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Al Rex
Al Rex
Al Rex
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Key Information

Bill Haley and His Comets in 1956. Left to right: Rudy Pompilli, Billy Williamson, Al Rex, Johnny Grande, Ralph Jones, Franny Beecher. Top: Bill Haley.

Albert Floyd Piccirilli (July 13, 1928 – May 24, 2020), also known by his stage name Al Rex, was an American bass player for Bill Haley & His Comets and its predecessor Bill Haley and the Saddlemen.[2][3]

Background

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He started playing for them in 1949 and became noted for "wild antics" on stage. He formed his own band, Al Rex and the Regaleers in 1960. He left the music industry soon after, although he continued to perform on occasion. He later had a wife[1] and fathered eight children.[4] On May 24, 2020, he died in his Norristown, Pennsylvania home from pneumonia.[5]

Film appearances

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He appeared as a member of the band in the 1950s films Rock Around the Clock (1956) and Don't Knock the Rock (1957).

References

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Al Rex

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Al Rex was an American rock and roll bassist known for his tenure with Bill Haley & His Comets during the band's breakthrough years in the mid-1950s. He contributed slap bass techniques and energetic stage presence to the group's pioneering rockabilly sound, while also serving as a featured vocalist and comedian. Born Albert Floyd Piccirilli on July 13, 1928, in Black Horse, Pennsylvania, Rex joined Bill Haley and the Saddlemen in the late 1940s and played on their 1951 recording of "Rocket 88" before briefly leaving to attempt a solo career. He rejoined the group—now renamed Bill Haley & His Comets—in 1955 as the replacement for departing bassist Marshall Lytle, remaining until 1958 and appearing in the early rock and roll films Rock Around the Clock (1956) and Don't Knock the Rock (1956). During and after his time with the Comets, Rex pursued solo work, releasing rockabilly singles including the notable "Hydrogen Bomb" and forming groups such as Al Rex and the Regaleers and later Al Rex and the Sound of Haley's Comets in the late 1970s. Rex left full-time performing in the early 1960s to support his family but continued occasional appearances and session work over the decades. He was inducted into the Rock and Roll Hall of Fame in 1987 as a member of Bill Haley & His Comets. He died on May 24, 2020, in Norristown, Pennsylvania, at the age of 91.

Early life

Birth and background

Al Rex was born Albert Floyd Piccirilli on July 13, 1928, in Black Horse, Pennsylvania. He grew up in Pennsylvania with deep roots in the region, though little is documented about his early family life or childhood activities prior to adulthood. Multiple reliable sources confirm his birth year as 1928, including archival records and memorial tributes, while conflicting listings such as IMDb's 1921 date appear to be erroneous based on consistent evidence from other outlets. He later adopted the stage name Al Rex upon entering his professional music career.

Music career

With Bill Haley and His Saddlemen

Al Rex joined Bill Haley and His Saddlemen in 1949 as the group's bassist, featured vocalist, and comedian. He became known for his wild stage antics and distinctive slap bass style, which contributed to the band's early fusion of western swing and rhythm and blues elements. During his tenure with the Saddlemen, Rex participated in the 1951 recording of "Rocket 88," a cover of the Jackie Brenston song that marked an early milestone in the group's transition toward rock and roll. He left the band shortly after this session to pursue solo opportunities, with Marshall Lytle replacing him on bass before the group evolved into Bill Haley & His Comets. Rex rejoined Haley in 1955 under the Comets name.

With Bill Haley & His Comets

Al Rex rejoined Bill Haley & His Comets in 1955 as bassist, replacing Marshall Lytle who had departed to form the Jodimars. This marked his return to Haley's group after an earlier stint with Bill Haley and the Saddlemen in the late 1940s and early 1950s. He contributed during the band's commercial peak, participating in stage shows, recordings, and film appearances amid the widespread rise of rock and roll. Rex became known for his energetic and comedic performance style, employing slap bass techniques that added percussive drive and performing acrobatic stunts such as standing on his double bass, laying it flat, or playing it sideways to captivate audiences. His showmanship complemented the band's high-energy presentations and helped define their visual appeal during live performances and tours, including shows in London in 1957. He appeared with the Comets in the feature films Rock Around the Clock (1956) and Don't Knock the Rock (1956), where his playing and stage antics were captured on screen. Sources indicate Rex remained with the group until 1958, when he departed to form his own band, Al Rex and the Regaleers. Some family accounts recall his exit around 1960, though most contemporary references align on 1958 as the end of his tenure.

Solo career and later activities

Following his departure from Bill Haley & His Comets in 1958, Al Rex pursued a brief solo career in music. He formed his own group, Al Rex and the Regaleers, around 1960 and recorded several singles during the late 1950s and 1960s. Among these was the 1959 rockabilly track "Hydrogen Bomb," which featured an upbeat tempo, doo-wop-style harmonies, and lyrics invoking apocalyptic imagery tied to Cold War fears of nuclear annihilation. The song described the hydrogen bomb as a "big loud noise" that would make everything "real gone," but it and Rex's other solo releases failed to achieve commercial success despite later being regarded as an underground classic. Rex largely withdrew from the full-time music industry in the early 1960s to take a stable job at Alan Wood Steel and focus on raising his family. He continued to perform on occasion in subsequent years, including leading a group called Al Rex and the Sound of Haley's Comets in the late 1970s.

Film and television appearances

Feature films

Al Rex made uncredited appearances in two feature films as a bassist and member of Bill Haley & His Comets during the mid-1950s rock and roll boom. He appeared with the group in Rock Around the Clock (1956), a musical film built around the band's signature hit, where the Comets performed several songs on screen including "See You Later, Alligator." In Don't Knock the Rock (1956), another rock and roll-themed feature directed by Fred F. Sears, Al Rex again appeared uncredited alongside Bill Haley & His Comets, performing in musical sequences. These were his only feature film appearances, reflecting the band's role in early rock and roll cinema rather than individual starring roles.

Television and other media

Al Rex's appearances in television and other non-theatrical media were relatively sparse and almost entirely connected to his role as bassist with Bill Haley & His Comets during the band's commercial peak in the mid-1950s. These credits typically featured him as a performing musician within the group rather than in any individual or starring capacity. He appeared as himself alongside the Comets in the short documentary film The Pied Piper of Cleveland (1955), which captured live performances by the band and other artists during a day of events hosted by disc jockey Bill Randle in Cleveland. In 1956, Rex performed as a Comets musician in one episode of the television series Arthur Godfrey and His Friends. That same year, he also appeared as a Comets musician in the television movie Atlantic City Holiday. Later, Rex received an uncredited musician credit for the inclusion of the Comets' recording of "See You Later Alligator" in the soundtrack of the Mexican feature Jóvenes y rebeldes (1961). Overall, his television and ancillary media contributions remained limited in number and scope, primarily serving the band's collective promotional efforts during their rock and roll breakthrough era.

Personal life

Family and later years

Al Rex was married to Mary, who died in 2018. He fathered nine children. In the early 1960s, with a large family to care for, he left the music business on a full-time basis and took a job at Alan Wood Steel in Pennsylvania. He continued to perform occasionally throughout the remainder of his life. In his later years, Al Rex resided in the Norristown area of Pennsylvania (specifically in Jeffersonville at the time of his death).

Death

Passing and legacy

Al Rex died on May 24, 2020, in Norristown, Pennsylvania, at the age of 91. As a pioneering bassist in early rock and roll, Al Rex's legacy is tied to his energetic stage presence and bass-slapping technique while performing with Bill Haley & His Comets, which helped define the genre's sound and visual spectacle during its formative years in the 1950s. His acrobatic performances and rhythmic contributions to hits and rock films left a lasting impact on the development of rockabilly and rock bass playing. He was inducted into the Rock and Roll Hall of Fame in 1987 as a member of Bill Haley & His Comets.
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