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Uniform Choice
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Uniform Choice (formerly known as Moral Sin) was an American hardcore punk band from Orange County, California.
Key Information
History
[edit] | This section's tone or style may not reflect the encyclopedic tone used on Wikipedia. (November 2024) |
Uniform Choice was started by guitarist Myke Bates, bassist Hanson Meyer and drummer Eric Hanna during the spring of 1982 in Newport Beach, California. Bates had been playing with a couple of bands previously in Palm Springs and his band, Funeral Information, had played early punk shows with SIN 34 and Black Flag. He is also credited for writing the song "Rodney On The ROQ" for KROQ-FM DJ Rodney Bingenheimer, which was performed by Target 13 and appeared on the compilation album Rodney on the ROQ, Vol 2 under the independent record label Posh Boy Records.
Bates left his skateboard shop, Bates Skates, behind in Palm Springs and moved to Newport Beach. He looked to start a new band in Orange County and found Meyer and Hanna who were playing with guitarist Dave Marriott (Hollywood Hate, The Lowdowns, The NightCrawlers) and singer Scott Brandon in a local punk band called Moral Sin. Bates had originally joined the lineup of Moral Sin as a second guitarist but soon after, Scott Brandon left the group leaving it without a singer. Bates then moved into the dual role of guitarist/singer and suggested the group change its name to Uniform Choice with the explanation that it represented our right to do whatever we wanted to do.[citation needed]
After about two months, Marriott left the group to pursue other endeavors and the remaining members pressed forward as a power trio. Meyer and Bates wrote a number of songs together over the course of the next two years including "War is Here" and "Don't Take the Car You'll Kill Yourself". After the punk club Cuckoo's Nest (nightclub) closed down, there were limited clubs for the band to play in the Orange County area. Not too long after the closure of the Cuckoo's Nest, the club reopened as "The Concert Factory" and it was there that Uniform Choice played most of their early shows in late 1982. Bates played guitar and sang lead vocals in the beginning until the group landed on lead singer Elliott Colla, a former classmate of Meyer and Hanna's from Corona Del Mar High School. The band experimented with other singers before Colla. Newport Beach local Eric Whittick sang for a short while. And later in the tradition of X-Ray Spex, 14-year-old Jennifer Harper fronted the band for a short time along with second guitar player Eric VonArab (Love Canal).[citation needed]
The band made its first studio demo in September 1982 (Orange Peel Sessions) with Colla heading up vocals. The recordings were engineered and produced by Tom Springston (Tom Tom) of Burnt Party Host and were recorded in Corona Del Mar, California. In 1983, the band experimented with an additional second lead bass player, Brent Turner. Turner only played several shows with the band and left the group to record the album When in Rome Do as the Vandals with The Vandals. Over the course of the first two years the group performed with other established punk acts such as Black Flag, SIN 34, Circle Jerks, Channel 3, Shattered Faith, Bad Religion, Circle One and Angry Samoans.[citation needed]
In early 1983, Hanna and Meyer decided to leave the band, and Bates enlisted an entire new lineup which would be fronted by Pat Dubar and drums being played by Hanna's friend and classmate Pat Dyson (who had played with Plain Wrap in 1983), and Bass being played by John Lorey, and Guitar by Vic Maynez. Meyer went on to play with other groups such as the Finks and Peace Corp., while Bates left the group later in 1983 to pursue other endeavors in Hollywood, California. Dyson and Dubar tried to re-recruit Eric VonArab to rejoin this new rendition of the band.
The group with this final lineup of Pat Dubar, Pat Dyson, Vic Maynez and David Mello went forward with a new vision as Uniform Choice and continued to record and create what was considered the first O.C. Straight Edge Demos. The group gained momentum nationally while performing throughout California and beyond bringing the group to their current level of recognition in the Southern California punk subculture.
Screaming for Change is their most acclaimed album.[according to whom?] They also recorded another less well received LP called Staring into the Sun and their demo has been bootlegged several times. Pat Dubar was a graduate of Pepperdine University and created the label Wishingwell Records, which released albums by Unity, Uniform Choice, Blast, and Youth of Today, among others. Uniform Choice is historically among the first five Straight Edge Hardcore bands to emerge from Southern California.
Members
[edit]- Pat Dubar – vocals (1983–1990)
- Victor Maynez – guitar (1983–1990)
- Pat Dyson – drums (1983–1986)
- David Mellow – bass (1984–1990)
- John Lorey – bass (1983–1984)
- Patrick Longrie – drums (1986–1990; 1991–1994)
- Jim Viviano – vocals (1991–1994)
- Mike Hanes – guitar (1991–1994)
- Rich J Weinrauch – guitar (1991–1994)
- Trent Ober – bass (1991–1994)
- Myke Bates – guitar (1982–1983)
- Hanson Meyer – bass (1982–1983)
- Dave Marriott – guitar (1982)
- Eric Hanna – drums (1982–1983)
- Elliott Colla – vocals (1982–1983)
- Eric VonArab – guitar (1982)
- Brent Turner – bass (1983)
- Scott Brandon – vocals (1982)
Discography
[edit]- Orange Peel Sessions demo (recorded in 1982, released in 2015)
- Uniform Choice demo (1984)
- Screaming for Change (Wishingwell Records, 1986)
- Region of Ice Giant Records(1988)
- Staring Into the Sun Giant Records (1988)
- Getting the point across (live in SF 1988) Lost & Found Records LF247/CD (1996)[1]
- Rainmaker demo (1991)
- Consider This demo (1992)
References
[edit]External links
[edit]| International | |
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| Artists | |
Uniform Choice
View on Grokipediafrom Grokipedia
Uniform Choice was an influential American hardcore punk band from Orange County, California, active from 1982 to 1993 and renowned for pioneering positive straightedge hardcore with themes of personal empowerment and social awareness.[1][2]
Originally formed as Moral Sin in Newport Beach by guitarist Myke Bates, bassist Hanson Meyer, and drummer Eric Hanna, the band evolved into Uniform Choice after recruiting vocalist Pat Dubar in 1983, shifting focus toward straightedge ideals amid the volatile Southern California punk scene.[3][4] The group navigated challenges like gang influences in the local hardcore community, promoting unity and positivity through their music, which helped make straightedge more accessible in Los Angeles and beyond.[4][5]
Key members included vocalist Pat Dubar (1983–1990), guitarist Victor Maynez (1983–1990), bassist David Mellow (1984–1990), and drummers Pat Dyson (1983–1986) and Patrick Longrie, with lineup changes reflecting the band's evolution from raw aggression to melodic elements.[6][7] Their sound blended fast-paced hardcore punk with post-hardcore and melodic influences, emphasizing lyrics about self-reliance and breaking free from societal constraints.[8][9]
Uniform Choice's debut album, Screaming for Change (1986, Wishing Well Records), stands as one of the era's landmark releases, featuring tracks like "Use Your Head" and "Straight and Alert" that became anthems for the positive hardcore movement.[2][10] The band released additional material, including the album Staring into the Sun (1988) and contributions to compilations, before disbanding in 1993, though their work has been reissued and continues to inspire later straightedge and youth crew bands.[1][11] Recognized as godfathers of positive hardcore and among the earliest straightedge acts from Southern California, Uniform Choice's legacy endures in the genre's emphasis on ethical and uplifting messages.[2][5]
Formation and Early History
Origins as Moral Sin
Uniform Choice originated in the vibrant yet volatile punk scene of Orange County, California, where the band first took shape in April 1982 under the name Moral Sin. Formed in Newport Beach by guitarist Myke Bates, bassist Hanson Meyer, and drummer Eric Hanna, with initial vocalist Dave, the group emerged as a direct response to the aggressive energy of the local hardcore punk environment, which was dominated by influential acts and a growing undercurrent of youthful defiance against mainstream society. Their first practice occurred on April 24, 1982.[12][3] The name Moral Sin reflected the band's initial focus on themes of aggressive rebellion and moral ambiguity, drawing from the chaotic spirit of punk's anti-establishment roots. Their songwriting process emphasized short, explosive tracks with raw energy, heavily influenced by hardcore pioneers such as Black Flag and the local Orange County outfit T.S.O.L., whose blistering tempos and confrontational lyrics shaped Moral Sin's early sound.[3] In May 1982, the band rebranded as Uniform Choice, a name inspired by a phrase—"You Are The Uniform Choice"—scrawled by Pete Nelson of the band Target 13 on a photograph of Bates, symbolizing individual empowerment and the deliberate selection of one's path in life. This shift aligned with the nascent straight edge philosophy gaining traction in punk circles, emphasizing personal agency over destructive habits and resonating with the band's evolving message of self-determination.[12] The early days of Uniform Choice were marked by significant challenges within the gang-influenced Southern California punk scene, where violence from groups like the Sons of Samoa and L.A. Death Squad often disrupted shows, creating a tense atmosphere for performers and audiences alike. Venue restrictions were common, particularly at historic spots like the Cuckoo's Nest in Costa Mesa, which had closed in late 1981 due to escalating fights and safety concerns before reopening as the Concert Factory—though even there, cancellations and logistical hurdles persisted for emerging bands like Uniform Choice.[4]Initial Lineup and First Performances
In June 1982, following the band's name change from Moral Sin, Myke Bates, Hanson Meyer, and Eric Hanna recruited Elliott Colla as their lead vocalist, a former acquaintance who brought an aggressive lyrical approach influenced by the raw energy of emerging hardcore punk.[12] Colla's contributions helped define the band's early songwriting, emphasizing confrontational themes that aligned with the straight-edge ethos taking root in Southern California.[13] The initial lineup debuted live on July 4, 1982, at a show in Palm Springs, California.[3][12] Subsequent gigs, including appearances at The Concert Factory in Costa Mesa, exposed them to volatile audiences where mosh pits often escalated into brawls involving local punk gangs like the Sons of Samoa and L.A. Death Squad, testing the band's resolve in a circuit known for its physical confrontations and equipment sabotage.[4] Setlists from these early outings typically featured high-energy originals like "Straight and Alert" and covers drawing from DC hardcore staples, eliciting mixed reactions—enthusiastic support from straight-edge youth but hostility from drinkers and scenesters who viewed their sobriety as confrontational.[3] Colla departed after a gig in September 1982, leading to brief stints by other vocalists, including Eric W. and then Bates and Meyer sharing vocals, before the recruitment of Pat Dubar in 1983. By mid-1984, with the addition of vocalist Pat Dubar, bassist David Mellow, and drummer Pat Dyson alongside Bates on guitar, the band recorded their self-titled demo on July 19 at a local studio, capturing a raw, thrashy sound that accelerated DC influences like Minor Threat's precision into SoCal's chaotic, speed-driven style.[14][3] The ten-track session, produced in a single day with minimal overdubs, included songs such as "Sometimes," "Don’t Quit," "Something To Say," "Bully," "Sober," "Straight And Alert," "Rumors," "Uniform Choice," "Someday," and "Walls," emphasizing themes of personal resolve and anti-drug stances.[14] Distributed primarily through DIY cassette trading networks within the punk underground, the demo circulated widely among tape traders and fanzines, building buzz despite production challenges like faulty amps and venue bans stemming from prior scuffles.[15] These early hurdles, including minor conflicts with aggressive locals and logistical issues in the gang-heavy scene, ultimately forged a tighter performance dynamic by late 1984.[4]Musical Career
Breakthrough Albums and Releases
Uniform Choice achieved their initial breakthrough with the release of their debut full-length album, Screaming for Change, in 1986 on the band's self-founded Wishingwell Records label. Recorded during the fall and winter of 1985 at Casbah Studios and engineered by Chaz Ramirez, the self-produced effort captured the group's raw energy through 14 tracks clocking in at just over 27 minutes, emphasizing short, fast songs driven by frantic drums and shouted vocals promoting straight edge ideals of sobriety and personal responsibility.[16][17][18] Standout tracks like "Breakdown" and "The Waiting" highlighted the album's motivational tone, urging listeners toward self-reliance and positive change amid the era's hardcore aggression. Critics praised its uplifting accessibility, with Maximum Rocknroll noting the band's "short, melodic, and sweet" style that evoked influences from M.I.A., 7 Seconds, and Minor Threat, setting it apart from more abrasive contemporaries.[19][9] The record's reception underscored Uniform Choice's role in popularizing positive hardcore, as echoed in reviews highlighting its "heartfelt intent" and relevance to straight edge youth.[20] Building on this momentum, the band signed with Giant Records for their 1988 follow-up, Staring into the Sun, which represented a subtle evolution in their sound through more pronounced melodic elements and varied pacing. Co-produced by Rich Andrews and the group, the album featured hooks and poetic lyrics that leaned into post-hardcore territory, with tracks like "Indian Eyes" and "A Wish to Dream" blending urgency with emotional depth.[21][22] They also released the "Region of Ice" 7" EP on Giant Records the same year, including the title track and "I Am... You Are." This shift broadened their appeal in underground scenes, where the record circulated widely among straight edge enthusiasts despite limited mainstream exposure.[21][23] The transition to Giant reflected the rising demand for straight edge acts in the late 1980s, as labels sought to capitalize on the movement's growing visibility beyond Orange County. Uniform Choice's deal exemplified how their positive messaging and tight musicianship elevated them from local heroes to influential figures, with Screaming for Change reissued in 2017 by Southern Lord Records to renewed acclaim for its enduring impact.[2][24]Tours and Live Performances
Uniform Choice's early live performances were concentrated in Southern California from 1984 to 1985, where they built a local following through frequent regional shows at venues like the Concert Factory in Costa Mesa, Fender's Ballroom in Long Beach, and the Olympic Auditorium in Los Angeles. They often shared bills with prominent punk and hardcore bands, including opening for Social Distortion alongside S.S. Decontrol and Mad Parade on March 30, 1985, at the Olympic Auditorium, as well as gigs with D.I., Circle Jerks, and 7 Seconds at spots such as the Flash Dance Club in Anaheim and the Cathay de Grande in Hollywood.[3] These appearances helped establish their presence in the Orange County scene, with sets emphasizing raw energy and straight-edge themes that resonated with youth audiences.[25] By 1986, the band continued regional touring in California, performing at Fender's Ballroom and expanding slightly northward to Sacramento's The Beat, sharing stages with acts like Bl'ast! and Attitude Adjustment. Their breakthrough came with the 1987 U.S. national tour from July 17 to August 18, promoting the Screaming for Change album, which took them across the East Coast and Midwest. Key stops included Graystone Hall in Detroit on July 17 with local bands like Big Brown House and Gore, CBGB's in New York City, City Gardens in Trenton, New Jersey, on August 2 opening for 7 Seconds alongside Justice League, and the Native American Center for the Living Arts in Niagara Falls on August 11.[3] The tour faced challenges, such as a van breakdown that canceled a planned show in St. George, California, on August 21, and audience moshing often led to intense, sometimes violent clashes reflective of the era's hardcore environment.[3][26] In 1988 and 1989, Uniform Choice maintained a mix of West Coast dates, including at Fender's Ballroom and the Balboa Theater in Los Angeles, while undertaking another U.S. and Canadian tour from May 24 to July 16, 1989, covering states like Arizona and Utah before heading north to Vancouver, Edmonton, and Winnipeg. Their final active-era show occurred on August 13, 1989, at the Country Club in Reseda, California, supporting Bad Religion.[3] Live recordings from these periods, including bootlegs of 1986 Fender's Ballroom performances and 1987 tour footage, capture the band's signature high-energy style, featuring rapid breakdowns, driving rhythms, and crowd chants that fostered a sense of community among straight-edge fans.[27][3] Following a hiatus, Uniform Choice reunited in 1991 and remained active through 1994, primarily focusing on demo recordings like Rainmaker (1992) and Consider This... (1993) rather than extensive touring, though they played sporadic one-off gigs to reignite interest in their catalog.[3] These reunion appearances, often at familiar California venues, maintained the band's intense live dynamic but on a smaller scale compared to their 1980s peak.[1]Musical Style and Legacy
Characteristics and Themes
Uniform Choice's core sound is characterized by fast-paced tempos and aggressive energy, drawing from the raw intensity of Washington, D.C. hardcore while incorporating the optimistic vibe of Southern California punk, often referred to as positive mental attitude (PMA). The band's music features dual guitar riffs that deliver punchy, riff-driven aggression, paired with shouted or yelled vocals that convey urgency and conviction. Drums provide a frantic backbone, with frequent fills accentuating breakdowns that add weight to the rhythm section, while bass lines anchor the proceedings with driving, rhythmic propulsion. This blend results in a powerful, convincing delivery that emphasizes directness over complexity.[18][19][28] Lyrically, Uniform Choice centered on themes of personal responsibility, anti-drug stances, and empowerment, aligning closely with the straight edge ethos. Songs like "Straight and Alert" explicitly reject substance use, portraying sobriety as essential for clarity and self-determination: "Something must be wrong when one slurs to talk / It has to be hard when it's difficult to walk / Straight and alert, that's the way to be." In "Screaming for Change," the lyrics urge action against complacency, stressing individual agency and open-mindedness: "Understand that you make a difference / No difference between you and I / Take the time don’t limit your mind." These empowerment anthems promote unity and proactive mindset, critiquing apathy while fostering a sense of collective strength without descending into nihilism.[29][30][18] The band's style evolved from the raw, thrashy aggression of their early demos—marked by unrelenting speed and minimal production—to more structured elements in later albums, including semi-melodic choruses and occasional spoken-word delivery. Influenced by contemporaries like Youth of Today, they retained a distinct originality through their focus on PMA-infused positivity, avoiding the heavier, more introspective turns of emerging emo or metalcore styles. This progression is evident in tracks like "In Time," which incorporates a longer melodic intro amid the chaos, yet the band consistently prioritized concise song structures, with most clocking in at 1-2 minutes to maintain high-energy momentum.[18][24][19]Influence on Hardcore Punk and Straight Edge
Uniform Choice played a pivotal role in popularizing straight edge within Southern California's hardcore scene during the mid-1980s, emerging as one of the earliest bands to promote sobriety and personal choice amid a landscape dominated by violence and substance abuse. Their 1986 album Screaming for Change bridged East and West Coast straight edge movements, inspiring a surge in drug-free youth culture by emphasizing empowerment and self-determination over nihilism, much like Minor Threat's influence on the East Coast.[4][31] This crossover appeal directly influenced subsequent Southern California bands such as Chain of Strength and Insted.[4] The band's contributions extended to the development of positive hardcore, a subgenre that shifted focus from self-destructive themes to activism, community building, and social change, as detailed in Tony Rettman's 2017 book Straight Edge: A Clear-Headed Hardcore Punk History. By advocating for clean living and protecting fans from scene violence—such as frontman Pat Dubar intervening in mosh pit altercations—Uniform Choice helped foster a safer, more constructive environment in Los Angeles and Orange County punk venues, contrasting the era's prevalent chaos.[4][32] Their lyrical emphasis on individual agency and sobriety resonated in later straight edge acts.[11] Uniform Choice's cultural legacy endures through straight edge symbols and practices, including the adoption of the X-up gesture—drawing an X on the backs of the hands to signify sobriety—in shows, a ritual that became synonymous with the movement they helped propagate on the West Coast. The band received frequent references in influential zines like HeartattaCk, which highlighted their role in evolving hardcore toward introspective and activist-oriented themes across multiple issues in the late 1990s and early 2000s.[33][34][31] Following their 1989 breakup, renewed interest surfaced with the 2015 reissue of their 1982 Orange Peel Sessions demo by Dr. Strange Records, which unearthed early recordings and reignited archival appreciation among hardcore enthusiasts, underscoring their foundational impact.[13]Band Members
Core and Long-Term Members
Pat Dubar served as the lead vocalist for Uniform Choice from 1983 to 1990. Originally from Missouri, he relocated to Orange County, California at age 9 and attended Catholic school, where he encountered punk rock through Black Flag's Jealous Again EP at age 14 while in high school.[4] Dubar, who also fronted the influential straight edge band Unity, was central to Uniform Choice's identity through his passionate delivery of lyrics promoting sobriety, personal responsibility, and positive community values, helping to define the band's straight edge ethos amid the often volatile Southern California hardcore scene.[4][5] After leaving the band in 1989, Dubar founded the independent label Massive Sound and engaged in activism to combat neo-Nazi infiltration in punk venues, emphasizing moral and inclusive principles in the subculture.[35][36] Victor Maynez played guitar for Uniform Choice from 1983 to 1990, providing instrumental stability during periods of lineup flux and helping shape the melodic elements in releases like Staring Into the Sun.[8][5] Post-band, Maynez pursued careers in heating and air conditioning before working at a sheet metal company.[5] David Mellow served as bassist from 1984 to 1990, bringing stability to the lineup and contributing solid low-end work that complemented the band's sound on releases like Screaming for Change.[8][5]Lineup Changes and Contributions
Uniform Choice's lineup evolved significantly from its formation in 1982 through the late 1980s, with each transition influencing the band's dynamics and straight edge hardcore sound. The original configuration featured guitarist Myke Bates, bassist Hanson Meyer, and drummer Eric Hanna, who laid the groundwork for the group's early recordings, including the 1982 Orange Peel Sessions demo. Meyer's bass playing provided a grounding rhythmic foundation that anchored the raw energy of these initial tracks.[37] In early 1983, vocalist Elliott Colla departed after a brief tenure, prompting the recruitment of 14-year-old Pat Dubar as frontman. Dubar's entry shifted the band's lyrical focus toward more overtly positive and motivational themes, aligning closely with the straight edge movement's ethos of personal empowerment and sobriety. This change invigorated the group's identity, moving away from less defined early directions.[4] Concurrently, the rhythm section of Meyer and Hanna exited, while founding guitarist Bates also left later that year, altering the band's overall tone from pop-punk leanings to a heavier, more aggressive style. Victor Maynez joined on guitar, introducing sharper riffs and dual-guitar interplay that enhanced the music's intensity and drive. Pat Dyson came in on drums, contributing a propulsive style that supported the band's high-energy performances and helped solidify their live presence. John Lorey initially handled bass duties during this flux.[4][5] By 1984, David Mellow replaced Lorey on bass, bringing stability to the lineup as the band prepared for their debut album. Mellow's solid low-end work complemented Dubar's vocals and Maynez's leads, fostering the cohesive sound heard on Screaming for Change (1986). In 1985, Dyson left for college, and Patrick Longrie stepped in on drums, recording two tracks—"Screaming for Change" and "Once I Cry"—on the album and later anchoring the 1989 North American tour with guitarist Pat O’Mahony and bassist John Mastropaolo. Longrie's precise drumming increased the band's speed and reliability, enabling more demanding live sets and contributing to their reputation for dynamic shows.[5] These mid-1980s adjustments marked the band's most stable and productive phase, though personal commitments led to its initial disbandment around 1989. A brief reunion in 1992 featured Patrick Longrie as the only original member, but the group dissolved thereafter amid diverging life priorities.[5][3]Discography
Studio Albums
Uniform Choice released their debut studio album, Screaming for Change, in 1986 through Wishingwell Records. Recorded at Casbah Studios during fall and winter 1985, the album captures the band's raw, high-energy hardcore punk sound, featuring short, intense tracks that emphasize speed and aggression. The 14-song LP runs approximately 25 minutes and includes the following track listing:- Use Your Head (1:22)
- My Own Mind (2:17)
- Straight and Alert (3:08)
- Build to Break (1:13)
- Scream to Say (1:21)
- Once I Cry (1:39)
- Sometimes (1:43)
- Screaming for Change (2:34)
- No Thanks (1:53)
- A Choice (1:56)
- Big Man, Small Mind (1:20)
- Don't Quit (2:11)
- In Time (1:25)
- Silenced (1:35)
- Indian Eyes (3:44)
- Same Train (2:26)
- Staring into the Sun (3:04)
- A Wish to Dream (2:03)
- She's Locked In (2:41)
- Region of Ice (3:00)
- Cut of a Different Cause (2:41)
- Miles Ahead (3:43)
- What Is Stone (2:36)
- Long Drink of Silence (4:14)