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Too Many Drivers
"Too Many Drivers" is a blues song recorded by Big Bill Broonzy in 1939. It is performed in an acoustic ensemble-style of early Chicago blues and the lyrics use double entendre often found in hokum-style blues songs. The song has been identified as one of Broonzy's more popular tunes and has been recorded over the years by a variety of artists, who often who use alternate titles, such as "Little Car Blues", "Little Side Car", "Automobile Blues", and "Let Me Ride Your Little Automobile".
Broonzy, who was one of the most popular pre-World War II blues artists, used elements of hokum in his music. In "Too Many Drivers", he makes use of double entendre and "further extended the 'female as automobile' metaphor so prevalent in blues lyrics" at the time, according to compilation annotator Keith Briggs. The lyrics include:
Oh, baby—you should take care of your little automobile
Now, you've got a pretty little car, baby
But you let too many get to the wheel
The recording session took place on May 11, 1939, in Chicago. Broonzy, on vocal and guitar, is accompanied by Joshua Altheimer on piano, and Ransom Knowling on bass, and Odell Rand on clarinet.
Vocalion Records issued the song on the then-standard 78 rpm 10-inch record format with the description "Blues Singer with Hot Instrumental Acc[ompaniment]". Although it does not list a songwriter, a copyright entry in 1948 shows "Willie Broonzy" as the composer. "Preachin' the Blues" is used for the second side and, as with many of his early records, the artist is listed as "Big Bill". "Too Many Drivers" has been identified as one of Broonzy's "more notable numbers"; it is included on several anthologies of his early work, such as Good Time Tonight (Columbia Records, 1990), Complete Recorded Works, Vol. 9 (1939) (1992, Document Records), and Warm, Witty, and Wise (Columbia/Legacy Recordings, 1998).
Several blues artists associated with Texas blues have recorded "Too Many Drivers", which led to it being referred to as a "Texas blues standard". In 1947, Smokey Hogg recorded the song for Modern Records. After years of releases by various labels, it became his breakthrough record. Hogg's single did not reach the national charts, but it sold well in Texas, where its distribution was widespread. Modern listed Hogg as the songwriter and Broonzy, who was in Texas at the time, took notice: "I went and stayed with him [Hogg] for about two months. He had a nice little wife—and when I left he didn't owe me anything." When Modern later reissued the record, it used "Little Car Blues" as the title, but omitted the songwriter credit.
Texas bluesman Lightnin' Hopkins recorded the tune with somewhat different lyrics as "Automobile" in 1949 for Gold Star Records. It was subsequently issued by Jax Records as "Automobile Blues", which is the title used for his 1960 re-recording of the song. Several Hopkins compilations include the song, such as Early Recordings (1965, Arhoolie Records) and Mojo Hand: The Anthology (1993, Rhino Entertainment). Soul Blues, an album released by Prestige Records in 1966, uses the title "Too Many Drivers". Bob Dylan biographers identify Hopkins' "Automobile Blues" as the inspiration for "Leopard-Skin Pill-Box Hat", which appears on Blonde on Blonde (1966). Author Douglas Mark Ponton writes, "The Dylan version drops the automobile motif in favour of an item that never featured in any black blues song, and includes surreal linguistic inventions that evoke the world of Picasso more than that of the Mississippi Delta."
In 1951, the Larks, a rhythm and blues vocal group, recorded the song as "Little Side Car" for Apollo. On October 6, the single entered Billboard magazine's "Best Selling Retail Rhythm and Blues Records" chart, where it reached number 10. The same year, blues pianist and singer Willie Love recorded it as "Little Car Blues" for Trumpet Records. A review in Billboard included, "The Mississippi diskery [Trumpet] has a potent shouter in Love, whose style is crudely crossed between [Big] Joe Turner's and Fats Waller's." A historical account of Trumpet Records notes "'Little Car Blues', which derived from a much earlier Big Bill Broonzy release for [Vocalion parent company] ARC ... captured perfectly the raucous mood of the jukes."
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Too Many Drivers
"Too Many Drivers" is a blues song recorded by Big Bill Broonzy in 1939. It is performed in an acoustic ensemble-style of early Chicago blues and the lyrics use double entendre often found in hokum-style blues songs. The song has been identified as one of Broonzy's more popular tunes and has been recorded over the years by a variety of artists, who often who use alternate titles, such as "Little Car Blues", "Little Side Car", "Automobile Blues", and "Let Me Ride Your Little Automobile".
Broonzy, who was one of the most popular pre-World War II blues artists, used elements of hokum in his music. In "Too Many Drivers", he makes use of double entendre and "further extended the 'female as automobile' metaphor so prevalent in blues lyrics" at the time, according to compilation annotator Keith Briggs. The lyrics include:
Oh, baby—you should take care of your little automobile
Now, you've got a pretty little car, baby
But you let too many get to the wheel
The recording session took place on May 11, 1939, in Chicago. Broonzy, on vocal and guitar, is accompanied by Joshua Altheimer on piano, and Ransom Knowling on bass, and Odell Rand on clarinet.
Vocalion Records issued the song on the then-standard 78 rpm 10-inch record format with the description "Blues Singer with Hot Instrumental Acc[ompaniment]". Although it does not list a songwriter, a copyright entry in 1948 shows "Willie Broonzy" as the composer. "Preachin' the Blues" is used for the second side and, as with many of his early records, the artist is listed as "Big Bill". "Too Many Drivers" has been identified as one of Broonzy's "more notable numbers"; it is included on several anthologies of his early work, such as Good Time Tonight (Columbia Records, 1990), Complete Recorded Works, Vol. 9 (1939) (1992, Document Records), and Warm, Witty, and Wise (Columbia/Legacy Recordings, 1998).
Several blues artists associated with Texas blues have recorded "Too Many Drivers", which led to it being referred to as a "Texas blues standard". In 1947, Smokey Hogg recorded the song for Modern Records. After years of releases by various labels, it became his breakthrough record. Hogg's single did not reach the national charts, but it sold well in Texas, where its distribution was widespread. Modern listed Hogg as the songwriter and Broonzy, who was in Texas at the time, took notice: "I went and stayed with him [Hogg] for about two months. He had a nice little wife—and when I left he didn't owe me anything." When Modern later reissued the record, it used "Little Car Blues" as the title, but omitted the songwriter credit.
Texas bluesman Lightnin' Hopkins recorded the tune with somewhat different lyrics as "Automobile" in 1949 for Gold Star Records. It was subsequently issued by Jax Records as "Automobile Blues", which is the title used for his 1960 re-recording of the song. Several Hopkins compilations include the song, such as Early Recordings (1965, Arhoolie Records) and Mojo Hand: The Anthology (1993, Rhino Entertainment). Soul Blues, an album released by Prestige Records in 1966, uses the title "Too Many Drivers". Bob Dylan biographers identify Hopkins' "Automobile Blues" as the inspiration for "Leopard-Skin Pill-Box Hat", which appears on Blonde on Blonde (1966). Author Douglas Mark Ponton writes, "The Dylan version drops the automobile motif in favour of an item that never featured in any black blues song, and includes surreal linguistic inventions that evoke the world of Picasso more than that of the Mississippi Delta."
In 1951, the Larks, a rhythm and blues vocal group, recorded the song as "Little Side Car" for Apollo. On October 6, the single entered Billboard magazine's "Best Selling Retail Rhythm and Blues Records" chart, where it reached number 10. The same year, blues pianist and singer Willie Love recorded it as "Little Car Blues" for Trumpet Records. A review in Billboard included, "The Mississippi diskery [Trumpet] has a potent shouter in Love, whose style is crudely crossed between [Big] Joe Turner's and Fats Waller's." A historical account of Trumpet Records notes "'Little Car Blues', which derived from a much earlier Big Bill Broonzy release for [Vocalion parent company] ARC ... captured perfectly the raucous mood of the jukes."