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Todros Geller
Todros Geller (Yiddish: טודרוס געלער; July 1, 1889 – February 23, 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago's art community.
Geller was born on July 1, 1889, in Vinnytsia, Russian Empire (now Ukraine) in 1889. He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923.
Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass windows for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books.
In addition to conducting classes in his studio, Geller was head of art at the Jewish People's Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin, among others. Irean Gordon was also among his pupils.
In 1926, Geller formed what would become a lengthy working relationship with Chicago publisher and cultural activist L. M. Shteyn (a pseudonym for Yitshak Leyb Fradkin, anglicized as L.M. Stein in his English language correspondence). Shteyn and Geller shared a similar ideology, were both considered radical progressives, were part of the Chicago Jewish Left who worked to promote the Yiddish language and they both supported the Soviet Union for its commitment to the Yiddish language and to the Jewish settlement in Birobidzhan. Shteyn's Yiddish press, the L. M. Shteyn Farlag, published at least eight monographs illustrated by Geller and four art albums dedicated to his work.
In 1923, the Chicago Hebrew Institute's Observer (a forerunner of today's Jewish Community Center's), included Geller as one of the "many well known artists" to have their works listed in an art exhibit catalogue.
Geller was one of the founding members of "Around the Palette" in Chicago in 1926, a club where artists shared their personal views of art and its role in society. The club became the "American Jewish Art Club", in 1940 and subsequently the "American Jewish Artists Club" in the early 1990s. Other founding members included Emil Armin, David Bekker, Aaron Bohrod, Fritzi Brod, Samuel Greenburg, William S. Schwartz, Maurice Yochim and Louise Dunn Yochim.
In 1929, Geller visited Palestine, where he was inspired to paint Biblical themes such as his painting Jerusalem the Old which was included in the catalogue of the Art Institute of Chicago's thirty-third annual exhibition. He also created a woodcut series entitled Seven Palestinian motifs cut on wood in 1930.
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Todros Geller
Todros Geller (Yiddish: טודרוס געלער; July 1, 1889 – February 23, 1949) was a Jewish American artist and teacher best known as a master printmaker and a leading artist among Chicago's art community.
Geller was born on July 1, 1889, in Vinnytsia, Russian Empire (now Ukraine) in 1889. He studied art in Odessa and continued his studies after moving to Montreal in 1906 where he immigrated to Canada. He married and moved to Chicago in 1918, where he studied at the School of the Art Institute of Chicago until 1923.
Geller produced paintings, woodcuts, woodcarvings, and etchings. His work focused on Jewish tradition, often including moralistic themes and social commentary, shtetl, ghetto life, and the intersection of Jewish tradition with modern-day Chicago. He regarded art as a tool for social reform and he spent a large part of his career teaching art. His work was commissioned for stained glass windows, bookplates, community centers and Yiddish and English books. He was regarded as a leader in the field of synagogue and religious art. He designed stained glass windows for synagogues in Omaha, Fort Worth, Dayton, Stamford, and Chicago Heights. Over the course of his career he illustrated more than 40 books.
In addition to conducting classes in his studio, Geller was head of art at the Jewish People's Institute (JPI), supervisor of art for the Board of Jewish Education and director of art for the College of Jewish Studies (which became the Spertus Institute for Jewish Learning and Leadership) and taught at Hull House. Many prominent Chicago artists studied drawing and painting under Geller. Geller was a source of inspiration to Aaron Bohrod and Mitchell Siporin, among others. Irean Gordon was also among his pupils.
In 1926, Geller formed what would become a lengthy working relationship with Chicago publisher and cultural activist L. M. Shteyn (a pseudonym for Yitshak Leyb Fradkin, anglicized as L.M. Stein in his English language correspondence). Shteyn and Geller shared a similar ideology, were both considered radical progressives, were part of the Chicago Jewish Left who worked to promote the Yiddish language and they both supported the Soviet Union for its commitment to the Yiddish language and to the Jewish settlement in Birobidzhan. Shteyn's Yiddish press, the L. M. Shteyn Farlag, published at least eight monographs illustrated by Geller and four art albums dedicated to his work.
In 1923, the Chicago Hebrew Institute's Observer (a forerunner of today's Jewish Community Center's), included Geller as one of the "many well known artists" to have their works listed in an art exhibit catalogue.
Geller was one of the founding members of "Around the Palette" in Chicago in 1926, a club where artists shared their personal views of art and its role in society. The club became the "American Jewish Art Club", in 1940 and subsequently the "American Jewish Artists Club" in the early 1990s. Other founding members included Emil Armin, David Bekker, Aaron Bohrod, Fritzi Brod, Samuel Greenburg, William S. Schwartz, Maurice Yochim and Louise Dunn Yochim.
In 1929, Geller visited Palestine, where he was inspired to paint Biblical themes such as his painting Jerusalem the Old which was included in the catalogue of the Art Institute of Chicago's thirty-third annual exhibition. He also created a woodcut series entitled Seven Palestinian motifs cut on wood in 1930.