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906
906
906
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Years
Millennium
1st millennium
Centuries
Decades
Years
906 by topic
Leaders
Categories
906 in various calendars
Gregorian calendar906
CMVI
Ab urbe condita1659
Armenian calendar355
ԹՎ ՅԾԵ
Assyrian calendar5656
Balinese saka calendar827–828
Bengali calendar312–313
Berber calendar1856
Buddhist calendar1450
Burmese calendar268
Byzantine calendar6414–6415
Chinese calendar乙丑年 (Wood Ox)
3603 or 3396
    — to —
丙寅年 (Fire Tiger)
3604 or 3397
Coptic calendar622–623
Discordian calendar2072
Ethiopian calendar898–899
Hebrew calendar4666–4667
Hindu calendars
 - Vikram Samvat962–963
 - Shaka Samvat827–828
 - Kali Yuga4006–4007
Holocene calendar10906
Iranian calendar284–285
Islamic calendar293–294
Japanese calendarEngi 6
(延喜６年)
Javanese calendar805–806
Julian calendar906
CMVI
Korean calendar3239
Minguo calendar1006 before ROC
民前1006年
Nanakshahi calendar−562
Seleucid era1217/1218 AG
Thai solar calendar1448–1449
Tibetan calendarཤིང་མོ་གླང་ལོ་
(female Wood-Ox)
1032 or 651 or −121
    — to —
མེ་ཕོ་སྟག་ལོ་
(male Fire-Tiger)
1033 or 652 or −120
King Constantine II of Scotland

Year 906 (CMVI) was a common year starting on Wednesday of the Julian calendar.

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Britain

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  • King Constantine II of Scotland calls for an assembly to meet at Scone. Scottish Christian clergy under Bishop Cellach pledges that the laws and disciplines of the faith, and the laws of churches and gospels, should be kept pariter cum Scottis.[1]

Arabian Empire

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Asia

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906

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9:06 (Slovenian: ''Ofsajd'') is a 2009 Slovenian-German co-production thriller film directed by Igor Šterk, focusing on a police detective named Dušan who investigates the apparent suicide of Marjan Ozim, a middle-aged music teacher found hanged in his apartment at exactly 9:06 a.m., leading Dušan into an obsessive unraveling of the victim's life and his own psyche. The story unfolds as a psychological mystery, with Dušan inhabiting the deceased's space and adopting elements of his identity, exploring themes of alienation, identity, and the blurred lines between investigator and suspect. Starring Igor Samobor as Dušan, Silva Čušin as his wife, and Labina Mitevska in a supporting role, the film was produced by A.A.C. Productions, Gustav Film, and Majador Film, and premiered in Slovenia in 2009, with a theatrical release following the festival screening. It was selected as Slovenia's official entry for the Best Foreign Language Film category at the 83rd Academy Awards but did not receive a nomination. Critically, the film received mixed reviews for its atmospheric tension and character study, earning a 35% approval rating on Rotten Tomatoes based on limited audience and critic scores, praised for its elegant pacing but critiqued for occasional narrative ambiguity.

Overview

Plot

9:06 centers on Dušan, a police inspector in Slovenia, who is assigned to investigate the apparent suicide of Marjan Ozim, a middle-aged music teacher whose body is discovered in the waters below the Solkan Bridge at precisely 9:06 a.m. Initially driven by professional duty, Dušan examines the circumstances of Ozim's death, including the deceased's orderly life and the symbolic timing frozen on his wristwatch. The investigation leads Dušan to Ozim's modest apartment in Solkan, where he uncovers details about the victim's routines and personal world, sparking an unexpected personal connection. As Dušan's inquiry deepens, his commitment evolves from routine procedure into a consuming obsession, prompting him to secretly occupy Ozim's apartment and immerse himself in the remnants of the deceased's existence. This gradual assumption of Ozim's identity blurs the boundaries between investigator and investigated, transforming the case into a psychological exploration of self and illusion. Set against the stark landscapes of Slovenia, including the bridge's ominous presence and the intimate confines of the apartment, the narrative unfolds as a thriller that examines the fragility of personal boundaries amid isolation and introspection.

Cast

The film 9:06 features a predominantly Slovenian ensemble cast, led by Igor Samobor in the central role of Dušan, the obsessive police inspector whose investigation drives the narrative. Labina Mitevska portrays Milena, a pivotal figure in Dušan's probe that blurs personal and professional boundaries. Supporting the leads are Silva Čušin as Majda, Dušan's ex-wife whose bitterness underscores his emotional isolation; Pavle Ravnohrib as Tine; Gregor Baković as the Pathologist; Jana Zupančič as Veronika; Iva Markovič as Sara, Dušan's daughter; Vesna Pernarčič as Polona; Matija Vastl as Zoran; Olga Kacjan as the Lady on a motorbike; Kristijan Guček as the Hacker; Peter Harl as the Waiter; Ivanka Mežan as the Neighbour; Janez Starina as the Chief of police; and Jure Henigman as David. Samobor's performance as Dušan is noted for its restrained intensity, conveying the inspector's gradual psychological unraveling through subtle glances and physicality, which heightens the thriller's exploration of identity and obsession. Čušin delivers a compelling turn as Majda, embodying deep-seated resentment that mirrors Dušan's inner turmoil and adds layers to the film's intimate character studies. The supporting ensemble, including Mitevska's enigmatic Milena and the colleagues played by Ravnohrib and Baković, contributes to the psychological depth by populating Dušan's world with understated interactions that evoke isolation and unspoken trauma. The selection of Slovenian actors enhances the film's intimate noir atmosphere, with their naturalistic performances and sparse dialogue fostering a sense of enigmatic restraint that amplifies the thriller's cerebral tension and emotional undercurrents.

Production

Development

The screenplay for 9:06 was co-written by director Igor Šterk and Siniša Dragin, originating from the working title Ofsajd and developing into a psychological thriller centered on identity themes. The script earned the Vesna Award for Best Screenplay at the 12th Festival of Slovenian Film in 2009, with the jury praising its "successful dramaturgical weaving of a story about identity swap." Šterk, building on his experience with prior films such as Tuning (2005), conceived the project as an extreme human story conveyed through stylistic rigor, blending elements of crime drama and psycho-thriller while drawing from noir traditions and themes of obsession. A key creative decision was the film's 71-minute runtime, designed to sustain narrative tension without excess. The production was supported by a budget of approximately 1,401,562 EUR, involving co-productions with A.A.C. Productions, Gustav film, and Majador Film, alongside contributions from RTV Slovenija as co-producer and funding from Creative Europe and ZDF. Co-producers included Frenk Celarc, Igor Šterk, Alexander Bohr, and Christoph Thoke, with Petra Vidmar serving as executive and line producer.

Filming

Principal photography for 9:06 took place in 2008, primarily in Slovenia and Croatia, capturing the film's intimate thriller atmosphere through diverse locations that emphasized isolation and tension. Key shooting sites included the Solkan Bridge (Solkanski most) in Solkan, Slovenia, which served as a pivotal setting for dramatic sequences, as well as the islands of Cres and Mana in Croatia, where exterior and island scenes were filmed to evoke a sense of remoteness. The production utilized 35mm film stock to achieve a noir aesthetic, with a 1.85:1 aspect ratio and stereo sound enhancing the psychological depth and visual intimacy of the thriller. Cinematographer Simon Tanšek led the visual capture, employing techniques that highlighted the film's themes of obsession, including specialized underwater footage operated by Jure Černec to depict submerged and introspective moments. Editor Petar Marković handled the initial assembly of footage, while the score was composed by Jura Ferina and Pavao Miholjevič to underscore the mounting tension. Sound design by Julij Zornik, who won a Vesna Award for his work, focused on creating an immersive audio landscape that amplified the confined, introspective scenes in apartments and other tight spaces. On-set operations were managed by assistant directors Mitja Senčur, Miha Čeak, and Tijana Zinajić, who coordinated the challenges of filming in varied terrains, such as the logistical demands of underwater shots and maintaining narrative intensity during extended takes in psychologically charged, enclosed environments like the protagonist's apartment. Production designer Nataša Rogelj crafted sets that blurred boundaries of identity and isolation, contributing to the film's thematic core, with costume design by Katja Rosa and makeup by Gabrijela Fleischman ensuring character authenticity amid the evolving personal unraveling. These elements collectively supported the director's vision of a taut, character-driven procedural.

Release

Premiere

The world premiere of 9:06 took place at the EuroCine 27 festival in Paris and Brussels on May 9, 2009, representing Slovenia in this EU member states film event. The film's Slovenian premiere occurred at the 12th Festival of Slovenian Film in Portorož, Slovenia, from October 1–3, 2009, where it was screened in competition and received multiple Vesna Awards, including for Best Film, Best Directing, and Best Leading Actor (detailed in Accolades). Following its domestic debut, 9:06 had its next major international screenings starting at the 31st CINEMED (Montpellier Mediterranean Film Festival) in Montpellier, France, from October 23–November 1, 2009, competing in the feature film section. The film continued its festival run in 2010 with screenings at the 45th Karlovy Vary International Film Festival from July 2–10 in the East of the West competition (Czechia) and the 11th Festival del Cinema Europeo in Lecce, Italy, where it earned a Jury Award for Best Cinematography and a Special Prize for "the stylistic rigour with which an extreme human story is told," highlighting early appreciation for its formal innovation. Later retrospective screenings included the 6th South East European Film Festival (SEEFest) in Los Angeles, United States, in 2011, as part of a Slovenian film retrospective titled "Slovenia Begs to Differ," and the 25th FilmFestival Cottbus in Germany in 2015.

Distribution

The film 9:06 was distributed theatrically in Slovenia by Cinemania Group following its festival premiere, with screenings commencing in late 2009. Internationally, releases were primarily limited to festival circuits, including competitions at the Karlovy Vary International Film Festival and the South East European Film Festival, rather than wide commercial runs. In 2011, US rights were acquired by Vanguard for limited distribution, marking one of the few territorial deals outside Europe. Slovenia submitted 9:06 as its entry for the Best Foreign Language Film category at the 83rd Academy Awards in 2010, though it did not advance to the shortlist. This selection highlighted the film's potential for broader recognition but underscored the challenges faced by low-budget Slovenian productions in penetrating major markets. For home media, the film was released under the technical title 906 for distribution purposes, with a Slovenian DVD edition featuring English subtitles available in limited quantities around 2009. No major Blu-ray or widespread physical releases were produced, though archival access persists through festival libraries and online platforms tied to European broadcasters. Co-funding from ZDF facilitated European television rights, enabling broadcasts in Germany and select neighboring countries. As a low-budget Slovenian production from Gustav Film and A.A.C. Productions, 9:06 encountered market challenges typical of independent Eastern European cinema, prioritizing arthouse venues and over 30 international festivals for exposure over mainstream theatrical expansion.

Reception

Critical response

"9:06" received mixed reviews from international critics, with praise for its stylistic rigor in exploring an extreme psychological narrative but some noting narrative ambiguities. Variety described the film as a "coolly elegant one-man police procedural [that] slowly develops into a beguiling psychological mystery," highlighting its genre-bending qualities and ability to evoke an enigmatic mood through precise editing and visual suggestion. Similarly, The Hollywood Reporter commended its "elegant, elliptical precision," noting the screenplay's economy and potent gestures that convey deep emotional layers without excess dialogue. In Slovenian press, the film received positive coverage in outlets like Delo and Mladina. Critics frequently highlighted the film's thematic depth as a noir-inflected psychological drama centered on obsession and identity. The narrative's exploration of a detective's unraveling psyche, mirroring the suicide victim's life, drew comparisons to film noir traditions through its focus on guilt, isolation, and existential despair. The Hollywood Reporter characterized it as a "cerebral mystery that plays with questions of identity while plumbing the depths of obsession and despair," with the title "9:06" symbolizing mirroring and reversal. Alt Film Guide positioned it as a "psychological study about a man... obsessed with death," praising how the protagonist's transformation raises profound questions about personal loss and metamorphosis. At festivals like Karlovy Vary, reviewers appreciated its East European thriller vibe, blending subdued tension with subtle social commentary on Slovenia's high suicide rates. Slovenian critics lauded the film's tension-building, with positive coverage in outlets like Delo for its atmospheric restraint and Igor Samobor's restrained performance. Internationally, quotes underscored its impact: Destroy the Brain! noted that "Igor Sterk has made a beautiful and complex film about life and death amid a police procedural," emphasizing quiet moments and cinematography that heighten unease. Variety awarded it strong praise for Samobor's "steely reserve and Weltschmerz," making the character's obsession believable. These elements contributed to its acclaim, including Best Film at the 2009 Slovenian Film Festival in Portorož. Some reviewers pointed to areas for improvement, particularly regarding the film's concise 71-minute runtime, which while allowing measured pacing, occasionally felt rushed in developing deeper character motivations. Destroy the Brain! critiqued the enigmatic approach for leaving elements "not fully explained or developed enough," resulting in emotional distance that might alienate viewers seeking clearer resolutions. Variety acknowledged the midsection's breathing room but implied the brevity trades fuller backstory for mystery.

Accolades

At the 12th Festival of Slovenian Film in Portorož (2009), 9:06 achieved a historic sweep, securing nine Vesna Awards out of 17 presented, along with two additional special honors, marking it as a milestone in Slovenian cinema for its dominance in national recognition. The film won Vesna Awards for Best Film (praised for its innovative use of cinematic illusion), Best Director (Igor Šterk, for masterful control of actors and craft), Best Screenplay (Siniša Dragin and Igor Sterk, for weaving a compelling identity swap narrative), Best Leading Actor (Igor Samobor, for his suggestive and consistent performance), Best Supporting Actress (Silva Čušin), Best Cinematography (Simon Tanšek), Best Editing (Petar Marković), Best Music (Pavao Miholjević), and Best Sound Design (Julij Zornik). It also received the Kodak Award for Best Cinematography (Simon Tanšek) and the Stop Magazine Award for Best Actor (Igor Samobor). Internationally, 9:06 earned further acclaim in 2010. At the 26th Alexandria International Film Festival for Mediterranean Countries, it won Best Directing for Igor Šterk. At the 11th Festival del Cinema Europeo in Lecce, Italy, the film received Best Cinematography and a Special Jury Prize (shared, for its stylistic rigor in telling an extreme human story). The film was selected as Slovenia's official submission for the Best Foreign Language Film category at the 83rd Academy Awards in 2010 but was not shortlisted. Overall, 9:06 garnered 14 awards and 1 nomination across its festival run.
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