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William Postance
William Postance
William Postance
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William C. F. Postance (June 4, 1874 – April 14, 1953) was an American and British theatre actor, playwright, producer, director and silent film actor.

Key Information

Early life and career

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William C. F. Postance[1] was born on June 4, 1874, in Great Britain.[2] He worked as a theatre actor, playwright, producer, director and film actor. He started as a 13-year-old call boy at the Garrick Theatre. At the age of 15, Postance worked as a prompter in the production of Diplomacy to Queen Victoria.[3] He joined Olga Nethersole in Sandou's La Tosca.[4]

He worked as William Gillette's personal director for 13 years and worked with him for over 40 years. He helped Gillette prepare the stage adaptation of Sherlock Holmes and directed its London production.[1][5] He performed before Queen Victoria, Edward VIII, William Ewart Gladstone and Woodrow Wilson.[1] Throughout his career, he was involved in 167 plays.[1] His last stage appearance was The Man Who Came to Dinner in 1940.[4]

Plays

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Films

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Personal life

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Postance died, at the age of 78, on April 14, 1953, at St. Mary's Hospital in Hoboken, New Jersey.[1][5]

References

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William Postance

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''William Postance'' is a British-born American theatre actor, director, and stage manager known for his prolific career on Broadway spanning from 1899 to 1942 and his contributions to early silent films. Born on June 4, 1874, in London, England, Postance emigrated to the United States where he established himself as a multifaceted theatre professional, taking on roles as actor, director, stage manager, and playwright across numerous productions. He was particularly associated with Broadway productions of Sherlock Holmes by William Gillette, serving as stage manager in 1899, director in 1915, and both stager/director and actor (notably as Sidney Prince) in the 1929 revival. His other Broadway acting credits include roles in shows such as The Wookey (1941), The Man Who Came to Dinner (1939), and Tea for Three (1918), while he also wrote the play The Governor and the Boss. In film, Postance worked as an actor and assistant director, appearing in the 1916 silent film Sherlock Holmes as Sidney Prince and in The Iron Woman as Robert Ferguson. He died on April 14, 1953, in Hoboken, New Jersey.

Early life

Origins and birth

William Postance was born on June 4, 1874, in London, England, UK. He was British by birth and nationality. Postance later became affiliated with American theatre following his relocation to the United States, where his professional involvement began in 1899.

Theatre career

Early Broadway involvement (1899–1910s)

William Postance began his Broadway career in 1899 as stage manager for the original production of Sherlock Holmes. The play, written by William Gillette and based on characters created by Arthur Conan Doyle, opened at the Star Theatre on November 6, 1899, and ran through June 1900. This marked his initial involvement on Broadway as a stage professional. In the subsequent decade, Postance transitioned to acting roles in several productions. He appeared as a performer in Detective Sparks, a comedy that opened on August 23, 1909. The following year, he played the role of Thomas in the drama The Gamblers, which ran from October 31, 1910, to April 2, 1911. His early documented acting credits remain limited, reflecting a period when many stage professionals took on small or supporting roles alongside behind-the-scenes work. Postance continued appearing as an actor into the later 1910s, with credits including Double Exposure in 1918 and the role of The Valet in Tea for Three, which opened on September 19, 1918, and ran until June 7, 1919. Over the course of his entire theatrical career, he was involved in 167 plays, according to his New York Times obituary.

Directing and stage management

William Postance's directing career was most prominently associated with revivals of the play Sherlock Holmes, which he directed in 1915 and 1929. The 1915 production, which ran from October 11 to November 6 at the Empire Theatre, marked one of his key directing credits on Broadway. In the 1929 revival, he again directed the production while also performing the role of Sidney Prince. Earlier in his career, Postance accumulated extensive experience as a stage manager and assistant stage manager on Broadway, particularly in productions connected to William Gillette. He served as stage manager for the original 1899 Broadway production of Sherlock Holmes, contributing to the technical and managerial aspects of the long-running success. These roles established him as a reliable behind-the-scenes figure in Gillette's company before he transitioned to directing select revivals. Postance also briefly crossed into film as assistant director on the 1916 silent film adaptation of Sherlock Holmes, where he assisted director Arthur Berthelet by drawing on his stage expertise with the material. His directing credits remained limited primarily to the Sherlock Holmes revivals, reflecting a focused contribution rather than a broad directorial portfolio.

Playwriting and producing

William Postance had limited involvement in playwriting, with his only confirmed Broadway credit in that capacity being as co-playwright for The Governor and the Boss, which opened on April 27, 1908. The production was co-written with Guy Fletcher Bragdion. Broadway records indicate this as his sole writing credit. Postance's career included extensive participation in Broadway productions across multiple roles, contributing to the producing process through his work as director and stage manager on numerous shows. Specific credits as producer are not detailed in major Broadway databases, though his overall involvement spanned many productions in capacities that supported theatrical production.

Later stage career (1920s–1940s)

In the 1920s and 1930s, William Postance continued his long association with Broadway primarily as a supporting actor, taking on small but consistent roles in various plays while occasionally contributing as a director or stage manager. He appeared as Mr. Burroughs in the comedy Quarantine (1924) and as Another Tough Guy in Easy Terms (1925). In 1928, he played Hardy in Possession and A Decorator in The Lady of the Orchids. Postance's activity in the 1930s included performances in The Distant Shore (1935) in the street scene ensemble and as Hotel Floor Clerk in A Touch of Brimstone (1935). He returned in The Man Who Came to Dinner (1939), portraying both a Luncheon Guest and a Plainclothesman in Moss Hart and George S. Kaufman's hit comedy. He also staged the 1931 revival of James M. Barrie's The Admirable Crichton. His final Broadway involvement came during the early 1940s as assistant stage manager and replacement performer (as Navvie) in The Wookey (1941–1942). Postance's stage appearances tapered off after this, marking the conclusion of his Broadway career that had begun in the late 19th century.

Film career

Silent film roles and contributions

William Postance made a limited but noteworthy transition to silent films in 1916, appearing in supporting acting roles and contributing behind the camera in one production. These engagements represent his only documented credits in motion pictures, highlighting the secondary place that cinema occupied in his long career focused primarily on the theater. In the 1916 Essanay adaptation of Sherlock Holmes, Postance served as assistant director to Arthur Berthelet while also performing the role of Sidney Prince. As the longtime stage director for William Gillette's theatrical productions of Sherlock Holmes, Postance brought his experience from the stage to assist in the film's direction, bridging his established work in live performance with the emerging medium of film. The film featured Gillette reprising his iconic portrayal of the detective. Postance also took an acting role in the silent drama The Iron Woman (1916), directed by Carl Harbaugh, where he portrayed Robert Ferguson. This film, based on Margaret Deland's novel, marked his second and final appearance on screen. These brief contributions to silent cinema in 1916 remain Postance's sole film credits, reflecting a short-lived exploration of the medium amid his more prominent stage pursuits.

Personal life

Marriage and family

William Postance married Sybil Campbell of London in 1902. The marriage lasted until her death in the 1930s. Sources list the union as beginning in 1902 with no further end date specified beyond her passing. No records indicate any children or additional family members.

Death

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