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Tony Leonard
Tony Leonard
Tony Leonard
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Anthony Leonard (born 19 December 1955) is an Australian radio presenter.

Key Information

Career

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In 1982, he joined the radio comedy team Coodabeen Champions, who were then on 3RRR. Following them to 3LO and 3AW he stayed with this team until 2002.

He began commentating AFL matches on 3AW in 1996 and he used to present a Saturday morning 3AW show called "Glossing Over" with Trevor Marmalade and Dr. Turf, until it was axed on 21 June 2007, following 3AW's poor ratings in the football timeslots.[1]

Since 1995, Leonard has appeared every Friday on Neil Mitchell's morning 3AW program in a segment called "3AW Pub of the Week", reviewing hotels around Melbourne and surrounding areas.[2]

Leonard is a long-serving member of 3AW's AFL football commentary team mainly calling on Saturday Nights and Sundays.[3] He is also a program contributor on the Ace Radio network[4] and works for Crocmedia on a program called "Sportsday Victoria".[5]

Leonard, with co-host Darren James, is also the alternate 3AW breakfast show host when Ross Stevenson and John Burns are on leave, usually averaging eight weeks per year in this role.[6]

Personal life

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Leonard is married and has children. He was originally from Footscray, Victoria.

References

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Tony Leonard

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from Grokipedia
Tony Leonard (1922–2012) was an American photographer known for his pioneering and artistic work in equine photography, particularly documenting thoroughbred racehorses across more than five decades. He came to be regarded as the "Ansel Adams of equine photography" for his ability to capture the majesty and spirit of the sport through his lens. His extensive body of work includes images of nearly every major thoroughbred champion, such as Secretariat, Seattle Slew, Affirmed, and Cigar, photographed both in racing action and at stud farms. Based in Lexington, Kentucky, Leonard built a remarkable collection of approximately half a million photo negatives that chronicle the Golden Age of horse racing, encompassing on-track moments, farm scenes, and iconic portraits. His contributions to the field earned him the 1994 Eclipse Award for photography and the 2004 Lifetime Achievement Award from the International Photographic Council. The Tony Leonard Collection continues to preserve and offer his fine art prints, cementing his legacy as one of the most influential figures in equine imagery.

Early life

Tony Leonard was born Leonard Anthony Bergantino on August 8, 1922, in Cincinnati, Ohio.) He served in the United States Army during World War II. After the war, he became a professional entertainer, adopting the stage name Tony Leonard at the suggestion of Bob Hope's manager. He performed as a singer in nightclubs across the United States and on Broadway, often with his wife Adelle, a dancer. In the early 1960s, he and his wife moved to Lexington, Kentucky, to perform at the La Flame nightclub and decided to remain in the area. Leonard initially took up photography as a hobby after settling in Kentucky's Bluegrass region, which later developed into his full-time profession focusing on equine subjects.)

Career

Career overview

Tony Leonard (born Anthony Leonard Bergantino; August 8, 1922 – July 14, 2012) began his professional career as a singer and entertainer after serving in the United States Army during World War II. He performed in nightclubs across the United States and on Broadway under the stage name Tony Leonard. In 1961, he and his wife Adelle moved to Lexington, Kentucky, to perform at the La Flame nightclub and decided to settle in the Bluegrass region. Leonard initially took up photography as a hobby. His breakthrough came when he photographed the stallion Ribot at Darby Dan Farm in Lexington; several images were published in the Morning Telegraph, launching his reputation as a Thoroughbred photographer. He transitioned to full-time equine photography, developing the standardized conformation pose still used in the industry to present stallions consistently for breeders. He documented Thoroughbred racing for more than 50 years, capturing nearly every major champion—including Secretariat, Seattle Slew, Affirmed, Spectacular Bid, Cigar, Personal Ensign, and John Henry—in action on the track and at stud farms. His work appeared on numerous magazine covers and earned him the nickname "the Ansel Adams of equine photography."

Equine photography

Leonard's most notable work included extensive coverage of Secretariat, whom he photographed throughout the horse's Triple Crown campaign and at Claiborne Farm after retirement, including the last formal portrait shortly before Secretariat's death in 1989. He was known for his perfectionism and artistry in capturing the majesty of racehorses. He served as the personal photographer to Queen Elizabeth II during her visits to the Bluegrass region. His images chronicled the golden age of Thoroughbred racing through on-track moments, farm scenes, and iconic portraits, resulting in a collection of approximately half a million negatives.

Awards and recognition

Leonard received the 1994 Eclipse Award for Photography for an image of the field rounding the turn at Keeneland during a spring snowstorm. In 2004, he was honored with the Lifetime Achievement Award from the International Photographic Council, presented by the United Nations. He remained active into his eighties and continued to influence equine photography standards. Little is known about Tony Leonard's personal life beyond his professional work as a photographer based in Lexington, Kentucky. Public sources, including his official collection website, provide no details on his marital status, children, family relationships, hobbies, or other non-professional activities. He has maintained a low public profile, with no known interviews or social media presence offering personal information.

Filmography

Tony Leonard, the American equine photographer, has no known credits as an actor in feature films or television. His professional life was dedicated to photography after an early career as a singer in nightclubs and on Broadway. No evidence supports involvement in British cinema or UK television series such as those listed in prior versions of this section. )
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