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Wenwanggua
Wen Wang Gua (Chinese: 文王卦; pinyin: Wén Wáng Guà) is a method of interpreting the results of I Ching divination that was first described in writing by Jing Fang in Han dynasty China. It is based on correlating trigrams to the Celestial Stems and Earthly Branches of the Chinese calendar, and then using the stem and branch elements to interpret the lines of the trigrams and hexagrams of the I Ching. The method is popular in South East Asia. It is known by various names: (Liu Yao) (six lines divination) refers to the fact that it interprets the meaning of six symbols; the Najia method, indicates its logic of elemental values derived from the Chinese calendar; Huo Zhu Lin (火珠林), or the Fire Pearl Forest method, refers to a classical textual tradition associated with this form of divination; Wu Xing Yi (changes of the five elements); or Wen Wang Ke (Lessons of King Wen).
Despite being the mainstream method of practical I Ching divination in China, Wen Wang Gua and the Na Jia system were largely absent from major English-language translations of the I Ching throughout the twentieth century. Richard Wilhelm, in his appendix on the coin oracle, acknowledged the existence of this system, noting that there is "yet another kind of coin oracle, employing, besides the hexagrams of the I Ching, the 'five stages of change,' the cyclic signs, etc." He described it as a practice "used by Chinese soothsayers" and characterized it as a perpetuation of the ancient tortoise oracle that was "gradually supplanted by the I Ching." This characterization is not consistent with the system's continued and widespread use in Chinese divinatory practice.
The name Wen Wang Gua means "King Wen's fortune telling hexagrams" (or trigrams, since gua can mean either hexagram or trigram). King Wen of Zhou and his son are traditionally said to be the authors of the I Ching. The elemental correspondences of the trigrams were not originally part of the tradition associated with King Wens name, but may have been based on a trigram sequence described in the Eighth Wing (one of the Ten Wings, a series of appendixes to the I Ching which are usually ascribed to Confucius). That the use of element correlation theories was relevant at the time can be seen from the extant records, such as the Luxuriant Dew of the Spring and Autumn Annals, a compilation of earlier texts which was attributed to Dong Zhongshu. As one modern researcher remarks: "Dong Zhongshu is generally remembered as the author of a detailed system of correspondences in which everything was correlated to one of the five fundamental forces, so that everything could be shown to be interrelated in an orderly and comprehensible manner." Jing Fang and his teacher, the author of the "Forest of Changes by Jiao", were among the first to apply this form of correlative thinking to I Ching divination.
This is the text from section 5 of the Eighth Wing, an appendix to the I Ching, which relates the trigrams to the seasons of the year, and indirectly to the elements:
Kan and Sun (☳ and ☴) correlate with wood, the first of the elements in the Chinese calendar, then Li (☲) with fire, Khwan (☷) with earth, Tui and Khien (☱ and ☰) with metal, and Khan (☵) with water. Thus the elements appear in their generating sequence, which correlates with the seasons of the year and the trigrams. The Kăn trigram (☶), correlating with earth, has been placed at the end of the sequence because in it is said that God has completed His work, and this must appear to us at the end, even if from the point of view His relation with creation the work was actually complete after Khwan, after the greatest service is done for Him and before He does His own rejoicing and struggling.
Section 2 of the Eighth Wing relates line positions top, middle and bottom to Heaven, Man and Earth respectively. Although traditionally attributed to Fu Xi, Shao Yong's binary or lexicographical order first appears in the eleventh century AD:
Larry James Schulz writes in his dissertation Lai Chih-Te, (1525-1604) and the phenomenology of the “Classic of Change” (Yìjīng):
More about this system can be found in Fung Yu-lan’s A History of Chinese Philosophy, Volume II.
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Wenwanggua
Wen Wang Gua (Chinese: 文王卦; pinyin: Wén Wáng Guà) is a method of interpreting the results of I Ching divination that was first described in writing by Jing Fang in Han dynasty China. It is based on correlating trigrams to the Celestial Stems and Earthly Branches of the Chinese calendar, and then using the stem and branch elements to interpret the lines of the trigrams and hexagrams of the I Ching. The method is popular in South East Asia. It is known by various names: (Liu Yao) (six lines divination) refers to the fact that it interprets the meaning of six symbols; the Najia method, indicates its logic of elemental values derived from the Chinese calendar; Huo Zhu Lin (火珠林), or the Fire Pearl Forest method, refers to a classical textual tradition associated with this form of divination; Wu Xing Yi (changes of the five elements); or Wen Wang Ke (Lessons of King Wen).
Despite being the mainstream method of practical I Ching divination in China, Wen Wang Gua and the Na Jia system were largely absent from major English-language translations of the I Ching throughout the twentieth century. Richard Wilhelm, in his appendix on the coin oracle, acknowledged the existence of this system, noting that there is "yet another kind of coin oracle, employing, besides the hexagrams of the I Ching, the 'five stages of change,' the cyclic signs, etc." He described it as a practice "used by Chinese soothsayers" and characterized it as a perpetuation of the ancient tortoise oracle that was "gradually supplanted by the I Ching." This characterization is not consistent with the system's continued and widespread use in Chinese divinatory practice.
The name Wen Wang Gua means "King Wen's fortune telling hexagrams" (or trigrams, since gua can mean either hexagram or trigram). King Wen of Zhou and his son are traditionally said to be the authors of the I Ching. The elemental correspondences of the trigrams were not originally part of the tradition associated with King Wens name, but may have been based on a trigram sequence described in the Eighth Wing (one of the Ten Wings, a series of appendixes to the I Ching which are usually ascribed to Confucius). That the use of element correlation theories was relevant at the time can be seen from the extant records, such as the Luxuriant Dew of the Spring and Autumn Annals, a compilation of earlier texts which was attributed to Dong Zhongshu. As one modern researcher remarks: "Dong Zhongshu is generally remembered as the author of a detailed system of correspondences in which everything was correlated to one of the five fundamental forces, so that everything could be shown to be interrelated in an orderly and comprehensible manner." Jing Fang and his teacher, the author of the "Forest of Changes by Jiao", were among the first to apply this form of correlative thinking to I Ching divination.
This is the text from section 5 of the Eighth Wing, an appendix to the I Ching, which relates the trigrams to the seasons of the year, and indirectly to the elements:
Kan and Sun (☳ and ☴) correlate with wood, the first of the elements in the Chinese calendar, then Li (☲) with fire, Khwan (☷) with earth, Tui and Khien (☱ and ☰) with metal, and Khan (☵) with water. Thus the elements appear in their generating sequence, which correlates with the seasons of the year and the trigrams. The Kăn trigram (☶), correlating with earth, has been placed at the end of the sequence because in it is said that God has completed His work, and this must appear to us at the end, even if from the point of view His relation with creation the work was actually complete after Khwan, after the greatest service is done for Him and before He does His own rejoicing and struggling.
Section 2 of the Eighth Wing relates line positions top, middle and bottom to Heaven, Man and Earth respectively. Although traditionally attributed to Fu Xi, Shao Yong's binary or lexicographical order first appears in the eleventh century AD:
Larry James Schulz writes in his dissertation Lai Chih-Te, (1525-1604) and the phenomenology of the “Classic of Change” (Yìjīng):
More about this system can be found in Fung Yu-lan’s A History of Chinese Philosophy, Volume II.