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Un Poco Loco
Un Poco Loco
from Wikipedia
"Un Poco Loco"
Single by Bud Powell
from the album The Amazing Bud Powell, Volume One
B-side"It Could Happen to You"
Released1951 (1951)
GenreJazz
Length4:42
LabelBlue Note
SongwriterBud Powell
ProducerAlfred Lion
Bud Powell singles chronology
"Hallelujah"
(1951)
"Un Poco Loco"
(1951)

"Un Poco Loco" is an Afro-Cuban jazz standard composed by American jazz pianist Bud Powell.[1][2] It was first recorded for Blue Note Records by Powell, Curly Russell, and Max Roach on May 1, 1951.[3][4]

Musical characteristics

[edit]

"Un Poco Loco" is in thirty-two bar form.[4] It uses the lydian scale, incorporating chords overlapping chords to imply a polytonality (D major 7 over C major 7: CEGBDF#AC#) with the improvisation based on an alternating polytonality and an altered dominant chord. Particularly remarkable to jazz musicians is the placement of C# against a C major 7 chord; James Weidman attributed this to bitonality, while Tardo Hammer attributed it to an extension of the circle of fifths.[5]

Legacy

[edit]

In the late 1980s, literary and cultural critic Harold Bloom included "Un Poco Loco" in his list of the most "sublime" works of twentieth-century American art (from his introduction to Modern Critical Interpretations: Thomas Pynchon's Gravity's Rainbow).[6]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Un Poco Loco is a lively from the 2017 Disney•Pixar animated film Coco, performed by the characters Miguel Rivera (voiced by Anthony Gonzalez) and Héctor (voiced by ) in an energetic, on-the-spot duet at a talent in the . The track, which translates to "a little crazy" in Spanish, captures the whimsical chaos of newfound affection through playful, escalating absurdities, blending influences with upbeat rhythms to highlight the film's themes of music, family, and cultural celebration during Día de los Muertos. Composed by with lyrics by , "Un Poco Loco" serves as a pivotal moment in Coco's , where Miguel— an aspiring musician cursed to the —teams up with the Héctor to perform and win entry to famed singer Ernesto de la Cruz's exclusive party, advancing Miguel's quest to fulfill his musical dreams. Featured on the official Coco soundtrack released by , the song exemplifies the film's authentic incorporation of Mexican musical traditions, including and elements, orchestrated by Franco to evoke joy and emotional depth. Its infectious energy contributed to the soundtrack's critical acclaim, helping Coco earn two , including Best Animated Feature and Best Original Song for "Remember Me," while underscoring the movie's over $800 million global success and cultural impact.

Background and Composition

Origins

"Un Poco Loco" was composed specifically for the 2017 Disney•Pixar film Coco, with music by and lyrics by co-director . The song draws from , a traditional folk music style from , , blending African, Spanish, and Indigenous influences through rhythmic patterns like the zapateado footwork and stringed instruments such as the and jarana. This choice reflects the film's emphasis on authentic Mexican cultural elements during Día de los Muertos, while capturing the chaotic energy of the characters' impromptu performance. In the narrative, the song serves as a key moment where protagonist Miguel Rivera, stranded in the , collaborates with the street performer Héctor to enter a talent competition. Their escalates in absurdity to entertain the and gain access to Ernesto de la Cruz's party, underscoring themes of family, music, and resilience. Franco and Molina crafted the bilingual to convey whimsical romance and escalating madness, aligning with the title's translation of "a little crazy." The composition emerged during the film's development, informed by Franco's research trips to to incorporate regional musical traditions.

Recording Session

The song was recorded as part of the Coco original motion picture sessions in 2017, produced by . Voice performances were provided by Anthony Gonzalez as Miguel and Gael as Héctor, capturing the duet's lively interplay during principal voice recording for the animation. Franco orchestrated the track, integrating horns and upbeat percussion to enhance its festive tone, with the full recording lasting 1:52. It premiered in the film on November 22, 2017, and was released on the on November 10, 2017. The session highlighted the collaboration between the film's musical team, including consultant Camilo Lara of the Mexican Institute of Sound, to ensure cultural accuracy.

Musical Characteristics

Form and Structure

"Un Poco Loco" follows a verse-chorus form typical of Mexican folk-inspired songs, structured as verse, chorus, instrumental break, chorus, and final chorus, which supports the duet's playful improvisation and escalating energy during the talent show scene. This simple, repetitive structure allows for spontaneous vocal interplay between Miguel and Héctor, building comedic momentum through call-and-response elements rooted in son jarocho traditions. The song is performed at a moderate tempo of 126 beats per minute (q = 126), with a bouncy feel in 2/4 time, evoking the lively rhythm of Mexican string ensembles. Instrumentation includes traditional Mexican folk elements like the guitarrón, requinto guitar, and jarana, blended with mariachi brass for a festive, high-energy propulsion that aligns with the film's Día de los Muertos celebration.

Harmonic and Melodic Elements

The song is composed in , utilizing a straightforward harmonic progression that emphasizes diatonic chords (I-IV-V) common in and genres, creating an accessible, joyful soundscape with occasional modal inflections from its indigenous, African, and Spanish influences. This harmonic simplicity supports the bilingual lyrics, alternating Spanish verses with English choruses, and allows the to shine through pentatonic scales that impart a bright, folk-like quality. The features catchy, ascending phrases that mimic the characters' whimsical confusion in love, with rhythmic and overlapping vocal lines adding chaotic charm without complex . Melodically, "Un Poco Loco" employs short, repetitive motifs that escalate in absurdity, drawing from 1930s-1940s Mexican cinema songs for an nostalgic yet modern feel, orchestrated by Germaine Franco to blend authenticity with cinematic flair.

Reception and Legacy

Critical Reception

"Un Poco Loco" received positive acclaim as part of the Coco soundtrack, praised for its energetic and catchy bilingual lyrics that capture the film's themes of family and music. Critics highlighted the song's role in a pivotal scene, with Brian Truitt of USA Today describing the film's tunes, including this duet, as making Coco one of Pixar's most musical entries. Michael Phillips of the Chicago Tribune commended the overall score and songs for their emotional and cultural authenticity. The soundtrack, featuring "Un Poco Loco" performed by Anthony Gonzalez and Gael García Bernal, debuted at number one on the Billboard Top Latin Albums chart and reached number 40 on the Billboard 200 following the film's Oscar wins in 2018. While the film earned universal acclaim with a 97% approval rating on , some online discussions noted minor criticisms of the song's whimsical style, though these were not widespread in professional reviews.

Influence and Covers

"Un Poco Loco" has influenced Disney's integration of Mexican cultural elements into its attractions, contributing to the film's broader legacy of promoting Día de los Muertos traditions. In 2021, the song anchored a new Coco-themed scene in the attraction at and , enhancing live experiences with its upbeat style.[](https://disneyparks.disney.go.com/blog/2021/06/mickeys-phil harmagic-adds-coco-scene/) It is also performed during seasonal Día de los Muertos events at and Epcot's Pavilion, underscoring the film's global cultural impact. Notable covers include choral arrangements by Mark Brymer for Hal Leonard's Pop Choral Series, used in school and community performances. The song's and vocal scores have been widely distributed, supporting its use in educational and amateur settings, though no major professional artist covers have been recorded as of 2025.
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