDIS. In his spare time, he was fond of motoring, handling all manner of vehicles. His favourite car was a canary-yellow Siva Motor Car Company tourer that he nicknamed "Bessie", a machine which featured such modifications as a remote control, dramatically increased speed capabilities and inertial dampers.[2][3] He also maintained a hovercraft-like vessel that fans nicknamed the Whomobile. The First Doctor, upon meeting the Third, described him indignantly as a "dandy", while the Second Doctor, with whom the Third had something of an antagonistic relationship on the occasions they encountered each other, referred to him as "Fancy Pants".[4]

While this incarnation spent most of his time exiled on Earth—grudgingly working as UNIT's scientific advisor—he was occasionally sent on covert missions by the Time Lords, where he would often act as a reluctant mediator. Even though he developed a fondness for Earthlings with whom he worked (such as Liz Shaw and Jo Grant), he jumped at any chance to return to the stars. Though he had a somewhat patrician and authoritarian air, he was quick to criticise authority, and often exclaimed "Now listen to me!" when dealing with people seeking to obstruct him.[5]

Despite his occasional arrogance,[1] the Third Doctor genuinely cared for his companions in a paternal fashion, and even held a thinly veiled but grudging admiration for his nemesis, the Master, and for UNIT's leader, Brigadier Lethbridge-Stewart, with whom he eventually became friends. In fact, even when his much-resented exile was lifted, the moral and dashing Third Doctor continued to help UNIT protect the Earth from all manner of alien threats, a role that continued into his future incarnations.

In general, this incarnation of the Doctor was more physically daring than the previous two and was the first to confront an enemy physically if cornered (both of his previous incarnations nearly always attempted to dodge, flee or negotiate rather than attack). This often took the form of quick strikes, with the occasional joint lock or throw — usually enough to get himself and anyone accompanying him out of immediate danger, but usually not to the extent of a brawl, in keeping with the Doctor's non-violent nature. He only used his fighting skills if he had no alternative, and even then generally disarmed his opponents rather than knocking them unconscious. Indeed, his martial prowess was such that a single, sudden strike was usually enough to halt whatever threatened him, and at one point he reminded Captain Yates of UNIT (physically as well as verbally) that Yates would have a difficult time removing him from somewhere when he did not want to be removed (The Mind of Evil).

The Third Doctor was a skilled diplomat (keeping talks going in The Curse of Peladon, for example) and linguist, as well as having a penchant for disguises.[6]

Appearance

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The Third Doctor's costume of a ruffled shirt, velvet smoking jacket and cape, exhibited at the Doctor Who Experience in 2015

When asked to attend a Radio Times photo-call in 1969, Jon Pertwee arrived in what he thought was "a suitably eccentric outfit" from his family wardrobe, and the flamboyant image stuck with producer Barry Letts.[7] Through the first season, he wore a flowing, crimson or red lined cape (which he alternated) over a very dark blue velvet smoking jacket (which often looked black in certain lighting) and a ruffled shirt with a variety of neckties such as jabots, bow ties or cravats. Beginning in the 1971 season, when the look was refashioned by Ken Trew,[8] Pertwee alternated between the dark blue, red or green jacket and a cloak with purple lining, although sometimes the red lining cloak would be used. In the final two seasons, the colour scheme changed from story to story, though the basic look was maintained.

In his first episode, when the Doctor evades capture by taking a shower, a tattoo of a serpent can be seen on his arm. Whereas Pertwee obtained it during his service in the Royal Navy,[9] an in-universe reason for it was eventually provided in the New Adventures novel Christmas on a Rational Planet as being a Time Lord symbol signifying exile, removed once the Doctor's exile was formally ended following the events of The Three Doctors.

Story style

[edit]

The Third Doctor stories were the first to be broadcast in colour. The early ones were set on Earth because he had been exiled there when the Second Doctor was banished to Earth by his people, the Time Lords, and forced to regenerate. On Earth, he worked with the Brigadier and the rest of the UNIT team. However, as his tenure progressed he had reasons to leave Earth, on occasion being sent on missions by the Time Lords. Eventually, after his defeat of the renegade Omega in The Three Doctors, he was granted complete freedom by the Time Lords in gratitude for saving Gallifrey.

The Third Doctor's era introduced adversaries including the Autons, the Master, Omega, the Sontarans, the Silurians and the Sea Devils. The Daleks returned after a five-year absence about halfway through Pertwee's run. The Third Doctor was the only one from the classic series not to have a story featuring the Cybermen (although they were seen briefly in The Mind of Evil[10] and Carnival of Monsters),[11] but he did eventually encounter them during "The Five Doctors".

"Reverse the polarity of the neutron flow"

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A catchphrase devised during the Third Doctor's era was "reverse the polarity of the neutron flow". Terrance Dicks recalls that he had used the line in a script, and Pertwee approached him about the line. Knowing that Pertwee struggled with technobabble in the role, Dicks had feared that he would have to remove the line, but Pertwee stated that he found it manageable and wanted to see it more often.[12]

The Third Doctor only said the full phrase "reverse the polarity of the neutron flow" twice on screen – in The Sea Devils (1972) and the 20th Anniversary special "The Five Doctors" (1983), with numerous other examples of "reverse the polarity" and earlier instances of "fusing the control of the neutron flow" and "change the polarity".[12] Pertwee used the phrase when he acted in the stage play Doctor Who – The Ultimate Adventure in 1989. When Colin Baker took over the role in the play he amended the line to "Reverse the linearity of the proton flow." In the radio play The Paradise of Death, the Brigadier asks "Reverse the polarity of the neutron flow?" and the Doctor proceeds to explain that the phrase is meaningless (though in reality neutrons can be polarized by a magnetic field, such that reversing the magnetic field's direction reverses the polarity of the neutrons[13]).

The full phrase was used in several Target novelisations. It was subsequently used by the Fourth Doctor (in City of Death) and the Fifth Doctor (in Castrovalva and Mawdryn Undead). Together with "The Five Doctors", this resulted in the phrase being used as a nostalgic reference. In the Tenth Doctor episode "The Lazarus Experiment", the Doctor, while hiding in Lazarus' machine, comments that it has taken him too long to reverse the polarity due to being out of practice. The Tenth Doctor uses the full phrase in "Music of the Spheres".

During the episode "The Almost People", a clone of the Eleventh Doctor speaks the phrase while reliving the memories of all his predecessors. He goes on to conflate it with his regeneration-spanning love of jelly babies, remarking that they need to "reverse the jelly baby of the neutron flow".[14] In "The Day of the Doctor", the Eleventh Doctor invokes the phrase when confronting a time portal with the Tenth Doctor, suggesting that they both "reverse the polarity" with their sonic screwdrivers (which merely neutralizes each other's efforts). In "The Girl Who Died", the Twelfth Doctor tells Clara Oswald he is "Reversing the polarity of the neutron flow", followed by "I bet that means something. It sounds great." Clara herself uses the phrase, saying she "reversed the polarity" of a mind-wiping device to prevent the Doctor from erasing her memories of him from her mind ("Hell Bent"). In "It Takes You Away", Yaz Khan suggests that the Thirteenth Doctor reverse the polarity on the sonic screwdriver in order to (successfully) open a locked inter-universe portal.

[edit]
The Doctor Who logo introduced in 1970 for the Third Doctor's television serials

The original title sequence for the Third Doctor's seasons introduced colour and was an extension of the "howlaround" kaleidoscopic patterns used for the previous Doctors.[15] It features red, black then green flaming hands, then shows Jon Pertwee's face followed by a series of swirling lines to represent the time vortex. As the vortex turns red it speeds up only to start reversing, and in some cases it is seen turning pink and yellow. In the Third Doctor's final season, a new title sequence was introduced using a full-body picture of Pertwee, designed by Bernard Lodge. Partially inspired by the slit-scan hyperspace sequence in Stanley Kubrick's 2001: A Space Odyssey, one portion of this sequence is the prototype for the time tunnel sequence of the Fourth Doctor's seasons. The Third Doctor's final season also introduced the diamond logo[15] which would remain in use until 1980 and be revived in 2022.[16]

The series logo introduced in 1970 and used for the first four seasons of Pertwee's tenure would later be used again, in modified form, as the logo for the 1996 Doctor Who TV movie. This version subsequently became the official Doctor Who logo, most notably with regards to products connected to the Eighth Doctor. With the introduction of a new official series logo in 2005, the 1996 logo continued to be used by Big Finish Productions as the logo for all pre-2005 series material including books and audio dramas, and by the BBC on DVD releases of episodes from the 1963–89 series, books and audio.

Later appearances

[edit]

The Third Doctor appeared again in the 20th anniversary special "The Five Doctors", broadcast in 1983. A stage play, Doctor Who – The Ultimate Adventure, was produced in 1989, starring Jon Pertwee (occasionally replaced by an understudy then later, until the end of the production run, by Colin Baker as the Sixth Doctor). In 1993, he played the role again for the 30th Anniversary charity special Dimensions in Time, and in the audio drama The Paradise of Death. Months before his death, he played the Doctor for the final time in the audio drama The Ghosts of N-Space.

From 2015, Big Finish had produced a new series of audio drama adventures featuring the Third Doctor titled The Third Doctor Adventures, with Tim Treloar voicing the role.[17]

Other mentions

[edit]

Visions of the Third Doctor appear in The Brain of Morbius, Mawdryn Undead, and Resurrection of the Daleks. A portrait of him is seen in Timelash. A brief clip of the Third Doctor taken from Terror of the Autons appears in "The Next Doctor", another appears in The Sarah Jane Adventures serial The Mad Woman in the Attic as a flashback, and visions appear in "The Eleventh Hour", "The Lodger", "Nightmare in Silver", "Twice Upon a Time", "The Timeless Children", "Rogue", "The Story & The Engine", "Wish World", "The Reality War" and The Sarah Jane Adventures serial Death of the Doctor. He was also seen in the episode "The Name of the Doctor" driving Bessie (taken from "The Five Doctors"), and archival footage was used for his appearance in "The Day of the Doctor".

Other appearances

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Third Doctor is the third of the Doctor, the protagonist of the British television series , portrayed by actor . Exiled to by the as punishment for his meddling in galactic events, this was a confident, bold, and brash figure with a soft paternal side for those he cared about, often displaying a dashing and action-oriented demeanor. His era spanned seasons 7 to 11 of the classic series, from 1970 to 1974, marking the first full season in color and emphasizing -based adventures. Introduced in the serial following the Second Doctor's regeneration, the Third Doctor found his immobilized and was restricted to contemporary Earth, where he served as the scientific advisor to the Intelligence Taskforce (). Allied with UNIT's military leader , he defended the planet from various extraterrestrial threats, including the Autons, , , and his recurring adversary, the Master. His tenure concluded in , where exposure to lethal radiation forced his regeneration into the . The Third Doctor's adventures featured key companions who assisted in his investigations and battles: , a brilliant UNIT scientist in his early stories; , an enthusiastic but somewhat clumsy assistant; and , an investigative journalist who joined toward the end of his era. Known for his velvet capes, frilly shirts, and fondness for gadgets like Venusian aikido and a yellow roadster called Bessie, this Doctor embodied a more sophisticated and scientific approach to heroism, often employing phrases like "reverse the polarity of the neutron flow" to resolve technical crises. His time on Earth highlighted themes of , Cold War tensions, and human resilience, solidifying Doctor Who's blend of adventure and social commentary.

Production and development

Casting and portrayal

Jon Pertwee was cast as the Third Doctor by producer Peter Bryant in May 1969, shortly before Troughton's departure from the role after three seasons, with the casting announced to the press on 17 June 1969. Bryant, who had known Pertwee from previous BBC productions, selected him after his first choice, Ron Moody, was unavailable due to commitments with the musical Oliver!. Pertwee's extensive prior work with the BBC, particularly his comedic performances in the long-running radio series The Navy Lark from 1959 to 1977, made him a familiar and versatile choice for the production team, who aimed to evolve the Doctor into a more authoritative figure to suit the series' shift toward Earth-based stories and action-oriented narratives. In preparation for the role, Pertwee trained in and to authentically perform Doctor's "Venusian , allowing him to execute many of his own stunts during filming. He also worked on his voice to adopt a more refined and commanding tone, moving away from his established persona toward a sophisticated delivery that underscored the character's scientific expertise and leadership. Pertwee's portrayal transformed the Doctor into a dapper , emphasizing physicality, , and intellectual authority over the whimsical eccentricity of Hartnell and Troughton's incarnations. This approach aligned with the era's production vision, positioning the Doctor as a UNIT scientific advisor who confronted threats with gadgetry, Venusian lullabies, and precise martial maneuvers, all while maintaining an air of aristocratic poise. The velvet jacket and frilled shirts he favored further reinforced this elegant yet capable image.

Production context

The Third Doctor era marked a significant technical milestone for Doctor Who with its transition to colour broadcasting, beginning with the serial Spearhead from Space in January 1970. This shift aligned with the BBC's broader move to colour transmission and allowed for more vibrant visual storytelling, including the first on-screen appearance of the Doctor in colour. To accommodate production realities, the series emphasized Earth-bound narratives during this period, introducing the Intelligence Taskforce () as a recurring organization that grounded many stories in contemporary settings. This approach stemmed from budgetary limitations, as location filming and period or futuristic sets were costlier; by focusing on present-day , the production team could leverage real-world locations and reduce expenses associated with elaborate studio builds or historical recreations. Barry Letts served as producer from through to in 1974, forming a close creative partnership with script editor , who joined in 1968 and continued throughout the era. Together, they shaped the show's direction, incorporating pseudo-scientific explanations for phenomena—often blending hard science with philosophical undertones influenced by Letts' interest in —to make complex concepts accessible and educational for audiences. Production techniques evolved notably, with an increased emphasis on location filming to enhance realism and variety, alongside improvements in special effects such as the introduction of Colour Separation Overlay (CSO) in Doctor Who and the Silurians for compositing images more effectively. Episodes maintained the standard 25-minute runtime, but the era's stories often expanded to five or six parts, allowing deeper exploration of serialized plots while managing studio time efficiently. The era concluded with Jon Pertwee's departure after Planet of the Spiders in 1974, prompted by health concerns including arthritis, as well as the emotional impact of co-star Roger Delgado's death and changes in the production team. The title sequence for the Third Doctor era, spanning 1970 to 1974, was designed by graphic artist Bernard Lodge, who had previously created the show's early title sequences. It introduced a dynamic visual style inspired by the hyperspace effects in Stanley Kubrick's 2001: A Space Odyssey, featuring a rotating model of the cylindrical TARDIS console set against a starfield background to evoke cosmic travel. This design marked a shift to color production, aligning with the era's transition to full-color broadcasts while maintaining an emphasis on the Doctor's technological ingenuity. The accompanying theme tune was an edited version of the 1967 arrangement of Ron Grainer's original composition, realized by Brian Hodgson and at the , incorporating ethereal electronic effects and whooshing sounds generated through analog synthesis. These auditory elements heightened the sense of mystery and urgency, complementing the visual rotation and fade-ins of Jon Pertwee's face emerging amid swirling vortex patterns. The logo evolved to a diamond-shaped emblem with "Doctor Who" rendered in a specially commissioned bold font, presented in vibrant against the titles from 1970 to 1973, before a minor update in Pertwee's final season incorporated a slit-scan starfield effect. This bold, geometric design conveyed stability and precision, mirroring the era's focus on Earth-based scientific investigations and action-driven narratives involving .

Characterization

Physical appearance and costume

The Third Doctor's visual design emphasized a sophisticated, dandyish aesthetic, portraying him as an Edwardian gentleman-scientist through the wardrobe choices made for actor , who brought a mature presence to the role. The iconic outfit consisted of a velvet , often in dark colors like or black, paired with a frilled or ruffled shirt, a lace cravat or , dark trousers, and formal shoes; it was accessorized with an for outdoor scenes and a cane. This ensemble drew from Pertwee's vision of a country gentleman, with influences including Edwardian style evoking elegance and refinement, alongside subtle nods to James Bond's suave formality, particularly in dinner-jacket elements—a connection Pertwee himself noted, having reportedly been considered for the spy role. Throughout the era, the costume incorporated variations to suit different stories, such as multiple capes in varying fabrics and colors, occasional wide-brimmed hats or fedoras, and a shift to a bottle-green velvet in later serials like . Pertwee's physical portrayal evolved over his tenure from 1970 to 1974, as he aged from 50 to 55, lending a progressively seasoned to the character's demeanor and movement, though no major health issues were reported to significantly alter his performance during this period.

Personality traits

The Third Doctor, as portrayed by , presented an authoritative and paternal demeanor that sharply contrasted the scruffy, more erratic style of the Second Doctor. Confident, bold, and brash, he embodied a dapper man of action, favoring and over chaos, yet ready to engage physically when necessary. His scientific expertise shone through in his role as a proficient gadgeteer, often devising innovative devices and solutions in the to counter threats. For , he relied on Venusian , a martial art he mastered, which allowed him to handle adversaries with precise, non-lethal efficiency. In interactions, his occasional humor surfaced via theatrical flair, lending a charismatic, almost aristocratic air to his pronouncements. The Third Doctor's relationships with companions highlighted his mentoring instincts and loyalty to , the military organization that supported him during his Earth-bound . He guided the inexperienced in scientific principles, fostering her growth from a novice to a capable ally, and extended similar paternal encouragement to the inquisitive . Despite these bonds, flaws like arrogance—often bordering on condescension—and impatience with human limitations occasionally strained his collaborations, revealing a superior perspective tempered by underlying care. Throughout his tenure, the Third Doctor underwent notable development, softening in demeanor especially after his concluded, as his paternal side deepened and his interactions grew warmer and less abrasive. This evolution underscored a growing appreciation for his allies, blending his initial imperiousness with genuine affection.

Stories during the era

In-universe biography

The Third Doctor's incarnation began with his forced to Earth, imposed by the as punishment for his repeated interventions in the affairs of other species, particularly during the events involving . Regenerating from his previous form upon arrival, he materialized in a field near a meteorite shower in 1970, where he was discovered unconscious by soldiers from the United Nations Intelligence Taskforce (). Incapacitated and amnesiac at first, he was taken to a , where his alien puzzled medical staff, leading to his identification as an extraterrestrial. Quickly allying with UNIT's commander, Alistair Gordon Lethbridge-Stewart, the Doctor accepted the role of UNIT's scientific advisor, establishing a base at a rural research facility while his remained immobilized by the . His initial companion, scientist , assisted him in investigating the meteorites, which proved to be a Nestene Consciousness invasion using Auton duplicates to infiltrate human society. The Doctor thwarted the Autons by disrupting their energy source, marking the start of his Earth-bound defense against alien threats. Over the next few stories, with Liz at his side, he uncovered a hidden colony of prehistoric reptilian creatures known as Silurians beneath Wenley Moor, advocating for peaceful coexistence despite their hostility toward humans; however, the ultimately destroyed their cavern to prevent further attacks. He also mediated a crisis involving kidnapped human astronauts and Mars probe recovery, confronting from an alien recovery mission in , and survived a parallel universe incursion during a scientific experiment gone awry in Inferno. These early adventures solidified his partnership with UNIT, spanning the first season of his exile. Liz departed after these events, replaced by Jo Grant, a junior UNIT operative whose enthusiasm complemented the Doctor's expertise. Together, they faced the return of the Nestene in Terror of the Autons, introducing the Doctor's arch-nemesis, the Master, a rogue Time Lord seeking to conquer Earth through plastic manipulation. Subsequent battles included the Master's attempts at mind control in The Mind of Evil, parasitic aliens from Axos in The Claws of Axos, colonial disputes on a distant planet in Colony in Space—the Doctor's first off-Earth adventure—and apparent demonic forces on Earth in The Dæmons. They confronted time paradoxes with Dalek assassins attempting to alter history in Day of the Daleks, where the Doctor and Jo prevented a dystopian future dominated by the Daleks. The Master reemerged in schemes involving a royal court intrigue with Ice Warriors in The Curse of Peladon, aquatic humanoids called Sea Devils, a mutant uprising on Solos in The Mutants, and a chronovore entity in The Time Monster. In a pivotal intervention, the Time Lords summoned the Doctor's first two incarnations to combat Omega, a legendary Time Lord trapped in an antimatter universe draining Gallifrey's energy; in gratitude, they fully lifted his exile, restoring the TARDIS's ability to travel through time and space. Further exploits included a trapped miniscope containing shrunken worlds in Carnival of Monsters, a diplomatic incident with Draconians manipulated by the Master in Frontier in Space, and thwarting a Dalek fleet in the future on Spiridon in Planet of the Daleks. This era with Jo culminated in The Green Death, where they defeated a global pollution plot by the corporate entity Global Chemicals, after which Jo left to marry journalist Cliff Jones. Across these narratives, the Doctor's alliance with the Brigadier and UNIT deepened, involving terrestrial and occasional off-world threats from 1970 to 1974. With TARDIS mobility restored, the Doctor recruited journalist Sarah Jane Smith as his new companion during an investigation into a conspiracy at a research facility, leading to encounters with a rogue Sontaran aiding a medieval warlord in The Time Warrior. Further adventures included exposing a conspiracy of dinosaurs revived on contemporary Earth in Invasion of the Dinosaurs, a quest for anti-Dalek weapons on the planet Exxilon in Death to the Daleks, and a mining dispute on Peladon involving the Ice Warriors and the Master in The Monster of Peladon. His tenure concluded in Planet of the Spiders, where a quest for a blue crystal from the planet Metebelis III drew him into a plot by psychic Eight-Legs spiders seeking to dominate minds via the Great One. Returning to Earth after delivering the crystal to repel the invasion, the Doctor succumbed to lethal radiation poisoning absorbed during his journeys, collapsing in the TARDIS control room and regenerating into his next incarnation. Throughout his exile, key relationships with the Brigadier, Liz, Jo, and Sarah Jane underscored his protective role over Earth, blending scientific ingenuity with moral resolve against interstellar perils.

Story style and themes

The Third Doctor's era represented a notable shift in Doctor Who's narrative style, moving toward pseudo-scientific plots that incorporated environmental and military themes, often reflecting contemporary societal concerns. Stories frequently examined the consequences of human interference with nature and technology, as seen in "Doctor Who and the Silurians," where the discovery of an ancient reptilian species awakens debates on coexistence and ecological balance. A common formula emerged in Earth invasion narratives, with UNIT mounting operations against alien incursions, culminating in cliffhanger resolutions reliant on the Doctor's gadgetry and scientific ingenuity. This structure underscored themes of human hubris and scientific ethics, portraying humanity's arrogance as a catalyst for crises, while drawing parallels to anxieties through stories of and militarized responses. Spanning 128 episodes over five seasons (seasons 7 through 11), the era adhered to a serial format of generally 4 to 7 parts per story, allowing for serialized tension and multi-episode developments. Production techniques innovated with greater emphasis on filming and vehicle chases to heighten action sequences, minimizing interstellar travel in favor of grounded, Earth-centric adventures.

Recurring elements

"Reverse the polarity of the neutron flow"

The phrase "Reverse the polarity of the neutron flow" is one of the most iconic lines associated with the Third Doctor, embodying the era's emphasis on pseudo-scientific problem-solving during his Earth-bound exile. It debuted in the 1972 serial The Sea Devils, written by Malcolm Hulke, where Jon Pertwee’s Doctor utters it while tampering with the Master's mining machine to cause an overload by inverting the direction of its energy stream. The line served as technobabble, a nonsensical yet authoritative-sounding instruction that highlighted the Doctor's expertise in manipulating alien technology under pressure. In reality, neutrons possess no inherent polarity, but the concept draws loosely from nuclear physics principles like magnetic polarization observed in experiments since the 1930s. Although the complete phrase appeared only once in the Third Doctor's original tenure—repeated in the 1983 special —shorter variants like "reverse the polarity" recurred frequently as a go-to fix for technical crises, reinforcing the character's inventive flair. Examples include its use in (1971) and (1972). These instances typically involved redirecting power flows in machinery, symbolizing the Third Doctor's reliance on gadgetry and scientific improvisation amid UNIT's military constraints, rather than the TARDIS's more versatile capabilities. The line's creation stemmed from Pertwee's desire for memorable, jargon-heavy dialogue to convey authority; as script editor Terrance Dicks later recounted, Pertwee specifically requested "impressive-sounding" phrases for complex explanations, leading Dicks to coin the expression as purposeful gibberish. This collaboration turned it into a hallmark of the Third Doctor's portrayal, blending showmanship with the era's grounded, procedural storytelling. Its cultural resonance endures through parodies and nods in subsequent Doctor Who episodes, such as the Twelfth Doctor's ironic deployment in The Girl Who Died (2015), where he quips it simply means "do the opposite," underscoring its enduring status as beloved nonsense.

UNIT and Earth-based setting

The United Nations Intelligence Taskforce (UNIT), an international military organization dedicated to investigating and countering extraterrestrial threats on Earth, was first introduced during the Second Doctor's tenure in the serial The Invasion (1968), where it operated as a covert task force under the United Nations to combat Cybermen and corporate conspiracies. Its role became central to the narrative with the Third Doctor's arrival in Spearhead from Space (1970), where the newly regenerated Doctor, exiled to 20th-century Earth by the Time Lords, allied with UNIT's British contingent as their scientific advisor to thwart an Auton invasion involving Nestene Consciousness-controlled plastic duplicates. This partnership marked UNIT's transition from a peripheral element to a recurring fixture, providing logistical and armed support while the Doctor applied his scientific expertise to resolve crises. Stories featuring the Third Doctor were predominantly Earth-bound, focusing on contemporary Britain and global-scale threats neutralized through terrestrial operations. Key locations included UNIT's headquarters in London, often depicted as a fortified complex where the Doctor maintained his workshop for inventions and repairs, such as modifications to the or defensive weaponry against invaders like the Silurians or the Master. These settings emphasized urban and rural English locales, from industrial sites in to underground bases in The Silurians (1970), underscoring the immediacy of alien incursions on human society. UNIT's involvement highlighted narrative tensions between the Doctor's preference for non-violent, scientific solutions and the organization's reliance on military protocols, as seen in conflicts over strategies during the Yeti reactivation in prelude and subsequent Earth defenses. Over the Third Doctor's era (1970–1974), UNIT evolved from a relatively obscure, UK-focused branch into a more prominent international entity, coordinating responses to worldwide perils such as the Dalek occupation attempt in (1973) and the dinosaur resurgence in (1974). This development reflected growing awareness of extraterrestrial dangers, with UNIT expanding its resources to include specialized vehicles; notably, in 1973, the Doctor commissioned the Whomobile, a sleek, hovercraft-inspired transport funded by UNIT, which debuted in Invasion of the Dinosaurs to aid rapid deployment against time-manipulated prehistoric threats. By the era's conclusion, UNIT had solidified as a bulwark against alien aggression, with the Doctor's advisory role bridging scientific innovation and military action in an increasingly interconnected global defense framework.

Appearances beyond the era

Later television appearances

The Third Doctor's post-1974 television appearances were sparse, confined to nostalgic cameos and multi-Doctor specials that highlighted his distinctive Earth-based, UNIT-affiliated adventures. reprised the role in the 20th anniversary special (1983), where the Third Doctor is abducted to Gallifrey's and briefly reunites with to confront the Master. Due to production scheduling constraints, the episode incorporated brief archive footage from Pertwee's earlier stories alongside newly filmed scenes, marking one of the earliest multi-Doctor narratives and emphasizing the character's resourceful, velvet-clad persona. Pertwee's final on-screen portrayal occurred in the charity crossover (1993), a two-part special blending with . In a pre-recorded cameo, the Third Doctor delivers a warning message to the about the Rani's temporal trap, appearing in his signature frilly-shirted attire to underscore the character's enduring charm. These limited appearances—totaling two episodes—reinforced the Third Doctor's legacy through selective, celebratory callbacks rather than new narratives.

Mentions in other media

The Third Doctor is referenced in the Fourth Doctor's debut serial "Robot" (1974), which opens with his regeneration into the following the events of "," highlighting the end of his UNIT-based exile on Earth. In modern , nods to the Third Doctor often emphasize his Earth-bound era and action-oriented style. For instance, in the 50th anniversary special "" (2013), UNIT leader alludes to her father's collaborations with the Doctor during his grounding on Earth, tying into the Third Doctor's Time Lord-imposed exile and scientific advisory role with the organization. Similarly, "" (2021) features a direct callback to the Third Doctor's first adventure with in "" (1973–74), naming the Sontaran commander Linx after the original serial's antagonist. A reference to the Third Doctor's era also appears in the series 8 finale "" (2014), where the Cyber-converted salutes the Twelfth Doctor, evoking their alliance during the Third Doctor's UNIT tenure. In "The Interstellar Song Contest" (2025), the ambassador from Alpha Centauri is mentioned, recalling the Third Doctor's encounter in "Carnival of Monsters" (1973). The spin-off series frequently invokes the Third Doctor through companion Sarah Jane Smith's recollections of their shared exploits, such as thwarting alien invasions alongside , underscoring his authoritative and dapper persona as the "action Doctor" in the wider lore. His signature catchphrase, "reverse the polarity of the neutron flow," recurs as a homage in later episodes, including the Tenth Doctor's use in "" (2008), the Eleventh Doctor's in "The Almost People" (2011), and Yaz's suggestion to the in "" (2018). These mentions typically occur via companions or thematic echoes of his era rather than full portrayals.

Portrayals in expanded universe

The Third Doctor has been portrayed in various audio dramas produced by , beginning with recreations and companion-focused stories in the 2000s through the Companion Chronicles series. For instance, in "The Blue Tooth" (), the Third Doctor appears alongside in a narrative exploring a potential , with the Doctor's role evoked through narration by companion (voiced by ). These early audios often featured narration by companions like (voiced by ) or (), maintaining the Earth-bound, UNIT-centric tone of the era while expanding on untold adventures. Big Finish expanded the Third Doctor's audio presence with original stories in the , notably the ongoing Third Doctor Adventures range launched in , where actor provides the primary voice portrayal following Jon Pertwee's death in 1996. Treloar first voiced the Third Doctor in the 2013 special "The Light at the End," but the series proper debuted with volumes featuring companions and , such as "Prisoners of the Lake" and "The Havoc Still Hunts," which depict the Doctor reversing scientific threats with his signature ingenuity. Recent releases include "The Third Doctor Adventures: Revolution in Space" (2023), a six-part story with the Doctor and facing threats in an asteroid colony. In prose novels, the Third Doctor features prominently in the Past Doctor Adventures series, which ran from 1997 to 2005 and included stories set during his tenure with . A representative example is "The Devil Goblins from Neptune" (1998) by Keith Topping and Martin Day, where the Doctor, , and the investigate extraterrestrial sabotage tied to tensions, highlighting his diplomatic interventions on Earth. Earlier Virgin Publishing's Missing Adventures, such as "The Scales of Injustice" (1996) by , also portray the Doctor in scenarios involving hidden government experiments and threats. Comic book depictions of the Third Doctor appear in publications from and Titan Comics, particularly post-2010. IDW's "Four Doctors" (2014) includes the Third Doctor teaming with later incarnations against the Shakri, showcasing his velvet-clad, action-oriented style in crossover events. Titan Comics' dedicated "Doctor Who: The Third Doctor" (2016-2017), written by Paul Cornell, features standalone arcs like "The Heralds of Destruction," where the Doctor, , and confront cosmic heralds and the Master, emphasizing high-stakes scientific mysteries. Official recreations post-Pertwee's 1996 passing have relied on voice actors like Tim Treloar for Big Finish productions, ensuring continuity in the character's portrayal across audio formats without altering core traits such as his reliance on Venusian aikido and technological improvisation.

Reception and legacy

Critical reception

The Third Doctor's era, spanning 1970 to 1974, received positive contemporary attention for its shift toward a more mature and action-oriented tone, with critics noting the enhanced production values and the introduction of UNIT as a grounding element in Earth-based narratives. Publications like Radio Times highlighted the era's sophisticated storytelling and visual appeal, particularly in serials such as Spearhead from Space, which was praised for its suspenseful invasion plot and Jon Pertwee's commanding debut as a dapper, authoritative figure. However, some reviews pointed to early formulaic tendencies in alien invasion stories, with repetitive threats to Earth drawing mild criticism for lacking the whimsical variety of prior incarnations. In modern reassessments, the Third Doctor has been ranked highly among classic-era portrayals, reflecting a growing appreciation for Pertwee's charismatic performance and the era's thematic depth. A 2013 Doctor Who Magazine poll of readers' favorite stories placed Pertwee's adventures at an average rating of 7.32 out of 10, the highest among pre-2005 Doctors, underscoring their enduring popularity. Fans and critics alike commend the strong companion dynamics, such as the paternal bond with in The Green Death and the evolving partnership with , which added emotional layers to the scientific problem-solving central to the Doctor's character. Conversely, retrospective analyses often highlight weaknesses in the repetitive Earth-bound plots, which confined the to a workshop and limited cosmic scope after the initial . Scholarly examinations have further illuminated the era's environmental themes, positioning it as a product of 1970s eco-activism amid concerns over pollution and overpopulation. In Doctor Who: The Unfolding Text (1983), John Tulloch and Manuel Alvarado analyze the Pertwee years as an "unfolding" of the series toward more adult, socially relevant narratives, including critiques of industrial exploitation in stories like , where toxic waste spawns mutants and promotes sustainable alternatives like wind energy. Later works, such as Lindy Orthia's 2010 study on environmental discourses in , note how serials like engaged with radical eco-utopianism, rejecting time resets in favor of immediate action against ecological threats, though the show tempered activism with faith in scientific intervention. These analyses emphasize the era's blend of thriller elements with prescient commentary, distinguishing it from earlier, more fantastical installments.

Cultural impact

The Third Doctor, portrayed by , has inspired a range of merchandise that reflects his distinctive velvet cape and action-oriented persona. Action figures of the character, including limited-edition sets from Character Options depicting him alongside companions like and foes such as the Master, have been produced since 2009, with multiple variants released to capture his Earth-bound adventures. In 2025, Character Options released an exclusive Vortex Edition set featuring the Third Doctor with a . Official tie-in novels featuring the Third Doctor appear in the Past Doctor Adventures series, such as The Devil Goblins from Neptune (1998) by Justin Richards and Stephen Cole, which expands on his UNIT collaborations. Additionally, the 1973 Doctor Who Annual, published by World Distributors (Manchester) Limited, centered on Pertwee's incarnation with illustrated stories and features emphasizing his scientific ingenuity and Venusian aikido skills. Parodies of the Third Doctor often highlight his catchphrase "reverse the polarity of the neutron flow," as seen in community theater spoofs and animated media. This imitation underscores the character's enduring recognizability in popular , with similar spoofs appearing in amateur theater productions that mimic Pertwee's dapper style and gadgetry. Within , Pertwee's Third Doctor holds a lasting legacy, evidenced by dedicated conventions and fan polls. Pertwee frequently attended fan events in the and 1980s, including the inaugural Doctor Who convention in 1977, where he shared anecdotes from his tenure; post-2000 revivals of these gatherings, such as Gallifrey One in the , often honored his era through panels and tributes. In fan-voted rankings during the , such as Digital Spy's 2006 poll tied to the show's revival, Pertwee placed highly among classic Doctors for his authoritative presence, ranking fourth overall based on viewer preferences for his blend of sophistication and heroism. The Third Doctor's era exerted broader influence on science fiction, particularly in blending environmental advocacy with military elements. Stories like "The Green Death" (1973) pioneered eco-sci-fi tropes by critiquing industrial pollution and corporate greed through giant maggots and toxic waste, influencing post-1970s narratives in shows like The X-Files that explore ecological collapse. Similarly, the UNIT organization's quasi-military structure facilitated crossovers between hard sci-fi and procedural thrillers, inspiring hybrid genres in media like Stargate SG-1, where scientific advisors collaborate with armed forces against extraterrestrial threats.

References

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