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Tina Packer
Tina Packer
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Christina Packer (born 28 September 1938) is a British stage director and actress based in the United States. Educated at the Royal Academy of Dramatic Arts, she originally worked as an actress, starring in the BBC television serial David Copperfield. After she quit acting and became a stage director in the United States, she founded the Shakespearean theatre company Shakespeare & Company, serving as its artistic director from its second foundation in 1978 until 2009.

Key Information

Biography

[edit]

Christina Packer was born on 28 September 1938 in Wolverhampton.[1] She was raised in Nottingham and educated at a Quaker school,[1] as well as West Bridgford Grammar School.[2] She later spent two years in France with an older man she had a relationship with, before they broke off.[3][4]

Originally working at a magazine editorial office, she decided to go into acting because "I suppose I'm a natural born exhibitionist."[2] Returning to the United Kingdom, she was educated at the Royal Academy of Dramatic Arts, graduating in 1964 with the Ronson Award for Most Promising Actress.[3] She then worked at the Royal Shakespeare Company, which she had visited while as a youth, as an associate artist.[5] Despite her contract lasting three years, she left early to star in David Copperfield,[4] where she starred as Dora Spenlow.[6] She also appeared in Doctor Who,[3] as well as in the 1967 movie Two a Penny.[7] However, she felt that she lacked a voice as a performer, and after her scenes in an adaptation of Washington Square were cut from the final broadcast, she quit acting.[3] In 1971, she began work in the London Academy of Music and Dramatic Art, where she was a stage director and teacher,[8] before she moved to the United States to direct Shakespeare plays.[9]

She started Shakespeare & Company, an experimental Shakespearean theatre company funded by the CBS Foundation and Ford Foundation in 1974;[10] she named the company after a bookstore of the same name she often visited during her time in Paris.[4] After a poor reception in the United States and depletion of funding, she took a brief hiatus from stage direction.[10] In 1978, she directed Les Femmes Savantes at the Kennedy Center and then restarted Shakespeare & Company at The Mount in Lenox, Massachusetts, wanting a traditional Shakespearean theatre.[10][8] She was the founding artistic director of Shakespeare & Company, holding the position until stepping down in 2009.[11]

Her first directed performance for the company had to be done outdoors because the mansion had not been restored yet.[10][8] Despite initial reception being mostly lackluster, it was praised in The Village Voice and became well-known in New York City.[10][8] As a stage director, she has also used color-blind casting in Shakespearean plays, allowing Black and Asian actors to appear in traditionally White roles.[12][13] In 1985, a book from Helen Epstein on Packer and the company, Tina Packer Builds A Theater was published,[8] and WGBH-TV aired a documentary centered around her, Sex, Violence and Poetry.[14] In 2008, Anne Fliotsos and Wendy Vierow called her "one of the foremost directors of Shakespeare in the United States".[1] She won the 2019 Shakespeare Theatre Association Lifetime Achievement Award.[15]

In 1991, she directed a version of Hamlet at North Shore Music Theatre, set in West Africa and performed by a predominantly-Black American cast.[16] In 1993, she directed Boston Center for the Arts productions of John L. Balderston's Berkeley Square and Tom Kempinski's Duet for One, as well as a Canadian Stage Company production of Marisha Chamberlain's Scheherazade.[16] She was also artistic director of the Boston Shakespeare Company.[3] She has also directed several adaptations of the works of Edith Wharton, who had lived in The Mount herself.[16] She has also done acting in addition to directing, calling directing "such a sedentary occupation".[16]

She has also worked as a Shakespeare teacher in higher education, including at the Columbia University MBA programme.[8] In 1994, she was awarded a Guggenheim Fellowship.[17] She also published Power Plays: Shakespeare's Lessons in Leadership and Management (2001),[8] Tales from Shakespeare (2004), literary criticism book Women of Will (2016), and Shakespeare & Company: When Action Is Eloquence (2020).[18]

She was married to actor Laurie Asprey, with whom she had a son, Shakespeare & Company actor Jason Asprey.[19] The couple separated around the time she quit acting, but did not formally divorce until the early-1980s.[3][19] In 1998, she married Dennis Krausnick, a stage acting educator and Shakespeare & Company co-founder; they remained married until his death in 2018.[20][21]

A resident of Woodthorpe, Nottinghamshire, in 1964,[2] Packer lives in Stockbridge, Massachusetts.[22]

References

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from Grokipedia
Tina Packer was a British actress, director, writer, and educator known for founding Shakespeare & Company and for her innovative approach to Shakespearean performance, direction, and training that emphasized the visceral, embodied connection to the text. She directed and acted in most of Shakespeare's plays (some multiple times), developed influential actor training methods, and created the acclaimed performance project Women of Will, profoundly shaping how Shakespeare is taught and performed in the United States and beyond. Born Christina Packer on September 28, 1938, in Wolverhampton, England, she trained at the Royal Academy of Dramatic Art, where she won an award for most promising actress, and became an Associate Artist with the Royal Shakespeare Company, working under directors such as Peter Hall and Trevor Nunn. She performed in London's West End, regional theaters, and BBC productions including Doctor Who and David Copperfield before relocating to the United States in the early 1970s to pursue research on the physical and emotional roots of Elizabethan theater. In 1978 she co-founded Shakespeare & Company in Lenox, Massachusetts, with collaborators including Kristin Linklater and Dennis Krausnick, serving as its artistic director until 2009 and continuing to direct, teach, and support the organization until her death. Under her leadership, the company grew into a leading center for Shakespeare performance, education, and actor training, with programs that have reached tens of thousands of students annually and a distinctive focus on voice, movement, and text integration. Packer authored several books, including Women of Will (on Shakespeare's female characters), Power Plays: Shakespeare’s Lessons in Leadership and Management (drawn from her Columbia University teaching), and Shakespeare & Company: When Action Is Eloquence (reflecting on the company's history). She taught at institutions such as Harvard, MIT, NYU, and Columbia, received six honorary doctorates, and earned recognition including Massachusetts's Commonwealth Award for her contributions to theater. Packer died on January 9, 2026, at the age of 87, leaving an enduring legacy as a visionary who made Shakespeare accessible, alive, and deeply human.

Early life and education

Early life and education

Tina Packer was born Christina Packer on September 28, 1938, in Wolverhampton, England. She was raised in Nottingham and educated at a Quaker school and West Bridgford Grammar School. In her late teens and early twenties, Packer spent two years in France in a relationship with an older man. Upon returning to Britain, she worked in a magazine editorial office before pursuing acting, later describing herself as a "natural born exhibitionist" as motivation for the career shift. Packer trained at the Royal Academy of Dramatic Art (RADA) and graduated in 1964. She received the Ronson Award for Most Promising Actress upon her graduation.

Acting career

Tina Packer began her professional acting career in the United Kingdom after graduating from the Royal Academy of Dramatic Art in 1964. She gained experience performing with repertory companies in Glasgow, Edinburgh, Leicester, Coventry, and Hornchurch, as well as at the Royal Court Theatre in London. Packer went on to become an Associate Artist with the Royal Shakespeare Company, where she appeared in productions at Stratford-upon-Avon, the Aldwych Theatre in the West End, and on tour, including a role as the Princess of France in Love’s Labour’s Lost under director John Barton. Her television work during the 1960s and early 1970s included appearances in No Hiding Place (1964), Thursday Theatre (1964), and an uncredited role in The Avengers (1965). She gained notable recognition for playing Dora Spenlow opposite Ian McKellen in the BBC serial David Copperfield (1966), appearing in eight episodes. Packer also portrayed Sister Tannis March in Boy Meets Girl (1968), Anne Travers in six episodes of Doctor Who serial "The Web of Fear" (1968), and Angela Braque in Crime of Passion (1972). In film, Packer had supporting roles as Gladys in Two a Penny (1967) and as an Air Hostess in Praise Marx and Pass the Ammunition (1970). In the early 1970s, Packer began shifting her focus toward directing and teaching, including directing at the London Academy of Music and Dramatic Art (LAMDA) starting in 1971, driven by her realization of the difference between intellectual analysis and visceral expression in performance. She sought to explore more deeply how thought and imagination connect to the body and voice, which prompted her to move into directing to achieve greater authority in the rehearsal room. She continued to act occasionally after relocating to the United States.

Transition to directing

In the early 1970s, Tina Packer shifted her focus from acting to directing and teaching, beginning a new phase of her career in classical theatre. In 1971, she joined the London Academy of Music and Dramatic Art (LAMDA) as a stage director and teacher, where she worked with students on Shakespearean performance and stage direction. In 1974, Packer received a Ford Foundation Travel and Study Grant to research the visceral roots of Shakespeare’s texts. She permanently relocated to the United States that year to pursue directing Shakespeare plays and conducted research travels to India, Israel, Italy, and various U.S. locations for inspiration and development. Her early years in the U.S. included teaching acting at New York University and further exploration of performance methods. These activities laid the groundwork for the co-founding of Shakespeare & Company in Lenox, Massachusetts, in 1978.

Shakespeare & Company

Founding and leadership

Tina Packer founded Shakespeare & Company in 1978 at The Mount, Edith Wharton's former home in Lenox, Massachusetts. The first production under the company was performed outdoors due to the mansion's unrestored state. She co-founded the organization with a group of theater artists, including voice teacher Kristin Linklater, and served as its founding Artistic Director until stepping down in 2009. Packer held this leadership position during which time she built Shakespeare & Company into one of North America's largest Shakespeare festivals and actor training centers. The company's methods drew from 1970s research into the visceral roots of Elizabethan theater, developed in collaboration with figures such as Kristin Linklater, John Barton, and B.H. Barry. Under her leadership, Shakespeare & Company emphasized ensemble-based approaches and training rooted in text, voice, and movement to revive Shakespearean performance practices. The organization grew from its initial outdoor performances at The Mount to a major regional institution with extensive education programs and festival seasons.

Notable contributions and productions

Tina Packer directed the complete canon of Shakespeare's plays at Shakespeare & Company, staging many of them multiple times, while also acting in seven Shakespearean roles including Cleopatra, Gertrude, and Volumnia. She participated in adaptations of Edith Wharton's works, leveraging the company's residence at The Mount, Wharton's historic home, and portrayed Wharton herself on several occasions as well as appearing in productions such as the 1990 adaptation of the short story "Roman Fever." Packer embraced innovative casting practices, as seen in her 1991 production of Hamlet set in West Africa with a predominantly Black American cast. Her external directing credits include Molière's Les Femmes Savantes (performed as The Learned Ladies) at the Kennedy Center in 1978, John L. Balderston's Berkeley Square and Tom Kempinski's Duet for One at the Boston Center for the Arts in 1993, and Marisha Chamberlain's Scheherazade at the Canadian Stage Company in 1993. She directed the U.S. premiere of Frank McGuinness's Observe the Sons of Ulster Marching Towards the Somme. Packer also created and performed the five-part theatrical work Women of Will, an exploration of the evolution of Shakespeare's female characters, which toured extensively across the United States and internationally.

Teaching career

Teaching career

Tina Packer is widely regarded as one of the foremost experts and master teachers of Shakespeare and performance, known for her ground-breaking approach to teaching the plays through embodied exploration of text, psychology, and philosophy. She taught the entire Shakespeare canon at over thirty colleges and universities in the United States, including Harvard University, the Massachusetts Institute of Technology (MIT), New York University (NYU), and the Columbia University MBA program for four years. Packer also lectured and served as a keynote speaker at many of these and other institutions. Her contributions to Shakespeare education were recognized with a Guggenheim Fellowship in 1994 for drama and performance art. In 2019, she received the Douglas N. Cook Lifetime Achievement Award from the Shakespeare Theatre Association. Packer was also named the 1999-2000 Arts Recipient of the Commonwealth Award, Massachusetts' highest cultural recognition. She received six honorary doctorate degrees.

Writings

Tina Packer has authored and co-authored several influential books that bridge Shakespearean analysis with themes of leadership, gender, education, and theater practice. Her writings draw directly from her extensive experience directing, performing, and teaching Shakespeare's works. Power Plays: Shakespeare's Lessons in Leadership and Management (2000), co-authored with John Whitney, applies insights from Shakespeare's plays to contemporary business leadership and management challenges. In 2004, she published Tales from Shakespeare, a children's book that retells ten of Shakespeare's most famous plays in modern, accessible language to introduce young readers to his stories, and it received the Parents’ Choice Award. Women of Will (2016) offers a literary examination of the evolution of Shakespeare's female characters, tracing shifts in his portrayal of women across the canon and drawing from Packer's own long-running performance piece of the same name. In 2020, she co-authored Shakespeare & Company: When Action is Eloquence with Bella Merlin, a book documenting the history, philosophy, and transformative practices of the theater company she founded.

Personal life

Tina Packer married British actor and photographer Laurie Asprey in 1962. The couple had one son, Martin Jason Asprey (known earlier in his career as Jason Asprey), who became an actor with Shakespeare & Company. They separated around the time Packer transitioned away from her acting career and divorced in the early 1980s. In 1998, Packer married Dennis Krausnick, co-founder of Shakespeare & Company. They remained married until Krausnick's death in 2018.

Death and legacy

Death and legacy

Tina Packer passed away on January 9, 2026, at the age of 87 at Berkshire Medical Center in Pittsfield, Massachusetts. Shakespeare & Company, the organization she co-founded and led as artistic director, announced her death the following day, describing the profound sadness felt by the company and the theater community. Packer is remembered as a visionary theater-maker, acclaimed actor, director, writer, teacher, and mentor whose work profoundly transformed American Shakespeare performance and actor training. Through her founding and leadership of Shakespeare & Company starting in 1978, she championed a more visceral, text-centered approach to Shakespeare's plays, moving away from mannered traditions and emphasizing direct engagement with the language and physicality of performance. Her influence as an expert on Shakespeare's text and its embodiment on stage endures in the generations of artists she trained and inspired. Tributes from Shakespeare & Company and the wider theater community highlighted her indomitable spirit and lasting impact. Current artistic director Allyn Burrows described her as "a fiery force of nature with an indomitable spirit" who touched people with her warmth, generosity, wit, and curiosity, noting that "the world was her stage, and she furthered the Berkshires as a destination for the imagination." The company also stated that her "indelible creativity will be carried forward by countless artists, students, colleagues, admirers and friends, and her influence on the world of Shakespeare will be enduring." In recognition of her contributions, Shakespeare & Company's largest indoor theater bears her name as the Tina Packer Playhouse. Memorial services and a celebration of her life were to be announced by the company in the days following her passing.

References

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