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To Venus and Back
To Venus and Back (stylised in all lowercase) is a double album by American singer, songwriter and pianist Tori Amos. Released on September 21, 1999, it comprises her fifth studio album and first live album. The first disc, entitled Venus: Orbiting, shows Amos increasingly experimenting with elements of electronica and trip hop, and spawned the singles "Bliss" (which peaked at number 91 on the Billboard Hot 100), "1000 Oceans", "Glory of the 80's", and "Concertina". The second disc, Venus Live, Still Orbiting, was recorded mostly during her Plugged '98 tour in support of her previous album, From the Choirgirl Hotel.
To Venus and Back was originally envisioned as a live album accompanied by an album of B-sides from previous singles, with a few new tracks added. However, it was later decided that the B-sides and new material would not mix well as one cohesive album, so the idea was dropped and this portion was later expanded into a full album of new material. These songs, like many of her albums, were recorded at Amos' Martian Engineering in Cornwall, England, and features the lineup of Steve Caton on guitar, Jon Evans on bass, and Matt Chamberlain on drums. This marks the first of many of Amos' albums to feature Evans and Chamberlain, and the last of which to include Caton.
The album is sparser both in production and arrangement than From the Choirgirl Hotel, but is similar to its predecessor in that it features overt electronica influences and a relatively subdued piano sound. The songs find Amos's voice and piano subverted in a sonic maze of electronic washes and effects, and some tracks, notably "Juárez" and the epic "Dātura" are largely built around these effects.
"Bliss", the first single from the album, became Amos' last song to reach the Billboard Hot 100, peaking at number 91. The track also reached number seven on the Canadian Hot 100, her highest peak up to that point and second-highest overall (after "A Sorta Fairytale" which peaked one place higher). Describing the song in an interview with Mojo, she stated:
["Bliss" is] not just about the biological father, but also the authority figure, whoever it is that I put in that position. "Bliss" is really about control, and about certain things in our DNA that you can't use a strainer to get rid of. You can't separate completely from whoever made you, because they're a part of you.
Other topics covered on the album include unsolved murdered female maquiladora workers in Ciudad Juárez on the US–Mexico border ("Juárez"), hallucinogenic plants ("Dātura"), and Napoleon Bonaparte ("Josephine").
The renditions of "Sugar" and "Purple People" on Venus Live, Still Orbiting come from a soundcheck. Both tracks were originally released as B-sides, the former on the "China" single, and the latter on the single for "Spark". The sole track recorded during the To Venus and Back recording sessions that does not appear on the album, nor as a B-side, is the nine-minute "Zero Point". Of the song's exclusion from the album, Amos has said that the song wasn't intentionally left off the album, rather an over-sensitivity about a certain gardening issue led "Dātura" to being included instead. The liner notes of To Venus and Back state, "'Zero Point' - your time is coming", and the song was eventually released seven years later on A Piano: The Collection (2006).
The album was supported by a short tour in 1999, the Five and a Half Weeks Tour, which Amos co-headlined with Alanis Morissette beginning a month prior to the release of To Venus and Back. Many referred to Amos as the "opening act" for Morissette because she always performed first; however, this was due only to the logistics of setting up a grand piano for performance. An Amos-only stint, the To Dallas and Back Tour, also took place, but promotional plans were cut when Amos suffered her third miscarriage in November 1999.
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To Venus and Back
To Venus and Back (stylised in all lowercase) is a double album by American singer, songwriter and pianist Tori Amos. Released on September 21, 1999, it comprises her fifth studio album and first live album. The first disc, entitled Venus: Orbiting, shows Amos increasingly experimenting with elements of electronica and trip hop, and spawned the singles "Bliss" (which peaked at number 91 on the Billboard Hot 100), "1000 Oceans", "Glory of the 80's", and "Concertina". The second disc, Venus Live, Still Orbiting, was recorded mostly during her Plugged '98 tour in support of her previous album, From the Choirgirl Hotel.
To Venus and Back was originally envisioned as a live album accompanied by an album of B-sides from previous singles, with a few new tracks added. However, it was later decided that the B-sides and new material would not mix well as one cohesive album, so the idea was dropped and this portion was later expanded into a full album of new material. These songs, like many of her albums, were recorded at Amos' Martian Engineering in Cornwall, England, and features the lineup of Steve Caton on guitar, Jon Evans on bass, and Matt Chamberlain on drums. This marks the first of many of Amos' albums to feature Evans and Chamberlain, and the last of which to include Caton.
The album is sparser both in production and arrangement than From the Choirgirl Hotel, but is similar to its predecessor in that it features overt electronica influences and a relatively subdued piano sound. The songs find Amos's voice and piano subverted in a sonic maze of electronic washes and effects, and some tracks, notably "Juárez" and the epic "Dātura" are largely built around these effects.
"Bliss", the first single from the album, became Amos' last song to reach the Billboard Hot 100, peaking at number 91. The track also reached number seven on the Canadian Hot 100, her highest peak up to that point and second-highest overall (after "A Sorta Fairytale" which peaked one place higher). Describing the song in an interview with Mojo, she stated:
["Bliss" is] not just about the biological father, but also the authority figure, whoever it is that I put in that position. "Bliss" is really about control, and about certain things in our DNA that you can't use a strainer to get rid of. You can't separate completely from whoever made you, because they're a part of you.
Other topics covered on the album include unsolved murdered female maquiladora workers in Ciudad Juárez on the US–Mexico border ("Juárez"), hallucinogenic plants ("Dātura"), and Napoleon Bonaparte ("Josephine").
The renditions of "Sugar" and "Purple People" on Venus Live, Still Orbiting come from a soundcheck. Both tracks were originally released as B-sides, the former on the "China" single, and the latter on the single for "Spark". The sole track recorded during the To Venus and Back recording sessions that does not appear on the album, nor as a B-side, is the nine-minute "Zero Point". Of the song's exclusion from the album, Amos has said that the song wasn't intentionally left off the album, rather an over-sensitivity about a certain gardening issue led "Dātura" to being included instead. The liner notes of To Venus and Back state, "'Zero Point' - your time is coming", and the song was eventually released seven years later on A Piano: The Collection (2006).
The album was supported by a short tour in 1999, the Five and a Half Weeks Tour, which Amos co-headlined with Alanis Morissette beginning a month prior to the release of To Venus and Back. Many referred to Amos as the "opening act" for Morissette because she always performed first; however, this was due only to the logistics of setting up a grand piano for performance. An Amos-only stint, the To Dallas and Back Tour, also took place, but promotional plans were cut when Amos suffered her third miscarriage in November 1999.