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Tsaritsyno Palace

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Tsaritsyno Palace

Tsaritsyno (Russian: Царицыно, IPA: [tsɐˈrʲitsɨnə], lit. 'Tsaritsa's property') is a palace museum and park reserve in the south of Moscow.

It was founded in 1775 as the summer residence of Empress Catherine II, but the construction remained incomplete. For most of its history, it was a half-abandoned park with picturesque ruins. In the 2000s, the palace was restored according to the original plans. Today, it is a museum complex and a leisure place for Muscovites and tourists.

The land has been packaged together since the 16th century under Bogorodskoye, when it belonged to Tsaritsa Irina, sister of Tsar Boris Godunov. Over two centuries, it changed hands between several noble owners (including Streshnevs and Galitzines) until Catherine the Great finally bought it from the former owner, Prince Cantemir, in 1775.

Catherine the Great wished to use the estate as a summer residence. An essential role in the future fate of Tsaritsyno was played by the fact that it is located in an area that, at that time, was a suburb of Moscow. In the same year, the empress gave the task to her court architect, Vasily Bazhenov, to develop a project for a summer residence near Moscow.

Bazhenov designed the palace in the Neo-Gothic, Moscow Baroque, and Classical styles. He planned Tsaritsyno as a complete mini town:.

The peculiarity of the layout of the Tsaritsyno buildings is such that it allows us to speak of the "poetry of geometry": with the use of symmetry and different geometric shapes embedded in the design. Six octahedrons pavilions are laid in a cruciform; The Small Palace is in the form of a semicircle; the Kitchen Building is in the form of a square with rounded corners. The same applies to the internal layout: round, oval, and semi-oval halls are masterfully combined with rectangular halls. It is important to note that Bazhenov designed almost all the interiors of the Tsaritsyno buildings with vaulted ceilings, which achieved an even more significant effect of the play on geometric shapes.

One of the main features of Bazhenov's project was that there was no main palace as a single building - there are instead three independent buildings. Catherine II liked the project, and construction began in May 1776.

However, by the end of the year, troubles arose with building supplies and funding; this was repeated several times throughout the construction, which lasted for a decade - contrary to the architect's plans to finish it all in three years. Bazhenov wrote numerous letters to officials to determine the reasons for the difficulties. Nevertheless, despite money and material shortages, the previously begun buildings were completed in 1777-1778, and in 1777 the construction of the Figured Gate and the main palace, which consisted of three buildings, began. It ended in 1782; at the same time, work for the Large Cavalry Corps, several outbuildings, and an arch-gallery was started.

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