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Ala Ela
Ala Ela
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Ala Ela
Theatrical release poster
Directed byAneesh R. Krishna
Produced byAshok Vardhan
Starring
CinematographySai Sriram
Music byBheems Ceciroleo
Production
company
Ashoka Creations
Release date
  • 28 November 2014 (2014-11-28)
CountryIndia
LanguageTelugu

Ala Ela (transl. How so?) is a 2014 Indian Telugu-language film directed by Anish R. Krishna and produced by Ashok Vardhan. The film stars Rahul Ravindran, Hebah Patel, Kushi, Bhanu Sri Mehra, Vennela Kishore, and Shani Salmon.[1] The music was composed by Bheems Ceciroleo with cinematography by Sai Sri Ram. The film was released on 28 November 2014.

Plot

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Karthik (Rahul Ravindran) is forced to fulfill the last wish of his grandfather: marry a village girl named Divya (Kushi). Karthik wants to get introduced to her in anonymity and then fall in love before getting married. He gathers his funky friends - a victim of wife (Vennela Kishore) and a guy (Shani Salmon) who thinks he is creative. After going to the village, Karthik meets Shruti (Hebah Patel) and then Divya. The rest of the story is all about what happens when Karthik realises that he has feelings for Shruti instead of Divya.

Cast

[edit]

Soundtrack

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The soundtrack of the film was composed by Bheems Ceciroleo. The soundtrack album was released on 29 July 2014 at 7 Acres, Annapurna Studios Hyderabad[2] and its consists of six songs. Lyrics for the songs were written by Sirivennela Seetharama Sastry, Vanamali and Bheems Ceciroleo.

Ala Ela
Soundtrack album by
Released29 July 2014 (2014-07-29)
Recorded2014
GenreFilm soundtrack
Length22:34
LabelAshoka Music
ProducerBheems Ceciroleo
Bheems Ceciroleo chronology
Joru
(2014)
Ala Ela
(2014)
Bengal Tiger
(2015)
Track listing
No.TitleSinger(s)Length
1."No No Mistake"Ranjith3:57
2."Prati Chinukulo"Pranavi3:38
3."Osho"Harish Raghavendra4:39
4."Edutakaladu"Sooraj3:42
5."Dhanak Dhanak"Neha Kakkar2:27
6."Enduke"Sooraj4:11
Total length:22:34

Reception

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Jeevi of Idlebrain rated the film 3/5 and wrote, "Plus points are fresh taking, fun moments and male leads. On the flipside, second half is sluggish. [...] On a whole, Ala Ela is a kind of film which falls short of being a good film, but makes an okay watch!"[3] Hemanth Kumar of The Times of India rated the film 3/5 stars and wrote, "There’s so much to like about the film, especially the sharp writing, bromance, pleasant music. And it makes you question if the film could have been much more than what it aims for, but there’s no denying that it strikes the right chords for most part."[1] Sangeetha Devi Dundoo of The Hindu wrote, "What this film lacks is pace and requires some patience. Watch this film for some laugh aloud moments."[4]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Ala Ela is a 2014 Indian Telugu-language romantic comedy film directed by Aneesh Krishna and produced by Ashok Vardhan under the banner of Ashoka Creations. The story centers on Karthik, an IT professional in Hyderabad played by Rahul Ravindran, who promises his dying grandfather to marry a village girl named Divya, portrayed by Khushi, as per the elder's final wish. To win her affection without revealing the arranged marriage setup, Karthik travels to her village with two childhood friends, adopting a fake identity and embarking on a road trip filled with comedic mishaps, eventually leading to genuine romance. Hebah Patel and Vennela Kishore play supporting roles as key friends, contributing to the film's humorous tone through their performances. Released on November 28, 2014, the film features music composed by , with standout tracks enhancing its lighthearted narrative. It received positive reception for its engaging dialogues, Vennela Kishore's comic timing, and Rahul Ravindran's lead portrayal, earning a 6.9/10 rating on from over 1,000 users and praise as a youth-oriented entertainer. The title Ala Ela, translating to "How so?" in Telugu, reflects the protagonist's dilemmas in navigating and modern romance.

Plot

Summary

Karthik is a young IT professional leading a modern urban life in Hyderabad, surrounded by the fast-paced environment of the city. His world is upended when his grandfather, on his deathbed, extracts a promise from him to marry Divya, a girl from the grandfather's native village whom he has arranged for Karthik since childhood, emphasizing family duty and tradition. Determined to win Divya's affection without revealing the setup, Karthik travels to her village with two childhood friends, adopting a fake identity during the road trip filled with comedic mishaps. En route or upon arrival, he encounters Shruti, an independent and spirited young woman whose free-spirited nature captivates him, sparking an unexpected romantic pursuit that contrasts with his plan for Divya. The narrative unfolds through Karthik's attempts to conceal the truth about the from Divya while navigating his growing affection for Shruti, leading to a series of comedic mishaps and escalating tensions. This draws in his close friends, who provide , as Divya's involvement and the unexpected twist with Shruti intensify the conflicts between familial expectations and personal desires, culminating in family confrontations and a resolution where Karthik fulfills his grandfather's wish in an unforeseen manner.

Themes

Ala Ela explores the tension between urban modernity and rural traditions through the contrasting characterizations of Shruti, who embodies and contemporary aspirations, and Divya, who represents the expectations of and traditional roles in a village setting. This dichotomy highlights the challenges of cultural adaptation when urban individuals encounter rural life, using the protagonists' interactions to illustrate broader societal shifts in contemporary . The film delves into familial duty versus individual choice, symbolized by the grandfather's deathbed promise that compels the urban to honor generational expectations through . This motif underscores the weight of and obligations, portraying how such traditions can both unite and constrain personal freedoms in a framework. Satirizing arranged marriages, Ala Ela critiques deception and communication breakdowns in romantic pursuits, reflecting evolving attitudes toward love in modern Indian society. serves as a to address weightier issues like inheritance disputes and the urban-rural divide, lightening the narrative while exposing hypocrisies in traditional practices. Subtly commenting on roles, the film positions Shruti as a figure of empowerment, navigating relationships with agency, while Divya symbolizes innocence tied to conventional expectations. This portrayal adds depth to the genre, encouraging reflection on women's evolving positions amid cultural transitions.

Cast

Principal cast

Rahul Ravindran portrays Karthik, the conflicted urban protagonist torn between duty and love. This role marked one of his early leading performances in , following his debut lead in the 2012 romantic drama , where he transitioned from supporting roles in Tamil films like (2010) to prominent Telugu leads. Hebah Patel plays Shruti, the feisty, modern love interest who challenges Karthik's deceptions (Voice dubbed by Chinmayi Sripada). Ala Ela served as her Telugu debut, after appearing in the Kannada film Adyaksha and the Tamil film Thirumanam Enum Nikkah earlier in 2014, establishing her as an emerging multilingual actress. Kushi embodies Divya, the innocent village bride representing traditional values. The role marked her debut in , positioning her alongside established leads in this romantic ensemble.

Supporting cast

portrays Keerthan, one of Karthik's childhood friends and a henpecked whose comedic struggles with his domineering provide much of the film's humorous relief, often through witty dialogues and exaggerated reactions that highlight the protagonist's schemes. Bhanu Sri Mehra plays Keerthan's nagging wife, a familial figure whose overbearing presence influences the group's dynamics during the road trip and underscores themes of marital pressures in contrast to the plot. Shani Salmon appears as Kalyan, another close friend in the trio, contributing to the village scenes with his self-proclaimed creative persona as a pony-tailed ad agency director, adding layers of cultural contrast between urban antics and rural life. Minor roles include the grandfather, played briefly by an elder actor whose dying wish sets the story in motion before his early demise, along with various villagers and urban acquaintances portrayed by supporting performers like Kondavalasa Lakshmana and Ravi Varma, who flesh out the communal and social backdrop without dominating the narrative.

Production

Development

Ala Ela marked the directorial debut of Aneesh Krishna, who drew inspiration for the film from his personal observations of relationships, particularly the marital dynamics among his friends, which informed the story's exploration of urban-rural cultural clashes in marriage. Krishna initially conceived an investigative crime comedy but adapted the concept to a to fit a more feasible production scale. The script was developed by Krishna himself, completed in approximately one month after pitching the idea to producer Ashok Vardhan, who was on vacation in the United States at the time. Vardhan established Ashoka Creations specifically as the production banner for this project, marking the company's inaugural venture. Envisioned as a low-budget independent production with an estimated cost of ₹4–5 crore, the film prioritized accessible storytelling over high spectacle. Key creative decisions centered on dialogue-driven humor to drive the narrative, with Krishna penning witty exchanges that highlighted character interactions and comedic tension, avoiding reliance on action sequences. For the lead role of the urban protagonist, Krishna selected based on his performance in the 2012 film Andhala Rakshasi.

Filming

Principal photography for Ala Ela began in 2013 and primarily took place over several months in 2014, with the production wrapping up in time for its November release. The cast had significant freedom to improvise, particularly in comic sequences, which contributed to the film's natural humor. Key locations included urban settings in Hyderabad, such as the Cinepolis multiplex in KPHB, for city-based scenes, and rural areas around Palakol in , , where lush green backdrops captured authentic village life and supported the story's urban-rural contrast. Coordinating these rural shoots presented logistical hurdles, including adapting to natural environments for sequences like climbing palm trees, while the improvisational approach on set helped overcome creative challenges, such as doubts about certain comedic characters resonating with audiences. Cinematographer Sai Sriram employed vibrant colors to enhance the comedic elements and natural lighting to underscore emotional moments, resulting in slick visuals bolstered by effective . , including editing, followed promptly after , ensuring the film was completed by November 2014 for its theatrical debut.

Soundtrack

Composition

The soundtrack for Ala Ela was composed by , marking one of his early major works in . Ceciroleo's approach incorporated a mix of folk-infused melodies for sequences evoking rural and village settings, alongside peppy and upbeat rhythms suited to the film's romantic and comedic elements, such as riffs in tracks like "No No Mistake" and accents in "Swaralenno." Composition for the soundtrack commenced in early 2014, aligning with the film's pre-production phase, and culminated in the audio release on 29 July 2014 at an event in Hyderabad. The album features six songs in total, with lyrics contributed by Sirivennela Seetharama Sastry, Vanamali, and Ceciroleo himself, prioritizing catchy melodies and humorous lyrical content to resonate with the comedy genre's lighthearted tone—for instance, breezy numbers like "Oova Oova" highlight playful romance through strong vocal delivery and engaging hooks. The recording took place in , emphasizing authentic instrumentation to support the rural-inspired folk touches in songs such as "Prati Chinukulo" and "Enduke," while upbeat mass tracks like "Dhanak Dhanak" utilized fast-paced beats for energetic impact. Background scores were crafted to amplify emotional transitions in the narrative, integrating seamlessly with the film's comedic pursuits without overpowering the visuals.

Track listing

The soundtrack of Ala Ela features six original songs, released under the Ashoka Music label with a total runtime of 22:34.
No.TitleSinger(s)DurationDescription
1No No MistakeRanjith3:37Playful comedy track
2Swaralenno4:30Romantic track with flute accents
3Dhanak DhanakNeha Khakkara, 3:56Upbeat mass track
4Osho4:10Peppy number
5Oova OovaRevanth4:00Breezy playful romance
6Prati ChinukuloPranavi Acharya4:38Folk-style highlighting rural life
The folk influences of composer are evident in tracks like "Prati Chinukulo," which incorporates traditional rural elements.

Release

Theatrical release

Ala Ela was released theatrically on 28 November 2014 in Telugu-language theaters primarily across and . The film was produced by its banner, Creations, and released on over 1000 screens. Promotions for the film included the launch of its pre-release trailer on 29 July 2014, coinciding with the soundtrack's audio release event to generate early buzz among audiences. Theatrical posters highlighted the elements, featuring the lead actors in lighthearted scenarios to appeal to youthful viewers.

Home media

The film had its television premiere on on February 8, 2015, at 6:30 PM. Ala Ela became available for streaming starting December 9, 2016. It is accessible on platforms such as and received a full HD upload on on September 19, 2025, by Cine Square. This post-theatrical availability extended the film's reach to home viewers and online audiences. No notable re-releases or anniversary editions have occurred as of November 2025.

Reception

Critical reception

Ala Ela received mixed reviews from critics, who appreciated its light-hearted exploration of tropes through humor and character dynamics, while noting issues with pacing and predictability. Hemanth Kumar of awarded the film 3 out of 5 stars, praising its fresh take on as "probably the most bromantic film to have come out from Tollywood in a long time," along with sharp writing and engaging dialogues that highlight the onscreen chemistry among the leads. However, he criticized the sluggish second half, which drags in parts and includes a melodramatic that undermines the overall flow. Jeevi of also rated the film 3 out of 5, commending Kishore's comedic performance for bringing "his personality and his antics into the character to make it lovable and funny," and Rahul Ravindran's charming portrayal, which surprises with its conviction and spontaneity. The review highlighted enjoyable satires but pointed to lull moments in the second half as a drawback. The Hindu offered a positive assessment, describing Ala Ela as one of those small films that "arrive without much noise and turn out to be a surprise," with refreshing humor, laugh-aloud moments, and promise in director Aneesh Krishna's debut for his flair in fleshing out characters. Critics noted surprise elements that enhance its appeal as a low-key entertainer. Overall, the consensus praised the film's light-hearted take on themes but faulted its pacing and predictable elements in the latter portions. On , the film holds a user rating of 6.9 out of 10 based on 122 votes as of 2025.

Box office performance

Ala Ela had a in approximately 100-150 theaters across , competing with larger productions during late 2014. The film recorded modest opening weekend collections estimated under ₹1 in the , reflecting its small-scale distribution and absence of major star appeal. Its total worldwide gross reached approximately ₹2-3 , allowing the low-budget production to recover costs through theatrical earnings, per industry estimates, though no official figures have been released as of 2025. The movie broke even overall via ancillary revenues, including satellite rights acquired by , and emerged as a particularly among urban youth audiences. Positive word-of-mouth driven by its elements helped sustain attendance despite the lack of prominent star power.

References

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