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To an Unknown God
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To an Unknown God
To an Unknown God (Spanish: A un dios desconocido) is a 1977 Spanish film directed by Jaime Chávarri. The film stars Héctor Alterio, Xabier Elorriaga, Ángela Molina, Mercedes Sampietro, Rosa Valenty and Mirtha Miller.
The story features a homosexual magician who remembers the time when he used to live close to poet Federico García Lorca. It was a pioneer in its frank and mature examination of homosexuality.
José, a middle age magician, is an elegant discreet homosexual who lives alone and has an occasional affair with Miguel, a young politician who finds it more convenient in Madrid's high society to marry than assert his homosexuality. José is a man romantically possessed and obsessed by his childhood in Granada during the outbreak of the Spanish Civil War in the spring of 1936.
Now in his fifties, José returns to Granada and relives his childhood there. A time when he fell in love with Federico García Lorca and had a youthful affair with one of Lorca's own lovers. Memories come flooding back to the mature José, of youthful sexual conquest, of Lorca's murder at the hands of Francisco Franco's agents, and his own early homosexual affairs. José's entire life is colored by his obsessions with García Lorca, his unknown God, to whom the film is dedicated.
José travels twice to Granada. First, he revisits a woman who is also obsessed with García Lorca's memory, and steals a photograph of the boy with whom he had his first sexual encounter; later, José returns to Madrid, to a party in search of his youth, and meets a pianist with whom he had sexual relations many years before but now does not remember.
When José returns to Madrid, he is a man tormented by his past, and in search of peace. Listening to a taped recording of García Lorca's famous "Ode to Walt Whitman", he desires nothing more than to face the rest of his life in loneliness, although his recent lover, Miguel has returned to his bed and wants to continue their affair. José realizes that he is really all alone in their world, alone with his God.
Author Ronald Schwartz wrote "many European and Spanish critics were astonished by Chávarri's frank and unhysterical treatment of homosexuality; the film is a totally mature exploration of an extremely controversial theme, never before dealt with by a Spanish director; Chávarri keeps the sex and poetry beautifully under control; the film is lovely to look at, highly cultivated and poised; it is sensitive, allusive, graceful, intelligent, moving, in short, a masterpiece of Spanish cinema."
Film critic Vincent Canby said the film is a "handsome, densely packed, evocative movie that makes a lot of rather stern demands on anyone who sees it; it is the sort of thing one should prepare for; the movie is lovely to look at, highly cultivated and poised and very, very difficult to get to know."
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To an Unknown God
To an Unknown God (Spanish: A un dios desconocido) is a 1977 Spanish film directed by Jaime Chávarri. The film stars Héctor Alterio, Xabier Elorriaga, Ángela Molina, Mercedes Sampietro, Rosa Valenty and Mirtha Miller.
The story features a homosexual magician who remembers the time when he used to live close to poet Federico García Lorca. It was a pioneer in its frank and mature examination of homosexuality.
José, a middle age magician, is an elegant discreet homosexual who lives alone and has an occasional affair with Miguel, a young politician who finds it more convenient in Madrid's high society to marry than assert his homosexuality. José is a man romantically possessed and obsessed by his childhood in Granada during the outbreak of the Spanish Civil War in the spring of 1936.
Now in his fifties, José returns to Granada and relives his childhood there. A time when he fell in love with Federico García Lorca and had a youthful affair with one of Lorca's own lovers. Memories come flooding back to the mature José, of youthful sexual conquest, of Lorca's murder at the hands of Francisco Franco's agents, and his own early homosexual affairs. José's entire life is colored by his obsessions with García Lorca, his unknown God, to whom the film is dedicated.
José travels twice to Granada. First, he revisits a woman who is also obsessed with García Lorca's memory, and steals a photograph of the boy with whom he had his first sexual encounter; later, José returns to Madrid, to a party in search of his youth, and meets a pianist with whom he had sexual relations many years before but now does not remember.
When José returns to Madrid, he is a man tormented by his past, and in search of peace. Listening to a taped recording of García Lorca's famous "Ode to Walt Whitman", he desires nothing more than to face the rest of his life in loneliness, although his recent lover, Miguel has returned to his bed and wants to continue their affair. José realizes that he is really all alone in their world, alone with his God.
Author Ronald Schwartz wrote "many European and Spanish critics were astonished by Chávarri's frank and unhysterical treatment of homosexuality; the film is a totally mature exploration of an extremely controversial theme, never before dealt with by a Spanish director; Chávarri keeps the sex and poetry beautifully under control; the film is lovely to look at, highly cultivated and poised; it is sensitive, allusive, graceful, intelligent, moving, in short, a masterpiece of Spanish cinema."
Film critic Vincent Canby said the film is a "handsome, densely packed, evocative movie that makes a lot of rather stern demands on anyone who sees it; it is the sort of thing one should prepare for; the movie is lovely to look at, highly cultivated and poised and very, very difficult to get to know."