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Walter Tost
Walter Tost
Walter Tost
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Walter Tost (1895-1948) was a German film producer and production manager.[1] Much of his work was with Terra Film during the Nazi era. He was the elder brother of Hans Tost, also a film producer.

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Selected filmography

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Walter Tost

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Walter Tost was a German film producer and production manager known for his prolific contributions to German cinema during the 1930s and 1940s. Born on 30 March 1895 in Berlin, Germany, he began his career in the late 1920s and early 1930s, working primarily in production management on early sound films such as Bombs Over Monte Carlo (1931), Slalom (1932), and Once There Was a Waltz (1932). Tost's career accelerated through the 1930s, where he served as production manager on a wide range of projects, including Kitty und die Weltkonferenz (1939), Men Are That Way (1939), and Blutsbrüderschaft (1941). He also took on producing roles in several films, notably as executive producer or line producer for Die gute Sieben (1940), Kleine Mädchen – große Sorgen (1941), Liebespremiere (1943), and Am Abend nach der Oper (1945). His work spanned more than forty production management credits and nearly twenty producing credits, reflecting his central role in the German film industry during a turbulent historical period. Tost died on 28 December 1948 in Berlin, Germany, shortly after the end of World War II.

Early Life

Birth and Background

Walter Tost was born on 30 March 1895 in Berlin, Germany. Biographical information on Tost's early life is limited, with most details coming from industry records such as film databases. No reliable sources provide information on his family (beyond his relation as elder brother to fellow film producer Hans Tost), parents, siblings (beyond the brother), childhood, or other personal background details. He completed a commercial apprenticeship and served in World War I before entering the film industry around 1918–1921, initially working in roles such as assistant director/production manager. This lack of extensive documentation is typical for many figures in German cinema of that era, particularly those in behind-the-scenes production roles.

Career

Early Career

Walter Tost began his film career in 1921 with minor acting roles in German silent films, appearing as an actor in Der Held des Tages and Erzgauner (both 1921), followed by one additional acting credit in Die Frau, die jeder liebt, bist Du (1929). By the mid-1920s, he transitioned to behind-the-camera roles, primarily as production manager (Aufnahmeleitung), working on numerous films from around 1925 onward, including titles such as Die vom Niederrhein (1925) and various productions through the late 1920s and early 1930s.

Production Roles in the Sound Era

From the early 1930s, Walter Tost focused on production management and producing in the German film industry during the sound era. He served as production manager on films such as Bombs Over Monte Carlo (1931), Slalom (1932), and Once There Was a Waltz (1932). His work expanded in the later 1930s and 1940s, where he took on higher production responsibilities (Herstellungsleitung and Produktionsleitung), contributing to projects including Kitty und die Weltkonferenz (1939), Men Are That Way (1939), and Blutsbrüderschaft (1941). He also served as producer or line producer on films such as Die gute Sieben (1940), Kleine Mädchen – große Sorgen (1941), Liebespremiere (1943), and Am Abend nach der Oper (1945).

Later Career and Wartime Period

During World War II, Walter Tost continued in senior production roles amid wartime conditions, serving as production manager or head of production on films such as Circus Renz (1943), Liebespremiere (1943), Das Leben ruft (1943–1944), and Am Abend nach der Oper (1944). No further credits are documented after 1944–1945, consistent with the end of World War II and the collapse of the Nazi-era German film industry in 1945.

Filmography

Acting Credits

Walter Tost had a limited acting career in the early part of his professional life, appearing in minor roles before transitioning to production management and producing in the late 1920s. His documented acting credits are:
  • Der Held des Tages (1921)
  • Die Frau, die jeder liebt, bist Du (1928/1929)
IMDb lists three acting credits for Walter Tost, but specific titles are not detailed in available summaries, and the above are confirmed via filmportal.de. No additional acting credits are documented in primary sources for later years, as his work focused on behind-the-camera roles.

Personal Life

Known Personal Details

Little is known about Walter Tost's personal life beyond his professional activities in the German film industry. Major industry databases and records, such as his IMDb profile, provide no information on marriage, children, family matters, or personal events. Similarly, there are no documented details regarding his residences outside of general professional context, nor any recorded awards, memberships in professional organizations, or other aspects of public or private life. These sources concentrate solely on his work as a production manager and producer, leaving his private affairs largely undocumented.

Death

Death and Circumstances

Walter Tost died on 28 December 1948 in Berlin, Germany. The circumstances surrounding his death are not documented in available sources, with no information regarding the cause. His last film credit was in 1945.
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