Timothy Daly (playwright)

Daly graduated from UWS Theatre Nepean in 1992.^[1]

Daly is a playwright, dramaturg, and teacher. Many of his plays have been produced both in Australia and internationally^[2] since 1982.^[3]

His 2008 play Derrida in Love, was written for Jacki Weaver, which she performed in a sold-out season^{[citation needed]} at the Ensemble Theatre, Sydney.^[4]

Daly's play Kafka Dances^[2] has won a dozen national and international awards since its premiere and is one of the most frequently internationally performed Australian plays.^{[citation needed]}

His play Richard III (or almost) premiered at the 2011 Festival d'Avignon and followed with a Paris season in October–November 2012. Daly's play, The Man in the Attic, was awarded the Patrick White Playwrights' Award for best new play.^[5] It has been staged in Paris, at the 2013 Festival d'Avignon.

• The Man in the Attic – Winner of the Patrick White Award for Best New Play
• Kafka Dances – Winner of a Sydney Theatre Critics' award for Best New Australian Play; Finalist for both the New South Wales Premier's Literary Award and the Victorian Premier's Literary Award; Winner of 5 South African Vita (now known as the Naledi Theatre Awards)
• Outlanders – Winner of Australian Writers Guild AWGIE Award
• The Private Visions of Gottfried Kellner – Winner of Australian Writers Guild AWGIE Award for Best Stage Play; finalist in the Victorian Premiers Literary Award for drama
• Three Australian Council for the Arts Literary Awards^[6]

• Keesing Studio Residency Award (Paris) from the Australia Council for the Arts, 2013.^[7]
• Friends of the National Library Creative Arts Fellowship from the National Library of Australia, 2017,^[8] to progress a script for psychological thriller, Perfume.

• The Don's Last Innings (Sydney Theatre Company; Launceston Theatre Company; Riverina Theatre Company; State Theatre Company of South Australia)
• Derrida in Love (Ensemble Theatre)
• Kafka Dances (Griffin Theatre Company; Sydney Theatre Company; La Boite Theatre Company; Cherry Tree Theatre; Market Theatre; Zenith Theatre; High-Doh Theatre; Axis Theater; State Theatre Company of South Australia; Cyrano's Theater Company; Star Théâtre; Theatre des Opprimés; Théâtre de Chevilly-Larue; Comédie De l'Est; Saint-Cyr-l'École; Saint-Maur-des-Fossés; Festival de Cornouaille; Festival d'Avignon and toured to Strasbourg; Valenciennes; Nîmes and Draveil)
• The Man in the Attic (Star Théâtre; Festival d'Avignon; Théatre l'Avant Seine; Théatre Bois de l'Épée)
• Beach: A Theatrical Fantasia (National Institute of Dramatic Art, graduation production commission)
• The Quiz King (New Theatre)
• The Critic Assassinated (National Institute of Dramatic Art; Mummers Theatre)
• The Moonwalkers (Griffin Theatre Company; Street Theatre Company)
• Complicity^[2] (Marian Street Theatre)
• The Private Visions of Gottfried Kellner^[2] (Griffin Theatre Company; Bakehouse Theatre, Adelaide)
• Livingstone^[2] (Marian Street Theatre; Ice House Theater; Effie Crump Theatre; Riverina Theatre Company; Brisbane Arts Theatre; Pymble Players and toured regionally to Kalgoorlie)

• Song For Two in the Night (Theodor Weißenborn [de])
• The Double Bass (Patrick Süskind) Ensemble Theatre
• Liebelei (Flirtations) (Arthur Schnitzler) Australian Broadcasting Corporation
• Interior (Maurice Maeterlinck) Australian Broadcasting Corporation
• Hours of the Dying (Hans Johst) Australian Broadcasting Corporation
• Neighbours (various episodes, Grundy Corporation)
• A Lapse in Behaviour (Australian Broadcasting Corporation; British Broadcasting Corporation; South African Broadcasting Corporation; New Zealand Broadcasting Corporation; Canadian Broadcasting Corporation)

• How to Kill Your Husband and Other Handy Household Hints (based on the novel by Kathy Lette; music by Alan John; produced by Victorian Opera)^[when?]