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Tony DeZuniga
Antony de Zuñiga (November 8, 1932 – May 11, 2012) who worked primarily under the name Tony DeZuniga, was a Filipino comics artist and illustrator best known for his works for DC Comics. He co-created the fictional characters Jonah Hex and Black Orchid.
DeZuniga was the first Filipino comic book artist whose work was accepted by American publishers, paving the way for many other Filipino artists to enter the international comic book industry.
DeZuniga was born in Manila, Philippines, and began his comics career at the age of 16, as a letterer for Liwayway, a Filipino weekly magazine whose contributors included comic book artists Alfredo Alcala and Nestor Redondo, who would later become his mentors.
He eventually received a Bachelor of Science degree in commercial art from the University of Santo Tomas in the Philippines. In 1962, he came to the United States to study graphic design in New York City. He returned to his native country to work in advertising and to freelance for Filipino comics.
When he returned to New York City in the late 1960s, DeZuniga entered the American comic book market under editor Joe Orlando at DC Comics, inking pencil art by Ric Estrada on a romance comics tale for Girls' Love Stories #153 (Aug. 1970). DeZuniga's U.S. debut as a penciler came with a self-inked horror story for House of Mystery #188 (Sept./Oct. 1970).
DeZuniga became a regular contributor at DC. With writer John Albano, he co-created the long-running western character Jonah Hex, and with Sheldon Mayer the first Black Orchid. DeZuniga served as an introduction to what would be a 1970s influx of Filipino artists to American comics, prompting Orlando and DC publisher Carmine Infantino to visit the Philippines in 1971 to scout talent. Among the artists found there who would soon become mainstays of both DC and Marvel Comics were Alfredo Alcala, Alex Niño, Nestor Redondo, and Gerry Talaoc. He was responsible for the discovery of artist Steve Gan and was Gan's United States art agent in charge of importing his artwork to Marvel from the Philippines. DeZuniga inked John Buscema's penciled artwork for MGM's Marvelous Wizard of Oz (1975). This comics adaptation of the Metro-Goldwyn-Mayer film was the first joint publishing venture between Marvel and DC Comics.
DeZuniga relocated back to New York from the Philippines in 1977. Around this time, DeZuniga formed Action Art Studio, which was a group of New York-based Filipino komiks artists who inked various Marvel Comics titles under the collective pseudonym of "The Tribe." Members included DeZuniga, Alfredo Alcala, and Rudy Nebres, among others. DeZuniga worked for industry leaders Marvel and DC for 18 years.
DeZuniga later became a video game conceptual designer, spending a decade with the United States and Japan divisions of Sega. He did freelance work for McGraw Hill and the Scholastic Corporation, and illustrated for TSR's Dungeons & Dragons game in books such as In Search of Dragons. In 1989, he illustrated The DragonLance Saga Book Three, written by Roy Thomas.
Tony DeZuniga
Antony de Zuñiga (November 8, 1932 – May 11, 2012) who worked primarily under the name Tony DeZuniga, was a Filipino comics artist and illustrator best known for his works for DC Comics. He co-created the fictional characters Jonah Hex and Black Orchid.
DeZuniga was the first Filipino comic book artist whose work was accepted by American publishers, paving the way for many other Filipino artists to enter the international comic book industry.
DeZuniga was born in Manila, Philippines, and began his comics career at the age of 16, as a letterer for Liwayway, a Filipino weekly magazine whose contributors included comic book artists Alfredo Alcala and Nestor Redondo, who would later become his mentors.
He eventually received a Bachelor of Science degree in commercial art from the University of Santo Tomas in the Philippines. In 1962, he came to the United States to study graphic design in New York City. He returned to his native country to work in advertising and to freelance for Filipino comics.
When he returned to New York City in the late 1960s, DeZuniga entered the American comic book market under editor Joe Orlando at DC Comics, inking pencil art by Ric Estrada on a romance comics tale for Girls' Love Stories #153 (Aug. 1970). DeZuniga's U.S. debut as a penciler came with a self-inked horror story for House of Mystery #188 (Sept./Oct. 1970).
DeZuniga became a regular contributor at DC. With writer John Albano, he co-created the long-running western character Jonah Hex, and with Sheldon Mayer the first Black Orchid. DeZuniga served as an introduction to what would be a 1970s influx of Filipino artists to American comics, prompting Orlando and DC publisher Carmine Infantino to visit the Philippines in 1971 to scout talent. Among the artists found there who would soon become mainstays of both DC and Marvel Comics were Alfredo Alcala, Alex Niño, Nestor Redondo, and Gerry Talaoc. He was responsible for the discovery of artist Steve Gan and was Gan's United States art agent in charge of importing his artwork to Marvel from the Philippines. DeZuniga inked John Buscema's penciled artwork for MGM's Marvelous Wizard of Oz (1975). This comics adaptation of the Metro-Goldwyn-Mayer film was the first joint publishing venture between Marvel and DC Comics.
DeZuniga relocated back to New York from the Philippines in 1977. Around this time, DeZuniga formed Action Art Studio, which was a group of New York-based Filipino komiks artists who inked various Marvel Comics titles under the collective pseudonym of "The Tribe." Members included DeZuniga, Alfredo Alcala, and Rudy Nebres, among others. DeZuniga worked for industry leaders Marvel and DC for 18 years.
DeZuniga later became a video game conceptual designer, spending a decade with the United States and Japan divisions of Sega. He did freelance work for McGraw Hill and the Scholastic Corporation, and illustrated for TSR's Dungeons & Dragons game in books such as In Search of Dragons. In 1989, he illustrated The DragonLance Saga Book Three, written by Roy Thomas.
